A SCHOLARLY BOOK REPOSITORY377 start with U start with U
Even after the 2008 financial crisis, neoliberalism has been able to advance its program of privatization and deregulation. The Uberfication of the University analyzes the emergence of the sharing economy—an economy that has little to do with sharing access to good and services and everything to do with selling this access—and the companies behind it: LinkedIn, Uber, and Airbnb. In this society, we all are encouraged to become microentrepreneurs of the self, acting as if we are our own precarious freelance enterprises at a time when we are being steadily deprived of employment rights, public services, and welfare support. The book considers the contemporary university, itself subject to such entrepreneurial practices, as one polemical site for the affirmative disruption of this model.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
For twenty years Avital Ronell has stood at the forefront of the confrontation between literary study and European philosophy. She has tirelessly investigated the impact of technology on thinking and writing, with groundbreaking work on Heidegger, dependency and drug rhetoric, intelligence and artificial intelligence, and the obsession with testing. Admired for her insights and breadth of field, she has attracted a wide readership by writing with guts, candor, and wit.
Coyly alluding to Nietzsche’s “gay science,” The ÜberReader presents a solid introduction to Avital Ronell’s later oeuvre. It includes at least one selection from each of her books, two classic selections from a collection of her early essays (Finitude’s Score), previously uncollected interviews and essays, and some of her most powerful published and unpublished talks. An introduction by Diane Davis surveys Ronell’s career and the critical response to it thus far.
With its combination of brevity and power, this Ronell “primer” will be immensely useful to scholars, students, and teachers throughout the humanities, but particularly to graduate and undergraduate courses in contemporary theory.
Mayer interviewed ex-landlords, land expropriators, politicians, government bureaucrats, intellectuals, peasant leaders, activists, ranchers, members of farming families, and others. Weaving their impassioned recollections with his own commentary, he offers a series of dramatic narratives, each one centered around a specific instance of land expropriation, collective enterprise, and disillusion. Although the reform began with high hopes, it was quickly complicated by difficulties including corruption, rural and urban unrest, fights over land, and delays in modernization. As he provides insight into how important historical events are remembered, Mayer re-evaluates Peru’s military government (1969–79), its audacious agrarian reform program, and what that reform meant to Peruvians from all walks of life.
Whiteness revealed: an analysis of the destructive complacency of white self-consciousness
White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior—from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take.
Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a “majority minority” population and the growing diversification of America’s political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives.
The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.
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Morning and Maneri interviewed over 150 people across the two countries about differences among what they refer to as “descent-based groups.” Using this concept allowed them to sidestep the language of “race” and “ethnicity,” which can be unnecessarily narrow, poorly defined, or even offensive to some. Drawing on these interviews, the authors find that while ways of speaking about group difference vary considerably across the Atlantic, underlying beliefs about it do not. The similarity in American and Italian understandings of difference was particularly evident when discussing sports. Both groups relied heavily on traditional stereotypes of Black physicality to explain Black athletes’ overrepresentation in sports like U.S. football and their underrepresentation in sports like swimming – contradicting the claims that a biological notion of race is a distinctly American phenomenon.
While American and Italian concepts of difference may overlap extensively, they are not identical. Interviews in Italy were more likely to reveal beliefs about groups’ innate, unchangeable temperaments, such as friendly Senegalese and dishonest Roma. And where physical difference was seen by Italians as superficial and unimportant, cultural difference was perceived as deeply meaningful and consequential. In contrast, U.S. interviewees saw cultural difference as supremely malleable—and often ascribed the same fluidity to racial identity, which they believed stemmed from culture as well as biology. In light of their findings, Morning and Maneri propose a new approach to understanding cross-cultural beliefs about descent-based difference that includes identifying the traits people believe differentiate groups, how they believe those traits are acquired, and whether they believe these traits can change.
An Ugly Word is an illuminating, cross-national examination of the ways in which people around the world make sense of race and difference.
Ukrainian Otherlands is an innovative exploration of modern ethnic identity, focused on diaspora/homeland understandings of each other in Ukraine and in Ukrainian ethnic communities around the globe. Exploring a rich array of folk songs, poetry and stories, trans-Atlantic correspondence, family histories, and rituals of homecoming and hosting that developed in the Ukrainian diaspora and Ukraine during the twentieth century, Natalia Khanenko-Friesen asserts that many important aspects of modern ethnic identity form, develop, and reveal themselves not only through the diaspora's continued yearning for the homeland, but also in a homeland's deeply felt connection to its diaspora. Yet, she finds each group imagines the "otherland" and ethnic identity differently, leading to misunderstandings between Ukrainians and their ethnic-Ukrainian "brothers and sisters" abroad.
An innovative exploration of the persistence of vernacular culture in the modern world, Ukrainian Otherlands, amply informed by theory and fieldwork, will appeal to those interested in folklore, ethnic and diaspora studies, modernity, migration, folk psychology, history, and cultural anthropology.
Un-American is Bill Mullen’s revisionist account of renowned author and activist W.E.B. Du Bois’s political thought toward the end of his life, a period largely dismissed and neglected by scholars. He describes Du Bois’s support for what the Communist International called “world revolution” as the primary objective of this aged radical’s activism. Du Bois was a champion of the world’s laboring millions and critic of the Cold War, a man dedicated to animating global political revolution.
Mullen argues that Du Bois believed that the Cold War stalemate could create the conditions in which the world powers could achieve not only peace but workers’ democracy. Un-American shows Du Bois to be deeply engaged in international networks and personal relationships with revolutionaries in India, China, and Africa. Mullen explores how thinkers like Karl Marx, Jawaharlal Nehru, Mohandas Gandhi, and C.L.R. James helped him develop a theory of world revolution at a stage in his life when most commentators regard him as marginalized. This original political biography also challenges assessments of Du Bois as an American “race man.”
Litvak traces the outlines of comic cosmopolitanism in a series of performances in film and theater and before HUAC, performances by Jewish artists and intellectuals such as Zero Mostel, Judy Holliday, and Abraham Polonsky. At the same time, through an uncompromising analysis of work by informers including Jerome Robbins, Elia Kazan, and Budd Schulberg, he explains the triumph of a stoolpigeon culture that still thrives in the America of the early twenty-first century.
A PDF version of this book is available for free in open access via the OAPEN Library platform, www.oapen.org It has been made available under a Creative Commons Attribution 4.0 International Public License and is part of Knowledge Unlatched.
Hearing southern women in the pauses of history
Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace L. Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment—part of how people expected women to perform gentility—and a real practice—what women actually did. At the same time, her ethnographic reading of binder’s volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women’s place in southern culture.
A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it.
After a critical examination of recent historical renderings of neighborhood life, Scherzer focuses on the ecological, symbolic, and social aspects of nineteenth-century community life in New York City. Employing a wide array of sources, from census reports and church records to police blotters and brothel guides, he documents the complex composition of neighborhoods that defy simple categorization by class or ethnicity. From his account, the New York City neighborhood emerges as a community in flux, born out of the chaos of May Day, the traditional moving day. The fluid geography and heterogeneity of these neighborhoods kept most city residents from developing strong local attachments. Scherzer shows how such weak spatial consciousness, along with the fast pace of residential change, diminished the community function of the neighborhood. New Yorkers, he suggests, relied instead upon the "unbounded community," a collection of friends and social relations that extended throughout the city.
