There are some twenty-five words for “snow” in the Inupiaq language. Each word denotes a different kind of snow—fresh powder snow, hard pack, soft snow, very wet snow, or just snow. Such fine distinction is reasonable, for over the centuries, Natives of the Arctic have had to rely on their knowledge of the snow to survive. Now Matthew Sturm has prepared an educational children’s book designed to teach a new generation of Arctic residents the importance of Arctic snow cover. Fully illustrated to demonstrate the cycle of the snow cover, Apun covers each phase of the “snow year.” Geared towards grades 3–4, this is a must read for elementary science classes.

There are some twenty-five words for “snow” in the Inupiaq language. Each word denotes a different kind of snow—fresh powder snow, hard pack, soft snow, very wet snow, or just snow. Such fine distinction is reasonable, for over the centuries, Natives of the Arctic have had to rely on their knowledge of the snow to survive. Now Matthew Sturm has prepared an educational children’s book designed to teach a new generation of Arctic residents the importance of Arctic snow cover. Fully illustrated to demonstrate the cycle of the snow cover, Apun covers each phase of the “snow year.” Geared towards grades 3–4, this is a must read for elementary science classes.

Diversity has always been central to Alaska identity, as the state’s population consists of people with many different backgrounds, viewpoints, and life experiences. This book opens a window into these diverse lives, gathering stories and poems about lesbian, gay, bisexual, transgender, and queer life into a brilliant, path-breaking anthology.
            In these pages we see the panoply of LGBTQ life in Alaska today, from the quotidian urban adventures of a family—shopping, going out, working—to intimate encounters with Alaska’s breathtaking natural beauty. At a time of great change and major strides in LGBTQ civil rights, Building Fires in the Snow shows us an Alaska that shatters stereotypes and reveals a side of Alaska that’s been little seen until now.
 

The final collection of stories by award-winning writer Marjorie Kowalski Cole, The City Beneath the Snow is a portrait of contemporary Alaskans and a look at the moral decisions that lurk in the unexpected corners of daily life.

"Marjorie Kowalski Cole's characters live, work, and struggle in interior Alaska, and she depicts life here with a keen eye and with compassion. We see the daughter of a Fairbanks junkyard owner struggling with her isolation. We meet a bartender at Circle Hot Springs who's also a certified nurse's assistant at Fairbanks Memorial Hospital. . . . These are inner lives, revealed with care and with skill, the true material of good literature."—Peggy Shumaker, Alaska State Writer Laureate

Stella Vinitchi Radulescu’s poetry dwells in spaces of paradox, seeking out the words, metaphors, and images that capture both the peaceful stillness of snow and the desperate cry of human experience. A Cry in the Snow often draws on these two fertile tropes: the beauty of nature and the power and limitations of language. A trilingual poet who has published in French, English, and her native Romanian, Radulescu seeks to harness the elemental aspects of human experience, working between language and the mysterious power of silence. Combining poems from two French-language collections, Un Cri dans la neige (A Cry in the Snow) and a poetic prose sequence, Journal aux yeux fermés (Journal with Closed Eyes), this collection presents the distinctive and powerful French poems of Stella Vinitchi Radulescu to an English-language readership for the first time.
 

On a wintry white day, a small boy and a red sled step out for an adventure. As they slip through the snowy woods, their imagined journey takes place against real black-and-white photos of Eagle River, Alaska. Told entirely in haiku, this gentle book evokes both joy and calm. The black, red, and white color scheme is perfect for very young children, but readers of all ages will find the lyrical tone and captivating pictures a delightful invitation to explore the forest again and again.

The poems offered here were gathered from what Robert Francis wrote in the last decade of his life and from earlier work not available either in his seven previous books or his Collected Poems, 1936-1976. While aging is a recurring theme, the later poems converse with the earlier ones in an engaging mixture of subject and tone, mingling the pastoral with the political, the contemplative with the Chaplinesque. Recipient of the Shelly Memorial Award, Prix de Rome, and Academy of American Poets Fellowship, Francis lived in Amherst, Massachusetts, until his death in 1987 at age eighty-five.

A picture-book journey through the Boundary Waters Canoe Area Wilderness in winter, snowshoeing the frozen lakes and silent forest with family, encountering the wonders of northern wildlife in the cold season
 

In winter the Boundary Waters, way up north in Minnesota, is not the same place you canoed last summer—but still it beckons and welcomes you. Grab a pack, strap on snowshoes, make a path (Oh! they take some getting used to!), and venture out across the frozen lakes and through the snowy woods. The vast wintery world here is so still and quiet, you might think you’re all alone—but no! Who made these tracks? A deer? A hare? A fox? And far off there’s a musher, making tracks with his sled dogs.

It’s a magical place. The bright sun brilliant on the snow, the sparkling silence—wait, is that a wolf calling? Try to answer! And when the dark descends, the stars and pine trees holding up the night, your nose gets cold and it’s back to camp, to your warm winter tent, where Father feeds the stove with wood you gathered, Mother snuggles into her big sleeping bag, and you curl up in the fire’s glow and know that in your dreams and memories you will return again and again to this one winter up north. 

A wintery adventure that unfolds in pictures, John Owens’s delightful book gives readers a chance to discover—or rediscover—another season full of wonder in the Boundary Waters Canoe Area Wilderness.

Vance Randolph has long been an undeniable presence on the American folklore scholarship scene. His Ozark corpus is "the best known single body of regional folklore in the United States," according to Richard Dorson, director of the Folklore Institute at Indiana University. And Gershon Legman, the world's leading scholar of sexual and scatological humor, has called Randolph "the greatest and most successful field collector and regional folklorist that America ever had." In Legman's estimation, "We have no one else like him. He is a national treasure, like Mark Twain.
Randolph's reputation rests on the massive accumulation of folksong, folktale, and ballad materials he collected during forty years of living and working in the Ozarks. Unfortunately, in the 1950s when Randolph published several collection of Ozark tales, the material in this volume was considered unprintable.
Pissing in the Snow departs from the academic prudery that until recently has restricted the amount of bawdy folklore available for study. It presents a body of material that for twenty years has circulated only in manuscript or microfilm under its present title.
When placed in their rightful context alongside Randolph's other collections of folk material, the bawdy tales help provide evidence of what Ozark hill people think about their own lives and language. As Rayna Green writes in her introduction, "The entire body of material . . . offers a picture of expressive behavior unparalleled by any other American region's or group's study." Hoffmann's annotations draw parallels between the erotic narrative tradition of the Ozarks and that in other parts of the country and the world, especially Europe.