Wak'as were understood as agentive, nonhuman persons within many Andean communities and were fundamental to conceptions of place, alimentation, fertility, identity, and memory and the political construction of ecology and life cycles. The ethnohistoric record indicates that wak'as were thought to speak, hear, and communicate, both among themselves and with humans. In their capacity as nonhuman persons, they shared familial relations with members of the community, for instance, young women were wed to local wak'as made of stone and wak'as had sons and daughters who were identified as the mummified remains of the community's revered ancestors.
Integrating linguistic, ethnohistoric, ethnographic, and archaeological data, The Archaeology of Wak'as advances our understanding of the nature and culture of wak'as and contributes to the larger theoretical discussions on the meaning and role of–"the sacred” in ancient contexts.
Most scholars dismiss research into the paranormal as pseudoscience, a frivolous pursuit for the paranoid or gullible. Even historians of religion, whose work naturally attends to events beyond the realm of empirical science, have shown scant interest in the subject. But the history of psychical phenomena, Jeffrey J. Kripal contends, is an untapped source of insight into the sacred and by tracing that history through the last two centuries of Western thought we can see its potential centrality to the critical study of religion.
Kripal grounds his study in the work of four major figures in the history of paranormal research: psychical researcher Frederic Myers; writer and humorist Charles Fort; astronomer, computer scientist, and ufologist Jacques Vallee; and philosopher and sociologist Bertrand Méheust. Through incisive analyses of these thinkers, Kripal ushers the reader into a beguiling world somewhere between fact, fiction, and fraud. The cultural history of telepathy, teleportation, and UFOs; a ghostly love story; the occult dimensions of science fiction; cold war psychic espionage; galactic colonialism; and the intimate relationship between consciousness and culture all come together in Authors of the Impossible, a dazzling and profound look at how the paranormal bridges the sacred and the scientific.
Homosexuality has become increasingly accepted in mainstream America over the past two decades. Yet despite indications of progress that can be found everywhere from academia to popular culture, gay men and women remain the target of much discrimination and stigma, particularly within conservative Christianity.
In Be Not Deceived, Michelle Wolkomir explores the difficult dilemma that gay Christians face in their attempts to reconcile their religious and sexual identities. She introduces the ideologies and practices of two alternative and competing ministries that offer solutions for Christians who experience homosexual desire.
One organization—the Universal Fellowship of Metropolitan Community Churches—believes that God made people gay to suit divine purposes. Changing one’s sexuality is therefore impossible and a defiance of God. In contrast, Exodus International preaches that homosexuality is a sin and a symptom of disordered psychological development—one that can be cured through redemptive prayer. By comparing participant experiences in these ministries, Wolkomir explores the paths and processes by which members learn to become gay or ex-gay Christians.
Through careful analysis of the groups’ ideologies, interactions, and symbolic resources, Be Not Deceived goes far beyond the obvious differences between the ministries to uncover their similarities, namely that both continue to define heterosexuality as the normative and dominant lifestyle.
John Courtney Murray, SJ (1904-1967), is most renowned for his ethical writings, which distinguish between the secular and the sacred, and for his defense of civil religious freedom based on natural law philosophy. His later theological writings, however, in which he sought to reintegrate the temporal and the spiritual, civil society and the church, philosophy and theology, have been largely ignored. In this new collection of essays—previously scattered among various periodicals over the course of thirty years—J. Leon Hooper, S.J., presents a selection of Murray's theological writings that not only outlines and highlights the integrity of Murray's moves towards a public theological discourse but also contributes to the ongoing post-conciliar task of integrating the secular and the sacred, thereby invigorating American public conversation today.
In his editorial introductions, Hooper furthers Murray scholarship by identifying two distinct links between Murray's well known non-theological writings and the explicitly theological work that also spans his public life. Common to both areas are Murray's deepening appreciation of the historicity of all human knowing and the cognitional operations that the human person brings to both sacred and profane living.
By making available Murray's explicitly theological and Christian humanism writings, this collection further enriches American ethical, theological and philosophical debate.
