The odyssey of 600,000 imperial Japanese soldiers incarcerated in Soviet labor camps after World War II and their fraught repatriation to postwar Japan.
In August 1945 the Soviet Union seized the Japanese puppet state of Manchukuo and the colony of Southern Sakhalin, capturing more than 600,000 Japanese soldiers, who were transported to labor camps across the Soviet Union but primarily concentrated in Siberia and the Far East. Imprisonment came as a surprise to the soldiers, who thought they were being shipped home.
The Japanese prisoners became a workforce for the rebuilding Soviets, as well as pawns in the Cold War. Alongside other Axis POWs, they did backbreaking jobs, from mining and logging to agriculture and construction. They were routinely subjected to “reeducation” glorifying the Soviet system and urging them to support the newly legalized Japanese Communist Party and to resist American influence in Japan upon repatriation. About 60,000 Japanese didn’t survive Siberia. The rest were sent home in waves, the last lingering in the camps until 1956. Already laid low by war and years of hard labor, returnees faced the final shock and alienation of an unrecognizable homeland, transformed after the demise of the imperial state.
Sherzod Muminov draws on extensive Japanese, Russian, and English archives—including memoirs and survivor interviews—to piece together a portrait of life in Siberia and in Japan afterward. Eleven Winters of Discontent reveals the real people underneath facile tropes of the prisoner of war and expands our understanding of the Cold War front. Superpower confrontation played out in the Siberian camps as surely as it did in Berlin or the Bay of Pigs.
In 1552, Muscovite Russia conquered the city of Kazan on the Volga River. It was the first Orthodox Christian victory against Islam since the fall of Constantinople, a turning point that, over the next four years, would complete Moscow’s control over the river. This conquest provided a direct trade route with the Middle East and would transform Muscovy into a global power. As Matthew Romaniello shows, however, learning to manage the conquered lands and peoples would take decades.
Russia did not succeed in empire-building because of its strength, leadership, or even the weakness of its neighbors, Romaniello contends; it succeeded by managing its failures. Faced with the difficulty of assimilating culturally and religiously alien peoples across thousands of miles, the Russian state was forced to compromise in ways that, for a time, permitted local elites of diverse backgrounds to share in governance and to preserve a measure of autonomy. Conscious manipulation of political and religious language proved more vital than sheer military might. For early modern Russia, empire was still elusive—an aspiration to political, economic, and military control challenged by continuing resistance, mismanagement, and tenuous influence over vast expanses of territory.
Leading writer Boris Kagarlitsky offers an ambitious account of 1000 years of Russian history. Encompassing all key periods in Russia's dramatic development, the book covers everything from early settlers, through medieval decline, Ivan the Terrible - the 'English Tsar', Peter the Great, the Crimean War and the rise of capitalism, the revolution, the Soviet period, finally ending with the return of capitalism after 1991.
Setting Russia within the context of the 'World System', as outlined by Wallerstein, this is a major work of historical Marxist theory that is set to become a future classic.
The End of Peasantry? examines the dramatic recent decline of agriculture in post-Soviet Russia. Historically, Russian farmers have encountered difficulties relating to the sheer abundance of land, the vast distances between population centers, and harsh environmental conditions. More recently, the drastic depopulation of rural spaces, decreases in sown acreage, and overall inefficiency of land usage have resulted in the disruption and spatial fragmentation of the countryside. For many decades, rural migration has been a selective process, resulting in the most enterprising and self-motivated people leaving the rural periphery. The new agricultural operators representing nascent but aggressive Russian agribusiness have difficulty co-opting traditional rural communities afflicted by profound social dysfunction. The contrast between agriculture in proximity to large cities and in their hinterlands is as sharp as ever, and some vacant niches are increasingly occupied by ethnically non-Russian migrants. All of these conditions existed to some degree in pre-Soviet times, but they have been exacerbated since Russia took steps toward a market economy.
Understudied and often underestimated in the West, the crisis facing Russian agriculture has profound implications for the political and economic stability of Russia. The authors see hope in the significant increase in land use intensity on vastly diminished farmland. The lessons gathered from this thoroughly researched study are far-reaching and relevant to the disciplines of Slavic and European studies, agriculture, political science, economics, and human geography.
Focusing on a number of historical and literary personalities who were regarded with disdain in the aftermath of the 1917 revolution—figures such as Peter the Great, Ivan the Terrible, Alexander Pushkin, Leo Tolstoy, and Mikhail Lermontov—Epic Revisionism tells the fascinating story of these individuals’ return to canonical status during the darkest days of the Stalin era.
An inherently interdisciplinary project, Epic Revisionism features pieces on literary and cultural history, film, opera, and theater. This volume pairs scholarly essays with selections drawn from Stalin-era primary sources—newspaper articles, unpublished archival documents, short stories—to provide students and specialists with the richest possible understanding of this understudied phenomenon in modern Russian history.The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence.
Here is an eyewitness account of the six years of turbulent change from the Soviet Union to Russia. Jonathan Steele’s three decades as a journalist covering that eternal nation have given him a keen and deeply informed perspective on the democratic revolution and the issues still threatening the new nation. What does the future hold for Russian democracy under Yeltsin? Can market reform work? Under all the news and confusion, how much has the country really changed?
Eternal Russia draws on Steele’s interviews with key figures, including Gorbachev and the former Communist Party Politburo, as well as senior members of the Yeltsin inner circle.
A compelling study of unofficial postwar Soviet art, The Experimental Group takes as its point of departure a subject of strange fascination: the life and work of renowned professional illustrator and conceptual artist Ilya Kabakov.
Kabakov’s art—iconoclastic installations, paintings, illustrations, and texts—delicately experiments with such issues as history, mortality, and disappearance, and here exemplifies a much larger narrative about the work of the artists who rose to prominence just as the Soviet Union began to disintegrate. By placing Kabakov and his conceptualist peers in line with our own contemporary perspective, Matthew Jesse Jackson suggests that the art that emerged in the wake of Stalin belongs neither entirely to its lost communist past nor to a future free from socialist nostalgia. Instead, these artists and their work produced a critical and controversial chapter in the as yet unwritten history of global contemporary art.
Contributors. Stephen Ansolabehere, Donald Granberg, Shanto Iyengar, Robert Jervis, Milton Lodge, Roger D. Masters, William J. McGuire, Victor C. Ottati, Samuel L. Popkin, William M. Runyan, David O. Sears, Patrick Stroh, Denis G. Sullivan, Philip E. Tetlock, Robert S. Wyer, Jr.
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