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Cabin Stories
The Best of Dark Winter Nights: True Stories from Alaska
Rob Prince
University of Alaska Press, 2022
Cabin Stories: The Best of Dark Winter Nights: True Stories from Alaska is a collection of favorite stories selected by the executive producers of the hit live event, radio show, and podcast Dark Winter Nights. These hilarious, heartwarming, and riveting stories depict true adventures, impossible situations, and the stranger side of life in Alaska—falling through ice, surviving a plane crash, living through a shipwreck in a hurricane, discovering a bear trapped in a woman’s front entryway, finding a pet goose frozen to a porch in a pile of its own poop, and more—as told by the everyday Alaskans who experienced them.
 
From the humorous to the heart-wrenching, these are the stories told up north on dark winter nights. Anyone curious about what living in Alaska is really like will appreciate this wild and fun anthology.
 
 
Contributors: Glenner Anderson, Kat Betters, Randy Brown, Melissa Buchta, JB Carnahan, Philip Charette, Roy Churchwell, Richard Coleman, Michael Daku, Wendy Demers, Alexandra Dunlap, Alyssa Enriquez, Jan Hanscom, Mike Hopper, James Mennaker, Ken Moore, Steve Neumeth, Kaiti Ott, Lori Schoening, Bill Schnabel, Guy Schroder, Ed Shirk, Eric Stevens, Chris Zwolinski
 
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California And The Fictions Of Capital
George Henderson
Temple University Press, 2003
In part a tour of California as a virtual laboratory for refining the circulation of capital, and in part an investigation of how the state's literati, with rare exception, reconceived economy in the name of class, gender, and racial privilege, this study will appeal to all students and scholars of California's—and the American West's—economic, environmental, and cultural past.
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The Cambridge Songs (Carmina Cantabrigiensia)
Jan M. Ziolkowski
Harvard University Press, 2020

The Cambridge Songs, from the Latin Carmina Cantabrigiensia, is the most important anthology of songs from before the thirteenth-century Carmina Burana. It offers the only major surviving anthology of Latin lyric poems from between Charlemagne and the Battle of Hastings. It contains panegyrics and dirges, political poems, comic tales, religious and didactic poems, and poetry of spring and love. Was it a school book for students, or a songbook for the use of professional entertainers? The greatest certainty is that the poems were composed in the learned language, and that they were associated with song. The collection is like the contents of an eleventh-century jukebox or playlist of top hits from more than three centuries.

This edition and translation comprises a substantial introduction, the Latin texts and English prose in carefully matched presentation, and extensive commentary, along with appendices, list of works cited, and indices.

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Camden County, New Jersey
The Making of a Metropolitan Community, 1626-2000
Dorwart, Jeffery M
Rutgers University Press, 2001

In this book, Jeffery M. Dorwart chronicles more than three centuries of Camden County history. He takes readers on a journey, from the earliest days as a Native American settlement, to the county's important roles in the Revolutionary and Civil Wars, Camden City's booms and busts, the county's increasing suburbanization, and concluding with current inner-city revitalization efforts.

Dorwart details how the earliest European settlers radically changed the local Native American culture and introduced black slavery. In the Revolutionary War, the county's location directly across the Delaware River from Philadelphia placed it at the crossroads of the American Revolution. Dorwart examines the county's conflicted roles during the Civil War, when the older agrarian population, which held traditional social and economic ties to the slave-owing South, clashed with the increasingly industrialized interests of the urban waterfront, which showed strong Unionist tendencies. He explores the changing demographics of the area as waves of European immigrants came to work in the factories. He surveys the rise and fall of first Camden City, then of the suburbs, as both areas experienced population ebbs and flows. Finally, Dorwart looks at the revitalization efforts of 2000 when Camden County began efforts to reinvent the riverfront community where it all began.

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The Cape Cod Bicycle War
and Other Stories
Billy Kahora
Ohio University Press, 2020
Each of the realistic worlds Billy Kahora brings us in the short stories and novella that make up The Cape Cod Bicycle War and Other Stories explores the tensions and transitions of characters moving between youthful folly and a precarious adulthood. In the title story, immigrant workers with varying ambitions work at a Wendy’s in wintry Cape Cod. Sharing one house, they must also share, or rather compete for, bicycles—crucial transportation—which are in short supply. In other stories, a young man caught between a broken family and political violence befriends an aged gorilla in a Nairobi zoo; a pastor struggles to come to terms with the arrest of his brother, who is suspected of terrorism; and a dissolute bank employee on a serious bender returns to work to face a review board. The Cape Cod Bicycle War and Other Stories is Billy Kahora’s long-awaited debut collection. Stories in this volume have appeared in Granta and McSweeney’s and have been shortlisted for the Caine Prize for African Writing.
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The Carleton Bigamy Trial
Mary Carleton
Iter Press, 2023
Multiple conflicting perspectives come together in this collection to provide a Rashomon-style account of marriage, fraud, and trickery in seventeenth-century England.
 
Mary Carleton was an ordinary woman from Canterbury who entered historical records when she was accused of bigamy. The seven pamphlets in this edition focus on the bigamy trial of Mary Carleton, in which the accused eloquently defends herself and is ultimately acquitted. Written in the early years of the English Restoration, they demonstrate that narratives presenting what “she said” and what “he said” can reveal, forcefully and painfully, how truth can be fragmented in the different arenas of law, love, and politics. Through their disparate accounts of a marriage gone wrong, these pamphlets reinforce the social status quo even while they radically shatter the very foundations that give it heft. In asking readers to question absolutes, they unmask the precarious relationship between words and the world.
 
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Carmina Burana
David A. Traill
Harvard University Press, 2018

Carmina Burana, literally “Songs from Beuern,” is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.

A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff’s famous cantata—no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.

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Carmina Burana
David A. Traill
Harvard University Press, 2018

Carmina Burana, literally “Songs from Beuern,” is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.

A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff’s famous cantata—no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.

[more]

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Cases of Circumstantial Evidence
Janet Lewis
Ohio University Press, 2013

This is the first digital version of Cases of Circumstantial Evidence, a collection of three historical novels by noted American writer Janet Lewis. For the first time, these works have been brought together in a single edition, each with a new introduction by Kevin Haworth:

The Wife of Martin Guerre
Based on a notorious trial in sixteenth-century France, The Wife of Martin Guerre follows Bertrande de Rois and her lost-and-returned husband through a tale of impersonation, conspiracy, and small-town intrigue. Their fascinating story has also inspired a bestselling historical study and two films, including The Return of Martin Guerre.