With pointed argument and weighty evidence, The Unbounded Community replaces the neighborhood of nostalgia with a broader, multifaceted conception of community life. Depicting the neighborhood in its full scope and diversity, the book will enhance future forays into urban history.
The movement of aging is the movement of our lives, and this dynamism aligns aging with narrative: both are a function of time, of change, of one event happening after another. Subjects understand their lives through narrative trajectories—through stories—not necessarily as they are living moment to moment, but in reflection, reflection that becomes, many argue, more and more prevalent as one ages. As a result, narrative fiction provides compelling representations of the strange—indeed uncanny—familiarity of the aging self.
In Uncanny Subjects, DeFalco explores a thematic similitude in a range of contemporary fiction and film by authors and directors such as John Banville, John Cassavetes, and Alice Munro. As their texts suggest, proceeding into old age involves a growing awareness of the otherness within, an awareness that reveals identity as multiple, shifting, and contradictory—in short, uncanny. Drawing together theories of the uncanny with research on aging and temporality, DeFalco argues that aging is a category of difference integral to a contemporary understanding of identity and alterity.
In twentieth-century Kenya, age and gender were powerful cultural and political forces that animated household and generational relationships. They also shaped East Africans’ contact with and influence on emergent colonial and global ideas about age and masculinity. Kenyan men and boys came of age achieving their manhood through changing rites of passage and access to new outlets such as town life, crime, anticolonial violence, and nationalism. And as they did, the colonial government appropriated masculinity and maturity as means of statecraft and control.
In An Uncertain Age, Paul Ocobock positions age and gender at the heart of everyday life and state building in Kenya. He excavates in unprecedented ways how the evolving concept of “youth” motivated and energized colonial power and the movements against it, exploring the masculinities boys and young men debated and performed as they crisscrossed the colony in search of wages or took the Mau Mau oath. Yet he also considers how British officials’ own ideas about masculinity shaped not only young African men’s ideas about manhood but the very nature of colonial rule.
An Uncertain Age joins a growing number of histories that have begun to break down monolithic male identities to push the historiographies of Kenya and empire into new territory.
In An Uncertain Cure, Cassandra White goes deep into the shantytowns of Rio de Janeiro to give a riveting account of the contemporary leprosy experience among poor and working class Brazilians. In this ethnographic treatment of leprosy sufferers, White exposes the web of historical, socioeconomic, religious, and political forces that complicate the path to wellness and perpetuate high rates of infection. Drawing on nearly ten years of research, White shows how anthropological research can contribute to more effective treatment of chronic infectious diseases around the world.
Combining insights from demography and cultural anthropology, Johnson-Hanks argues that Beti women delay motherhood as part of a broader attempt to assert a modern form of honor only recently made possible by formal education, Catholicism, and economic change. Through itinerant school careers and manipulations of marriage, educated Beti women now manage their status as mothers in order to coordinate major life events in the face of social and economic uncertainty.
Carefully researched and clearly written, Uncertain Honor offers an intimate look at the lives of African women trying to reconcile motherhood with new professional roles in a context of dramatic social change.
W. M. Spellman chronicles how after 1945, migration patterns expanded in numbers of people and origin countries, due to overpopulation, poverty, violent conflicts, and the lowered costs of air travel. Uncertain Identity sets these patterns in the context of issues such as the impact of voluntary and forced relocation on the migrants and destination countries, the significance of south-to-north migrations, and recent enactments of restrictive immigration measures in developed nations. Spellman also considers temporary and refugee migrations and the ways in which refugees maintain cultural traditions despite their new environments.
An incisive study with global breadth, Uncertain Identity offers invaluable analysis for specialists in political science, sociology, and economics.
Uncertain Powers is an original and much-needed analysis of female leadership in medieval Japan. In challenging current scholarship by exploring the important political and economic roles of twelfth- and thirteenth-century Japanese royal women, Sachiko Kawai questions the traditional view of the era as one dominated by male retired monarchs and a warrior government. Instead the author populates it with royal wives and daughters who held the title of premier royal lady (nyoin) and owned extensive estates across the Japanese archipelago. Nyoin, whose power varied according to marital status, networks, and age, used their wealth and human networks to build temples and organize their entourages as salons to assert religious, cultural, and political influence. Confronted with social factors and gender disparities, they were motivated to develop coping strategies, the workings of which Kawai masterfully teases out from the abundant primary sources.
Uncertain Powers presents a nuanced and groundbreaking study of the relationship between a nyoin’s authority (her acknowledged rights) and her actual power (the ability to enforce those rights), demonstrating how, as members of political factions, as landlords, and as religious and cultural patrons, nyoin struggled to transform authority into power by means of cooperation, persuasion, compromise, and coercion.
In this first-ever collection of labor anthropology from around the world, the contributors to Uncertain Times assert that traditional labor unions have been co-opted by neoliberal policies of corporate capital and have become service organizations rather than drivers of social movements. The current structure of labor unions facilitates corporations’ need for a stable labor force while reducing their power to prevent outsourcing, subcontracting, and other methods of undercutting worker security and union power. Through case studies from Switzerland, Israel, Argentina, Mexico, the United States, Greece, Sweden,Turkey, Brazil and Spain, the authors demonstrate that this process of neutering unions has been uneven across time and space. They also show that the potential exists for renewed union power based on more vociferous and creative collective action. These firsthand accounts—from activist anthropologists in the trenches as union members and staff, as well as academics analyzing policy, law, worker organizing, and community impact—illustrate the many approaches that workers around the world are taking to reclaim their rights in this ever-shifting labor landscape.
Uncertain Times is the first book to use this crucial comparative, ethnographic approach for understanding the new rules of the global labor struggle and the power workers have to change those rules. The volume will be of great interest to students and scholars of anthropology, sociology of work, and labor studies; labor union leadership; and others interested in developing innovative methods for organizing working people, fomenting class consciousness, and expanding social movements.
Contributors: Alpkan Birelma, Emma Braden, Maria Eugenia de la O, Christopher Kelley, Staffan Löfving, Gadi Nissim, Darcy Pan, Steven Payne, Alicia Reigada, Julia Soul, Manos Spyridakis, Christian Zlolniski
Uncharitable goes where no other book on the nonprofit sector has dared to tread. Where other texts suggest ways to optimize performance inside the existing charity paradigm, Uncharitable suggests that the paradigm itself is the problem and calls into question our fundamental canons about charity. Dan Pallotta argues that society’s nonprofit ethic creates an inequality that denies the nonprofit sector critical tools and permissions that the for-profit sector is allowed to use without restraint. These double standards place the nonprofit sector at an extreme disadvantage. While the for-profit sector is permitted to use all the tools of capitalism, the nonprofit sector is prohibited from using any of them. Capitalism is blamed for creating inequities in our society, but charity is prohibited from using the tools of capitalism to rectify them—and ironically, this is all done in the name of charity. This irrational system, Pallotta explains, has its roots in four-hundred-year-old Puritan ethics that banished self-interest from the realm of charity. The ideology is policed today by watchdog agencies and the use of so-called efficiency measures, which Pallotta argues are flawed, unjust, and should be abandoned. By declaring our independence from these obsolete ideas, Pallotta theorizes, we can dramatically accelerate progress on the most urgent social issues of our time. Uncharitable is an important, provocative, timely, and accessible book—a manifesto about equal economic rights for charity. This edition has a new, updated introduction by the author.
