Readers of Herodotus’s Histories are familiar with its reports of bizarre portents, riddling oracles, and striking dreams. But Herodotus draws our attention to other types of signs too, beginning with human speech itself as a coded system that can manipulate and be manipulated. Objects, gifts, artifacts, markings, even the human body, are all capable of being invested with meaning in the Histories and Herodotus shows that conventionally and culturally determined actions, gestures, and ritual all need decoding.
This book represents an unprecedented examination of signs and their interpreters, as well as the terminology Herodotus uses to describe sign transmission, reception, and decoding. Through his control and involvement in this process he emerges as a veritable “master of signs.”
The interest in the performance of ancient Greek poetry has grown dramatically in recent years. But the competitive dimension of Greek poetic performances, while usually assumed, has rarely been directly addressed. This study provides for the first time an in-depth examination of a central mode of Greek poetic competition—capping, which occurs when speakers or singers respond to one another in small numbers of verses, single verses, or between verse units themselves. With a wealth of descriptive and technical detail, Collins surveys the wide range of genres that incorporated capping, including tragic and comic stichomythia, lament, forms of Platonic dialectic and dialogue, the sympotic performance of elegy, skolia, and related verse games, Hellenistic bucolic, as well as the rhapsodic performance of epic. Further, he examines historical evidence for actual performances as well as literary representations of live performances to explore how the features of improvisation, riddling, and punning through verse were developed and refined in different competitive contexts.
Anyone concerned with the performance of archaic and classical Greek poetry, or with the agonistic social, cultural, and poetic gamesmanship that prompted one performer to achieve "mastery" over another, will find this authoritative volume indispensable.
First published in 1918, Uncle Abner: Master of Mysteries is an anthology of detective stories written by Melville Davisson Post. The popular stories within this collection were serialized in national magazines such as the Saturday Evening Post in the early 20th century.
Uncle Abner is an amateur detective in present-day Harrison County, West Virginia. Throughout his journeys around this antebellum wilderness, long before the nation had a proper police system, the honest Uncle Abner is confronted by murders and mysteries that cannot be ignored. With uncanny intuition, impressive logic, and keen observation of human actions, Uncle Abner is Melville Davisson Post’s most celebrated literary creation and is considered to be one of the most important texts in American detective and crime fiction.
This new edition contains an introduction by Craig Johnson, author of the Walt Longmire novels.
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