The Trial of Sören Qvist
Although set in seventeenth-century Denmark, The Trial of Sören Qvist has a contemporary feel and has been praised for its intriguing plot and for Lewis’s powerful writing. In this second novel in the Cases of Circumstantial Evidence, Lewis recounts the story of a murder, an investigation, and a pious town pastor who confesses to the crime, driven perhaps more by a recognition of his own moral flaws than by guilt for the acts of which he stood accused.

The Ghost of Monsieur Scarron
The court of Louis XIV and a modest Paris street provide the incongruous settings for this tale of a humble bookbinder, his wife, and the young craftsman who seduces her and blackmails her husband into covering up a terrible crime. This third and last case of circumstantial evidence bristles with character, the smell of blood, and considerable suspense against a backdrop of national political unrest in the cruel and dingy Paris of the seventeenth century.

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Cassandra
A Dramatic Poem
Lesia Ukrainka
Harvard University Press, 2024

Cassandra, the daughter of King Priam of Troy, is cursed with the gift of true prophecies that are not believed by anyone. She foretells the city’s fall should Paris bring Helen as his wife, as well as the death of several of Troy’s heroes and her family. The classic myth turns into much more in Lesia Ukrainka’s rendering: Cassandra’s prophecies are uttered in highly poetic language—fitting for the genre of the work—and are not believed for that reason, rather than because of Apollo’s curse. Cassandra as poet and as woman are the focal points of the drama.

Cassandra: A Dramatic Poem encapsulates the complexities of Ukrainka’s late works: use of classical mythology and her intertextual practice; intense focus on issues of colonialism and cultural subjugation—and allegorical reading of the asymmetric relationship of Ukrainian and Russian culture; a sharp commentary on patriarchy and the subjugation of women; and the dilemma of the writer-seer who knows the truth and its ominous implications but is powerless to impart that to contemporaries and countrymen.

This strongly autobiographical work commanded a significant critical reception in Ukraine and projects Ukrainka into the new Ukrainian cultural canon. Presented here in a contemporary and sophisticated English translation attuned to psychological nuance, it is sure to attract the attention of the modern-day reader.

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The Cat Who Taught Me How to Fly
An Arab Prison Novel
Hashem Gharaibeh
Michigan State University Press, 2017
In his masterpiece The Cat Who Taught Me How to Fly, Hashem Gharaibeh tells the moving story of a political prisoner during Jordan’s martial law era, which spanned from 1967 to 1989. Gharaibeh defies the taboos of politics, sex, and religion to tell a thrilling and brutally honest story about the horrors and insanities of everyday life in an Arab prison. At once both a novel and an autobiography, the author draws from his own experiences as a Jordanian youth arrested and imprisoned for nearly a decade for his affiliation with the Jordanian Communist Party. The novel uniquely portrays prison culture intertwined with tribal, ideological, and political perspectives to explain both mundane and esoteric aspects of prison life in this time and era, illustrating an experience that is traumatic, humane, and inspiring. A heartwrenching story of learning, survival, and the quest for the freedom of thought is told with powerful defiance and grace, exposing us to human frailty, strength, and one man’s dream to soar beyond the walls of prison, society, and self.
 
 
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A Catalogue of Greek Manuscripts from the Meerman Collection in the Bodleian Library
Annaclara Cataldi Palau
Bodleian Library Publishing, 2011
This catalogue of forty manuscripts contained in the Meerman collection of medieval and renaissance Greek manuscripts at the Bodleian Library includes an introduction with extensive research on the provenance of the collection, detailed descriptions of each manuscript, and forty illustrations of manuscript pages.
 
The collection of the Dutch bibliophile Gerard Meerman, the manuscripts were bought for the Bodleian Library in 1824 at auction at the Hague. The collection is composed almost exclusively of manuscripts that once belonged to the Jesuits of Clermont in Paris, though the works had several subsequent owners, including English collector Sir Thomas Phillipps and Guillaume Pellicier, a French ambassador to Venice in the first half of the sixteenth century. This catalogue fully demonstrates the importance of these manuscripts and is an essential scholarly resource for each item in the collection.
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A Catalogue of Greek Manuscripts from the Meerman Collection in the Bodleian Library
Annaclara Cataldi Palau
Bodleian Library Publishing

front cover of Catarina the Wise and Other Wondrous Sicilian Folk and Fairy Tales
Catarina the Wise and Other Wondrous Sicilian Folk and Fairy Tales
Collected by Giuseppe Pitrè
University of Chicago Press, 2017
Well, gentlemen, here’s a tale that people have told time and again . . . .

So begins the title story in this collection of fifty Sicilian folk and fairy tales edited and translated by noted folklore scholar Jack Zipes. But while some of the stories may sound as if they’ve been told time and again—such as variations on Cinderella and Puss in Boots—many will enchant English-language readers and storytellers for the first time. From “The Pot of Basil” to “The Talking Belly,” “The Little Mouse with the Stinky Tail” to “Peppi, Who Wandered out into the World,” the stories in Catarina the Wise range from simple tales of getting a new dress or something good to eat to fantastical plots for outwitting domineering husbands, rescuing impoverished fathers, or attracting wealthy suitors (frequently the Prince of Portugal). Many feature strong, clever women (usually daughters who become queen). Many are funny; many are wise. Some are very, very strange.

As Zipes relates, the true story of their origins is as extraordinary as the tales themselves. Born to a poor family of sailors in Palermo, Giuseppe Pitrè would go on to serve with Garibaldi, become a traveling country doctor, and gather one of the most colossal collections of folk and fairy tales of the nineteenth century. But while his work as a folklorist rivaled that of the Brothers Grimm, Pitrè remains a relative unknown. Catarina the Wise highlights some of the most delectable stories at the heart of his collection. Featuring new, original illustrations, this book is a beautiful, charming treasure for any fan of story, storytelling, and heroines and heroes living happily ever after—sometimes.
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Catullus. Tibullus. Pervigilium Veneris
Catullus and Tibullus
Harvard University Press, 1988

Polymetric gems, wistful elegies, and a lover’s prayer.

