front cover of Between the Brown and the Red
Between the Brown and the Red
Nationalism, Catholicism, and Communism in Twentieth-Century Poland—The Politics of Boleslaw Piasecki
Mikolaj Stanislaw Kunicki
Ohio University Press, 2012

Between the Brown and the Red captures the multifaceted nature of church-state relations in communist Poland, relations that oscillated between mutual confrontation, accommodation, and dialogue. Ironically, under communism the bond between religion and nation in Poland grew stronger. This happened in spite of the fact that the government deployed nationalist themes in order to portray itself as more Polish than communist. Between the Brown and the Red also introduces one of the most fascinating figures in the history of twentieth-century Poland and the communist world.

In this study of the complex relationships between nationalism, communism, authoritarianism, and religion in twentieth-century Poland, Mikołaj Kunicki shows the ways in which the country’s communist rulers tried to adapt communism to local traditions, particularly ethnocentric nationalism and Catholicism. Focusing on the political career of Bolesław Piasecki, a Polish nationalist politician who began his surprising but illuminating journey as a fascist before the Second World War and ended it as a procommunist activist, Kunicki demonstrates that Polish communists reinforced an ethnocentric self-definition of Polishness and—as Piasecki’s case demonstrates—thereby prolonged the existence of Poland’s nationalist Right.

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The Fire Stays in Red
Poems
Ronnie Someck
University of Wisconsin Press, 2002

"My mother dreams in Arabic, I dream in Hebrew," says Ronny Someck. Born in 1951, he was uprooted from his native Iraq when he was four. Transplanted to Israel, Someck spent his childhood in a transit camp for new immigrants. There he was surrounded by music, the great singers Umm Kulthum, Farid al Atrash, and Fairuz shouldering up against Elvis Presley and Billie Holiday. No wonder he is so beloved in Israel. In what other poet do we find Tarzan, Marilyn Monroe, and cowboys battling with Rabbi Yehuda Halevi for the hearts and souls of Israelis?

Someck’s poems are rich in slang and distinguished by staccato rhythms, quick cuts, close-ups, and disturbing segues. As in film noir, the sensations are of speed, danger, uncertainty. His distinct Sephardi voice invokes the odors of falafel and schwarma, the army with its supporting cast of recruits and commandos, the bustle of southern Tel Aviv with its small garages, shops, cheap restaurants, its gangs and its Arab workers. He is also the troubadour of the lovelorn, with poems that are hot, erotic, comic, tragic, agape at the wonders of a tear and a tattoo and a snapshot and a bra and a scarecrow.

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From Blue to Red
The Rise of the GOP in Arkansas
John C. Davis
University of Arkansas Press, 2024
On the morning of Election Day 2010, Democrats occupied three of the four Arkansas seats in the US House of Representatives, both US Senate seats, all state constitutional offices, and decisive majorities in both chambers of the Arkansas General Assembly. By the time votes were counted that evening, it was clear that the balance of power had shifted. Within five years, Arkansas Republicans would hold all six US congressional positions and every state constitutional seat and claim growing supermajorities in both state chambers. Since then, Republicans have enjoyed robust electoral success in Arkansas—formerly the last remaining state of the “Solid South” held by Democrats.

John C. Davis’s From Blue to Red: The Rise of the GOP in Arkansas provides a rigorous yet accessible study of this partisan shift, tracking changes in voter preference at the top of the ticket in the 1960s, generational replacement in Arkansas’ political power structure in the 1990s, and the emergence of a more nationalized and polarized electorate in the 2000s, among other developments. From Blue to Red is a fascinating look at how Arkansas went from being one of the country’s most solidly Democratic states to one of its most ardently Republican in just a few years.
 
