By age thirty-four Captain John Smith was already a well-known adventurer and explorer. He had fought as a mercenary in the religious wars of Europe and had won renown for fighting the Turks. He was most famous as the leader of the Virginia Colony at Jamestown, where he had wrangled with the powerful Powhatan and secured the help of Pocahontas. By 1614 he was seeking new adventures. He found them on the 7,000 miles of jagged coastline of what was variously called Norumbega, North Virginia, or Cannada, but which Smith named New England. This land had been previously explored by the English, but while they had made observations and maps and interacted with the native inhabitants, Smith found that “the Coast is . . . even as a Coast unknowne and undiscovered.” The maps of the region, such as they were, were inaccurate. On a long, painstaking excursion along the coast in a shallop, accompanied by sailors and the Indian guide Squanto, Smith took careful compass readings and made ocean soundings. His Description of New England, published in 1616, which included a detailed map, became the standard for many years, the one used by such subsequent voyagers as the Pilgrims when they came to Plymouth in 1620. The Sea Mark is the first narrative history of Smith’s voyage of exploration, and it recounts Smith’s last years when, desperate to return to New England to start a commercial fishery, he languished in Britain, unable to persuade his backers to exploit the bounty he had seen there.

When Daniel Boone heard a neighbor's dog bark, he moved West. But when there's no Wild West left, where is adventure to be found? Michael Aaron Rockland looks for adventure in the megalopolis, "not where no one has been but where no one wishes to go . . . across traffic-clogged cities, the parking lots of wall-to-wall suburban malls, and the sinister waterways that seep through rusting industrial sites."

A comprehensive history of the Provincetown Players and their influence on modern American theatre
 
The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance unlike anything that characterized the commercial theatre of the early twentieth century. In Staging America: The Artistic Legacy of the Provincetown Players, Jeffery Kennedy gives readers the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. This study draws on many new sources that have only become available in the last three decades; this new material modifies, refutes, and enhances many aspects of previous studies.

At the center of the study is an extensive account of the career of George Cram Cook, the Players’ leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature and theatre. It traces Cook’s mission of “cultural patriotism,” which drove him toward creating a uniquely American identity in theatre. Kennedy also focuses on the group of friends he calls the “Regulars,” perhaps the most radical collection of minds in America at the time; they encouraged Cook to launch the Players in Provincetown in the summer of 1915 and instigated the move to New York City in fall 1916.

Kennedy has paid particular attention to the many legends connected to the group (such as the “discovery” of Eugene O’Neill), and also adds to the biographical record of the Players’ forty-seven playwrights, including Susan Glaspell, Neith Boyce, Edna St. Vincent Millay, Floyd Dell, Rita Wellman, Mike Gold, Djuna Barnes, and John Reed. Kennedy also examines other fascinating artistic, literary, and historical personalities who crossed the Players’ paths, including Emma Goldman, Charles Demuth, Berenice Abbott, Sophie Treadwell, Theodore Dreiser, Claudette Colbert, and Charlie Chaplin. Kennedy highlights the revolutionary nature of those living in bohemian Greenwich Village who were at the heart of the Players and the America they were responding to in their plays.
 

Stark Decency is a window into the events of two vastly different worlds: German combat veterans captured in North Africa and Normandy, and the small New Hampshire logging town which found itself hosting the prison camp. Each side was forced to confront its prejudices and fears, and examine the merits and flaws of its ideology. Then, an astonishing thing happened: in their rural isolation, sharing harsh weather conditions and the pinch of wartime rationing, friendships began to develop. Prisoners and their guards sometimes even worked together to meet the daily pulpwood quotas, and little handmade gifts to the local villagers cemented friendships that continue to this day.

This monograph offers the first major synthesis of the Meadowood phenomenon, one of the earliest and largest interaction spheres in northeastern North America. This volume breathes new life into our understanding of the Early Woodland phenomenon (3000–2400 BP).