Catullus (Gaius Valerius, 84–54 BC), of Verona, went early to Rome, where he associated not only with other literary men from Cisalpine Gaul but also with Cicero and Hortensius. His surviving poems consist of nearly sixty short lyrics, eight longer poems in various metres, and almost fifty epigrams. All exemplify a strict technique of studied composition inherited from early Greek lyric and the poets of Alexandria. In his work we can trace his unhappy love for a woman he calls Lesbia; the death of his brother; his visits to Bithynia; and his emotional friendships and enmities at Rome. For consummate poetic artistry coupled with intensity of feeling, Catullus’ poems have no rival in Latin literature.

Tibullus (Albius, ca. 54–19 BC), of equestrian rank and a friend of Horace, enjoyed the patronage of Marcus Valerius Messalla Corvinus, whom he several times apostrophizes. Three books of elegies have come down to us under his name, of which only the first two are authentic. Book 1 mostly proclaims his love for “Delia,” Book 2 his passion for “Nemesis.” The third book consists of a miscellany of poems from the archives of Messalla; it is very doubtful whether any come from the pen of Tibullus himself. But a special interest attaches to a group of them which concern a girl called Sulpicia: some of the poems are written by her lover Cerinthus, while others purport to be her own composition.

The Pervigilium Veneris, a poem of not quite a hundred lines celebrating a spring festival in honor of the goddess of love, is remarkable both for its beauty and as the first clear note of romanticism which transformed classical into medieval literature. The manuscripts give no clue to its author, but recent scholarship has made a strong case for attributing it to the early fourth-century poet Tiberianus.

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Caxton’s Aesop
Aesop
Harvard University Press

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Cecil the Lion Had to Die
Olena Stiazhkina
Harvard University Press, 2024

In 1986 Soviet Ukraine, two boys and two girls are welcomed into the world in a Donetsk maternity ward. Following a Soviet tradition of naming things after prominent Communist leaders from far away, a local party functionary offers great material benefits for naming children after Ernst Thälmann, the leader of the German Communist Party from 1925 to 1933. The fateful decision is made, and the local newspaper presents the newly born Ernsts and Thälmas in a photo on the front page, forever tying four families together.

In Cecil the Lion Had to Die, Olena Stiazhkina follows these families through radical transformations when the Soviet Union unexpectedly implodes, independent Ukraine emerges, and neoimperial Russia occupies Ukraine’s Crimea and parts of the Donbas. Just as Stiazhkina’s decision to transition to writing in Ukrainian as part of her civic stance—performed in this book that begins in Russian and ends in Ukrainian—the stark choices of family members take them in different directions, presenting a multifaceted and nuanced Donbas.

A tour de force of stylistic registers, intertwining stories, and ironic voices, this novel is a must-read for those who seek deeper understanding of how Ukrainian history and local identity shapes war with Russia.

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CENTENARY ED WORKS NATHANIEL HAWTHORNE
VOL. XIII, THE ELIXIR OF LIFE MANUSCRIPT
NATHANIEL HAWTHORNE
The Ohio State University Press, 1978

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CENTENARY ED WORKS NATHANIEL HAWTHORNE
VOL. XIX, THE CONSULAR LETTERS, 18531855
NATHANIEL HAWTHORNE
The Ohio State University Press, 1988
"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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CENTENARY ED WORKS NATHANIEL HAWTHORNE
VOL. XXII, THE ENGLISH NOTEBOOKS, 185618
NATHANIEL HAWTHORNE
The Ohio State University Press, 1997
"Because it represents the first scholarly effort to establish texts as close as possible to the intentions of the author, this Centenary Edition makes obsolete all previous editions, notorious for their textual corruption. An eminent staff . . . has analyzed and synthesized the evidence of all MSS and worthwhile printed editions. Each volume includes a well documented introduction concerning such matters as circumstances leading to composition and history of publication as well as textual notes on alterations in the MSS, editorial emendations, etc." --Choice "The Centenary Edition, which has been producing weighty volumes of definitively edited texts of Hawthorne for a full generation, is now the sine qua non of Hawthorne scholarship. As an example of editorial care and research thoroughness it has been a model for the profession and as a physical object a model for publishers. In addition to the immensely important achievement of producing fully accurate texts of the romances, tales, and sketches, the Centenary editors have made available, for the very first time, all of the various Notebooks and letters. For the letters, especially, the wait has been long but the result is gratifying. Reading straight through the Centenary's six volumes of letters is a self-indulgent pleasure that brings us markedly closer to the man than we can get in any other way." --American Literature Representing decades of work, this is the definitive edition of Hawthorne's works. Each volume includes comprehensive notes and explanatory material. I: The Scarlet Letter $62.95 cloth 0-8142-0059-1 II: The House of the Seven Gables $69.95 cloth 0-8142-0060-5 III: The Blithedale Romance and Fanshawe $72.95 cloth 0-8142-0061-3 IV: The Marble Faun $83.95 cloth 0-8142-0062-1 V: Our Old Home $72.95 cloth 0-8142-0002-8 VI: True Stories from History and Biography $72.95 cloth 0-8142-0157-1 VII: A Wonder Book and Tanglewood Tales $72.95 cloth 0-8142-0158-X VIII: The American Notebooks $98.95 cloth 0-8142-0159-8 IX: Twice-told Tales $83.95 cloth 0-8142-0202-0 X: Mosses from an Old Manse $83.95 cloth 0-8142-0203-9 XI: The Snow Image and Uncollected Tales $72.95 cloth 0-8142-0204-7 XII: The American Claimant Manuscripts $83.95 cloth 0-8142-0251-9 XIII: The Elixir of Life Manuscripts $98.95 cloth 0-8142-0252-7 XIV: The French and Italian Notebooks $98.95 cloth 0-8142-0256-X XV: The Letters, 1813-1843 $98.95 cloth 0-8142-0363-9 XVI: The Letters, 1843-1853 $98.95 cloth 0-8142-0364-7 XVII: The Letters, 1853-1856 $83.95 cloth 0-8142-0365-5 XVIII: The Letters, 1857-1864 $98.95 cloth 0-8142-0383-3 XIX: The Consular Letters, 1853-1855 $83.95 cloth 0-8142-0384-1 XX: The Consular Letters, 1856-1857 $83.95 cloth 0-8142-0462-7 XXI: The English Notebooks, 1853-1856 $98.95 cloth 0-8142-0670-0 XXII: The English Notebooks, 1856-1860 $98.95 cloth 0-8142-0671-9 XXIII: Miscellaneous Prose and Verse $98.95 cloth 0-8142-0644-1
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C'est la Guerre
Louis Calaferte
Northwestern University Press, 1999
In C'est la guerre Louis Calaferte presents the World War II--from the moment its outbreak is announced to the public through the unprecedented disaster that ensues, and through France's liberation in 1945--as it registers itself in the ever more isolated consciousness of a young, nameless boy.
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A Cezanne in the Hedge and Other Memories of Charleston and Bloomsbury
Edited by Hugh Lee
University of Chicago Press, 1992
The Bloomsbury circle has long preoccupied writers, critics, and the general public alike. For many years its focal point was Charleston Farmhouse in Sussex, home to Vanessa and Clive Bell and Duncan Grant. A Cézanne in the Hedge brings together thirty firsthand reminiscences of the Charleston, vividly and amusingly evoking its creativity—and eccentricity. Childhood memories from Quentin Bell, Angelica Garnett, and Nigel Nicholson are interspersed with appraisals of the work of Bloomsbury members such as Roger Fry, Maynard Keynes, and Virginia Woolf and of their contribution to twentieth-century British art and thought. The finale is a childhood spoof written by Virginia Woolf entitled "A Terrible Tragedy in a Duckpond."
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Challenges to Traditional Authority
Plays by French Women Authors, 1650-1700
Françoise Pascal, Mary-Catherine Desjardins, Antoinette Deshoulières, and Catherine Durand
Iter Press, 2015
The second half of the seventeenth century marked the first major breakthrough for women playwrights in France, as some of them succeeded in getting their works staged, published and taken seriously by critics and authority figures. The four works included here, translated into English for the first time, represent the diversity of genres cultivated by these writers, while reflecting both the cultural milieu of the era and a concern for the status of women. Françoise Pascal’s Endymion, a tragicomedy with special effects, daringly reexamines a classical myth. Marie-Catherine Desjardins’s Nitetis, a historical tragedy, focuses on the plight of a virtuous and astute queen married to an evil tyrant. Antoinette Deshoulières’s Genseric, also a historical tragedy, rejects prevailing models of male heroism and of conventional tragic plots. Catherine Durand’s proverb comedies contain a scathing critique of aristocratic mores and give voice to women’s desires for emancipation.
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A Chance for Love
The World War II Letters of Marian Elizabeth Smith and Lt. Eugene T. Petersen, USMCR
Eugene Peterson
Michigan State University Press, 1998

