An insightful account of how medieval people experienced time.
 
Alle Thyng Hath Tyme recreates medieval people’s experience of time as continuous, discontinuous, linear, and cyclical—from creation through judgment and into eternity. Medieval people measured time by natural phenomena such as sunrise and sunset, the motion of the stars, or the progress of the seasons, even as the late-medieval invention of the mechanical clock made time-reckoning more precise. Negotiating these mixed and competing systems, Gillian Adler and Paul Strohm show how medieval people gained a nuanced and expansive sense of time that rewards attention today.
 

From the first centuries of Christianity, believers turned to the perfection modeled by saints for inspiration, and a tradition of recounting saints’ Lives flourished. The Latin narratives followed specific forms, dramatizing a virgin’s heroic resolve or a martyr’s unwavering faith under torture.

In early medieval England, saints’ Lives were eagerly received and translated into the vernacular. The stories collected here by unknown authors are preserved in manuscripts dating from the eleventh and twelfth centuries. They include locally venerated saints like the abbess Seaxburh, as well as universally familiar ones like Nicholas and Michael the Archangel, and are set everywhere from Antioch to Rome, from India to Ephesus. These Lives also explore such topics as the obligations of rulers, marriage and gender roles, private and public devotion, the environment, education, and the sweep of human history. This volume presents new Old English editions and modern English translations of twenty-two unattributed saints’ Lives.

A beautifully illustrated tour of the visual culture of medieval falconry in Europe and beyond.
 
Medieval falconry was not just about hunting; the practice also signified sovereignty, power, and diplomacy. In The Art of Medieval Falconry, Yannis Hadjinicolaou describes the visual culture that sprang up around these practices, tracking how imagery, equipment, and even the birds themselves moved through the medieval world. Indeed, Hadjinicolaou shows that falconry has been a global phenomenon since at least the thirteenth century.
 
This beautifully illustrated book offers a unique glimpse at how cultures across the globe adopted and adapted the visual culture of medieval falconry.

A new edition featuring Saint Augustine’s dialogue on immortality from a tenth-century Latin manuscript, accompanied by an Old English vernacular adaptation translated into modern English for the first time in a hundred years.

Around the turn of the tenth century, an anonymous scholar crafted an Old English version of Saint Augustine of Hippo’s Soliloquia, a dialogue exploring the nature of truth and the immortality of the soul. The Old English Soliloquies was, perhaps, inspired by King Alfred the Great’s mandate to translate important Latin works. It retains Augustine’s focus on the soul, but it also explores loyalty—to friends, to one’s temporal lord, and to the Lord God—and it presses toward a deeper understanding of the afterlife. Will we endure a state of impersonal and static forgetfulness, or will we retain our memories, our accrued wisdom, and our sense of individuated consciousness?

This volume presents the first English translation of the complete Old English Soliloquies to appear in more than a century. It is accompanied by a unique edition of Augustine’s Latin Soliloquia, based on a tenth-century English manuscript similar to the one used by the translator, that provides insight into the adaptation process. Both the Latin and Old English texts are newly edited.

Nigel of Canterbury, also known as Longchamp and Whiteacre, wrote toward the end of the so-called Twelfth-Century Renaissance. He was a Benedictine monk of Christ Church when Thomas Becket was martyred, and a star of Anglo-Latin literature while the Angevin kings held sway over a vast empire that encompassed not only the British Isles but also western France.

The Dumbarton Oaks Medieval Library volume features, alongside the Latin, the first-ever English translation of Nigel’s second-longest poem, Miracles of the Virgin. The Miracles is the oldest extant collection of versified miracles of Mary in Latin and indeed in any language. The seventeen narratives, telling a gamut of tales from diabolic pacts to pregnant abbesses, gave scope for Nigel to display skills as a storyteller and stylist, while recounting the miraculous mercy of the Virgin. This supplement offers an extensive commentary to facilitate appreciation of the Miracles as poetry by a medieval writer deeply imbued in the long tradition of Latin literature.