Each chapter raises methodological and ethical questions relevant to conducting research in transnational contexts, which can frequently be unpredictable or even volatile. The volume addresses the central question of how can scholars work with vulnerable migrant populations along the perilous US–Mexico border and maintain ethical and methodological standards, while also providing useful knowledge to stakeholders? Not only may immigrants be afraid to provide information that could be incriminating, but researchers may also be reluctant to allow their findings to become the basis of harsher law enforcement, unjustly penalize the subjects of their research, and inhibit the formulation of humane and effective immigration policy based on scholarly research.
All of these concerns, which are perfectly legitimate from the social scientists’ point of view, can put researchers into conflict with legal authorities. Contributors acknowledge their quandaries and explain how they have dealt with them. They use specific topics—reproductive health issues and sexually transmitted diseases among immigrant women, a study of undocumented business owners, and the administration of the Mexican Household Survey in Phoenix, among others—to outline research methodology that will be useful for generations of border researchers.
A revisionist account of interwar Europe’s largest Jewish community that upends histories of Jewish agency to rediscover reckonings with nationalism’s pathologies, diaspora’s fragility, Zionism’s promises, and the necessity of choice.
What did the future hold for interwar Europe’s largest Jewish community, the font of global Jewish hopes? When intrepid analysts asked these questions on the cusp of the 1930s, they discovered a Polish Jewry reckoning with “no tomorrow.” Assailed by antisemitism and witnessing liberalism’s collapse, some Polish Jews looked past progressive hopes or religious certainties to investigate what the nation-state was becoming, what powers minority communities really possessed, and where a future might be found—and for whom.
The story of modern Jewry is often told as one of creativity and contestation. Kenneth B. Moss traces instead a late Jewish reckoning with diasporic vulnerability, nationalism’s terrible potencies, Zionism’s promises, and the necessity of choice. Moss examines the works of Polish Jewry’s most searching thinkers as they confronted political irrationality, state crisis, and the limits of resistance. He reconstructs the desperate creativity of activists seeking to counter despair where they could not redress its causes. And he recovers a lost grassroots history of critical thought and political searching among ordinary Jews, young and powerless, as they struggled to find a viable future for themselves—in Palestine if not in Poland, individually if not communally.
Focusing not on ideals but on a search for realism, Moss recasts the history of modern Jewish political thought. Where much scholarship seeks Jewish agency over a collective future, An Unchosen People recovers a darker tradition characterized by painful tradeoffs amid a harrowing political reality, making Polish Jewry a paradigmatic example of the minority experience endemic to the nation-state.
With Uncivil Agreement, Lilliana Mason looks at the growing social gulf across racial, religious, and cultural lines, which have recently come to divide neatly between the two major political parties. She argues that group identifications have changed the way we think and feel about ourselves and our opponents. Even when Democrats and Republicans can agree on policy outcomes, they tend to view one other with distrust and to work for party victory over all else. Although the polarizing effects of social divisions have simplified our electoral choices and increased political engagement, they have not been a force that is, on balance, helpful for American democracy. Bringing together theory from political science and social psychology, Uncivil Agreement clearly describes this increasingly “social” type of polarization in American politics and will add much to our understanding of contemporary politics.
The first English-language book to place the works of Elena Garro (1916–1998) and Octavio Paz (1914–1998) in dialogue with each other, Uncivil Wars evokes the lives of two celebrated literary figures who wrote about many of the same experiences and contributed to the formation of Mexican national identity but were judged quite differently, primarily because of gender.
While Paz’s privileged, prize-winning legacy has endured worldwide, Garro’s literary gifts garnered no international prizes and received less attention in Latin American literary circles. Restoring a dual perspective on these two dynamic writers and their world, Uncivil Wars chronicles a collective memory of wars that shaped Mexico, and in turn shaped Garro and Paz, from the Conquest period to the Mexican Revolution; the Spanish Civil War, which the couple witnessed while traveling abroad; and the student massacre at Tlatelolco Plaza in 1968, which brought about social and political changes and further tensions in the battle of the sexes. The cultural contexts of machismo and ethnicity provide an equally rich ground for Sandra Cypess’s exploration of the tandem between the writers’ personal lives and their literary production. Uncivil Wars illuminates the complexities of Mexican society as seen through a tense marriage of two talented, often oppositional writers. The result is an alternative interpretation of the myths and realities that have shaped Mexican identity, and its literary soul, well into the twenty-first century.
Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.
In the spring of 1832, when the Indian warrior Black Hawk and a thousand followers marched into Illinois to reoccupy lands earlier ceded to American settlers, the U.S. Army turned to rival tribes for military support. Elements of the Menominee, Dakota, Potawatomi, and Ho Chunk tribes willingly allied themselves with the United States government against their fellow Native Americans in an uncommon defense of their diverse interests. As the Black Hawk War came only two years after the passage of the Indian Removal Act and is widely viewed as a land grab by ravenous settlers, the military participation of these tribes seems bizarre. What explains this alliance?
In order to grasp Indian motives, John Hall explores their alliances in earlier wars with colonial powers as well as in intertribal antagonisms and conflicts. In the crisis of 1832, Indians acted as they had traditionally, leveraging their relationship with a powerful ally to strike tribal enemies, fulfill important male warrior expectations, and pursue political advantage and material gain. However, times had changed and, although the Indians achieved short-term objectives, they helped create conditions that permanently changed their world.
Providing a rare view of Indian attitudes and strategies in war and peace, Hall deepens our understanding of Native Americans and the complex roles they played in the nation’s history. More broadly, he demonstrates the risks and lessons of small wars that entail an “uncommon defense” by unlikely allies in pursuit of diverse, even conflicting, goals.
Since Marcel Duchamp created his “readymades” a century ago—most famously christening a urinal as a fountain— the practice of incorporating commodity objects into art has become ever more pervasive. Uncommon Goods traces one particularly important aspect of that progression: the shift in artistic concern toward the hidden ethical dimensions of global commerce. Jaimey Hamilton Faris discusses the work of, among many others, Ai Weiwei, Cory Arcangel, Thomas Hirschhorn, and Santiago Sierra, reading their artistic explorations as overlapping with debates about how common goods hold us and our world in common. The use of readymade now registers concerns about international migrant labor, outsourced manufacturing, access to natural resources, intellectual copyright, and the commoditization of virtual space.
In each chapter, Hamilton Faris introduces artists who exemplify the focus of readymade aesthetics on aspects of global commodity culture, including consumption, marketing, bureaucracy, labor, and community. She explores how materially intensive, “uncommon” aesthetic situations can offer moments to meditate on the kinds of objects, experiences, and values we ostensibly share in the age of globalization. The resulting volume will be an important contribution to scholarship on readymade art as well as to the study of materiality, embodiment, and globalization.
In ten fascinating essays, Aveni examines topics that have absorbed scientists, religious figures, and ordinary citizens over the centuries. He traces the tug of war between astronomy and astrology, reveals the underpinnings of our notions of cartography and the representation of space and time, and much more.
