Highway 12 is undoubtedly one of not only America's but the world's most scenic highways. From its intersection on the west with Highway 89 south of Panguitch, Utah, it runs up through Red Canyon onto the Paunsagunt Plateau and across Bryce Canyon National Park. It then drops into the Paria River Valley, passes through several tiny villages, crosses some extraordinary (for anywhere but this region) badlands, and descends the Escalante River into Potato Valley. While a driver may justifiably feel she has seen some scenery by that point, the highway is just getting started, for in the next stretch, it crosses a labyrinth of multicolored sandstone humps and corridors, climaxed by a narrow hogback with steep slickrock drops to each side, all within Grand Staircase-Escalante National Monument. Reaching the oasis of Boulder within this desert of rock, the road then climbs across the flank of the Aquarius Plateau, providing spectacular vistas and terminating at the gateway to Capitol Reef National Park. Along the way side roads and trails access the vast wilderness of the Paria and Escalante Rivers and the high plateaus they drain. Congress acknowledged the unequaled splendor of Highway 12 by designating it one of a handful of All-American Roads.
To travel with Christian Probasco this road and its spurs, which lead deep into some of the wildest, most broken-up and stunning landscapes anywhere, can put a unique twist on an already singular experience. He knows the region as well as anyone and brings an original, edgy, youthful view to it. His opinions and his language may challenge you. His approaches to and perspectives on the land may sometimes surprise you. His understanding of the area's history and its people will likely teach you a thing or two.
Utah, now one of the most conservative states, has a long tradition of left-wing radicalism. Early Mormon settlers set a precedent with the United Order and other experiments with a socialistic economy. The tradition continued into the more recent past with New Left, anti-apartheid, and other radicals. Throughout, Utah radicalism usually reflected national and international developments. Recounting its long history, McCormick and Sillito focus especially on the Socialist Party of America, which reached a peak of political influence in the first two decades of the twentieth century—in Utah and across the nation.
At least 115 Socialists in over two dozen Utah towns and cities were elected to office in that period, and on seven occasions they controlled governments of five different municipalities. This is a little-known story worth a closer look. Histories of Socialism in the United States have tended to forsake attention to specific, local cases and situations in favor of broader overviews of the movement. By looking closely at Utah's experience, this book helps unravel how American Socialism briefly flowered before rapidly withering in the early twentieth century. It also broadens the conventional understanding of Utah history.
People who flyfish know that a favorite river bend, a secluded spot in moving waters, can feel like home—a place you know intimately and intuitively. In prose that reads like the flowing current of a river, scholar and essayist George Handley blends nature writing, local history, theology, environmental history, and personal memoir in his new book Home Waters: A Year of Recompenses on the Provo River.
Handley’s meditations on the local Provo River watershed present the argument that a sense of place requires more than a strong sense of history and belonging, it requires awareness and commitment. Handley traces a history of settlement along the Provo that has profoundly transformed the landscape and yet neglected its Native American and environmental legacies. As a descendent of one of the first pioneers to irrigate the area, and as a witness to the loss of orchards, open space, and an eroded environmental ethic, Handley weaves his own personal and family history into the landscape to argue for sustainable belonging. In avoiding the exclusionist and environmentally harmful attitudes that come with the territorial claims to a homeland, the flyfishing term, “home waters,” is offered as an alternative, a kind of belonging that is informed by deference to others, to the mysteries of deep time, and to a fragile dependence on water. While it has sometimes been mistakenly assumed that the Mormon faith is inimical to good environmental stewardship, Handley explores the faith’s openness to science, its recognition of the holiness of the creation, and its call for an ethical engagement with nature. A metaphysical approach to the physical world is offered as an antidote to the suicidal impulses of modern society and our persistent ambivalence about the facts of our biology and earthly condition. Home Waters contributes a perspective from within the Mormon religious experience to the tradition of such Western writers as Wallace Stegner, Terry Tempest Williams, Steven Trimble, and Amy Irvine.
Winner of the Mormon Letters Award for Memoir.
On September 11, 1857, some 120 men, women, and children from the Arkansas hills were murdered in the remote desert valley of Mountain Meadows, Utah. This notorious massacre was, in fact, a mass execution: having surrendered their weapons, the victims were bludgeoned to death or shot at point-blank range. The perpetrators were local Mormon militiamen whose motives have been fiercely debated for 150 years.
In House of Mourning, Shannon A. Novak goes beyond the question of motive to the question of loss. Who were the victims at Mountain Meadows? How had they settled and raised their families in the American South, and why were they moving west once again? What were they hoping to find or make for themselves at the end of the trail? By integrating archival records and oral histories with the first analysis of skeletal remains from the massacre site, Novak offers a detailed and sensitive portrait of the victims as individuals, family members, cultural beings, and living bodies.
The history of the massacre has often been treated as a morality tale whose chief purpose was to vilify (or to glorify) some collective body. Resisting this tendency to oversimplify the past, Novak explores Mountain Meadows as a busy and dangerous intersection of cultural and material forces in antebellum America. House of Mourning is a bold experiment in a new kind of history, the biocultural analysis of complex events.
Winner of the Society for Historical Archaeology James Deetz Book Award.
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