This collection explores the evidence for a wide variety of performance traditions up to 1642 in the northeast region of England which was among those most remote from London. While noble and religious houses in the northeast often patronized visiting performers and might be aware of developments in the capital, the region also had lively performance traditions of its own, on every level of society, from the wedding revels, sporting activities, and household fools of major noble families, through civic plays and processions, to the customary annual performances of hunters and ploughmen. The book considers the political, economic, religious, and psychological impulses that affected these traditions, and its closing chapter addresses their possible relevance to the culture of the region today.

A 400-year history of the development of alchemy in England that brings to light the evolution of the practice.

In medieval and early modern Europe, the practice of alchemy promised extraordinary physical transformations. Who would not be amazed to see base metals turned into silver and gold, hard iron into soft water, and deadly poison into elixirs that could heal the human body? To defend such claims, alchemists turned to the past, scouring ancient books for evidence of a lost alchemical heritage and seeking to translate their secret language and obscure imagery into replicable, practical effects.

Tracing the development of alchemy in England over four hundred years, from the beginning of the fourteenth century to the end of the seventeenth, Jennifer M. Rampling illuminates the role of alchemical reading and experimental practice in the broader context of national and scientific history. Using new manuscript sources, she shows how practitioners like George Ripley, John Dee, and Edward Kelley, as well as many previously unknown alchemists, devised new practical approaches to alchemy while seeking the support of English monarchs. By reconstructing their alchemical ideas, practices, and disputes, Rampling reveals how English alchemy was continually reinvented over the space of four centuries, resulting in changes to the science itself. In so doing, The Experimental Fire bridges the intellectual history of chemistry and the wider worlds of early modern patronage, medicine, and science.

An illuminating exploration of the surprisingly familiar sex lives of ordinary medieval people.
 
The medieval humoral system of medicine suggested that it was possible to die from having too much—or too little—sex, while the Roman Catholic Church taught that virginity was the ideal state. Holy men and women committed themselves to lifelong abstinence in the name of religion. Everyone was forced to conform to restrictive rules about who they could have sex with, in what way, how often, and even when, and could be harshly punished for getting it wrong. Other experiences are more familiar. Like us, medieval people faced challenges in finding a suitable partner or trying to get pregnant (or trying not to). They also struggled with many of the same social issues, such as whether prostitution should be legalized. Above all, they shared our fondness for dirty jokes and erotic images. By exploring their sex lives, the book brings ordinary medieval people to life and reveals details of their most personal thoughts and experiences. Ultimately, it provides us with an important and intimate connection to the past.

Incandescent with illustrations, a history of Britain as told through a remarkable collection of illuminated manuscripts—at once chronicles of their time and works of art.
 
Illumino explores the history of medieval Britain through the biographies of twelve remarkable illuminated manuscripts and their creators. Each manuscript serves as a gateway into the lives of its makers and commissioners, and as a springboard into the era of its creation. Illuminated manuscripts are among the most intricate and fascinating forms of medieval evidence, blending literature, art, science, faith, and human thought with the materiality of their production. By undertaking the detective work needed to determine the nature of each project and the underlying human-interest stories, this book reveals their social, economic, and cultural contexts and charts the exchange of ideas and materials across time and space. Featuring over a hundred beautiful illustrations, this is a unique and accessible introduction to Britain’s history as well as art and book history over a thousand years.

Individuals and Institutions in Medieval Scholasticism is one of the first pieces of close exploratory scholarship on the fundamental relationship between medieval scholastic thought, individual scholars, and their institutions. The text revolves around these essential questions: What was the relationship between particular intellectuals and their wider networks (including but not limited to “schools”), how did intellectuals shape their institutions, and how were their institutions shaped by them? This theoretically sophisticated collection uses a range of European methodological approaches to address a variety of genres such as commentaries, quodlibetal questions, polemics, epic poetry, and inquisition records, and a range of subject matter including history, practical ethics, medicine, theology, philosophy, the constitution of religious orders, the practice of confession, and the institution of cults. This book will be an important reference point for medieval historians, while also raising questions relevant to those working on individualization and institutionalization in other periods and disciplines.