Readers interested in science, history, and world cultures will revel in this celebration of different cultures’ common and uncommon questions and conclusions about the natural world.
In the postwar era, American urban fiction is dominated by the imagery of containment. Across the fictional landscape, the city is divided into segregated zones, marked by the threat of inevitable violence, and set off from the safety of equally contained suburbs. Mean and dangerous, the city can only be navigated by a solitary expert, alienated and male. In Uncontained, Elizabeth A. Wheeler offers a critique of this familiar story-evident in the noir. narratives of James M. Cain and in work by Ellison, Roth, Salinger, Percy, Capote, and others —and challenges its link to the postwar city.
Discussing film, short stories, and novels from a cross-section of American cities, Wheeler integrates these stories of containment into a shared pattern and reads them across a broad spectrum of famous and forgotten works by men and women of various ethnic and literary traditions to reveal a larger vision of postwar America. Knowing that containment is never the entire story, that diversity or trauma always shows itself, she shows how the uncontained has shaped the historical moment. Aware that liberating counterstories do get told, she places them in dialogue with those of the alienated man, the war veteran, Beat hipster, noir detective, and ironic suburbanite — in historical context — and revives the idea of urban space as a place of openness, thereby challenging a literary containment of racial difference, gender, and sexuality. By reading Paule Marshall in tandem with Philip Roth, Wheeler explores the relationships between adjacent neighborhoods and reconnects separate literary and geographic areas. By bringing Ann Bannon's lesbian pulp fiction, Hubert Selby's cult novels, or the work of John Okada, Hisaye Yamamoto, Chester Himes, Gwendolyn Brooks's, Jo Sinclair, and many others to bear on more canonical texts, she offers a more complete understanding of this period of American fiction — one that points toward a city that is open and inclusive.
Uncontained suggests that while decline, division, and decay form a major part of the story of mid-century urban America, the postwar city also represents much of what is best about American life. Rather than reproducing the containment of culture, Wheeler places together the wildly disparate to show how we move beyond containment.
In the postwar era, American urban fiction is dominated by the imagery of containment. Across the fictional landscape, the city is divided into segregated zones, marked by the threat of inevitable violence, and set off from the safety of equally contained suburbs. Mean and dangerous, the city can only be navigated by a solitary expert, alienated and male. In Uncontained, Elizabeth A. Wheeler offers a critique of this familiar story-evident in the noir. narratives of James M. Cain and in work by Ellison, Roth, Salinger, Percy, Capote, and others —and challenges its link to the postwar city.
Discussing film, short stories, and novels from a cross-section of American cities, Wheeler integrates these stories of containment into a shared pattern and reads them across a broad spectrum of famous and forgotten works by men and women of various ethnic and literary traditions to reveal a larger vision of postwar America. Knowing that containment is never the entire story, that diversity or trauma always shows itself, she shows how the uncontained has shaped the historical moment. Aware that liberating counterstories do get told, she places them in dialogue with those of the alienated man, the war veteran, Beat hipster, noir detective, and ironic suburbanite — in historical context — and revives the idea of urban space as a place of openness, thereby challenging a literary containment of racial difference, gender, and sexuality. By reading Paule Marshall in tandem with Philip Roth, Wheeler explores the relationships between adjacent neighborhoods and reconnects separate literary and geographic areas. By bringing Ann Bannon's lesbian pulp fiction, Hubert Selby's cult novels, or the work of John Okada, Hisaye Yamamoto, Chester Himes, Gwendolyn Brooks's, Jo Sinclair, and many others to bear on more canonical texts, she offers a more complete understanding of this period of American fiction — one that points toward a city that is open and inclusive.
Uncontained suggests that while decline, division, and decay form a major part of the story of mid-century urban America, the postwar city also represents much of what is best about American life. Rather than reproducing the containment of culture, Wheeler places together the wildly disparate to show how we move beyond containment.
Dean argues that in protesting U.S. Indian policy through popular genres, Wakefield, Sigourney, Callahan, and Eddleman also critiqued cultural protocols and stretched the contours of accepted modes of feminine discourse. Their acts of improvisation and reinvention tell a new story about the development of American women's writing and political expression.
This work represents an important addition to scholarship on Philippine feminism. It is one of few ethnographies that focuses on female monasticism--of particular cultural importance in the Christian Philippines, where nuns enjoy relatively high social status and freedom from many of the traditional constraints delineating Filipina lives. It is noteworthy as well for its focus on metropolitan Manila--a socially complex, dynamic, diverse, and understudied environment.
Heather L. Claussen is an anthropologist currently living in Santa Cruz, California.
Over many centuries, women on the Chinese stage committed suicide in beautiful and pathetic ways just before crossing the border for an interracial marriage. Uncrossing the Borders asks why this theatrical trope has remained so powerful and attractive. The book analyzes how national, cultural, and ethnic borders are inevitably gendered and incite violence against women in the name of the nation. The book surveys two millennia of historical, literary, dramatic texts, and sociopolitical references to reveal that this type of drama was especially popular when China was under foreign rule, such as in the Yuan (Mongol) and Qing (Manchu) dynasties, and when Chinese male literati felt desperate about their economic and political future, due to the dysfunctional imperial examination system. Daphne P. Lei covers border-crossing Chinese drama in major theatrical genres such as zaju and chuanqi, regional drama such as jingju (Beijing opera) and yueju (Cantonese opera), and modernized operatic and musical forms of such stories today.
One of the Chinese American Librarians Association’s Ten Best Books of 2010
During the infamous “Rape of Nanking,” a brutal military occupation of Nanking, China, that began on December 13, 1937, it is estimated that Japanese soldiers killed between 200,000 and 300,000 Chinese and raped between 20,000 and 80,000 women. To shelter civilian refugees, a group of Westerners established a Nanking Safety Zone. Among these humanitarians was Minnie Vautrin, an American missionary and acting president of Ginling College. She and Tsen Shui-fang, her Chinese assistant and a trained nurse, turned the college into a refugee camp, which protected more than 10,000 women and children during the height of the ordeal. The Undaunted Women of Nanking juxtaposes day-by-day the exhausted and terrified women’s wartime diaries, providing vital eyewitness accounts of the Rape of Nanking and a unique focus on the Ginling refugee camp and the sufferings of women and children. Vautrin's diary reveals the humanity and courage of a female missionary in a time of terror. Tsen Shui-fang’s diary, never before published in English and translated here for the first time, is the only known daily account by a Chinese national written during the crisis and not retrospectively. As such, it records a unique perspective: that of a woman grappling with feelings of anger, sorrow, and compassion as she witnesses the atrocities being committed in her war-torn country.
Editors Hua-ling Hu and Zhang Lian-hong have added many informative annotations to the diary entries from sources including the proceedings of the Tokyo War Crimes Trial of 1946, Vautrin’s correspondence, John Rabe’s diary, and other historical documents. Also included are biographical sketches of the two women, a note on the diaries, and information about the aftermath of the tragedy, as well as maps and photos—some of which appear in print in this book for the first time.
What accounts for the persistence of the figure of the black criminal in popular culture created by African Americans? Unearthing the overlooked history of art that has often seemed at odds with the politics of civil rights and racial advancement, Under a Bad Sign explores the rationale behind this tradition of criminal self-representation from the Harlem Renaissance to contemporary gangsta culture.