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In the Red
The Politics of Public Debt Accumulation in Developed Countries
Zsófia Barta
University of Michigan Press, 2018
Why do rich countries flirt with fiscal disaster? Between the 1970s and the 2000s, during times of peace and prosperity, affluent countries—like Belgium, Greece, Italy, and Japan—accumulated so much debt that they became vulnerable and exposed themselves to the risk of default. In the past three decades, an extensive scholarly consensus emerged that these problems were created by fiscal indiscipline, the lack of sufficient concern for budgetary constraints from policy makers as they try to please voters. This approach formed the foundation for the fiscal surveillance system that attempted to bring borrowing in European countries under control via a set of fiscal rules. In the Red demonstrates that the problem of sustained, large-scale debt accumulation is an adjustment issue rather than a governance failure. Irrespective of whether the original impetus for borrowing arose from exogenous changes or irresponsible decision making, policy makers invariably initiate spending cuts and/or tax increases when debt grows at an alarming rate for several years in a row. Zsófia Barta argues that explaining why some countries accumulate substantial amounts of debt for decades hinges on understanding the conditions required to allow policy makers to successfully put into place painful adjustment measures.
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Out of the Red
Building Capitalism and Democracy in Postcommunist Europe
Mitchell A. Orenstein
University of Michigan Press, 2001
After the fall of the Berlin Wall, the countries of East-Central Europe embarked on a journey to transform themselves into democratic capitalist societies. Their governments searched for strategies that would allow them to pursue radical market reforms within the context of nascent democratic politics. Poland adopted a neoliberal strategy that attempted to push through as much reform as possible before an antireform backlash could occur. In the Czech Republic, a social liberal strategy for transformation attempted to combine neoliberal macro-economic policies with social democratic measures designed to avert such a backlash.
A detailed analysis of Poland and the Czech Republic suggests that alternation between strategies has been the secret to the success of East-Central European countries.
This comparative case analysis identifies the significance of reform mistakes during transition and the corrective benefits of policy alternation, its claims illustrated with an in-depth study of privatization policy in the two countries.
Mitchell A. Orenstein delves into the historic struggle to build capitalism and democracy during a decade of post- communist transition in East-Central Europe and develops a model that explains why democratic policy alternation may accelerate policy learning under conditions of uncertainty and constraint.
Out of the Red is accessible to a general audience and as such is suitable for both graduate and undergraduate courses on political economy. It will be of particular interest to economists, political scientists, sociologists, students of postcommunism, and anyone interested in the relations between capitalism and democracy in the contemporary world.
Mitchell A. Orenstein is Assistant Professor of Political Science, Syracuse University.
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Out of the Red
My Life of Gangs, Prison, and Redemption
Christian L. Bolden
Rutgers University Press, 2020
Frank Tannenbaum Outstanding Book Award from the American Society of Criminology​
Faculty Senate Award for Research from Loyola University New Orleans​

Out of the Red is one man’s pathbreaking story of how social forces and personal choices combined to deliver an unfortunate fate. After a childhood of poverty, institutional discrimination, violence, and being thrown away by the public education system, Bolden's life took him through the treacherous landscape of street gangs at the age of fourteen. The Bloods offered a sense of family, protection, excitement, and power. Incarcerated during the Texas prison boom, the teenage former gangster was thrust into a fight for survival as he navigated the perils of adult prison. As mass incarceration and prison gangs swallowed up youth like him, survival meant finding hope in a hopeless situation and carving a path to his own rehabilitation. Despite all odds, he forged a new path through education, ultimately achieving the seemingly impossible for a formerly incarcerated ex-gangbanger.
 
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A Paler Shade of Red
The 2008 Presidential Election in the South
Branwell DuBose Kapeluck
University of Arkansas Press, 2009
The scholars included in A Paler Shade of Red cover the 2008 presidential election with detailed, state-by-state analyses of how the presidential election, from the nomination struggle through the casting of votes in November, played out in the South. The book also includes examinations of important elections other than for president, and in addition to the single-state perspectives, there are three chapters that look at the region as a whole. Contributors are Scott E. Buchanan, John A. Clark, Patrick R. Cotter, Charles Bullock III, Rogert E. Hogan and Eunice H. McCarney, David A. Breaux and Stephen D. Shaffer, Cole Blease Graham, Jay Barth, Janine A. Parry and Todd G. Shields, Jonathan Knuckey, Charles Prysby, Ronald Keith Gaddie, Brian Arbour and Mark McKenzie, and John J. McGlennon, all collected here to provide powerful insight into southern politics today.
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front cover of The Red and the Black
The Red and the Black
American Film Noir in the 1950s
Robert Miklitsch
University of Illinois Press, 2017
Critical wisdom has it that we said a long goodbye to film noir in the 1950s. Robert Miklitsch begs to differ. Pursuing leads down the back streets and alleyways of cultural history, The Red and the Black proposes that the received rise-and-fall narrative about the genre radically undervalues the formal and thematic complexity of '50s noir and the dynamic segue it effected between the spectacular expressionism of '40s noir and early, modernist neo-noir.

Mixing scholarship with a fan's devotion to the crooked roads of critique, Miklitsch autopsies marquee films like D.O.A., Niagara, and Kiss Me Deadly plus a number of lesser-known classics. Throughout, he addresses the social and technological factors that dealt deuce after deuce to the genre--its celebrated style threatened by new media and technologies such as TV and 3-D, color and widescreen, its born losers replaced like zombies by All-American heroes, the nation rocked by the red menace and nightmares of nuclear annihilation. But against all odds, the author argues, inventive filmmakers continued to make formally daring and socially compelling pictures that remain surprisingly, startlingly alive.

