front cover of James Baldwin's God
James Baldwin's God
Sex, Hope, and Crisis in Black Holiness Culture
Clarence E. Hardy
University of Tennessee Press, 2009
James Baldwin’s relationship with black Christianity, and especially his rejection of it, exposes the anatomy of a religious heritage that has not been wrestled with sufficiently in black theological and religious studies. In James Baldwin’s God: Sex, Hope, and Crisis in Black Holiness Culture, Clarence hardy demonstrates that Baldwin is important not only for the ways he is connected to black religious culture, but also for the ways he chooses to disconnect himself from it. Despite Baldwin’s view that black religious expression harbors a sensibility that is often vengeful and that its actual content is composed of illusory promises and empty theatrics, he remains captive to its energies, rhythms, languages, and themes. Baldwin is forced, on occasion, to acknowledge that the religious fervor he saw as an adolescent was not simply an expression of repressed sexual tension but also a sign of the irrepressible vigor and dignified humanity of black life. Hardy’s reading of Baldwin’s texts, with its goal of understanding Baldwin’s attitude toward a religion that revolves around an uncaring God in the face of black suffering, provides provocative reading for scholars of religion, literature, and history.

The Author: Clarence Hardy is an assistant professor of religion at Dartmouth College. His articles have appeared in the Journal of Religion and Christianity and Crisis.
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The Jazz Republic
Music, Race, and American Culture in Weimar Germany
Jonathan O. Wipplinger
University of Michigan Press, 2017
The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture.  By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s.
 
Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way. 

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Jean Toomer
Race, Repression, and Revolution
Barbara Foley
University of Illinois Press, 2019
The 1923 publication of Cane established Jean Toomer as a modernist master and one of the key literary figures of the emerging Harlem Renaissance. Though critics and biographers alike have praised his artistic experimentation and unflinching eyewitness portraits of Jim Crow violence, few seem to recognize how much Toomer's interest in class struggle, catalyzed by the Russian Revolution and the post–World War One radical upsurge, situate his masterwork in its immediate historical context. In Jean Toomer: Race, Repression, and Revolution, Barbara Foley explores Toomer's political and intellectual connections with socialism, the New Negro movement, and the project of Young America. Examining his rarely scrutinized early creative and journalistic writings, as well as unpublished versions of his autobiography, she recreates the complex and contradictory consciousness that produced Cane.Foley's discussion of political repression runs parallel with a portrait of repression on a personal level. Examining family secrets heretofore unexplored in Toomer scholarship, she traces their sporadic surfacing in Cane. Toomer's text, she argues, exhibits a political unconscious that is at once public and private.
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Jews and Race
Writings on Identity and Difference, 1880–1940
Edited by Mitchell B. Hart
Brandeis University Press, 2011
Many people think of Jews as victims of a particular sort of racism, not as active participants in the development of racial thinking in the nineteenth and twentieth centuries. Yet many Jews did take up racial discourse and used it to analyze Judaism, Jewish history, and the contemporary condition of world Jewry. Race discourse generated by Jews was in part apologetic, a response to racial antisemitism; however, it also served other political and ideological needs. Focusing primarily on works written at the height of the racial hygiene and eugenics movements in Europe and North America, this diverse anthology shows how Jewish scholars and popular writers in Europe, North America, and Palestine developed racial interpretations of Judaism and Jewish history, thereby raising fascinating and thorny issues about the nature and history of racial discourse in Europe and America. Designed for class adoption, the volume contains annotations and an introduction by the editor.
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José Vasconcelos
The Prophet of Race
Stavans, Ilan
Rutgers University Press, 2011
Mexican educator and thinker Jose Vasconcelos is to Latinos what W.E.B. Du Bois is to African Americans a controversial scholar who fostered an alternative view of the future. In Josè Vasconcelos: The Prophet of Race, his influential 1925 essay, "Mestizaje" key to understanding the role he played in the shaping of multiethnic America—is for the first time showcased and properly analyzed. Freshly translated here by John H. R. Polt, "Mestizaje" suggested that the Brown Race from Latin America was called to dominate the world, a thesis embraced by activists and scholars north and south of the Rio Grande. Ilan Stavans insightfully and comprehensively examines the essay in biographical and historical context, and considers how many in the United States, especially Chicanos during the civil rights era, used it as a platform for their political agenda. The volume also includes Vasconcelos's long-forgotten 1926 Harris Foundation Lecture at the University of Chicago, "The Race Problem in Latin America," where he cautioned the United States that rejecting mestizaje in our own midst will ultimately bankrupt the nation.
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Justice Deferred
Race and the Supreme Court
Orville Vernon Burton and Armand Derfner
Harvard University Press, 2021

“[A] learned and thoughtful portrayal of the history of race relations in America…authoritative and highly readable…[An] impressive work.”
—Randall Kennedy, The Nation


“This comprehensive history…reminds us that the fight for justice requires our constant vigilance.”
—Ibram X. Kendi

“Remarkable for the breadth and depth of its historical and legal analysis…makes an invaluable contribution to our understanding of the US Supreme Court’s role in America’s difficult racial history.”
—Tomiko Brown-Nagin, author of Civil Rights Queen: Constance Baker Motley and the Struggle for Equality

From the Cherokee Trail of Tears to Brown v. Board of Education to the dismantling of the Voting Rights Act, Orville Vernon Burton and Armand Derfner shine a powerful light on the Supreme Court’s race record—uplifting, distressing, and even disgraceful. Justice Deferred is the first book that comprehensively charts the Supreme Court’s race jurisprudence, detailing the development of legal and constitutional doctrine, the justices’ reasoning, and the impact of individual rulings.

In addressing such issues as the changing interpretations of the Reconstruction amendments, Japanese internment in World War II, the exclusion of Mexican Americans from juries, and affirmative action, the authors bring doctrine to life by introducing the people and events at the heart of the story of race in the United States. Much of the fragility of civil rights in America is due to the Supreme Court, but as this sweeping history reminds us, the justices still have the power to make good on the country’s promise of equal rights for all.

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