In this lively exploration, Jonathan Munby takes a uniquely broad view, laying bare the way the criminal appears within and moves among literary, musical, and visual arts. Munby traces the legacy of badness in Rudolph Fisher and Chester Himes’s detective fiction and in Claude McKay, Julian Mayfield, and Donald Goines’s urban experience writing. Ranging from Peetie Wheatstraw’s gangster blues to gangsta rap, he also examines criminals in popular songs. Turning to the screen, the underworld films of Oscar Micheaux and Ralph Cooper, the 1970s blaxploitation cycle, and the 1990s hood movie come under his microscope as well. Ultimately, Munby concludes that this tradition has been a misunderstood aspect of African American civic life and that, rather than undermining black culture, it forms a rich and enduring response to being outcast in America.
Seventeenth-century New Englanders were not as busy policing their neighbors’ behavior as Nathaniel Hawthorne or many historians of early America would have us believe. Keeping their own households in line occupied too much of their time. Under Household Government reveals the extent to which family members took on the role of watchdog in matters of sexual indiscretion.
In a society where one’s sister’s husband’s brother’s wife was referred to as “sister,” kinship networks could be immense. When out-of-wedlock pregnancies, paternity suits, and infidelity resulted in legal cases, courtrooms became battlegrounds for warring clans. Families flooded the courts with testimony, sometimes resorting to slander and jury-tampering to defend their kin. Even slaves merited defense as household members—and as valuable property. Servants, on the other hand, could expect to be cast out and left to fend for themselves.
As she elaborates the ways family policing undermined the administration of justice, M. Michelle Jarrett Morris shows how ordinary colonists understood sexual, marital, and familial relationships. Long-buried tales are resurrected here, such as that of Thomas Wilkinson’s (unsuccessful) attempt to exchange cheese for sex with Mary Toothaker, and the discovery of a headless baby along the shore of Boston’s Mill Pond. The Puritans that we meet in Morris’s account are not the cardboard caricatures of myth, but are rendered with both skill and sensitivity. Their stories of love, sex, and betrayal allow us to understand anew the depth and complexity of family life in early New England.
Winner of the 2014 Central Eurasian Studies Society Book Award in the Social Sciences.
Under Solomon’s Throne provides a rare ground-level analysis of post-Soviet Central Asia’s social and political paradoxes by focusing on an urban ethnic community: the Uzbeks in Osh, Kyrgyzstan, who have maintained visions of societal renewal throughout economic upheaval, political discrimination, and massive violence.
Morgan Liu illuminates many of the challenges facing Central Asia today by unpacking the predicament of Osh, a city whose experience captures key political and cultural issues of the region as a whole. Situated on the border of Uzbekistan and Kyrgyzstan—newly independent republics that have followed increasingly divergent paths to reform their states and economies—the city is subject to a Kyrgyz government, but the majority of its population are ethnic Uzbeks. Conflict between the two groups led to riots in 1990, and again in 2010, when thousands, mostly ethnic Uzbeks, were killed and nearly half a million more fled across the border into Uzbekistan. While these tragic outbreaks of violence highlight communal tensions amid long-term uncertainty, a close examination of community life in the two decades between reveals the way Osh Uzbeks have created a sense of stability and belonging for themselves while occupying a postcolonial no-man’s-land, tied to two nation-states but not fully accepted by either one.
The first ethnographic monograph based on extensive local-language fieldwork in a Central Asian city, this study examines the culturally specific ways that Osh Uzbeks are making sense of their post-Soviet dilemmas. These practices reveal deep connections with Soviet and Islamic sensibilities and with everyday acts of dwelling in urban neighborhoods. Osh Uzbeks engage the spaces of their city to shape their orientations relative to the wider world, postsocialist transformations, Islamic piety, moral personhood, and effective leadership. Living in the shadow of Solomon’s Throne, the city’s central mountain, they envision and attempt to build a just social order.
Never before has so much been known about so many. CCTV cameras, TSA scanners, NSA databases, big data marketers, predator drones, “stop and frisk” tactics, Facebook algorithms, hidden spyware, and even old-fashioned nosy neighbors—surveillance has become so ubiquitous that we take its presence for granted. While many types of surveillance are pitched as ways to make us safer, almost no one has examined the unintended consequences of living under constant scrutiny and how it changes the way we think and feel about the world. In Under Surveillance, Randolph Lewis offers a highly original look at the emotional, ethical, and aesthetic challenges of living with surveillance in America since 9/11.
Taking a broad and humanistic approach, Lewis explores the growth of surveillance in surprising places, such as childhood and nature. He traces the rise of businesses designed to provide surveillance and security, including those that cater to the Bible Belt’s houses of worship. And he peers into the dark side of playful surveillance, such as eBay’s online guide to “Fun with Surveillance Gadgets.” A worried but ultimately genial guide to this landscape, Lewis helps us see the hidden costs of living in a “control society” in which surveillance is deemed essential to governance and business alike. Written accessibly for a general audience, Under Surveillance prompts us to think deeply about what Lewis calls “the soft tissue damage” inflicted by the culture of surveillance.
Under the Campus, the Land narrates the University of Michigan’s place in both Anishinaabe and settler history, tracing the university’s participation in the colonization of Anishinaabe homelands, Anishinaabe efforts to claim their right to an education, and the university’s history of disavowing, marginalizing, and minimizing its responsibilities and obligations to Anishinaabe people. Continuing the public conversations of the same name on U-M’s campus in 2023, Under the Campus, the Land provides a new perspective on the relationship between universities and settler colonialism in the US. Members of the U-M community, scholars of Midwest history, and those interested in Indigenous studies will find this book compelling.
Did our ancestors live in tropical forests? Although we see the rainforest as a bountiful environment teeming with life forms, most anthropologists and archaeologists have long viewed these areas as too harsh for human occupation during the pre-agricultural stages of hominid development.
Under the Canopy turns conventional wisdom on its head by providing a well-documented, geographically diverse overview of Stone Age sites in the wet tropics. New research indicates that, as humanity and its precursors increased their geographical and ecological ranges, rainforests were settled at a much earlier period than had previously been thought.
Featuring the work of leading scholars from Australia, Brazil, Canada, Colombia, France, Malaysia, Panama, Spain, and the United States, Under the Canopy creates a new niche in paleolithic studies: the archaeology of tropical rainforests. This book provides the first synthesis of archaeological research in early foraging sites across the rainforest zone, and indicates that tropical forests could harbor important clues to human evolution, origins of modern behavior, cultural diversity, and human impact on tropical ecosystems.
Prior to 2000, it was a criminal offense to sell hardcore pornography in Britain. Despite this, there was a thriving alternative economy producing and distributing such material “under the counter” of Soho’s bookshops and via mail-order. British entrepreneurs circumvented obscenity laws to satisfy the demand for uncensored adult films and profit from their enterprise, with corrupt members of the Metropolitan Police’s Obscene Publications Squad permitting them to trade.
By the late 1960s, Britain had developed an international reputation for producing “rollers,” short hardcore films distributed on 8mm, which were smuggled out of Britain for sale in Western Europe. Following an exposé by Britain’s tabloid press, a crackdown on police corruption, and several high-profile obscenity trials, the trade was all but decimated, with pornography smuggled in from Europe dominating the market.