Cutting-edge and entertaining, The Red and the Black reconsiders a lost period in the history of American movies.

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Red and Yellow, Black and Brown
Decentering Whiteness in Mixed Race Studies
Rondilla, Joanne L
Rutgers University Press, 2017
Red and Yellow, Black and Brown gathers together life stories and analysis by twelve contributors who express and seek to understand the often very different dynamics that exist for mixed race people who are not part white. The chapters focus on the social, psychological, and political situations of mixed race people who have links to two or more peoples of color— Chinese and Mexican, Asian and Black, Native American and African American, South Asian and Filipino, Black and Latino/a and so on. Red and Yellow, Black and Brown addresses questions surrounding the meanings and communication of racial identities in dual or multiple minority situations and the editors highlight the theoretical implications of this fresh approach to racial studies.  
 
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Red, Black, and Jew
New Frontiers in Hebrew Literature
By Stephen Katz
University of Texas Press, 2009

Between 1890 and 1924, more than two million Jewish immigrants landed on America's shores. The story of their integration into American society, as they traversed the difficult path between assimilation and retention of a unique cultural identity, is recorded in many works by American Hebrew writers. Red, Black, and Jew illuminates a unique and often overlooked aspect of these literary achievements, charting the ways in which the Native American and African American creative cultures served as a model for works produced within the minority Jewish community.

Exploring the paradox of Hebrew literature in the United States, in which separateness, and engagement and acculturation, are equally strong impulses, Stephen Katz presents voluminous examples of a process that could ultimately be considered Americanization. Key components of this process, Katz argues, were poems and works of prose fiction written in a way that evoked Native American forms or African American folk songs and hymns. Such Hebrew writings presented America as a unified society that could assimilate all foreign cultures. At no other time in the history of Jews in diaspora have Hebrew writers considered the fate of other minorities to such a degree. Katz also explores the impact of the creation of the state of Israel on this process, a transformation that led to ambivalence in American Hebrew literature as writers were given a choice between two worlds.

Reexamining long-neglected writers across a wide spectrum, Red, Black, and Jew celebrates an important chapter in the history of Hebrew belles lettres.

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Red On Red
Native American Literary Separatism
Craig S. Womack
University of Minnesota Press, 1999

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Red
The Art and Science of a Colour
Spike Bucklow
Reaktion Books, 2016
Blood, rust, lava, wine—the flush of passion and the glow of approaching night—no color arrests our attention more than the color red. Today it is the flag of danger and seduction, of spirit and revolution, but throughout nearly all of human history it has held a special place in our aesthetics. In this book, Spike Bucklow brings us into the heart of this fiery hue to better understand the unique powers it has had over us.
           
Bucklow takes us from a thirty-four-thousand-year-old shaman burial dress to the iPhone screen, exploring the myriad of purposes we have put red to as well as the materials from which we have looked to harvest it. And we have looked for it everywhere, from insects to tree resin to tar to excitable gasses. Bucklow also details how our pursuit of the color drove medieval alchemy and modern chemistry alike, and he shows us red’s many symbolic uses, its association with earth, blood, and fire, its coloring of caves and the throne rooms of goddesses, as well as national flags, fire trucks, power grids, and stoplights.
           
The result is a material and cultural history that makes one see this color afresh, beating with vibrancy, a crucial part of the human visual world.   
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Red, White & Black
Cinema and the Structure of U.S. Antagonisms
Frank B. Wilderson III
Duke University Press, 2010
Red, White & Black is a provocative critique of socially engaged films and related critical discourse. Offering an unflinching account of race and representation, Frank B. Wilderson III asks whether such films accurately represent the structure of U.S. racial antagonisms. That structure, he argues, is based on three essential subject positions: that of the White (the “settler,” “master,” and “human”), the Red (the “savage” and “half-human”), and the Black (the “slave” and “non-human”). Wilderson contends that for Blacks, slavery is ontological, an inseparable element of their being. From the beginning of the European slave trade until now, Blacks have had symbolic value as fungible flesh, as the non-human (or anti-human) against which Whites have defined themselves as human. Just as slavery is the existential basis of the Black subject position, genocide is essential to the ontology of the Indian. Both positions are foundational to the existence of (White) humanity.

Wilderson provides detailed readings of two films by Black directors, Antwone Fisher (Denzel Washington) and Bush Mama (Haile Gerima); one by an Indian director, Skins (Chris Eyre); and one by a White director, Monster’s Ball (Marc Foster). These films present Red and Black people beleaguered by problems such as homelessness and the repercussions of incarceration. They portray social turmoil in terms of conflict, as problems that can be solved (at least theoretically, if not in the given narratives). Wilderson maintains that at the narrative level, they fail to recognize that the turmoil is based not in conflict, but in fundamentally irreconcilable racial antagonisms. Yet, as he explains, those antagonisms are unintentionally disclosed in the films’ non-narrative strategies, in decisions regarding matters such as lighting, camera angles, and sound.

