This unusual volume marks the sixtieth anniversary of the National Bureau of Economic Research. In contrast to the technical and specialized character of most NBER studies, the current book is designed to provide the general reader with a broad and critical overview of the American economy. The result is a volume of essays that range from monetary policy to productivity development, from population change to international trade.
As the world is drawn together with increasing force, our long-standing isolation from—and baffling ignorance of—China is ever more perilous. This book offers a powerful analysis of China and the transformations it has undertaken since 1989.Wang Hui is unique in China’s intellectual world for his ability to synthesize an insider’s knowledge of economics, politics, civilization, and Western critical theory. A participant in the Tiananmen Square movement, he is also the editor of the most important intellectual journal in contemporary China. He has a grasp and vision that go beyond contemporary debates to allow him to connect the events of 1989 with a long view of Chinese history. Wang Hui argues that the features of contemporary China are elements of the new global order as a whole in which considerations of economic growth and development have trumped every other concern, particularly those of democracy and social justice. At its heart this book represents an impassioned plea for economic and social justice and an indictment of the corruption caused by the explosion of “market extremism.”As Wang Hui observes, terms like “free” and “unregulated” are largely ideological constructs masking the intervention of highly manipulative, coercive governmental actions on behalf of economic policies that favor a particular scheme of capitalist acquisition—something that must be distinguished from truly free markets. He sees new openings toward social, political, and economic democracy in China as the only agencies by which the unstable conditions thus engendered can be remedied.
This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)— a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of California, Davis. Learn more at the TOME website, available at: openmonographs.org.
Download the open access book here.
A complex portrait of postdictatorial Chile by one of that country’s most incisive cultural critics, this book uses memoirs, photographs, the plastic arts, novels, and other texts—the “residues” of a culture—to analyze the political-cultural Chilean landscape in the wake of Augusto Pinochet’s seventeen-year military rule. Such residual areas reveal the flaws and lapses in Chile’s transition from violent military dictatorship to electoral democracy.
Nelly Richard's analysis ranges from an exploration of false memories of the recent past—especially memories of violence—to a discussion of the university under neoliberalism; from debates about the use of the word “gender” to an examination of refractory texts and cultural activities such as Diamela Eltit’s “testimonio” of a schizophrenic vagabond, Eugenio Dittborn’s use of photography in art installations, and transvestite performances. In Cultural Residues, each instance becomes a suggestive metaphor for understanding a rapidly modernizing Chile attempting to re-democratize its public life.
This is the first biography of Dale L. Morgan, preeminent Western historian of the fur trade, historic trails, and the Latter Day Saint movement. The book explores how, despite personal struggles, Morgan committed his life to tracking down sources and interpreting the past on the strength of documentary evidence. Connecting Morgan’s life with some of the broad cultural changes that shaped his experiences, this book engages with methodological shifts in the historical profession, the mid-twentieth-century collision of interpretations within Latter Day Saint history, and the development of a descriptive, scholarly approach to that history.
Morgan’s body of work and commitment to serious scholarship signaled the start of new ways of understanding, studying, and retelling history, and he motivated a generation of historians from the 1930s to the 1970s to transform their historical approaches. Sounding board, mentor, and close friend to Nels Anderson, Fawn Brodie, Juanita Brooks, Bernard DeVoto, Wallace Stegner, and Leonard Arrington, Dale Morgan is the common factor linking this influential generation of mid-twentieth-century historians of western America.
The period 1907–1913 marks a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format.
Keil outlines the kinds of narratives that proved most suitable for a single reel’s duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O’Salem-Town; Cupid’s Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.
Contributors. Sumner Benson, Beverly Crawford, Richard t. Cupitt, Dorinda G. Dallmeyer, Paul Freedenberg, Martin J. Hillenbrand, Hanns-Dieter Jacobsen, Bruce W. Jentleson, Kevin J. Lasher, William J. Long, Janne Haaland Matlary, Jere W. Morehead, Henry R. Nau, Han S. Park, Kevin F. F. Quigley, Alen B. Sherr, Christine Westbrook
The 1989-91 upheavals in Eastern Europe sparked a turbulent process of social and economic transition. Two decades on, with the global economic crisis of 2008-10, a new phase has begun.
This book explores the scale and trajectory of the crisis through case studies of the Czech Republic, Hungary, Latvia, Poland, Russia, Ukraine and the former Yugoslavia. The contributors focus upon the relationships between geopolitics, the world economy and class restructuring.