Sacrifice—ranging from the sacrifice of virgins to circumcision to giving up what is most valued—is essential to all religions. Could there be a natural, even biological, reason for these practices? Something that might explain why religions of so many different cultures share so many rituals and concepts? In this extraordinary book, one of the world’s leading authorities on ancient religions explores the possibility of natural religion—a religious sense and practice naturally proceeding from biological imperatives.
Because they lack later refinements, the earliest religions from the Near East, Israel, Greece, and Rome may tell us a great deal about the basic properties and dynamics of religion, and it is to these cultures that Walter Burkert looks for answers. His book takes us on an intellectual adventure that begins some 5,000 years ago and plunges us into a fascinating world of divine signs and omens, offerings and sacrifices, rituals and beliefs unmitigated by modern science and sophistication. Tracing parallels between animal behavior and human religious activity, Burkert suggests natural foundations for sacrifices and rituals of escape, for the concept of guilt and punishment, for the practice of gift exchange and the notion of a cosmic hierarchy, and for the development of a system of signs for negotiating with an uncertain environment. Again and again, he returns to the present to remind us that, for all our worldliness, we are not so far removed from the first Homo religiosus.
A breathtaking journey, as entertaining as it is provocative, Creation of the Sacred brings rich new insight on religious thought past and present and raises serious questions about the ultimate reasons for, and the ultimate meaning of, human religiousness.
A radical reinterpretation of the origin of religion through a psychoanalytic theorization of the unknown
Renowned psychoanalytic philosopher Richard Boothby puts forward a novel theory of religion inspired by Jacques Lacan’s theory of das Ding, the disquieting, inaccessible dimension of fellow human beings. This notion of an unfathomable excess, originally encountered in the figure of the mother, led Lacan to break with Freud’s formulation of the Oedipus complex and underlies Lacan’s distinctive conception of unconscious dynamics. Leaning on this account, Boothby shows how our sense of the sacred arises from our relation to what we do not know.
Embracing the Void lays out the range of Freud’s attempts at a psychoanalytic theory of religion and then sketches the rough contours of Lacan’s contrasting approach. From there, Boothby offers the theoretical tools for interpreting the religious impulse and analyzes key religious traditions, from ancient Greek polytheism to Judaism and Christianity, and from Hinduism and Buddhism to Islam, finally turning to modern capitalist culture and the seductive deity that dominates it—money. Lucid, accessible, and compelling, the book provides a cogent intervention in one of the psychoanalytic tradition’s most contentious topics and offers a new approach to our understanding of religion.
French and German tourists join Mexican migrant workers to venerate the image of the Virgin Mary at a strip mall in Florida; Latino gang members, deported from the United States to home countries they barely know, find Jesus in transnational churches; U.S. evangelicals use electronic media to preach a “neo liberal” gospel of wealth and health to landless peasants in remote indigenous villages in Guatemala. These are just some examples of how religion in the Americas today intersects in complex ways with the economic, political, and cultural dimensions of globalization.
Drawing on case studies in the United States and Latin America, Manuel A. Vásquez and Marie Friedmann Marquardt explore the evolving roles of religion in the Americas in the face of globalization, transnational migration, the rapid growth of culture industries, the rise of computer mediated technologies, and the crisis of modernity. Combining ethnographic research in local congregations, studies of material culture and sacred space, textual analyses, and approaches to mass and electronic media, the authors challenge dominant paradigms in sociology of religion, such as the secularization and rational choice models. Further, the book offers alternative theoretical and methodological tools to understand the increasing complexity of religious life in the Americas.
By illustratingthe challenges that scholars and students must confront in order to understand the complexity of today’s religious landscape, Globalizing the Sacred makes both important theoretical and methodological contributions to the study of religion’s role in social change.
2008 — Gold Award in Californiana – California Book Awards – Commonwealth Club of California
2010 — NACCS Book Award – National Association for Chicana and Chicano Studies
City plazas worldwide are centers of cultural expression and artistic display. They are settings for everyday urban life where daily interactions, economic exchanges, and informal conversations occur, thereby creating a socially meaningful place at the core of a city.
