Faith in a Seed contains the hitherto unpublished work The Dispersion of Seeds, one of Henry D. Thoreau's last important research and writing projects, and now his first new book to appear in 125 years.

With the remarkable clarity and grace that characterize all of his writings, Thoreau describes the ecological succession of plant species through seed dispersal. The Dispersion of Seeds, which draws on Charles Darwin's theory of natural selection, refutes the then widely accepted theory that some plants spring spontaneously to life, independent of roots, cuttings, or seeds. As Thoreau wrote: "Though I do not believe a plant will spring up where no seed has been, I have great faith in a seed. Convince me that you have a seed there, and I am prepared to expect wonders."

Henry D. Thoreau's Faith in a Seed, was first published in hardcover in 1993 by Island Press under the Shearwater Books imprint, which unifies scientific views of nature with humanistic ones. This important work, the first publication of Thoreau's last manuscript, is now available in paperback. Faith in a Seed contains Thoreau's last important research and writing project, The Dispersion of Seeds, along with other natural history writings from late in his life. Edited by Bradley P. Dean, professor of English at East Carolina University and editor of the Thoreau Society Bulletin, these writings demonstrate how a major American author at the height of his career succeeded in making science and literature mutually enriching.

This is the first complete modern edition of The Female Marine, a fictional cross-dressing trilogy originally published between 1815 and 1818. Enormously popular among New England readers, the tale in various versions appeared in no fewer than nineteen editions over that brief four-year span. This new edition appends three other contemporary accounts of cross-dressing and urban vice which, together with The Female Marine, provide a unique portrayal of prostitution and interracial city life in early-nineteenth-century America.

The alternately racy and moralistic narrative recounts the adventures of a young woman from rural Massachusetts who is seduced by a false-hearted lover, flees to Boston, and is entrapped in a brothel. She eventually escapes by disguising herself as a man and serves with distinction on board the U.S. frigate Constitution during the War of 1812. After subsequent onshore adventures in and out of male dress, she is happily married to a wealthy New York gentleman.

In his introduction, Daniel A. Cohen situates the story in both its literary and historical contexts. He explains how the tale draws upon a number of popular Anglo-American literary genres, including the female warrior narrative, the sentimental novel, and the urban exposé. He then explores how The Female Marine reflects early-nineteenth-century anxieties concerning changing gender norms, the expansion of urban prostitution, the growth of Boston's African American community, and feelings of guilt aroused by New England's notoriously unpatriotic activities during the War of 1812.

In the winter of 1834, twenty men convened in Keene, New Hampshire, and published a fiery address condemning their state's legal system as an abomination that threatened the legacy of the American Revolution. They attacked New Hampshire's constitution as an archaic document that undermined democracy and created a system of conniving attorneys and judges. They argued that the time was right for their neighbors to rise up and return the Granite State to the glorious pathway blazed by the nation's founders.

Few people embraced the manifesto and its radical message. Nonetheless, as Eric J. Morser illustrates in this eloquently written and deeply researched book, the address matters because it reveals how commercial, cultural, political, and social changes were remaking the lives of the men who drafted and shared it in the 1830s. Using an imaginative range of sources, Morser artfully reconstructs their moving personal tales and locates them in a grander historical context. By doing so, he demonstrates that even seemingly small stories from antebellum America can help us understand the rich complexities of the era.

Francis J. Bremer has spent his entire career broadening our understanding of America’s colonial founders. Now, in this eminently readable collection of biographies, Bremer brings us a surprisingly varied and dynamic group of characters who continue to guide and influence America today. With its cast of magistrates, women, clergy, merchants, and Native Americans, First Founders underscores the breadth of early American experience and the profound transatlantic roots of our country’s forebears. Bremer succeeds in bringing little-known figures out of the shadows, while allowing us to appreciate better known figures in an entirely new light.

This is a truly fascinating look at the Puritans with keenly drawn portraits and the insight that only a lifetime of scholarship can achieve. It should become the standard introduction to the field. Written in the mold of Joseph Ellis’s Founding Brothers and Gordon Wood’s Revolutionary Characters, the book will appeal to general readers, students, and scholars alike.

Across nineteenth-century New England, antiquarians and community leaders wrote hundreds of local histories about the founding and growth of their cities and towns. Ranging from pamphlets to multivolume treatments, these narratives shared a preoccupation with establishing the region as the cradle of an Anglo-Saxon nation and the center of a modern American culture. They also insisted, often in mournful tones, that New England’s original inhabitants, the Indians, had become extinct, even though many Indians still lived in the very towns being chronicled.

 

In Firsting and Lasting, Jean M. O’Brien argues that local histories became a primary means by which European Americans asserted their own modernity while denying it to Indian peoples. Erasing and then memorializing Indian peoples also served a more pragmatic colonial goal: refuting Indian claims to land and rights. Drawing on more than six hundred local histories from Massachusetts, Connecticut, and Rhode Island written between 1820 and 1880, as well as censuses, monuments, and accounts of historical pageants and commemorations, O’Brien explores how these narratives inculcated the myth of Indian extinction, a myth that has stubbornly remained in the American consciousness.

 

In order to convince themselves that the Indians had vanished despite their continued presence, O’Brien finds that local historians and their readers embraced notions of racial purity rooted in the century’s scientific racism and saw living Indians as “mixed” and therefore no longer truly Indian. Adaptation to modern life on the part of Indian peoples was used as further evidence of their demise. Indians did not—and have not—accepted this effacement, and O’Brien details how Indians have resisted their erasure through narratives of their own. These debates and the rich and surprising history uncovered in O’Brien’s work continue to have a profound influence on discourses about race and indigenous rights.