The book covers the changing relationship between business and states; foreign capital flows; financialisation and asset price bubbles; austerity and privatisation; and societal responses, in the form of reactionary populism and progressive social movements.
Challenging neoliberal interpretations that envisage the transition as a process of unfolding liberty, the dialectic charted in these pages reveals uneven development, attenuated freedoms and social polarisation.
Film is in a state of rapid change: the transition from analog to digital is profoundly affecting not just filmmaking and film distribution but a number of other facets of the industry, including the ways in which films are archived. In From Grain to Pixel—the first volume in the new Framing Filmseries from Amsterdam University Press—Giovanna Fossati brings together scholars and archivists to discuss their theories on digitization and to propose new possibilities for future archives.
The esteemed film critic Jonathan Rosenbaum has brought global cinema to American audiences for the last four decades. His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe’s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multi-faceted talent. Goodbye Cinema, Hello Cinephilia gathers together over fifty examples of Rosenbaum’s criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum’s polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn’t disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era.
As we move into this new decade of moviegoing—one in which Hollywood will continue to feel the shockwaves of the digital age—Jonathan Rosenbaum remains a valuable guide. Goodbye Cinema, Hello Cinephilia is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us to elucidate.
Japanese local history is used as an ingredient in historiographical theories designed to prove that the rapid pace of change in Japan led either to phenomenal success or to dismal failure. Against the backdrop of a comprehensive overview of Japanese historiography, Neil Waters examines in detail the local politics of the Kawasaki region during the late nineteenth century. Historians have hitherto focused primarily upon those regions that experienced violent peasant uprisings, class conflict, or extreme government repression. He points out that localities which survived the transition between governments without violence far outnumber those marked by open struggle.This study is one of the few to cover the political and economic history of a region in which “nothing happened.” From an examination of the implementation and impact of Restoration programs on the day-to-day level of local government in the Kawasaki region, a fascinating picture emerges of the adaptation and modifications local leaders were able to chart between open rebellion and outright capitulation.
Excavations over many years in the Peruvian Andes and coastal regions have revealed that the village settlements on the west coast of South America were one of the early centers of world civilization. One of these settlements, La Galgada, flourished from 3000 B.C. to 1700 B.C. Its extraordinarily complete cultural remains help to reconstruct a picture of human life, health, activities, and trade relations as they were 4,000 years ago and allow us to enter the mental and artistic life of this early civilization.
The location of La Galgada on Peru’s Tablachaca River midway between the highlands and the coast caused it to be influenced by the culture of both those regions. The remains found at La Galgada tie together important textile collections from the coastal region with important architectural remains from the Andean highland to give a picture of a complete preceramic culture in ancient Peru. Numerous illustrations provide an exciting visual catalog of the finds at La Galgada. What also makes La Galgada such a significant site are the changes in art and architecture that can be documented in considerable detail from about 2500 B.C. to about 1700 B.C. During that period, La Galgada and the other preceramic communities in northern Peru were transformed with a rapidity that must have seemed shocking and revolutionary to their inhabitants. These changes record the first appearance of the powerful and intimidating Chavín culture that was to dominate the region for the next thousand years. They also allow us to watch a people change and adapt as they try to cope with the powerful pressure of technical and social development in their region.
Johnny Ace's crooning style and stirring ballads made him the first postwar African American artist to cross over to a white audience. After a string of R&B hits, Ace released the million-selling "Pledging My Love," a song headed to the top of the charts when the singer accidentally shot himself in his dressing room between sets at a show.
James M. Salem captures the enigmatic, captivating, and influential R&B legend. Venturing from raucous Beale Street to Houston's vibrant Fourth Ward, Salem places Johnny Ace within a multifaceted world of postwar rhythm and blues that included B. B. King, Johnny Otis, Big Mama Thornton, and Gatemouth Brown. Salem also examines how entrepreneur Don D. Robey and his wife Evelyn Johnson promoted Ace to the top of the charts. Yet fame, as always, had a price. Ace's tours on the Chitlin' Circuit meant endless one-night stands and a grueling schedule that kept him on the road 340 days per year.
Comprehensive and filled with anecdotes, The Late Great Johnny Ace and the Transition from R&B to Rock 'n' Roll tells the story of the star who fused black and white styles and changed American popular music forever.