In mid-February 1944 Marian Elizabeth Smith, a young Wisconsin woman, met Marine Corps Lieutenant Eugene T. Petersen on the passenger train, El Capitan, as it made its 42-hour run from Los Angeles to Chicago. After a brief acquaintance, he left the United States to join the Third Marine Division on Guam and eventually to take part in the battle for Iwo Jima in February and March of 1945. The collected letters of their subsequent 18-month correspondence reveal much about wartime life at home and abroad. This correspondence represents a time capsule of current events as Smith and Petersen discuss Franklin Roosevelt, the United Nations, internationalism, popular movies, the French aviator and poet Antoine de St. Exupery, the comic strip Barnaby, and the frustrations of dealing with sometimes less-than- enlightened parents. The loss of Marian's brother during the bombing of Ploesti, Rumania, in June 1944, brought Petersen and Smith closer together, and after hundreds of letters the "chance for love" Marian had suggested early in their correspondence evolved into a marriage that has endured for more than half a century.  

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Changing Minds
Women and the Political Essay, 1960-2001
Ann Jurecic
University of Pittsburgh Press, 2023
How Five Prominent Women Writers Reshaped the Essay in the Late Twentieth Century

In Changing Minds: Women and the Political Essay, 1960–2000, Ann Jurečič documents the work of five paradigm-shifting essayists who transformed American thought about urgent political issues. Rachel Carson linked science and art to explain how pesticides threatened the Earth’s ecosystems. Hannah Arendt redefined “evil” for a secular age after Eichmann was tried in Jerusalem. Susan Sontag’s interest in the intersection of politics and aesthetics led her to examine the ethics of looking at photographs of suffering. Joan Didion became a political essayist when she questioned how rhetoric and sentimental narratives corrupted democratic ideals. Patricia J. Williams continues to write about living under a justice system that has attempted to neutralize race, gender, and the meaning of history. These writers reacted to the stressors of the late twentieth century and in response reshaped the essay for their own purposes in profound ways. With this volume, Jurečič begins to correct the longstanding dearth of scholarly studies on the importance of women and their political essays—works that continue to be relevant more than two decades into the twenty-first century. 
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Changing Paths
Travels and Meditations in Alaska's Arctic Wilderness
Bill Sherwonit
University of Alaska Press, 2009

Changing Paths: Travels and Meditations in Alaska’s Arctic Wilderness is an autobiographical exploration of author Bill Sherwonit’s relationship with the Alaska wilderness. Written in three parts, it first describes Sherwonit’s introduction to the Brooks Range and his years as an exploration geologist. Taking a step back, the author then takes us into the past to explore his childhood roots in rural Connecticut and his recognition of wild nature as a refuge. He concludes with his emergence as a nature writer and wilderness advocate.

An engrossing, fascinating, and eye-opening tale of one man’s life and of wilderness conceptions, this vivid description of an area of Alaska that few people get to experience is authentic and enlightening. It is an extraordinary contribution to the literature of place from one of Alaska’s most accomplished nature writers.

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Charlemagne’s Defeat in the Pyrenees
The Battle of Rencesvals
Xabier Irujo
Amsterdam University Press, 2021
The Battle of Rencesvals is the one of the most dramatic historical event of the entire eighth century, not only in Vasconia but in Western Europe. This monograph examines the battle as more than a single military encounter, but instead as part of a complex military and political conquest that began after the conquest of the Iberian Peninsula in 711 and culminated with the creation of the Kingdom of Pamplona in 824. The battle had major (and largely underappreciated) consequences for the internal structure of the Carolingian Empire. It also enjoyed a remarkable legacy as the topic of one of the oldest European epic poems, La Chanson de Roland. The events that took place in the Pyrenean pass of Rencesvals (Errozabal) on 15 August 778 defined the development of the Carolingian world, and lie at the heart of the early medieval contribution to the later medieval period.
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The Chemistry of Fire
Essays
Laurence Gonzales
University of Arkansas Press, 2020
"Gonzales (Flight 232), a former National Geographic feature writer, proves himself a chronicler par excellence of nature—including of the human variety—in this excellent essay collection. The psychological nuance and vivid detail throughout will dazzle readers."
Publishers Weekly starred review, July 2020

In 1989, Laurence Gonzales was a young writer with his first book of essays, The Still Point, just published by the University of Arkansas Press. Imagine his surprise, one winter day, to receive a letter from none other than Kurt Vonnegut. “The excellence of your writing and the depth of your reporting saddened me, in a way,” Vonnegut wrote, “reminding me yet again what a tiny voice facts and reason have in this era of wrap-around, mega-decibel rock-and-roll.”