Drawing on extensive archival research, including the use of legal records, police files, media reportage, and interviews with those who were involved in the business, Under the Counter tells the story of Britain’s trade in 8mm hardcore pornographic films and its regulation.
In the West, media coverage of Afghanistan and Pakistan is framed by military and political concerns, resulting in a simplistic picture of ageless barbarity, terrorist safe havens, and peoples in need of either punishment or salvation. Under the Drones looks beyond this limiting view to investigate real people on the ground, and to analyze the political, social, and economic forces that shape their lives. Understanding the complexity of life along the 1,600-mile border between Afghanistan and Pakistan can help America and its European allies realign their priorities in the region to address genuine problems, rather than fabricated ones.
This volume explodes Western misunderstandings by revealing a land that abounds with human agency, perpetual innovation, and vibrant complexity. Through the work of historians and social scientists, the thirteen essays here explore the real and imagined presence of the Taliban; the animated sociopolitical identities expressed through traditions like Pakistani truck decoration; Sufism’s ambivalent position as an alternative to militancy; the long and contradictory history of Afghan media; and the simultaneous brutality and potential that heroin brings to women in the area.
Moving past shifting conceptions of security, the authors expose the West’s prevailing perspective on the region as strategic, targeted, and alarmingly dehumanizing. Under the Drones is an essential antidote to contemporary media coverage and military concerns.
The Turkic Muslims known as the Uighur have long faced social and economic disadvantages in China because of their minority status. Under the Heel of the Dragon: Islam, Racism, Crime, and the Uighur in China offers a unique insight into current conflicts resulting from the rise of Islamic fundamentalism and the Chinese government’s oppression of religious minorities, issues that have heightened the degree of polarization between the Uighur and the dominant Chinese ethnic group, the Han.
Author Blaine Kaltman’s study is based on in-depth interviews that he conducted in Chinese without the aid of an interpreter or the knowledge of the Chinese government. These riveting conversations expose the thoughts of a wide socioeconomic spectrum of Han and Uighur, revealing their mutual prejudices. The Uighur believe that the Han discriminate against them in almost every aspect of their lives, and this perception of racism motivates Uighur prejudice against the Han.
Kaltman reports that criminal activity by Uighur is directed against their perceived oppressors, the Han Chinese. Uighur also resist Han authority by flouting the laws—such as tax and licensing regulations or prohibitions on the use or sale of hashish—that they consider to be imposed on them by an alien regime. Under the Heel of the Dragon offers a unique insight into a misunderstood world and a detailed explanation of the cultural perceptions that drive these misconceptions.
explores ideology and social practices among the Beng people of Côte
d'Ivoire. Employing symbolic and postmodern perspectives, she highlights
the dynamically paired notions of identity and difference, symbolized by
the kapok tree planted at the center of every Beng village.
"This book merits a number of readings. . . . An experiment in
ethnography that future projects might well emulate." —Clarke K. Speed,
American Anthropologist
"[An] evocative, rich ethnography. . . . Gottlieb does anthropology a
real service." —Misty L. Bastian, American Ethnologist
"Richly detailed. . . . This book offers a nuanced descriptive analysis
which commands authority." —Elizabeth Tonkin, Man
"Exemplary. . . . Gottlieb's observations on identity and difference are
not confined to rituals or other special occasions; rather she shows
that these principles emerge with equal force during daily social life."
—Monni Adams, Journal of African Religion
"[An] excellent study." —John McCall, Journal of Folklore
Research
Most women who elect to have cosmetic surgery want a “natural” outcome—a discrete alteration of the body that appears unaltered. Under the Knife examines this theme in light of a cultural paradox. Whereas women are encouraged to improve their appearance, there is also a stigma associated with those who do so via surgery.
Samantha Kwan and Jennifer Graves reveal how women negotiate their “unnatural”—but hopefully (in their view) natural-looking—surgically-altered bodies. Based on in-depth interviews with 46 women who underwent cosmetic surgery to enhance their appearance, the authors investigate motivations for surgery as well as women’s thoughts about looking natural after the procedures. Under the Knife dissects the psychological and physical strategies these women use to manage the expectations, challenges, and disappointments of cosmetic surgery while also addressing issues of agency and empowerment. It shows how different cultural intersections can produce varied goals and values around body improvement.
Under the Knife highlights the role of deep-seated yet contradictory gendered meanings about women’s bodies, passing, and boundary work. The authors also consider traditional notions of femininity and normalcy that trouble women’s struggle to preserve an authentic moral self.
This ethnographic study of the Panare Indians of Venezuela is the first extensive look at a tribe of this region of the Amazonia. It is an important book not only because it delves into the myth-filled Panare culture, but also because the author has used a modified version of the structural analysis of Claude Lévi-Strauss in examining the Panare.
Lévi-Strauss applied his method of structural analysis to the mythology of many societies in Amazonia, but never to any single society. Jean-Paul Dumont has filled that gap and has shown how the approach works in practice when applied to the intensive study of a single, small-scale culture. His book significantly expands the discussion of the strengths and weaknesses of the method.
The work deals specifically with the implicit mythology of the Panare and is concerned with the symbolic activities manifested in the daily behavior of this group. The analysis of the symbolism, explains Dumont, allows for the discovery of the conceptual system through which the Panare conceive of themselves.
The study is organized into two parts: a presentation of the data and an analysis. The presentation includes a geographical and historical account of the Panare and a general ethnological profile. The analysis is organized into the conceptual categories of inhabited space, time, astrosexuality, hearing, and taste. A concluding chapter summarizes the analysis.
Under the Rainbow will be of interest and of value not only to anthropologists but also to linguists, philosophers, psychologists, and others interested in the general intellectual movement represented by French structuralism. The fieldwork for Under the Rainbow was conducted in Venezuelan Guiana from September 1967 to July 1969.
For the Cherokee, health is more than the absence of disease; it includes a fully confident sense of a smooth life, peaceful existence, unhurried pace, and easy flow of time. The natural state of the world is to be neutral, balanced, with a similarly gently flowing pattern. States of imbalance, tension, or agitation are indicative of physical, mental, emotional, or spiritual illness and whether caused intentionally through omission or commission, or by outside actions or influences, the result affects and endangers the collective Cherokee.
In her provocative book, Brooke Kroeger argues for a reconsideration of the place of oft-maligned journalistic practices. While it may seem paradoxical, much of the valuable journalism in the past century and a half has emerged from undercover investigations that employed subterfuge or deception to expose wrong. Kroeger asserts that undercover work is not a separate world, but rather it embodies a central discipline of good reporting—the ability to extract significant information or to create indelible, real-time descriptions of hard-to-penetrate institutions or social situations that deserve the public’s attention. Together with a companion website that gathers some of the best investigative work of the past century, Undercover Reporting serves as a rallying call for an endangered aspect of the journalistic endeavor.
The sociology of “social deviants” flourished in the United States at midcentury, studying the lives of outsiders such as homosexuals, Jews, disabled people, drug addicts, and political radicals. But in the following decades, many of these downcast figures would become the architects of new social movements, activists in revolt against institutions, the state, and social constraint. As queer theory gained prominence as a subfield of the humanities in the late 1980s, it seemed to inherit these radical, activist impulses—challenging not only gender and sexual norms, but also the nature of society itself.
