Every American is co-owner of the most magnificent estate in the world—federal public forests, grazing lands, monuments, national parks, wildlife refuges, and other public places. The writer Wallace Stegner famously referred to public lands as “America’s best idea,” but there have always been some who oppose the idea for ideological reasons, or because they have a vested economic interest. In the current decade, federal public lands have been under physical threat as never before, with armed standoffs and takeovers that the US government has proved stunningly unsuccessful at prosecuting in federal courts.
One such incident was the takeover of the Malheur National Wildlife Refuge in Harney County, Oregon, in 2016. Armed militants seized the headquarters of the refuge for forty-one days and occupied the community for three months. Militants threatened and harassed local residents, pledging to “give back” the land to unnamed “rightful owners” in their effort to enact a fringe interpretation of the US Constitution.
Drawing on more than two years of intensive fieldwork, Sagebrush Collaboration shows that the militants failed in their objectives because the sensible and hardworking citizens of Harney County had invested decades in collaboratively solving the very problems that the militia used to justify their anti–federal government revolution.
In Sagebrush Collaboration, Peter Walker offers the first book-length study of why the 2016 takeover of the Malheur National Wildlife Refuge failed. His nuanced and deeply researched account provides the full context for the takeover, including the response from local and federal officials and the grassroots community resistance. It will be essential reading for years to come for anyone who wants to understand the ongoing battle over the future of America’s public lands.
Young analyzes a range of U.S. figures and organizations, examining how each deployed Third World discourse toward various cultural and political ends. She considers a trip that LeRoi Jones, Harold Cruse, and Robert F. Williams made to Cuba in 1960; traces key intellectual influences on Angela Y. Davis’s writing; and reveals the early history of the hospital workers’ 1199 union as a model of U.S. Third World activism. She investigates Newsreel, a late 1960s activist documentary film movement, and its successor, Third World Newsreel, which produced a seminal 1972 film on the Attica prison rebellion. She also considers the L.A. Rebellion, a group of African and African American artists who made films about conditions in the Watts neighborhood of Los Angeles. By demonstrating the breadth, vitality, and legacy of the work of U.S. Third World Leftists, Soul Power firmly establishes their crucial place in the history of twentieth-century American struggles for social change.
Umkhonto weSizwe, Spear of the Nation, was arguably the last of the great liberation armies of the twentieth century—but it never got to “march triumphant into Pretoria.” MK—as it was known—was the armed wing of the African National Congress, South Africa’s liberation movement, that challenged the South African apartheid government. A small group of revolutionaries committed to the seizure of power, MK discovered its principal members engaged in negotiated settlement with the enemy and was disbanded soon after.
The history of MK is one of paradox and contradiction, of successes and failures. In this short study, which draws widely on the personal experiences of—and commentary by—MK soldiers, Janet Cherry offers a new and nuanced account of the Spear of the Nation. She presents in broad outline the various stages of MK’s thirty-year history, considers the difficult strategic and moral problems the revolutionary army faced, and argues that its operations are likely to be remembered as a just war conducted with considerable restraint.
A look at the violent “Red Summer of 1919” and its intersection with the highly politicized New Negro movement and the Harlem Renaissance
With the New Negro movement and the Harlem Renaissance, the 1920s was a landmark decade in African American political and cultural history, characterized by an upsurge in racial awareness and artistic creativity. In Spectres of 1919 Barbara Foley traces the origins of this revolutionary era to the turbulent year 1919, identifying the events and trends in American society that spurred the black community to action and examining the forms that action took as it evolved.
Unlike prior studies of the Harlem Renaissance, which see 1919 as significant mostly because of the geographic migrations of blacks to the North, Spectres of 1919 looks at that year as the political crucible from which the radicalism of the 1920s emerged. Foley draws from a wealth of primary sources, taking a bold new approach to the origins of African American radicalism and adding nuance and complexity to the understanding of a fascinating and vibrant era.
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