Several books, many articles, and a growing list of awards later, Gonzales -- known for taking us to enthralling extremes – is still writing with excellence and depth. In this latest collection, we go from the top of Mount Washington and ”the worst weather in the world,” to 12,000 feet beneath the ocean, where a Naval Intelligence Officer discovers the Titanic using the government’s own spy equipment. We experience night assaults with the 82nd Airborne Division, the dynamiting of the 100-foot snowpack on Going-to-the-Sun Road in Glacier National Park, a trip to the International Space Station, the crash of an airliner to the bottom of the Everglades, and more.

The University of Arkansas Press is proud to bring these stories to a new era, stories that, as with all of Gonzales’s work, “fairly sing with a voice all their own.” (Chicago Sun-Times)
 
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Chi Boy
Native Sons and Chicago Reckonings
Keenan Norris
The Ohio State University Press, 2022
In Chi Boy, Keenan Norris melds memoir, cultural criticism, and literary biography to indelibly depict Chicago—from the Great Migration to the present day—as both a cradle of black intellect, art, and politics and a distillation of America’s deepest tragedies. With the life and work of Richard Wright as his throughline, Norris braids the story of his family and particularly of his father, Butch Norris, with those of other black men—Wright, Barack Obama, Ralph Ellison, Frank Marshall Davis—who have called Chicago home. Along the way he examines the rise of black street organizations and the murders of Yummy Sandifer and Hadiya Pendleton to examine the city’s status in the cultural imaginary as “Chi-Raq,” a war zone within the nation itself. In Norris’s telling, the specter of violence over black life is inescapable: in the South that Wright and Butch Norris escaped, in the North where it finds new forms, and worldwide where American militarism abroad echoes brutalities at home. Yet, in the family story at the center of this unforgettable book, Norris also presents an enduring vision of hope and love.
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Chiaroscuro
Essays on Identity: Revised Edition
Helen Barolini
University of Wisconsin Press, 1999

“A lively, lucid, and often extremely moving collection of essays.”—Sandra Gilbert, author of Wrongful Death: A Memoir

“Barolini’s essays moved me. Their commitment, their passion, their intelligence struck me very powerfully and made them among the most incisive essays on Italian-Americana, ethnicity, and diversity in literature that I have ever read.”—Fred Misurella, author of Understanding Milan Kundera: Public Events, Private Affairs and Short Time

Part memoir, part social commentary, and part literary criticism, Chiaroscuro is not only profoundly original but also of crucial importance in establishing the contours of an Italian-American tradition. Spanning a quarter century of work, the essays in Helen Barolini’s essays explore her personal search; literature as a formative influence; and the turning of the personal into the political. Included in Chiaroscuro is an updated re-introduction to Barolini’s American Book Award-winning collection, The Dream Book: An Anthology of Writings by Italian-American Women.

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Children and Other Wild Animals
Notes on badgers, otters, sons, hawks, daughters, dogs, bears, air, bobcats, fishers, mascots, Charles Darwin, newts, sturgeon, roasting squirrels, parrots, elk, foxes, tigers and various other zoological matters
Brian Doyle
Oregon State University Press, 2014
In Children and Other Wild Animals, bestselling novelist Brian Doyle (Mink River, The Plover) describes encounters with astounding beings of every sort and shape. These true tales of animals and human mammals (generally the smaller sizes, but here and there elders and jumbos) delightfully blur the line between the two.
 
In these short vignettes, Doyle explores the seethe of life on this startling planet, the astonishing variety of our riveting companions, and the joys available to us when we pause, see, savor, and celebrate the small things that are not small in the least.
 
Doyle’s trademark quirky prose is at once lyrical, daring, and refreshing; his essays poignant but not pap, sharp but not sermons, and revelatory at every turn. Throughout there is humor and humility and a palpable sense of wonder, with passages of reflection so true and hard earned they make you stop and reread a line, a paragraph, a page.
 
Children & Other Wild Animals gathers previously unpublished work with selections that have appeared in Orion, The Sun, Utne Reader, High Country News, and The American Scholar, as well as Best American Essays (“The Greatest Nature Essay Ever”) and Best American Nature and Science Writing (“Fishering”). “The Creature Beyond the Mountain,” Doyle’s paean to the mighty and mysterious sturgeon of the Pacific Northwest, won the John Burroughs Award for Outstanding Nature Essay. As he notes in that tribute to all things “sturgeonness”:
 
“Sometimes you want to see the forest and not the trees. Sometimes you find yourself starving for what’s true, and not about a person but about all people. This is how religion and fascism were born, but it’s also why music is the greatest of arts, and why stories matter, and why we all cannot help staring at fires and great waters.”
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Children of the Albatross
Anaïs Nin
Ohio University Press, 1959

Children of the Albatross is divided into two sections: “The Sealed Room” focuses on the dancer Djuna and a set of characters, chiefly male, who surround her; “The Café” brings together a cast of characters already familiar to Nin’s readers, but it is their meeting place that is the focal point of the story.

As always, in Children of the Albatross, Nin’s writing is inseparable from her life. From Djuna’s story, told in “The Sealed Room” through hints and allusions, hazy in their details and chronology, the most important event to emerge is her father’s desertion (like Nin’s) when she was sixteen. By rejecting realistic writing for the experience and intuitions she drew from her diary, Nin was able to forge a novelistic style emphasizing free association, spontaneity, and improvisation, a technique that finds its parallel in the jazz music performed at the café where Nin’s characters meet.

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Children of the Dragonfly
Native American Voices on Child Custody and Education
Robert Bensen
University of Arizona Press, 2001
Sometimes the losses of childhood can be recovered only in the flight of the dragonfly.

Native American children have long been subject to removal from their homes for placement in residential schools and, more recently, in foster or adoptive homes. The governments of both the United States and Canada, having reduced Native nations to the legal status of dependent children, historically have asserted a surrogate parentalism over Native children themselves.