With Underdogs, Heather Love shows that queer theorists inherited as much from sociologists as they did from activists. Through theoretical and archival work, Love traces the connection between midcentury studies of deviance and the antinormative, antiessentialist field of queer theory. While sociologists saw deviance as an inevitable fact of social life, queer theorists embraced it as a rallying cry. A robust interdisciplinary history of the field, Underdogs stages a reencounter with the practices and communities that underwrite radical queer thought.
Writers and artists took up questions that originated in the sphere of urban planning to explore how underground movement changed the ways people understand the city. Modern poets envisioned the subway as a space of literary innovation; playwrights and fiction writers used it to gauge the consequences of migration and immigration; and essayists found that it underscored the fragile relationship between urban development and memory. Even today, the symbolic associations forged by these early texts continue to influence understanding of the cultural significance of the subway and the city it connects.
In this provocative book, esteemed scholar Barbara Tomlinson asserts that intersectionality—the idea that categories such as gender, race, and class create overlapping systemsof oppression—is consistently misinterpreted in feminist argument. Despite becoming a central theme in feminist scholarship and activism, Tomlinson believes dominant feminism has failed to fully understand the concept.
Undermining Intersectionality reveals that this apparent paradox is the result of the disturbing racial politics underlying more than two decades of widely-cited critiques of intersectionality produced by prominent white feminist scholars who have been insufficiently attentive to racial dynamics. As such, feminist critiques of intersectionality repeatedly reinforce racial hierarchies, undermining academic feminism’s supposed commitment to social justice. Tomlinson offers a persuasive analysis of the rhetorics and conventions of argument used in these critiques to demonstrate their systematic reliance on “powerblind” discursive practices.
Undermining Intersectionality concludes by presenting suggestions about concrete steps feminist researchers, readers, authors, and editors can take to promote more productive and principled engagements with intersectional thinking.
Opening with Ira Berlin’s reflections on ten elements that are essential to include in any course on this topic, Understanding and Teaching American Slavery offers practical advice for teaching specific content, utilizing sources, and getting students to think critically. Contributors address, among other topics, slavery and the nation’s founders, the diverse experiences of the enslaved, slavery’s role in the Civil War, and the relationship between slavery and the northern economy. Other chapters offer ideas for teaching through slave narratives, runaway ads, spirituals, films, and material culture. Taken together, the essays in the volume help instructors tackle problems, discover opportunities, and guide students in grappling with the ugliest truths of America’s past.
Despite the availability of new scholarship, many teachers struggle with contextualizing Indigenous history and experience. Native peoples frequently find themselves relegated to historical descriptions, merely a foil to the European settlers who are the protagonists in the dominant North American narrative. This book offers a way forward, an alternative framing of the story that highlights the ongoing integral role of Native peoples via broad coverage in a variety of topics including the historical, political, and cultural.
With its scope and clarity of vision, suggestions for navigating sensitive topics, and a multitude of innovative approaches authored by contributors from multidisciplinary backgrounds, Understanding and Teaching Native American History will also find use in methods and other graduate courses. Nearly a decade in the conception and making, this is a groundbreaking source for both beginning and veteran instructors.
Books in the popular Harvey Goldberg Series provide high school and introductory college-level instructors with ample resources and strategies for better engaging students in critical, thought-provoking topics. By allowing for the implementation of a more nuanced curriculum, this is history instruction at its best. Understanding and Teaching the Civil Rights Movement will transform how the United States civil rights movement is taught.
Honorable Mention, Franklin Buchanan Prize for Curricular Materials, Association for Asian Studies and the Committee for Teaching about Asia
Assisted suicide remains one of the most emotionally charged and controversial topics—and the issue isn’t going away any time soon. As the baby boomer generation ages, many of us will watch as our parents—and ourselves—grow older, and wonder at the decisions that lie ahead.
Understanding Assisted Suicide provides both a fresh take on this important topic and the framework for intelligent participation in the discussion. Uniquely, the author frames the issue using his own experience watching both his parents die, which led him to ask fundamental questions about death, dying, religion, and the role of medicine and technology in alleviating human suffering.
In concerns about assisted suicide, each person’s “big picture” has largely been created out of picking and choosing from nine separate snapshot albums.
Understanding this offers a perspective for quickly determining the sources of another’s opinion on assisted suicide, as well as the issues they are not considering. Most importantly, Understanding Assisted Suicide offers a clear, easy-to-traverse landscape over which those who are sincerely looking for their own answers can navigate. The “nine-issue structure” allows both careful exploration of separate issues and a view of the full spectrum of ideas involved.
The "Celtic Tiger" phenomenon has made Ireland the focus of much attention in recent years. Other countries have openly declared that they want to follow the Irish economic and social model. Yet there is no book that gives a comprehensive, spatially-informed analysis of the Irish experience. This book fills that gap.
Divided into four parts—planning and development, the economy, the political landscape, and population and social issues—the chapters provide an explanation of a particular aspect of Ireland and Irish life accompanied by illustrative material. In particular, the authors reveal how the transformations that have occurred are uneven and unequal in their effects across the country and highlight the challenges now facing Irish society and policy-makers.
First, Graham E. Fuller focuses on Shari’a law and its appropriate role, if any, in the politics and governance of the Muslim world, thereby further exploring why identity may be the most important factor in examining politics in the Middle East today. He also addresses the current Shi’ite-Sunni conflict, going beyond theological approaches found in most Western analysis to better understand the many more extra-religious factors also at work. Perhaps most importantly, this book claims that the appearance of ISIS has stretched the perennial phenomenon of political Islam to the extreme. Fuller concludes by asking what ISIS implies for the future of the Middle East and for Muslims’ understanding of Islam itself.
Place has become both a major field of criminological study as well as an important area for policy development. Capturing state of the art crime and place research methods and analysis, Understanding Crime and Place is a comprehensive Handbook focused on the specific skills researchers need.
The editors and contributors are scholars who have been fundamental in introducing or developing a particular method for crime and place research. Understanding Crime and Place is organized around the scientific process, introducing major crime and place theories and concepts, discussions of data and data collection, core spatial data concepts, as well as statistical and computational techniques for analyzing spatial data and place-based evaluation. The lessons in the book are supplemented by additional instructions, examples, problems, and datasets available for download.
Conducting place-based research is an emerging field that requires a wide range of cutting-edge methods and analysis techniques that are only beginning to be widely taught in criminology. Understanding Crime and Place bridges that gap, formalizes the discipline, and promotes an even greater use of place-based research.
Contributors: Martin A. Andresen, Matthew P J Ashby, Eric Beauregard, Wim Bernasco, Daniel Birks, Hervé Borrion, Kate Bowers, Anthony A. Braga, Tom Brenneman, David Buil-Gil, Meagan Cahill, Stefano Caneppele, Julien Chopin, Jeffrey E. Clutter, Toby Davies, Hashem Dehghanniri, Jillian Shafer Desmond, Beidi Dong, John E. Eck, Miriam Esteve, Timothy C. Hart, Georgia Hassall, David N. Hatten, Julie Hibdon, James Hunter, Shane D. Johnson, Samuel Langton, YongJei Lee, Ned Levine, Brian Lockwood, Dominique Lord, Nick Malleson, Dennis Mares, David Mazeika, Lorraine Mazerolle, Asier Moneva, Andrew Newton, Bradley J. O’Guinn, Ajima Olaghere, Graham C. Ousey, Ken Pease, Eric L. Piza, Jerry Ratcliffe, Caterina G. Roman, Stijn Ruiter, Reka Solymosi, Evan T. Sorg, Wouter Steenbeek, Hannah Steinman, Ralph B. Taylor, Marie Skubak Tillyer, Lisa Tompson, Brandon Turchan, David Weisburd, Brandon C. Welsh, Clair White, Douglas J. Wiebe, Pamela Wilcox, David B. Wilson, Alese Wooditch, Kathryn Wuschke, Sue-Ming Yang, and the editors.
