BiblioVault - Books about Miller, Lynn C.

Death of a Department Chair

A Novel

Lynn C. Miller

University of Wisconsin Press, 2006

In Death of a Department Chair, protagonist Miriam Held recounts the events of the previous fall when she was suspected of killing Isabel Vittorio, the chair of her department and her former lover. The controversial and contrary Vittorio was, at the time of her death, attempting to block the hire of a brilliant African American female professor. Already under siege for her attempts to increase diversity on campus, Miriam is forced to defend her reputation and her life. As she searches for the truth, Miriam amasses evidence that leaves few friends and colleagues free from suspicion. Both a classic whodunit and a witty satire, Death of a Department Chair dramatizes how communities can create the very climate of mistrust and paranoia that victimizes them.

[more]

Find Your Story, Write Your Memoir

Lynn C. Miller and Lisa Lenard-Cook

University of Wisconsin Press, 2013

Every person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies. Addressing this gap, authors Lynn C. Miller and Lisa Lenard-Cook provide a compact, accessible guide to memoir writing that shows how an aspiring memoir writer can use storytelling tools and tactics borrowed from fiction to weave personal experiences into the shape of a story.

Find Your Story, Write Your Memoir offers an overview of the building blocks of memoir writing. Individual chapters focus on key issues and challenges, such as the balance between the remembering narrator and the experiencing narrator, the capacity to honor the subjective voice, the occasion of telling (why does this narrator tell this story now?), creating an organically functional structure for a particular story, and taking the next steps with a written memoir. Drawing on their combined years of experience teaching memoir writing, authoring works of fiction and nonfiction, and working in autobiographical performance, Miller and Lenard-Cook provide a practical guide whose core philosophy is motivated by a key word: story.

Bronze winner, Foreword Book of the Year, Writing Guides

[more]

The Lost Archive

Lynn C. Miller

University of Wisconsin Press, 2023

The characters—young and old, queer and straight, contemporary and historical—who inhabit Lynn C. Miller’s stories often find themselves in defining moments and crisis situations. As they search through the archives of memory, truth, and experience, they seek to understand not only the past and present but themselves.

Stretching the definition of “archive,” Miller builds interconnected webs that surprise, much like the seemingly random papers collected in a box of materials. Fraught relationships, mistaken identities, mysterious disappearances, and the search for love play out in these stories. Friendships are celebrated, ex-husbands cross the line, and Gertrude Stein attempts to write her memoir.

An unusual collection that proves greater than the sum of its parts, The Lost Archive will haunt readers with the intensity of its vision.

[more]

Voices Made Flesh

Performing Women'S Autobiography

Lynn C. Miller

University of Wisconsin Press, 2003

Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed.

The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers—Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah—tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.

[more]