Children of the Dragonfly is the first anthology to document this struggle for cultural survival on both sides of the U.S.-Canadian border. Through autobiography and interviews, fiction and traditional tales, official transcripts and poetry, these voices— Seneca, Cherokee, Mohawk, Navajo, and many others— weave powerful accounts of struggle and loss into a moving testimony to perseverance and survival. Invoking the dragonfly spirit of Zuni legend who helps children restore a way of life that has been taken from them, the anthology explores the breadth of the conflict about Native childhood.

Included are works of contemporary authors Sherman Alexie, Joy Harjo, Luci Tapahonso, and others; classic writers Zitkala-Sa and E. Pauline Johnson; and contributions from twenty important new writers as well. They take readers from the boarding school movement of the 1870s to the Sixties Scoop in Canada and the Indian Child Welfare Act of 1978 in the United States. They also spotlight the tragic consequences of racist practices such as the suppression of Indian identity in government schools and the campaign against Indian childbearing through involuntary sterilization.

CONTENTS
Part 1. Traditional Stories and Lives
Severt Young Bear (Lakota) and R. D. Theisz, To Say "Child"
Zitkala-Sa (Yankton Sioux), The Toad and the Boy
Delia Oshogay (Chippewa), Oshkikwe's Baby
Michele Dean Stock (Seneca), The Seven Dancers
Mary Ulmer Chiltoskey (Cherokee), Goldilocks Thereafter
Marietta Brady (Navajo), Two Stories
Part 2. Boarding and Residential Schools
Embe (Marianna Burgess), from Stiya: or, a Carlisle Indian Girl at Home
Black Bear (Blackfeet), Who Am I?
E. Pauline Johnson (Mohawk), As It Was in the Beginning
Lee Maracle (Stoh:lo), Black Robes
Gordon D. Henry, Jr. (White Earth Chippewa), The Prisoner of Haiku
Luci Tapahonso (Navajo), The Snakeman
Joy Harjo (Muskogee), The Woman Who Fell from the Sky
Part 3. Child Welfare and Health Services
Problems That American Indian Families Face in Raising Their Children, United States Senate, April 8 and 9, 1974
Mary TallMountain (Athabaskan), Five Poems
Virginia Woolfclan, Missing Sister
Lela Northcross Wakely (Potawatomi/Kickapoo), Indian Health
Sherman Alexie (Spokane/Coeur d'Alene), from Indian Killer
Milton Lee (Cheyenne River Sioux) and Jamie Lee, The Search for Indian
Part 4. Children of the Dragonfly
Peter Cuch (Ute), I Wonder What the Car Looked Like
S. L. Wilde (Anishnaabe), A Letter to My Grandmother
Eric Gansworth (Onondaga), It Goes Something Like This
Kimberly Roppolo (Cherokee/Choctaw/Creek), Breeds and Outlaws
Phil Young (Cherokee) and Robert Bensen, Wetumka
Lawrence Sampson (Delaware/Eastern Band Cherokee), The Long Road Home
Beverley McKiver (Ojibway), When the Heron Speaks
Joyce carlEtta Mandrake (White Earth Chippewa), Memory Lane Is the Next Street Over
Alan Michelson (Mohawk), Lost Tribe
Patricia Aqiimuk Paul (Inupiaq), The Connection
Terry Trevor (Cherokee/Delaware/Seneca), Pushing up the Sky
Annalee Lucia Bensen (Mohegan/Cherokee), Two Dragonfly Dream Songs
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The China Sketchbook
I. Allan Sealy
Seagull Books, 2016
A camera makes enemies; a sketchbook, friends. Firm in this belief, Irwin Allan Sealy carried to China just his pen and a book of blank pages. When the literary conference that took him there ended and his fellow writers returned to India, Sealy stayed on to travel the railroads of the north in search of a town reminiscent of his Himalayan hometown and a man who might resemble himself. Sign language, good will, and plain luck see him through, but in a northern mining town known for its ancient Buddhist cave sculptures, Sealy finally comes to the conclusion that his other was unreachable, his hometown was one of a kind, and his only hope was a pen, allowing him to record his memories, sketches, and adventures along the way.

Sealy is known for both his fiction and his travelogue From Yukon to Yukatan: A Western Journey. This facsimile edition of The China Sketchbook, however, adds a special dimension to a travel narrative—the sketches and scribbles give readers a more immediate and unrestrained insight into the mind of a very fine writer and chart an unusual and quirky travel diary.
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The Christian Religion, as Professed by a Daughter of the Church of England
Mary Astell
Iter Press, 2013
This book is the most mature and comprehensive statement of Mary Astell’s religious and philosophical views. It also represents the culmination of Astell’s feminist project to teach her fellow women how to lead useful lives of virtue and wisdom. The main purpose of this work is to instruct women about the ultimate nature of reality, the true source of happiness, their duties and obligations to God, and about “how best to live” and how to treat other people. This volume offers the first complete modern version of the 1717 second edition. It provides a fully modernized text, a scholarly introduction, biographical and bibliographical information, general historical-intellectual background, and definitions of obscure and archaic terms.
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Christmas on the Great Plains
Dorothy Dodge Robbins
University of Iowa Press, 2004
For the inhabitants of the Great Plains, the month of December is thirty-one days of progressively receding sunlight, unremittingly low temperatures, and the ever-present threat—if not the reality—of knee-high snow. Arriving at the peak of this blustery weather, Christmas is extended as far as possible on both sides of December 25. On the Great Plains, December needs a Christmas season, not just a single day.
Featuring stories and essays by both classic and contemporary regional authors, including Willa Cather, Hamlin Garland, Paul Engle, Constance Vogel, and Ted Kooser,Christmas on the Great Plains offers unique geographic, historical, and cultural perspectives on winter’s holiday celebrations and traditions—from lutefisk and julebukking to sleighbells and twinkling lights—that will be appreciated by anyone who has braved the wintry plains.
The stories in this collection unwrap like so many holiday packages, revealing a varied assortment of gifts. Moments of communal beauty and happiness are common, as in Mary Swander’s “The Living Crèche,” where her friends reenact the nativity scene at Fairview School, or in Mari Sandoz’s “The Christmas of the Phonograph Records,” where isolated homesteaders travel far to hear the sounds of their first phonograph. Yet as we all know, the reality of the season is not always magical. One person’s Christmas joy is countered by another’s annual depression, the latter reinforced by the bleak landscape of this harsh climate. As Jane Smiley says in “Long Distance,” a story about a disconnected man spending the holidays with a family whom he has not seen in years, “though he cannot bear to stay here after all, he cannot bear to go either.”
A thought-provoking and inspiring antidote to the dark and icy days of December,Christmas on the Great Plains is a welcome reminder of the many connections we make with each other and the landscape during the Yuletide season.
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The Chronicle of Le Murate
Sister Giustina Niccolini
Iter Press, 2011
The Chronicle of Le Murate, completed by Sister Giustina Niccolini in 1598, is one of a small number of surviving documents that presents a nun’s own interpretation and synthesis of historical events. It recounts the roughly two hundred-year history of Florence’s largest convent, which attracted boarders, nuns and patrons from Italy’s elite families. The manuscript provides a rare view of life behind the enclosure walls and of nuns interaction with the world outside. The messy vitality of this account is an important pendant to the more formal and predictable convent chronicles that dominate the genre.
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Cicero on Oratory and Orators
Translated by J.S. Watson. Introduction by Ralph A. Micken. Foreword by David Potter. Preface by Richard Leo Enos
Southern Illinois University Press, 1986