Understanding Disaster Insurance provides an accessible introduction to the complexities—and exciting possibilities—of risk transfer markets in the U.S. and around the world. Carolyn Kousky, a leading researcher on disaster risk and insurance, explains how traditional insurance markets came to be structured and why they fall short in meeting the needs of a world coping with climate change. She then offers realistic, yet hopeful, examples of new approaches. With examples ranging from individual entrepreneurs to multi-country collaborations, she shows how innovative thinking and creative applications of insurance-based mechanisms can improve recovery outcomes for people and their communities. She also explores the role of insurance in supporting policy goals beyond disaster recovery, such as nature-positive approaches for larger environmental impact. The book holds up the possibility that new risk transfer markets, brought to scale, could help create more equitable and sustainable economies.
Insurance and risk transfer markets can be a powerful tool for adapting to climate change, yet they are frequently misunderstood. Many find insurance confusing or even problematic and ineffective. Understanding Disaster Insurance is a useful guidebook for policymakers, innovators, students, and other decision makers working to secure a resilient future—and anyone affected by wind, fire, rain, or flood.
Webtoons—a form of comic that are typically published digitally in chapter form—are the latest manifestation of the Korean Wave of popular culture that has increasingly caught on across the globe, especially among youth. Originally distributed via the Internet, they are now increasingly distributed through smartphones to ravenous readers in Korea and around the world.
The rise of webtoons has fundamentally altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other media platforms, such as films, television, and digital games—and the convergence of cultural content and digital technologies. Fans can enjoy this content anytime and anywhere, either purely as webtoons or as webtoon-based big-screen culture.
Understanding Korean Webtoon Culture analyzes webtoons through the lens of emerging digital cultures and discusses relevant cultural perspectives by combining two different, yet connected approaches, political economy and cultural studies. The book demonstrates the dynamics between structural forces and textual engagement in global media flows, and it illuminates snack-culture and binge-reading as two new forms of digital culture that webtoon platforms capitalize on to capture people’s shifting media consumption.
Webtoons—a form of comic that are typically published digitally in chapter form—are the latest manifestation of the Korean Wave of popular culture that has increasingly caught on across the globe, especially among youth. Originally distributed via the Internet, they are now increasingly distributed through smartphones to ravenous readers in Korea and around the world.
The rise of webtoons has fundamentally altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other media platforms, such as films, television, and digital games—and the convergence of cultural content and digital technologies. Fans can enjoy this content anytime and anywhere, either purely as webtoons or as webtoon-based big-screen culture.
Understanding Korean Webtoon Culture analyzes webtoons through the lens of emerging digital cultures and discusses relevant cultural perspectives by combining two different, yet connected approaches, political economy and cultural studies. The book demonstrates the dynamics between structural forces and textual engagement in global media flows, and it illuminates snack-culture and binge-reading as two new forms of digital culture that webtoon platforms capitalize on to capture people’s shifting media consumption.
Have you ever meant one thing, but said another? Reacted angrily when no offense was intended? Wished that the earth would open up and swallow you? Understanding Misunderstandings will help you get out and stay out of these difficulties.
Robert L. Young explains why many common types of misunderstandings arise and how they can be avoided or corrected. In the first part of the book, he breaks the process of misunderstanding down into stages, showing how it can occur when we misspeak, mishear, misinterpret, or react in inappropriate ways. In the second part, he expertly analyzes the kinds of misunderstandings that can arise from differences in culture, social class, race and ethnicity, and gender. Real-life examples illustrate many of the problems and solutions he describes.
Because misunderstanding can destroy friendships and marriages, wreck careers, and lead to clashes between whole segments of society, understanding and diffusing it is of the utmost importance. This reader-friendly book provides the practical guidance to do just that. Educators, business people, psychologists, parents—in fact, everyone who interacts with other people—will benefit from it.
“Muslim Americans are at a political crossroads,” write editors Brian Calfano and Nazita Lajevardi. Whereas Muslims are now widely incorporated in American public life, there are increasing social and political pressures that disenfranchise them or prevent them from realizing the American Dream. Understanding Muslim Political Life in America brings clarity to the social, religious, and political dynamics that this diverse religious community faces.
In this timely volume, leading scholars cover a variety of topics assessing the Muslim American experience in the post-9/11 and pre-Trump era, including law enforcement; identity labels used in Muslim surveys; the role of gender relations; recognition; and how discrimination, tolerance, and politics impact American Muslims.
Understanding Muslim Political Life in America offers an update and reappraisal of what we know about Muslims in American political life. The editors and contributors also consider future directions and important methodological questions for research in Muslim American scholarship.
Contributors include Matt A. Barreto, Alejandro Beutel, Tony Carey, Youssef Chouhoud, Karam Dana, Oz Dincer, Rachel Gillum, Kerem Ozan Kalkan, Anwar Manje, Valerie Martinez-Ebers, Dani McLaughlan, Melissa R. Michelson, Yusuf Sarfati, Ahmet Tekelioglu, Marianne Marar Yacobian, and the editors.
In spite of an unprecedented period of growth and prosperity, the poverty rate in the United States remains high relative to the levels of the early 1970s and relative to those in many industrialized countries today. Understanding Poverty brings the problem of poverty in America to the fore, focusing on its nature and extent at the dawn of the twenty-first century.
Looking back over the four decades since the nation declared war on poverty, the authors ask how the poor have fared in the market economy, what government programs have and have not accomplished, and what remains to be done. They help us understand how changes in the way the labor market operates, in family structure, and in social welfare, health, and education policies have affected trends in poverty. Most significantly, they offer suggestions for changes in programs and policies that hold real promise for reducing poverty and income inequality.
Privacy is one of the most important concepts of our time, yet it is also one of the most elusive. As rapidly changing technology makes information increasingly available, scholars, activists, and policymakers have struggled to define privacy, with many conceding that the task is virtually impossible.
In this concise and lucid book, Daniel J. Solove offers a comprehensive overview of the difficulties involved in discussions of privacy and ultimately provides a provocative resolution. He argues that no single definition can be workable, but rather that there are multiple forms of privacy, related to one another by family resemblances. His theory bridges cultural differences and addresses historical changes in views on privacy. Drawing on a broad array of interdisciplinary sources, Solove sets forth a framework for understanding privacy that provides clear, practical guidance for engaging with relevant issues.
Understanding Privacy will be an essential introduction to long-standing debates and an invaluable resource for crafting laws and policies about surveillance, data mining, identity theft, state involvement in reproductive and marital decisions, and other pressing contemporary matters concerning privacy.
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