In Lost in Transition: Removing, Resettling, and Renewing Appalachia, Aaron D. Purcell presents a thematic and chronological exploration of twentieth-century removal and resettlement projects across southern Appalachia. The book shares complex stories of loss and recollection that have grown and evolved over time.
This edited volume contains seven case studies of public land removal actions in Virginia, Kentucky, the Carolinas, and Tennessee from the 1930s through the 1960s. Some of the removals include the Tennessee Valley Authority and the Norris Basin, Shenandoah National Park and the New River, the Great Smoky Mountains National Park, and the Keowee-Toxaway Project in northwestern South Carolina. Each essay asks key questions: How did governmental entities throughout the twentieth century deal with land acquisition and removal of families and communities? What do the oral histories of the families and communities, particularly from different generations, tell us about the legacies of these removals? This collection reveals confrontations between past and present, federal agencies and citizens, and the original accounts of removal and resettlement and contemporary interpretations. The result is a blending of practical historical concerns with contemporary nostalgia and romanticism, which often deepen the complexity of Appalachian cultural life.
Lost in Transition provides a nuanced and insightful study of removal and resettlement projects that applies critical analysis of fact, mythology, and storytelling. It illustrates the important role of place in southern Appalachian history. This collection is a helpful resource to anthropologists, folklorists, and Appalachian studies scholars, and a powerful volume of stories for all readers who reflect upon the importance of place and home.
Features a chapter on flipped classrooms!
Learners with no, minimal, or limited exposure to formal education generally do not share the expectations and assumptions of their new setting; as a result, they are likely to find themselves confounded by the ways in which the language and content are presented, practiced, and assessed in Western-style educational settings. Institutions and teachers must tailor therefore their instruction to this population. Making the Transition to Classroom Success: Culturally Responsive Teaching for Struggling Language Learners examines how understanding secondary and adult L2 learners’ educational paradigm, rooted deeply in their past experiences and cultural orientations, provides a key to the solution to a lack of progress.
Making the Transition to Classroom Success builds on and expands on two earlier books, Meeting the Needs of Students with Limited or Interrupted Formal Schooling and Breaking New Ground: Teaching Students with Limited or Interrupted Formal Education in U.S. Secondary Schools. These previous books focused specifically on a subset of struggling L2 learners--those with limited or interrupted formal education (SLIFE) in U.S. secondary schools—and detailed the instructional model (MALP). Making the Transition broadens the applications of the MALP model to include academic thinking tasks, flipped classrooms, project design, and rubrics.
Locating the roots of toxic masculinity and finding its displacement in unruly culture
Masculinity in Transition analyzes shifting relationships to masculinity in canonical works of twentieth-century literature and film, as well as in twenty-first-century media, performance, and transgender poetics. Focusing on “toxic masculinity,” which has assumed new valence since 2016, K. Allison Hammer traces its roots to a complex set of ideologies embedded in the histories of settler colonialism, racial capitalism, and political fraternity, and finds that while toxic strains of masculinity are mainly associated with straight, white men, trans and queer masculinities can be implicated in these systems of power.
Hammer argues, however, that these malignant forms of masculinity are not fixed and can be displaced by “unruly alliances”—texts and relationships that reject the nationalisms and gender politics of white male hegemony and perform an urgently needed reimagining of what it means to be masculine. Locating these unruly alliances in the writings, performances, and films of butch lesbians, gay men, cisgender femmes, and trans and nonbinary individuals, Masculinity in Transition works through an archive of works of performance art, trans poetics, Western films and streaming media, global creative responses to HIV/AIDS, and working-class and “white trash” fictions about labor and unionization.
Masculinity in Transition moves the study of masculinity away from an overriding preoccupation with cisnormativity, whiteness, and heteronormativity, and toward a wider and more generative range of embodiments, identifications, and ideologies. Hammer’s bold rethinking of masculinity and its potentially toxic effects lays bare the underlying fragility of normative masculinity.
Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
The period before 1917 was a brilliant one for Russian literature, marked by the innovations and experimentation of modernism. With the Bolshevik seizure of power, a parallel process of drastic social innovation and experimentation began. How did revolution in the arts and revolution in society and politics relate to one another? Victor Erlich, an eminent authority on modern Slavic culture, takes up this question in Modernism and Revolution, a masterful appraisal of Russian literature during its most turbulent years.Probing the salient literary responses to the upheaval that changed the face of Russia, Erlich offers a new perspective on this period of artistic and political ferment. He begins by revisiting the highlights of early twentieth-century Russian poetry—including the works of such masters as Akhmatova, Mandelstam, and Pasternak—and goes on to examine the major prose writers of the first post-revolutionary decade. In an inquiry that ranges over poetry, criticism, and artistic prose, Erlich explores the work of, among others, Symbolists Bely, Blok, and Ivanov, Futurists Khlebnikov and Mayakovsky, Formalists Jakobson and Shklovsky, the novelists Pilnyak and Zamyatin, the short-story master Babel, and the humorist Zoshchenko. He delineates a complex and ambiguous relationship between Russian literary modernism and the emerging Soviet state.Here, following the artistic experimentation and cultural diversity begun early in the century, we witness a trend toward regimentation and conformity as the literary avant garde's modus vivendi with the new regime becomes increasingly precarious. As this regime recedes into history, along with the passions and prejudices it aroused, the accomplishments and failures of writers caught up in its early revolutionary fervor can at last be seen for what they were. From a perspective formed over a lifetime of study of Russian literature, Victor Erlich helps us look clearly, judiciously, and deeply into this long obscured part of the literary past.
Portugal and Brazil in Transition was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Through a series of essays on various aspects of Portuguese and Brazilian culture, this book presents an enlightening picture of contemporary civilization in the two countries and a forecast of what the next twenty years or so may bring. The authors discuss subjects in such basic fields as literature, linguistics, history, the social sciences, geography, the fine arts, music, and natural science. Taken as a whole, the contents demonstrate the logic of organizing a volume not around a geographical concept but, rather, around a historical concept, in this case "the world the Portuguese created," as Gilberto Freyre described it.
The essays are based on papers that were given at the Sixth International Colloquium of Luso-Brazilian Studies, held in the United States in 1966. In addition to the essays, the book contains the text of comments and discussion about the papers. There are twenty-seven major essays by as many contributors and comments by a number of discussants.
Skin-clad barbarians ransacking Rome remains a popular image of the "decline and fall" of the Roman Empire, but why, when, and how the Empire actually fell are still matters of debate among students of classical history. In this pioneering study, Ralph W. Mathisen examines the "fall" in one part of the western Empire, Gaul, to better understand the shift from Roman to Germanic power that occurred in the region during the fifth century AD.
Mathisen uncovers two apparently contradictory trends. First, he finds that barbarian settlement did provoke significant changes in Gaul, including the disappearance of most secular offices under the Roman imperial administration, the appropriation of land and social influence by the barbarians, and a rise in the overall level of violence. Yet he also shows that the Roman aristocrats proved remarkably adept at retaining their rank and status. How did the aristocracy hold on?
Mathisen rejects traditional explanations and demonstrates that rather than simply opposing the barbarians, or passively accepting them, the Roman aristocrats directly responded to them in various ways. Some left Gaul. Others tried to ignore the changes wrought by the newcomers. Still others directly collaborated with the barbarians, looking to them as patrons and holding office in barbarian governments. Most significantly, however, many were willing to change the criteria that determined membership in the aristocracy. Two new characteristics of the Roman aristocracy in fifth-century Gaul were careers in the church and greater emphasis on classical literary culture.
These findings shed new light on an age in transition. Mathisen's theory that barbarian integration into Roman society was a collaborative process rather than a conquest is sure to provoke much thought and debate. All historians who study the process of power transfer from native to alien elites will want to consult this work.
History records only one peaceful transition of hegemonic power: the passage from British to American dominance of the international order. What made that transition uniquely cooperative and nonviolent? Does it offer lessons to guide policy as the United States faces its own challengers to the order it has enforced since the 1940s? To answer these questions, Kori Schake explores nine points of crisis or tension between Britain and the United States, from the Monroe Doctrine in 1823 to the establishment of the unequal “special relationship” during World War II.Over this period, Safe Passage shows, the United States gradually changed the rules that Britain had established at its imperial height. It was able to do so peacefully because, during the crucial years, Britain and the United States came to look alike to each other and different from other nations. Britain followed America’s lead in becoming more democratic, while the United States, because of its conquest of the American West, developed an imperial cast of mind. Until the end of World War II, both countries paid more attention to their cumulative power relative to other states in the order than to their individual power relative to each other.The factors that made the Anglo-American transition peaceful, notably the convergence in their domestic ideologies, are unlikely to apply in future transitions, Schake concludes. We are much more likely to see high-stake standoffs among competing powers attempting to shape the international order to reflect the starkly different ideologies that prevail at home.