Contains Cicero’s De Oratore and Brutus, influential sources over the centuries for ideas on rhetoric and train­ing for public leadership.

The De Oratore, written in 55 B.C., argues that rhetoric is socially significant because states are established and main­tained through the leadership of eloquent men.

The three books of dialogues in this volume feature discussions between well-known figures in Roman history, in­cluding Lucius Crassus, Marcus An­tonius, Quintus Lutatius Catulus, Quin­tus Marcius Scaevola, Caius Aurelius Cotta, Julius Caesar Strabo Vopicus, and Publius Sulpicus Rufus.

The Brutus continues the theme of the dialogues, giving a history of eminent orators whose performances exemplify the Ciceronian theory that rhetoric final­ly adds up to leadership.

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Circling Faith
Southern Women on Spirituality
Wendy Reed
University of Alabama Press, 2012
Circling Faith is a collection of essays by southern women that encompasses spirituality and the experience of winding through the religiously charged environment of the American South.
 
Mary Karr, in “Facing Altars,” describes how the consolation she found in poetry directed her to a similar solace in prayer. In “Chiaroscuro: Shimmer and Shadow,” Susan Cushman recounts how her dissatisfaction with a Presbyterian upbringing led her to hold her own worship services at home and eventually to join the Eastern Orthodox Church. “Magic” by Amy Blackmarr depicts a religious practice that occurs wholly outside of any formal setting—she recognizes places, such as a fishing shack in south Georgia, and things, such as crystal Cherokee earrings, as reminders that God exists everywhere and that a Great Comforter is always present. In “The Only Jews in Town,” Stella Suberman gives her account of growing up as a religious minority in Tennessee, connecting her story to a larger narrative of Eastern European Jews who moved away from the Northeast, often to found and run “Jew stores” in midwestern and southern towns.  Alice Walker, in an interview with Valerie Reiss titled “Alice Walker Calls God ‘Mama,’” relates her dynamic relationship with her God, which includes meditation and yoga, and explains how she views the role of faith in her work, including her novel The Color Purple.  These essays showcase the large spectrum of spirituality that abides in the South, as well as the equally large spectrum of individual women who hold these faiths.
 
 
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Cities of the Interior
Anaïs Nin
Ohio University Press, 1996

Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately over the next fifteen years, the five were conceived as a continuous experience—a continuous novel like Proust’s, real and flowing as a river.

The full impact of Anaïs Nin’s genius is only to be found through reading the novels in context and in succession. They form a rich, luminous tapestry whose overall theme Nin has called “woman at war with herself.” Characters, symbols appear and reappear: now one, now another unfolding, gradually revealing, changing, struggling, growing, and Nin had forged an evocative language all her own for the telling.

“The diary taught me that there were no neat ends to novels, no neat denouement, no neat synthesis,” she explains. “So I began an endless novel, a novel in which the climaxes consisted of discoveries in awareness, each step in awareness becoming a stage in the growth like the layers in trees.”

Cities of the Interior fulfills a long–time desire on the part of readers, publisher, and Anaïs Nin herself to reunite the five novels in a single volume.

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The City
Valerian Pidmohylnyi
Harvard University Press, 2024

Valerian Pidmohylnyi’s The City was a landmark event in the history of Ukrainian literature. Written by a master craftsman in full control of the texture, rhythm, and tone of the text, the novel tells the story of Stepan, a young man from the provinces who moves to the capital of Ukraine, Kyiv, and achieves success as a writer through a succession of romantic encounters with women.

At its core, the novel is a philosophical search for harmony in a world where our intellectual side expects rational order, whereas the instinctive natural world follows its own principles. The resulting alienation and disorientation reflect the basic principles of existential philosophy, in which Pidmohylnyi is close to his European counterparts of the day.

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The City Beneath the Snow
Stories
Marjorie Kowalski Cole
University of Alaska Press, 2012
The final collection of stories by award-winning writer Marjorie Kowalski Cole, The City Beneath the Snow is a portrait of contemporary Alaskans and a look at the moral decisions that lurk in the unexpected corners of daily life.

"Marjorie Kowalski Cole's characters live, work, and struggle in interior Alaska, and she depicts life here with a keen eye and with compassion. We see the daughter of a Fairbanks junkyard owner struggling with her isolation. We meet a bartender at Circle Hot Springs who's also a certified nurse's assistant at Fairbanks Memorial Hospital. . . . These are inner lives, revealed with care and with skill, the true material of good literature."—Peggy Shumaker, Alaska State Writer Laureate
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The Civil War Diary of Gideon Welles, Lincoln's Secretary of the Navy
The Original Manuscript Edition
Gideon Welles, Edited by William E. Gienapp and Erica L. Gienapp; Foreword by James M. McPherson
University of Illinois Press, 2014
Gideon Welles’s 1861 appointment as secretary of the navy placed him at the hub of Union planning for the Civil War and in the midst of the powerful personalities vying for influence in Abraham Lincoln’s cabinet. Although Welles initially knew little of naval matters, he rebuilt a service depleted by Confederate defections, planned actions that gave the Union badly needed victories in the war’s early days, and oversaw a blockade that weakened the South’s economy.