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Red, White, and Blue
A Critical Analysis of Constitutional Law
Mark V. Tushnet
Harvard University Press, 1988

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Red, White, and Blues
Poets on the Promise of America
Virgil & Ryan G. Suarez & Van Cleave
University of Iowa Press, 2004

 Red, White, and Blues, a new anthology from the award-winning editors of Like Thunder: Poets Respond to Violence in America and Vespers: Contemporary American Poems of Religion and Spirituality, offers a chorus of contemporary American poets on the idea of liberty, democracy, patriotism, and the American Dream;a twenty-first-century "Song of Myself” for the entire country.

The poems in Red, White, and Blues reflect our collective memory—from icons of pop culture to national disasters and times of unrest. Yet they are not simply reflections of the headline news or political diatribes of the day; instead, they provide roadmaps of American history—roadmaps of where we’ve been, who we are, and where we’re going as a nation.

Poets as diverse as Martín Espada and Paisley Rekdal, J. P. Dancing Bear and Vivian Shipley seek to answer questions that resonate within the heart of our national identity—what does it mean to be an American? What is the American Dream? How does one define patriotism? Regardless of ethnicity, gender, or class, each poet’s answer to such questions proves that our experiences unite us more than they divide us.

Red, White, and Blues is an ambitious collection of the finest contemporary poetry on the subject of America and the indefatigable spirit of its citizens. Its poems don’t pull punches, nor do they celebrate without cause. They show spirit and excitement, outrage and joy, solemnity and ambiguity—all reflections of our wonderfully diverse nation.

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Red, White, Black, and Blue
A Dual Memoir of Race and Class in Appalachia
William M. Drennen Jr., Kojo (William T.) Jones Jr.
Ohio University Press, 2004
Red, White, Black, and Blue began as a collaborative memoir by William M. “Bill” Drennen, a European American, and Kojo (William T.) Jones, an African American. These Appalachian men grew up in the South Hills section of Charleston, West Virginia. As boys they played on the same Little League baseball team and experienced just one year together as schoolmates after the all-white Thomas Jefferson Junior High School was desegregated in 1955. After that, class, race, and choice separated their life experiences for forty-five years. In 1992 both had returned to Charleston from lives mostly lived elsewhere. They decided to work together on a memoir of growing up through the trauma of desegregation. Their aim was to foster understanding between their distinct cultures for themselves and for their own and future generations. Dolores Johnson, in editing the two texts, observed two very different modes of expression: Bill Drennen’s narrative is threaded with references that connote wealth, status, and personal privilege; Kojo Jones’s memoir is interwoven with African American signification, protest, and moral outrage. The stories of their Appalachian upbringing in homes less than a mile apart are anecdotal in nature, but their diverse uses of the English language as they endeavor to communicate shared memories and common meanings reveal significant cultural connotations that transform standard American English into two different languages, rendering interracial communication problematic. Dr. Johnson’s analysis is to the point. Red, White, Black, and Blue is a groundbreaking approach to studying not only cultural linguistics but also the cultural heritage of a historic time and place in America. It gives witness to the issues of race and class inherent in the way we write, speak, and think.
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Stories in Red and Black
Pictorial Histories of the Aztecs and Mixtecs
By Elizabeth Hill Boone
University of Texas Press, 2000

Winner, Arvey Award, Association for Latin American Art, 2001
Honorable Mention, Honorable Mention, George Wittenborn Memorial Book Award, Art Libraries Society of North America, 2001

The Aztecs and Mixtecs of ancient Mexico recorded their histories pictorially in images painted on hide, paper, and cloth. The tradition of painting history continued even after the Spanish Conquest, as the Spaniards accepted the pictorial histories as valid records of the past. Five Pre-Columbian and some 150 early colonial painted histories survive today.

This copiously illustrated book offers the first comprehensive analysis of the Mexican painted history as an intellectual, documentary, and pictorial genre. Elizabeth Hill Boone explores how the Mexican historians conceptualized and painted their past and introduces the major pictorial records: the Aztec annals and cartographic histories and the Mixtec screenfolds and lienzos.

Boone focuses her analysis on the kinds of stories told in the histories and on how the manuscripts work pictorially to encode, organize, and preserve these narratives. This twofold investigation broadens our understanding of how preconquest Mexicans used pictographic history for political and social ends. It also demonstrates how graphic writing systems created a broadly understood visual "language" that communicated effectively across ethnic and linguistic boundaries.

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