front cover of The Oceans and Environmental Security
The Oceans and Environmental Security
Shared U.S. And Russian Perspectives
Edited by James M. Broadus and Raphael V. Vartanov
Island Press, 1994

The concept of environmental security, drawing on the widely understood notion of international strategic interdependence (in facing, for example, threats of nuclear war or economic collapse) is gaining currency as a way of thinking about international environmental management.

In 1989, the Institute for World Economy and International Relations of the Russian Academy of Sciences and the Marine Policy Center of Woods Hole Oceanographic Institution instituted a joint project to examine environmental security as it applies to the world's oceans. The Oceans and Environmental Security is a unified expression of their findings.

The oceans, as global commons, are of central importance to issues of international environmental security. Critical problems are those that are likely to destabilize normal relations between nations and provoke international countermeasures. As such, the book focuses on seven specific concerns:

  • land-based marine pollution
  • North Pacific fisheries depletion
  • hazardous materials transport
  • nuclear contamination
  • the Arctic Ocean
  • the Southern Ocean and Antarctica
  • the Law of the Sea
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On the Edge
Life along the Russia-China Border
Franck Billé and Caroline Humphrey
Harvard University Press, 2021

A pioneering examination of history, current affairs, and daily life along the Russia–China border, one of the world’s least understood and most politically charged frontiers.

The border between Russia and China winds for 2,600 miles through rivers, swamps, and vast taiga forests. It’s a thin line of direct engagement, extraordinary contrasts, frequent tension, and occasional war between two of the world’s political giants. Franck Billé and Caroline Humphrey have spent years traveling through and studying this important yet forgotten region. Drawing on pioneering fieldwork, they introduce readers to the lifeways, politics, and history of one of the world’s most consequential and enigmatic borderlands.

It is telling that, along a border consisting mainly of rivers, there is not a single operating passenger bridge. Two different worlds have emerged. On the Russian side, in territory seized from China in the nineteenth century, defense is prioritized over the economy, leaving dilapidated villages slumbering amid the forests. For its part, the Chinese side is heavily settled and increasingly prosperous and dynamic. Moscow worries about the imbalance, and both governments discourage citizens from interacting. But as Billé and Humphrey show, cross-border connection is a fact of life, whatever distant authorities say. There are marriages, friendships, and sexual encounters. There are joint businesses and underground deals, including no shortage of smuggling. Meanwhile some indigenous peoples, persecuted on both sides, seek to “revive” their own alternative social groupings that span the border. And Chinese towns make much of their proximity to “Europe,” building giant Russian dolls and replicas of St. Basil’s Cathedral to woo tourists.

Surprising and rigorously researched, On the Edge testifies to the rich diversity of an extraordinary world haunted by history and divided by remote political decisions but connected by the ordinary imperatives of daily life.

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On the Run in Siberia
Rane Willerslev
University of Minnesota Press, 2012

If I had let myself be ruled by reason alone, I would surely be lying dead somewhere or another in the Siberian frost.

The Siberian taiga: a massive forest region of roughly 4.5 million square miles, stretching from the Ural Mountains to the Bering Sea, breathtakingly beautiful and the coldest inhabited region in the world. Winter temperatures plummet to a bitter 97 degrees below zero, and beneath the permafrost lie the fossilized remains of mammoths, woolly rhinoceroses, and other ice age giants. For the Yukaghir, an indigenous people of the taiga, hunting sable is both an economic necessity and a spiritual experience—where trusting dreams and omens is as necessary as following animal tracks. Since the fall of Communism, a corrupt regional corporation has monopolized the fur trade, forcing the Yukaghir hunters into impoverished servitude.

Enter Rane Willerslev, a young Danish anthropologist who ventures into this frozen land on an idealistic mission to organize a fair-trade fur cooperative with the hunters. From the outset, things go terribly wrong. The regional fur company, with ties to corrupt public officials, proves it will stop at nothing to maintain its monopoly: one of Willerslev’s Yukaghir business partners is arrested on spurious charges of poaching and illegal trading; another drowns mysteriously. When police are sent to arrest him, Willerslev fears for his life, and he and a local hunter flee to a remote hunting lodge even deeper in the icy wilderness. Their situation turns even more desperate right away: they manage to kill a moose but lose the meat to predators and begin to starve, frostbitten and isolated in the frozen taiga.

Thus begins Willerslev’s extraordinary, chilling tale of one year living in exile among Yukaghir hunters in the stark Siberian taiga region. At turns shocking and quietly moving, On the Run in Siberia is a pulse-pounding tale of idealism, political corruption, starvation, and survival (with a timely assist from Vladimir Putin) as well as a striking portrait of the Yukaghirs’ shamanistic tradition and their threatened way of life, a drama unfolding daily in one of the world’s coldest, most enthralling landscapes.

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Once Upon the Permafrost
Knowing Culture and Climate Change in Siberia
Susan Alexandra Crate
University of Arizona Press, 2021
Once Upon the Permafrost is a longitudinal climate ethnography about “knowing” a specific culture and the ecosystem that culture physically and spiritually depends on in the twenty-first-century context of climate change.