Leaders in the field of paleopathology have found enough evidence to prove that treponematosis, including syphilis, existed in ancient and medieval Afro-Eurasia, settling a decades-long debate. Yet documentary and artistic evidence to support this important work remains scarce. After summarizing the confirmed cases of treponematosis detected to date, this book turns to contemporary accounts about the death of the English king, Edward IV, that strongly indicate syphilis as the cause. It then considers further evidence suggesting contemporary awareness that elites tended to experience the disease more severely than commoners, and includes numerous examples from medical treatises and artworks that are highly suggestive that both endemic and venereal treponematosis (bejel and syphilis) were present in late medieval Europe. In doing so, the author hopes to spark a conversation not only about the existence of the disease in various places and times, but also its wider impact on premodern society and culture.

The first English translation of the earliest Latin poems about miracles performed by the Virgin Mary, composed in twelfth-century Canterbury by a Benedictine monk who inspired Chaucer.

Nigel (ca. 1135–1198), a Benedictine monk at Christ Church in Canterbury, is best known for The Mirror of Fools—a popular satire whose hero Burnellus the Ass is referenced in Chaucer’s Canterbury Tales. Nigel’s oeuvre also includes other important poems and hagiography.

The Miracles of the Virgin is the oldest Latin poem about miracles performed by Mary. This collection features seventeen lively tales in which the Virgin rescues a disappointed administrator from a pact with the devil, has a Roman emperor killed by a long-dead martyr, saves a Jewish boy from being burned alive, and shields an abbess from the shame of pregnancy. Each story illustrates the boundlessness of Mary’s mercy. In the Tract on Abuses, a letter that resembles a religious pamphlet, Nigel rails against ecclesiastical corruption and worldly entanglements.

Alongside authoritative editions of the Latin texts, this volume offers the first translations of both works into English.

Amid the crowded streets of Chester, guild players portraying biblical characters performed on colorful mobile stages hoping to draw the attention of fellow townspeople. In the fifteenth and sixteenth centuries, these Chester plays employed flamboyant live performance to adapt biblical narratives. But the original format of these fascinating performances remains cloudy, as surviving records of these plays are sparse, and the manuscripts were only written down a generation after they stopped. Revealing a vibrant set of social practices encoded in the Chester plays, Matthew Sergi provides a new methodology for reading them and a transformative look at medieval English drama.

Carefully combing through the plays, Sergi seeks out cues in the dialogues that reveal information about the original staging, design, and acting. These “practical cues,” as he calls them, have gone largely unnoticed by drama scholars, who have focused on the ideology and historical contexts of these plays, rather than the methods, mechanics, and structures of the actual performances. Drawing on his experience as an actor and director, he combines close readings of these texts with fragments of records, revealing a new way to understand how the Chester plays brought biblical narratives to spectators in the noisy streets. For Sergi, plays that once appeared only as dry religious dramas come to life as raucous participatory spectacles filled with humor, camp, and devotion.

This study shows the importance of carolling in the celebrations and festivities of medieval Britain and demonstrates its longevity from the eleventh century to the sixteenth. It illustrates the flexibility of the English carole form for adaptation to include content in high and low registers and its suitability for use on all occasions and by different communal peer groups. Although the vast majority of extant texts in carol form from the late medieval period are religious in subject content, secular carolling was far more prevalent than the textual record implies. The dance-song elements of the medieval carole were so strongly woven into the vernacular cultural fabric of the British Isles that their threads can be traced through the folk songs and dances of subsequent centuries. This study contextualizes the written evidence and re-integrates the various components of the activity in order to illuminate our understanding of the universally popular medieval, participatory, pastime of carolling.

The St. Thomas Way is a new heritage route from Swansea to Hereford which invites visitors to step into history of the medieval March of Wales. This multi-faceted volume offers new insights into the story of St. Thomas of Hereford, medieval and modern-day pilgrimage, professional aspects of heritage, tourism and regional development, and the application of digital methods and tools in heritage contexts. It also reflects on the St. Thomas Way as a spiritual and artistic experience.

A comprehensive historical study into the birth of the law and legal courts in early modern Britain.
 
Star Chamber Matters details some of the fascinating, tragic, and startling cases brought before the Star Chamber, an English court that sat at the Royal Palace of Westminster from the late fifteenth century to the mid-seventeenth century. Through close examination of the breadth and depth of cases brought before the court in its day, readers will experience the trials and tribulations of life, love, and death in Tudor Britain. These cases touch on changing gender roles, shifting religious views, and more. Star Chamber Matters witnesses the birth of English common and civil law as we know it today.

