front cover of Greek Lyrics, Second Edition
Greek Lyrics, Second Edition
More than a Hundred Poems and Poetic Fragments from the Great Age of Greek Lyric Poetry
Richmond Lattimore
University of Chicago Press, 1960
A collection of more than one hundred poems and poetic fragments from the golden age of Greek Lyric poetry.

In this second edition of Greek Lyrics, translator and editor Richmond Lattimore brings together a vast assortment of seventh-and sixth-century Greek lyric, elegiac, and iambic poetry. For the Greekless student or curious scholar, these translations showcase the diversity of poetic subjects in classical antiquity, which range from love poems to medical inscriptions and drinking songs. Gracefully and robustly translated by a number of top-tier translators, this volume includes poets such as Archílochus, Callínus, Semónides of Amórgos, Hippónax, Tyrtaéus, Mimnérmus, Solon, Phocýlides, Xenóphanes, Theógnis, Terpánder, Alcman, Stesíchorus, íbycus, Sappho, Alcaéus, Anácreon, Hýbrias, Praxílla, Corínna, Simónides of Ceos, Pindar, and Bacchýlides.
 
 
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Land and Sea
The Lyric Poetry of Philip Freneau
Richard C. Vitzthum
University of Minnesota Press, 1978

Land and Sea was first published in 1978. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

Although Philip Freneau is best known as the poet of the American Revolution, half his poems had nothing to do with the war, Professor Vitzthum points out, and this, the first systematic, in-depth study of Freneau's lyric poetry, provides a fresh perspective on the poet's non-political work. Demonstrating that there is a heretofore unrecognized pattern of land-sea imagery and symbolism in Freneau's best work. Professor Vitzthum traces changes reflected in this imagery to developments in the poet's thought, which in turn related to major intellectual and literary trends in revolutionary and early republican America. An introductory chapter assesses twentieth century biographical and critical estimates of Freneau, outlines the key themes in his work, and links his thirty-year career as sailor and ship captain to his creation of a covert, symbolistic poetic method. The following five chapters chronologically discuss Freneau's non-political poems from 1772 through 1815. Professor Vitzthum concludes that Freneau was not the derivative and unsuccessful artist he is currently thought to have been but, rather, one of America's genuinely important poets.

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front cover of Lyric Poetry and Social Identity in Archaic Greece
Lyric Poetry and Social Identity in Archaic Greece
Jessica M. Romney
University of Michigan Press, 2020
Lyric Poetry and Social Identity in Archaic Greece examines how Greek men presented themselves and their social groups to one another. The author examines identity rhetoric in sympotic lyric: how Greek poets constructed images of self for their groups, focusing in turn on the construction of identity in martial-themed poetry, the protection of group identities in the face of political exile, and the negotiation between individual and group as seen in political lyric. By conducting a close reading of six poems and then a broad survey of martial lyric, exile poetry, political lyric, and sympotic lyric as a whole, Jessica Romney demonstrates that sympotic lyric focuses on the same basic behaviors and values to construct social identities regardless of the content or subgenre of the poems in question. The volume also argues that the performance of identity depends on the context as well as the material of performance. Furthermore, the book demonstrates that sympotic lyric overwhelmingly prefers to use identity rhetoric that insists on the inherent sameness of group members.

All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes.
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