At the heart of historic Los Angeles, the Plaza represents a quintessential public space where real and imagined narratives overlap and provide as many questions as answers about the development of the city and what it means to be an Angeleno. The author, a social and cultural historian who specializes in nineteenth- and early twentieth-century Los Angeles, is well suited to explore the complex history and modern-day relevance of the Los Angeles Plaza. From its indigenous and colonial origins to the present day, Estrada explores the subject from an interdisciplinary and multiethnic perspective, delving into the pages of local newspapers, diaries and letters, and the personal memories of former and present Plaza residents, in order to examine the spatial and social dimensions of the Plaza over an extended period of time.
The author contributes to the growing historiography of Los Angeles by providing a groundbreaking analysis of the original core of the city that covers a long span of time, space, and social relations. He examines the impact of change on the lives of ordinary people in a specific place, and how this change reflects the larger story of the city.
Plumbing what the poet Michael Palmer calls “the dimension of the Spirit, with that troublesome, rebarbative capital letter,” Norman Finkelstein’s On Mount Vision asks how and why the sacred has remained a basic concern of contemporary experimental poets in our secular age. By charting the wandering, together and apart, of poetry and belief, Finkelstein illustrates the rich tapestry formed by the warp and woof of poetry, and the play of Gnosticism, antinomianism, spiritualism, and shamanism, which have commonly been regarded as heretical and sometimes been outright suppressed.
This beautifully written work begins with an overview of the spiritual problematics found in nineteenth- and early twentieth-century American poetry. Traveling slightly outside of the realm of the contemporary, Finkelstein’s discussions of Emerson, Whitman, and Eliot yield to close readings of the works of Robert Duncan, Jack Spicer, Ronald Johnson, Michael Palmer, Susan Howe, Nathaniel Mackey, and Armand Schwerner. In restoring verse to its place alongside scripture, Finkelstein reminds us why the sacred remains crucial to our understanding of postmodern American poetry.
In these meditations, Alexander deftly unites large, often contradictory, historical processes across time and space. She focuses on the criminalization of queer communities in both the United States and the Caribbean in ways that prompt us to rethink how modernity invents its own traditions; she juxtaposes the political organizing and consciousness of women workers in global factories in Mexico, the Caribbean, and Canada with the pressing need for those in the academic factory to teach for social justice; she reflects on the limits and failures of liberal pluralism; and she presents original and compelling arguments that show how and why transgenerational memory is an indispensable spiritual practice within differently constituted women-of-color communities as it operates as a powerful antidote to oppression. In this multifaceted, visionary book, Alexander maps the terrain of alternative histories and offers new forms of knowledge with which to mold alternative futures.
Until September 11th, 2001, few in the West fully appreciated the significance of religion in international politics. The terrible events of that day refocused our attention on how thoroughly religion and politics intermingle, sometimes with horrific results. But must this intermingling always be so deadly? The Sacred and the Sovereign brings together leading voices to consider the roles that religion should—and should not—play in a post-Cold War age distinguished by humanitarian intervention, terrorism, globalization, and challenges to state sovereignty. But these challenges to state sovereignty have deep and abiding roots in religion that invite us to revisit just what values we hold sacred.
Offsetting the commonly shared idea that religion is politics' perennial nemesis, this volume demonstrates that religious traditions, institutions, and ideas are essential elements of the political quest for human rights, peace, order, legitimacy, and justice. The Sacred and the Sovereign brings distinguished scholars of religious studies, theology, and politics together with ranking members of the military and government to reflect seriously about where—and if—safe boundaries can be drawn between religion and politics in the international arena.
A crucial text for any university course on the interaction of archaeology and the Bible
The world of early Christians was not a world lived in texts; it was a world saturated with material reality and concerns: what, where and when to eat or drink; how to present oneself in the space of bodily life and that of death; how to move from one place to another; what impacted status or the adjudication of legal charges. All these and more controlled so much of life in the ancient world. The Christians were not immune from the impact of these realities. Sometimes they absorbed their surrounds; sometimes they quite explicitly rejected the material practices bearing in on them; frequently they modified the practice and the rationale to create a significant Christian alternative. The collection of essays in this volume come from a range of international scholars who, for all their different interests and critical commitments, are yet united in treasuring research into the Greek and Roman worlds in which Christians sought to make their way. They offer these essays in honor of one who has made a lifetime's work in mining ancient material culture to extract nuggets of insight into early Christian dining practices: Dennis E. Smith.