The village of San José de Gracia is not mentioned in any history of Mexico, nor is it referred to in any of the annals of the state of Michoacán. It is not to be found at all on most maps, and almost none show its correct location. It is an unknown point in space, in time, and in the consciousness of the Mexican republic.
In Luis González's classic history of the world of San José, he turns his attention in every direction: toward what is lasting and what is ephemeral, everyday and unusual, material and spiritual. The story is, to some extent, the story of rural life anywhere, in any age; to some extent it is peculiar to the world of the peasant all through Mexico's history; and to some extent it can be said to be true only of San José.
The history of San José is also the history of the village as victim of the megalopolis, not only in Mexico but everywhere in our time. With the small community will be lost traditions and a sense of continuity that may prove irreplaceable and essential to human wellbeing. While Luis González does not suggest that he knows what the fate of San José will be, one feels that he knows all too well, and that his questions are only "How?" and "How soon?"
This book explores the relationship between women and property in the Greek lands and their broader social position in the century that culminated with the establishment of the national Greek state (1750–1850). Evdoxios Doxiadis focuses on the status and rights of Greek women in the later Ottoman period, the decade-long Greek War of Independence, and the first decades of the Greek state, seeking to reveal the impact that the pursuit of modernization by the early Greek governments had on women. Through the systematic examination of numerous legal documents in notarial archives from four distinct regions (Naxos, Mykonos, Athens, and Leonidio), the position of women in Greek societies of the period is illuminated in all its complexity and regional diversity. Special emphasis is placed on women’s ability in some areas to defend their property rights and be active economic agents.Although the Greek revolutionaries and the Greek state did not curtail the rights of women with respect to property, the very institutions that were fundamental in the creation of the Greek state transformed the established relationship between women and property. Doxiadis shows that modernization proved to be an oppressive force for Greek women—though in a much more clandestine fashion than perhaps expected in other European states.
Slave Emancipation in Cuba is the classic study of the end of slavery in Cuba. Rebecca J. Scott explores the dynamics of Cuban emancipation, arguing that slavery was not simply abolished by the metropolitan power of Spain or abandoned because of economic contradictions. Rather, slave emancipation was a prolonged, gradual and conflictive process unfolding through a series of social, legal, and economic transformations.
Scott demonstrates that slaves themselves helped to accelerate the elimination of slavery. Through flight, participation in nationalist insurgency, legal action, and self-purchase, slaves were able to force the issue, helping to dismantle slavery piece by piece. With emancipation, former slaves faced transformed, but still very limited, economic options. By the end of the nineteenth-century, some chose to join a new and ultimately successful rebellion against Spanish power.
In a new afterword, prepared for this edition, the author reflects on the complexities of postemancipation society, and on recent developments in historical methodology that make it possible to address these questions in new ways.
With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television’s changing role in public places and at home, the Internet’s use as a means of social activism, and television’s role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television’s past, present, and future.
Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D’Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio
Featuring an impressive roster of scholars, The Terminal Classic presents the most recent data and interpretations pertaining to this perplexing period of cultural transformation in the Maya lowlands. Although the research reveals clear interregional patterns, the contributors resist a single overarching explanation. Rather, this volume's diverse and nuanced interpretations provide a new, more properly grounded beginning for continued debate on the nature of lowland Terminal Classic Maya civilization.
Women, Epic, and Transition in British Romanticism argues that early nineteenth-century women poets contributed some of the most daring work in modernizing the epic genre. The book examines several long poems to provide perspective on women poets working with and against men in related efforts, contributing together to a Romantic movement of large-scale genre revision. Women poets challenged longstanding categorical approaches to gender and nation in the epic tradition, and they raised politically charged questions about women’s importance in moments of historical crisis.
While Romantic epics did not all engage in radical questioning or undermining of authority, this study calls attention to some of the more provocative poems in their approach to gender, culture, and history. This study prioritizes long poems written by and about women during the Romantic era, and does so in context with influential epics by male contemporaries. The book takes its cue from a dramatic increase in the publication of epics in the early nineteenth-century. At their most innovative, Romantic epics provoked questions about the construction of ideological meaning and historical memory, and they centralized women’s experiences in entirely new ways to reflect on defeat, loss, and inevitable transition. For the first time the epic became an attractive genre for ambitious women poets.