An expansive consideration of charms as a deeply integrated aspect of the English Middle Ages.
 
Katherine Storm Hindley explores words at their most powerful: words that people expected would physically change the world. Medieval Europeans often resorted to the use of spoken or written charms to ensure health or fend off danger. Hindley draws on an unprecedented archive of more than a thousand such charms from medieval England—more than twice the number gathered, transcribed, and edited in previous studies and including many texts still unknown to specialists on this topic. Focusing on charms from 1100 to 1350 CE as well as previously unstudied texts in Latin, French, and English, Hindley addresses important questions of how people thought about language, belief, and power. She describes seven hundred years of dynamic, shifting cultural landscapes, where multiple languages, alphabets, and modes of transmission gained and lost their protective and healing power. Where previous scholarship has bemoaned a lack of continuity in the English charms, Hindley finds surprising links between languages and eras, all without losing sight of the extraordinary variety of the medieval charm tradition: a continuous, deeply rooted part of the English Middle Ages.

A life of England’s most famous martyr, rooted in the currents of twelfth-century Europe.
 
This book explores the turbulent life and violent death of Thomas Becket, one of the most controversial figures in the Middle Ages: a London merchant’s son turned royal chancellor, an archbishop of Canterbury turned martyred saint. Michael Staunton looks at Becket’s complex and contested legacy, drawing from the bishop’s writings as well as those of his contemporaries.
 
Based on extensive research, this account offers a fresh perspective on Thomas Becket’s life and places him within the broader landscape of twelfth-century England and Europe—a time of rapid change and conflict. The book is perfect for anyone wanting to learn more about a pivotal figure in medieval history.

An engaging and accessible introduction to the music, poetry, and lives of the medieval singer-songwriters.
 
Composing songs of love and war in medieval Western and Southern Europe, troubadours spanned the social spectrum from powerful nobles to penniless minstrels. This book delves into the everyday worlds of these remarkable poet-musicians, famed for their innovative use of language and music as well as the lasting impact of their work on audiences then and now. The troubadours’ songs explored ideas about courtly love as well as medieval perceptions of gender, class, war, and chivalry. Linda M. Paterson examines the troubadours’ music, performance, and legacy, pairing fresh translations with the original texts to highlight the enduring beauty of their songs and poetry.

Interweaving literature, history, and religion, an exquisite meditation on the turning of the seasons in medieval England—now in paperback.
 
Winters in the World is a beautifully observed journey through the cycle of the year in Anglo-Saxon England, exploring the festivals, customs, and traditions linked to the different seasons. Drawing on a wide variety of source material, including poetry, histories, and religious literature, Eleanor Parker investigates how Anglo-Saxons felt about the annual passing of the seasons and the profound relationship they saw between human life and the rhythms of nature. Many of the festivals celebrated in the United Kingdom today have their roots in the Anglo-Saxon period, and this book traces their surprising history while unearthing traditions now long forgotten. It celebrates some of the finest treasures of medieval literature and provides an imaginative connection to the Anglo-Saxon world.

Aelred (1110–1167), abbot of Rievaulx Abbey in Yorkshire, has always been a controversial figure. He was beloved by his monks and widely admired, but also sharply criticized for his frankness about his own sinfulness and what some considered his favoritism and excessive leniency.

Writings on Body and Soul includes a selection of the prolific abbot’s theological, historical, and devotional works. Each contains autobiographical elements, showing Aelred at turns confident and fearful, tormented and serene. In A Pastoral Prayer, he asserts his unworthiness and pleads for divine aid in leading his monks wisely and compassionately. Spiritual Friendship adapts Cicero’s dialogue on friendship for Christian purposes. A Certain Marvelous Miracle offers a riveting account of a pregnant teenage nun, the bloody vengeance wreaked on her seducer, and the miracle of her release from her fetters. Finally, Teachings for Recluses, addressed to Aelred’s sister, is a guide for women pursuing solitary religious perfection.

Freshly revised editions of the Latin texts appear here alongside new English translations.