The author, anthropologist Susan Alexandra Crate, has spent three decades working with Sakha, the Turkic-speaking horse and cattle agropastoralists of northeastern Siberia, Russia. Crate reveals Sakha’s essential relationship with alaas, the foundational permafrost ecosystem of both their subsistence and cultural identity. Sakha know alaas via an Indigenous knowledge system imbued with spiritual qualities. This counters the scientific definition of alaas as geophysical phenomena of limited range. Climate change now threatens alaas due to thawing permafrost, which, entangled with the rural changes of economic globalization, youth out-migration, and language loss, make prescient the issues of ethnic sovereignty and cultural survival.

Through careful integration of contemporary narratives, on-site observations, and document analysis, Crate argues that local understandings of change and the vernacular knowledge systems they are founded on provide critical information for interdisciplinary collaboration and effective policy prescriptions. Furthermore, she makes her message relevant to a wider audience by clarifying linkages to the global permafrost system found in her comparative research in Mongolia, Arctic Canada, Kiribati, Peru, and Chesapeake Bay, Virginia. This reveals how permafrost provides one of the main structural foundations for Arctic ecosystems, which, in turn, work with the planet’s other ecosystems to maintain planetary balance.

Metaphorically speaking, we all live on permafrost.

 
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Other Animals
Beyond the Human in Russian Culture and History
Jane Costlow
University of Pittsburgh Press, 2010
The lives of animals in Russia are intrinsically linked to cultural, political and psychological transformations of the Imperial, Soviet, and post-Soviet eras. Other Animals examines the interaction of animals and humans in Russian literature, art, and life from the eighteenth century until the present. The chapters probe a range of human-animal relationships through tales of cruelty, interspecies communion and compassion, and efforts to either overcome or establish the human-animal divide. These essays also explore the unique nature of the Russian experience in this regard.  

Four themes run through the volume: the prevalence of animals in utopian visions; the ways in which Russians have both incorporated and sometimes challenged Western sensibilities and practices, such as the humane treatment of animals and the inclusion of animals in urban domestic life; the quest to identify and at times exploit the physiological basis of human and animal behavior and the ideological implications of these practices; and the breakdown of traditional human-animal hierarchies and categories during times of revolutionary upheaval, social transformation, or disintegration.

From failed Soviet attempts to transplant the semi-nomadic Sami and their reindeer herds onto collective farms, to performance artist Oleg Kulik’s scandalous portrayal of Pavlov’s dogs as a parody of the Soviet “new man,” to novelist Tatyana Tolstaya’s post-cataclysmic future world of hybrid animal species and their disaffection from the past, Other Animals presents a completely new perspective on Russian and Soviet history. It also offers a fascinating look into the Russian psyche as seen through human interactions with animals.
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Outlaw Music in Russia
The Rise of an Unlikely Genre
Anastasia Gordienko
University of Wisconsin Press, 2023

The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre.


With careful research and incisive analysis, Gordienko deftly details the shanson’s history, development, and social meanings. Attempts by imperial rulers, and later by Soviet leaders, to repress the songs and the lifestyles they romanticized not only did little to discourage their popularity but occasionally helped the genre flourish. Criminals and liberal intelligentsia mingled in the Gulag system, for instance, and this contact introduced censored songs to an educated, disaffected populace that inscribed its own interpretations and became a major point of wider dissemination after the Gulag camps were closed. Gordienko also investigates the shanson as it exists in popular culture today: not divorced from its criminal undertones (or overtones) but celebrated for them. She argues that the shanson expresses fundamental themes of Russian culture, allowing for the articulation of anxieties, hopes, and dissatisfactions that are discouraged or explicitly forbidden otherwise. 
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front cover of Overtaken by the Night
Overtaken by the Night
One Russian's Journey through Peace, War, Revolution, and Terror
Richard G. Robbins Jr.
University of Pittsburgh Press, 2017
Vladimir Fedorovich Dzhunkovsky was a witness to Russia’s unfolding tragedy—from Tsar Alexander II’s Great Reforms, through world war, revolution, the rise of a new regime, and finally, his country’s descent into terror under Stalin. But Dzhunkovsky was not just a passive observer—he was an active participant in his troubled and turbulent times, often struggling against the tide. In the centennial of the Russian revolution, his story takes on special significance.

Highly readable, Overtaken by the Night captivates on many levels. It is a gripping biography of a man of many faces, a behind-the-curtain look at the inner workings of Russian politics at its highest levels, and also an engrossing account of ordinary Russians engulfed by swiftly moving political and social currents.

Dzhunkovsky served as a confidant in the tsar’s imperial court and as governor in Moscow province during and after the 1905 revolution.  In 1913 he became the empire’s security chief, determined to reform the practices of the dreaded tsarist political police, the Okhrana. Dismissed from office for daring to investigate and warn Tsar Nicholas about Rasputin, his path led him into combat on the battlefields of the First World War. A natural leader of men, he held his units together even as revolution spilled into the trenches. Arrested as a counterrevolutionary in 1918 and imprisoned until 1921, Dzhunkovsky avoided execution thanks to an outpouring of public support and his reputation for treating revolutionaries with fairness and dignity. Although later he consulted for the Stalinist secret police, he was tried and executed in 1938 as an enemy of the people.

Based on Dzhunkovsky’s detailed memoirs and extensive archival research, Overtaken by the Night paints a fascinating picture of an important figure. Dzhunkovsky's incredible life reveals much about a long and crucial period in Russian history. It is a story of Russia in revolution reminiscent of the fictional Doctor Zhivago, but perhaps even more extraordinary for being true.
 
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