The book offers a timely response to recent groundbreaking scholarship on nineteenth-century epic by Herbert Tucker and Simon Dentith, and should be of interest to Romanticists and scholars of 18th- and 19th-century literature and history, gender and genre, and women’s studies.
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
WPAs in Transition shares a wide variety of professional and personal perspectives about the costs, benefits, struggles, and triumphs experienced by writing program administrators making transitions into and out of leadership positions. Contributors to the volume come from various positions, as writing center directors, assistant writing program administrators, and WPAs; mixed settings, including community colleges, small liberal arts colleges, and research institutions; and a range of career stages, from early to retiring. They recount insightful anecdotes and provide a scholarly context in which WPAs can share experiences related to this long-ignored aspect of their work.
During such transitions, WPAs and other leaders who function as both administrators and faculty face the professional and personal challenges of redefining who they are, the work they do, and with whom they collaborate. WPAs in Transition creates a grounded and nuanced experiential understanding of what it means to navigate changing roles, advancing the dialogue around WPAs’ and other administrators’ identities, career paths, work-life balance, and location, and is a meaningful addition to the broader literature on administration and leadership.
Contributors: Mark Blaauw-Hara, Christopher Blankenship, Jennifer Riley Campbell, Nicole I. Caswell, Richard Colby, Steven J. Corbett, Beth Daniell, Laura J. Davies, Jaquelyn Davis, Holland Enke, Letizia Guglielmo, Beth Huber, Karen Keaton Jackson, Rebecca Jackson, Tereza Joy Kramer, Jackie Grutsch McKinney, Kerri K. Morris, Liliana M. Naydan, Reyna Olegario, Kate Pantelides, Talinn Phillips, Andrea Scott, Paul Shovlin, Bradley Smith, Cheri Lemieux Spiegel, Sarah Stanley, Amy Rupiper Taggart, Molly Tetreault, Megan L. Titus, Chris Warnick
The world's first national park, Yellowstone is a symbol of nature's enduring majesty and the paradigm of protected areas across the globe. But Yellowstone is constantly changing. How we understand and respond to events that are putting species under stress, say the authors of Yellowstone's Wildlife in Transition, will determine the future of ecosystems that were millions of years in the making. With a foreword by the renowned naturalist E. O. Wilson, this is the most comprehensive survey of research on North America's flagship national park available today.Marshaling the expertise of over thirty contributors, Yellowstone's Wildlife in Transition examines the diverse changes to the park's ecology in recent decades. Since its creation in the 1870s, the priorities governing Yellowstone have evolved, from intensive management designed to protect and propagate depleted large-bodied mammals to an approach focused on restoration and preservation of ecological processes. Recognizing the importance of natural occurrences such as fires and predation, this more ecologically informed oversight has achieved notable successes, including the recovery of threatened native species of wolves, bald eagles, and grizzly bears.Nevertheless, these experts detect worrying signs of a system under strain. They identify three overriding stressors: invasive species, private-sector development of unprotected lands, and a warming climate. Their concluding recommendations will shape the twenty-first-century discussion over how to confront these challenges, not only in American parks but for conservation areas worldwide. Highly readable and fully illustrated, Yellowstone's Wildlife in Transition will be welcomed by ecologists and nature enthusiasts alike.
Zouping offers important general lessons for the study of China's rural transformation. The authors in this volume, all participants in a unique field research project undertaken from 1988 to 1992, address questions that are far from simple and about which there is some controversy.The questions are grouped around two issues. The first is the role of local governments as economic actors. What is this role, how have they played it, and how can we explain their behavior? Have they dominated rural economies through public ownership of industry and local planning, or has the role of local governments diminished with the rise of market transactions and private ownership? The second issue is market reform and inequality. Have rural cadres enjoyed income advantages in the new market environment? Has the provision of such collective services as education and health care declined, leading to new forms of inequality?The chapters on the role of local government all point to a single conclusion: one cannot explain the rapid development of Zouping without reference to the role of local governments and of local government officials as economic actors. Scholarly writings about the "transitional economies" have often ignored or distorted this aspect of China's reform experience. On the second issue, changes in inequality owing to market reform, the authors present mixed findings but contribute rich new data to the research on this issue.
Browse our collection.
See BiblioVault's publisher services.
Files for college accessibility offices.
UChicago Accessibility Resources
BiblioVault ® 2001 - 2023
The University of Chicago Press