Features
From the veils of the first-century Jewish temple, to the Orthodox iconostasis, to the tramezzi of Renaissance Italy, screens of various shapes, sizes, and materials have been used to separate spaces and order communities in religious buildings. Drawn from papers presented at a recent Dumbarton Oaks Byzantine Studies symposium, the contributors to this volume use a variety of perspectives to approach the history of religious screens and examine the thresholds that they mark. Focusing on the Middle Ages and Renaissance in the East and West, the volume includes discussions of screens in Egypt, Byzantium, the Gothic West and Italy. Some authors argue that screens, and particularly the one marking the threshold between the sanctuary/choir and nave, were conduits rather than barriers. Other authors emphasize the critical role of screens in dividing the laity and clergy, men and women, the pure and impure.
This volume provides new research on the history of religious screen and important insights into the many ways in which the sacred and profane are separated within ecclesiastical contexts.
As Finchelstein explains, nacionalismo, the right-wing ideology that developed in Argentina, was not the wholesale imitation of Italian fascism that Mussolini wished it to be. Argentine nacionalistas conflated Catholicism and fascism, making the bold claim that their movement had a central place in God’s designs for their country. Finchelstein explores the fraught efforts of nationalistas to develop a “sacred” ideological doctrine and political program, and he scrutinizes their debates about Nazism, the Spanish Civil War, imperialism, anti-Semitism, and anticommunism. Transatlantic Fascism shows how right-wing groups constructed a distinctive Argentine fascism by appropriating some elements of the Italian model and rejecting others. It reveals the specifically local ways that a global ideology such as fascism crossed national borders.
The prehistoric native peoples of the Mississippi River Valley and other areas of the Eastern Woodlands of the United States shared a complex set of symbols and motifs that constituted one of the greatest artistic traditions of the pre-Columbian Americas. Traditionally known as the Southeastern Ceremonial Complex, these artifacts of copper, shell, stone, clay, and wood were the subject of the groundbreaking 2007 book Ancient Objects and Sacred Realms: Interpretations of Mississippian Iconography, which presented a major reconstruction of the rituals, cosmology, ideology, and political structures of the Mississippian peoples.
Visualizing the Sacred advances the study of Mississippian iconography by delving into the regional variations within what is now known as the Mississippian Iconographic Interaction Sphere (MIIS). Bringing archaeological, ethnographic, ethnohistoric, and iconographic perspectives to the analysis of Mississippian art, contributors from several disciplines discuss variations in symbols and motifs among major sites and regions across a wide span of time and also consider what visual symbols reveal about elite status in diverse political environments. These findings represent the first formal identification of style regions within the Mississippian Iconographic Interaction Sphere and call for a new understanding of the MIIS as a network of localized, yet interrelated religious systems that experienced both continuity and change over time.
Over the past thirty years, visionary anthropologist Michael Taussig has crafted a highly distinctive body of work. Playful, enthralling, and whip-smart, his writing makes ingenious connections between ideas, thinkers, and things. An extended meditation on the mysteries of color and the fascination they provoke, What Color Is the Sacred? is the next step on Taussig’s remarkable intellectual path.
Following his interest in magic and surrealism, his earlier work on mimesis, and his recent discussion of heat, gold, and cocaine in My Cocaine Museum,this book uses color to explore further dimensions of what Taussig calls “the bodily unconscious” in an age of global warming. Drawing on classic ethnography as well as the work of Benjamin, Burroughs, and Proust, he takes up the notion that color invites the viewer into images and into the world. Yet, as Taussig makes clear, color has a history—a manifestly colonial history rooted in the West’s discomfort with color, especially bright color, and its associations with the so-called primitive. He begins by noting Goethe’s belief that Europeans are physically averse to vivid color while the uncivilized revel in it, which prompts Taussig to reconsider colonialism as a tension between chromophobes and chromophiliacs. And he ends with the strange story of coal, which, he argues, displaced colonial color by giving birth to synthetic colors, organic chemistry, and IG Farben, the giant chemical corporation behind the Third Reich.
Nietzsche once wrote, “So far, all that has given colour to existence still lacks a history.” With What Color Is the Sacred? Taussig has taken up that challenge with all the radiant intelligence and inspiration we’ve come to expect from him.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press