front cover of Seeking the Straight and Narrow
Seeking the Straight and Narrow
Weight Loss and Sexual Reorientation in Evangelical America
Lynne Gerber
University of Chicago Press, 2011
Losing weight and changing your sexual orientation are both notoriously difficult to do successfully. Yet many faithful evangelical Christians believe that thinness and heterosexuality are godly ideals—and that God will provide reliable paths toward them for those who fall short. Seeking the Straight and Narrow is a fascinating account of the world of evangelical efforts to alter our strongest bodily desires.
 
Drawing on fieldwork at First Place, a popular Christian weight-loss program, and Exodus International, a network of ex-gay ministries, Lynne Gerber explores why some Christians feel that being fat or gay offends God, what exactly they do to lose weight or go straight, and how they make sense of the program’s results—or, frequently, their lack. Gerber notes the differences and striking parallels between the two programs, and, more broadly, she traces the ways that other social institutions have attempted to contain the excesses associated with fatness and homosexuality. Challenging narratives that place evangelicals in constant opposition to dominant American values, Gerber shows that these programs reflect the often overlooked connection between American cultural obsessions and Christian ones.
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front cover of Through Streets Broad and Narrow
Through Streets Broad and Narrow
Gabriel Fielding
University of Chicago Press, 1986
In this sequel to the acclaimed In the Time of Greenbloom, John Blaydon "runs head on into the paradox of Ireland, attempts to solve it single-handed and gets his heart and most of his head broken in the process. The manner of his undoing is told in a series of brilliant pictures, evocative, authentic, macabre, or hilariously funny. . . . Mr. Fielding has written an original novel of vitality, wit, and compassionate insight."—Isabelle Mallet, New York Times Book Review

"A powerful and beautifully written novel, "Streets" can either stand by itself or solidly in company with In the Time of Greenbloom. . . . [Fielding's] touch is as sure and controlled as his invention is unlimited, and the resultant work seems various and beautiful and new. The major objection to the book is not its ending, but that it ends. It is too good to give up, too vital and dynamic to leave."—Margaret Marble, Los Angeles Times

"A prismatic study of a finely gifted man in the elaborate tangles of his growth in a complex and wonderfully drawn environment."—Newsweek

"Fielding writes a torrential prose, and his imagist phrases, fabulous incidents, antic characters and peripheral violence whip the story forward."—Time
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