This working manual provides complete information on the technical aspects of designing, building, and maintaining waterwise landscapes in the Mountain West. Written particularly for professionals, including landscape designers, architects, contractors, and maintenance and irrigation specialists, it has an attractive, well-illustrated, user-friendly format that will make it useful as well to DIY homeowners and to educators, plant retailers, extension agents, and many others.
The manual is organized according to landscape principles that are adapted to the climate of the intermountain region. Beginning with planning and design, the topical principles proceed through soil preparation, appropriate plant selection, practicalities of turfgrass, use of mulch, and irrigation planning, winding up with landscape maintenance. Designed for onsite, handy use, the book is illustrated with color images of landscapes, plants, and materials. Tables, charts, diagrams, landscape plans, plant lists, checklists, and other graphic resources are scattered throughout the manual, which is written in an accessible but information-rich style. Water-Efficient Landscaping in the Intermountain West answers, more comprehensively than any other single book, the need for professional information that addresses both growing awareness of the necessity for water conservation and the desire for beautiful, healthy yards and properties.
In Wild Delicate Seconds, Charles Finn captures twenty-nine chance encounters with the everyday—and not so everyday—animals, birds, and insects of North America.
Many recreational hikers have stopped along the trail to admire a wildflower only to wonder what, exactly, they are looking at. Wildflowers of the Mountain West is a useful field guide that makes flower identification easy for the general outdoor enthusiast.
Many available plant guides are too technical or cumbersome for non-specialists to embrace. Covering New Mexico, Colorado, Wyoming, Idaho, Utah, Nevada and Oregon, this book is perfect for the enthusiasts who has little botanical knowledge but would like to know more about the wildflowers they are seeing. Organized by flower color for easy reference, plant records include the common and scientific names, a description of typical characteristics, habitat information and distribution maps, look-alike species, color photographs, and informative commentary. In addition, the book provides a useful introduction to the Mountain West region, along with line drawings to illustrate basic flower parts, shapes, and arrangements; a glossary of common botanical terms; a quick search key; and an index.
The book is spiral-bound, making it easy to bring along while hiking, backpacking, or biking, and stunning full color photographs make visual confirmation of flower type simple and straightforward.
Known as a beloved, longtime fiction editor at The New Yorker, William Maxwell worked closely with such legendary writers as Vladimir Nabokov, John Updike, Mary McCarthy, and John Cheever. His own novels include They Came Like Swallows and the American Book Award-winning So Long, See You Tomorrow, and many consider him to be one of the twentieth century's most important writers. Barbara Burkhardt's William Maxwell: A Literary Life represents the first major critical study of this Illinois writer's life and work.
Writing with an economy and elegance befitting her subject, Burkhardt addresses Maxwell's highly autobiographical fiction by skillfully interweaving his biography with her own critical interpretations. She contextualizes his fiction in terms of events including his mother's early death from influenza, his marriage, and the role of his psychoanalysis under the guidance of Theodor Reik. Drawing on a wide range of previously unavailable material, Burkhardt includes letters Maxwell received from authors such as Eudora Welty and Louise Bogan, excerpts from his unpublished manuscripts and correspondence, and her own interviews with Maxwell and key figures from his life, including John Updike, Roger Angell, New Yorker fiction editor Robert Henderson, and Maxwell's family and friends.
William Strickland (1788–1854) was, in his day, among the most notable architects in the United States. An erstwhile student of Benjamin Henry Latrobe and a contemporary of Robert Mills, Strickland first entered the world of architecture at a young age in Philadelphia. But given that many of Strickland’s buildings have not survived, and considering the sparse and dispersed collection of primary sources Strickland left upon his death, little contemporary scholarship has appeared concerning Strickland’s significant contributions to the built environment of the early nineteenth century.
In William Strickland and the Creation of an American Architecture, Robert Russell does much to rectify this underrepresentation of Strickland’s notable architectural contributions in contemporary scholarship. In this first monograph detailing Strickland’s life and works since 1950 Russell examines the architectural production of Strickland during the first half of the nineteenth century.
Russell begins with the well-known Second Bank of the United States (Philadelphia)—the project that launched Strickland onto the national stage—eventually bringing his analysis to the south with an examination of the Tennessee State Capitol Building (Nashville). These two monuments bookended the American Greek Revival of the nineteenth century. Russell’s careful descriptions and insightful analyses of William Strickland’s work highlight the architect’s artistic skills and contributions to American material culture over the course of fifty years.
Ornamenting his examination with more than one hundred illustrations, Russell takes readers on a comprehensive journey through Strickland’s architecture. Part biography, part architectural history, William Strickland and the Creation of an American Architecture is an invaluable resource for scholars and artists alike, illustrating Strickland’s critical role in American architectural history and celebrating the icon behind buildings in Pennsylvania, Tennessee, and beyond that are still admired and appreciated today.
"I'm embarrassed to say I thought I knew anything substantial about Wisconsin agriculture or its history before I read this book. 'Wisconsin Agriculture' should be required reading in history classes from high school to the collegiate level. It makes me thankful that Jerry Apps has such a sense of commitment to Wisconsin's agricultural heritage--and to getting the story right." --Pam Jahnke, Farm Director, Wisconsin Farm Report Radio
Wisconsin has been a farming state from its very beginnings. And though it's long been known as "the Dairy State," it produces much more than cows, milk, and cheese. In fact, Wisconsin is one of the most diverse agricultural states in the nation.
The story of farming in Wisconsin is rich and diverse as well, and the threads of that story are related and intertwined. In this long-awaited volume, celebrated rural historian Jerry Apps examines everything from the fundamental influences of landscape and weather to complex matters of ethnic and pioneer settlement patterns, changing technology, agricultural research and education, and government regulations and policies. Along with expected topics, such as the cranberry industry and artisan cheesemaking, "Wisconsin Agriculture" delves into beef cattle and dairy goats, fur farming and Christmas trees, maple syrup and honey, and other specialty crops, including ginseng, hemp, cherries, sugar beets, mint, sphagnum moss, flax, and hops. Apps also explores new and rediscovered farming endeavors, from aquaculture to urban farming to beekeeping, and discusses recent political developments, such as the 2014 Farm Bill and its ramifications. And he looks to the future of farming, contemplating questions of ethical growing practices, food safety, sustainability, and the potential effects of climate change.
Featuring first-person accounts from the settlement era to today, along with more than 200 captivating photographs, "Wisconsin Agriculture" breathes life into the facts and figures of 150 years of farming history and provides compelling insights into the state's agricultural past, present, and future.
Georgie White Clark-adventurer, raconteur, eccentric--first came to know the canyons of the Colorado River by swimming portions of them with a single companion. She subsequently hiked and rafted portions of the canyons, increasingly sharing her love of the Colorado River with friends and acquaintances. At first establishing a part-time guide service as a way to support her own river trips, she went on to become perhaps the canyons' best-known river guide, introducing their rapids to many others-on the river, via her large-capacity rubber rafts, and across the nation, via magazine articles and movies. Georgie Clark saw the river and her sport change with the building of Glen Canyon Dam, enormous increases in the popularity of river running, and increased National Park Service regulation of rafting and river guides. Adjusting, though not always easily, to the changes, she helped transform an elite adventure sport into a major tourist activity.
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