Perhaps the hardest-working member of the cabinet, Welles still found time to keep a detailed diary that has become one of the key documents for understanding the inner workings of the Lincoln administration. In this new edition, William E. and Erica L. Gienapp have restored Welles’s original observations, gleaned from the manuscript diaries at the Library of Congress and freed from his many later revisions, so that the reader can experience what he wrote in the moment. With his vitriolic pen, Welles captures the bitter disputes over strategy and war aims, lacerates colleagues from Secretary of State William H. Seward to General-in-Chief Henry Halleck, and condemns the actions of the self-serving southern elite he sees as responsible for the war. He just as easily waxes eloquent about the Navy's wartime achievements, extols the virtues of Lincoln, and drops in a tidbit of Washington gossip.

Carefully edited and extensively annotated, this edition contains a wealth of supplementary material. The appendixes include short biographies of the members of Lincoln’s cabinet, the retrospective Welles wrote after leaving office covering the period missing from the diary proper, and important letters regarding naval matters and international law.

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Claim Tickets for Stolen People
Quintin Collins
The Ohio State University Press, 2022
Honor Book, 2023 Black Caucus of the American Library Association Literary Awards, Poetry Category

In Claim Tickets for Stolen People, Quintin Collins embraces a range of poetic forms and registers to show the resilience of Blackness in a colonized world. The tension between mortality and vitality is ever-present, whether Collins is charting his daughter’s emergence into being, cataloging the toll of white violence, or detailing the exuberance of community, family, and Chicago and Boston life. In Collins’s hands, the world is exquisitely physical and no element is without its own perspective, whether it is a truck sheared by a highway bridge or bees working through the knowledge that humans will kill them, burn their homes, and steal their honey. All goes toward honoring Black grief, Black anger, Black resistance, Black hope—and the persistence of Black love.
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The Classical Moment
Selected Essays on Knowledge and Its Pleasures
James V. Schall
St. Augustine's Press, 2014

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The Classical Tradition
Edited by Anthony Grafton, Glenn W. Most, and Salvatore Settis
Harvard University Press, 2010

“A vast cabinet of curiosities.”—Stephen Greenblatt

“Eclectic rather than exhaustive, less an encyclopedia than a buffet.”—Frederic Raphael, Literary Review

How do we get from the polis to the police? Or from Odysseus’s sirens to an ambulance’s? The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.

Arranged alphabetically from Academy to Zoology, the essays—designed and written to serve scholars, students, and the general reader alike—show how the Classical tradition has shaped human endeavors from art to government, mathematics to medicine, drama to urban planning, legal theory to popular culture.

At once authoritative and accessible, learned and entertaining, comprehensive and surprising, and accompanied by an extensive selection of illustrations, this guide illuminates the vitality of the Classical tradition that still surrounds us today.

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Classics in Translation, Volume I
Greek Literature
Edited by Paul L. MacKendrick and Herbert M. Howe
University of Wisconsin Press, 1959

Here, translated into modern English, are the works of literature, history, science, oratory, and philosophy that constitute the mainstream of classical Greek thought and continue to influence world civilizations. This volume includes:
· Complete translations of Aeschylus’ Agamemnon, Sophocles’ Antigone, Euripides’ Medea, Aristophanes’ Frogs, and The Constitution of Athens by the “Old Oligarch.”
· Abridged translations of Homer’s Iliad and Odyssey, The Homeric Hymn to Hermes, and Plutarch’s Life of Tiberius Gracchus.
· Selections from Hesiod and Lucian; from twenty-eight lyric poets including Sappho, Pindar, and Meleagar; from the histories of Herodotus and Thucydides; and from eight Attic orators, including Isocrates and Demosthenes.
· Selections from the scientific writings of Hippocrates, Archimedes, and Galen.
· Selections from the pre-Socratic philosophers and from Plato, Aristotle, Epicurus, and Epictetus.


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Classics in Translation, Volume II
Latin Literature
Edited by Paul L. MacKendrick and Herbert M. Howe
University of Wisconsin Press, 1959

Here, translated into modern English, are the works of literature, history, science, oratory, and philosophy that constitute the mainstream of Roman thought and continue to influence world civilizations. This volume includes:
· Complete translations of Plautus’ The Haunted House, Terence’s Woman from Andros, Seneca’s Medea, and the Deeds of the Deified Augustus.
· Selections from Vergil’s Georgics and Aeneid, the poems of Catullus, Horace’s Odes, Ovid’s Metamorphoses and Fasti, the Satyricon of Petronius, and the Sixth Satire of Juvenal.
· Selections from Lucretius’ On the Nature of Things, Cicero’s speeches and philosophical works, and Quintilian’s The Training of the Orator.
· Selections from histories by Sallust, Livy’s History of Rome, Tacitus’ Annals and Germania, and letters of Pliny the Younger.


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Closing Arguments
Clarence Darrow on Religion, Law, and Society
Clarence Darrow
Ohio University Press, 2005

Clarence Darrow, son of a village undertaker and coffinmaker, rose to become one of America’s greatest attorneys—and surely its most famous. The Ohio native gained renown for his central role in momentous trials, including his 1924 defense of Leopold and Loeb and his defense of Darwinian principles in the 1925 Scopes “Monkey Trial.” Some have traced Darrow’s lifelong campaign against capital punishment to his boyhood terror at seeing a Civil War soldier buried—and no client of Darrow’s was ever executed, not even black men who were accused of murder for killing members of a white mob.

Closing Arguments: Clarence Darrow on Religion, Law, and Society collects, for the first time, Darrow’s thoughts on his three main preoccupations, revealing a carefully conceived philosophy expressed with delightful pungency and clarity. His thoughts on social issues, especially on the dangers of religious fundamentalism, are uncannily prescient. A dry humor infuses his essays, and his reflections on himself and his philosophy reveal a quiet dignity at the core of a man better known for provoking Americans during an era of unprecedented tumult. From the wry “Is the Human Race Getting Anywhere?” to the scornful “Patriotism” and his elegiac summing up, “At Seventy-two,” Darrow’s writing still stimulates, pleases and challenges.

A rebel who always sided intellectually and emotionally with the minority, Darrow remains a figure to contend with sixty-seven years after his death. “Inside every lawyer is the wreck of a poet,” Darrow once said. Closing Arguments demonstrates that, in his case, that statement is true.

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A Clubbable Man
Essays on Eighteenth-Century Literature and Culture in Honor of Greg Clingham
Anthony W. Lee
Bucknell University Press, 2022
Samuel Johnson famously referred to his future biographer, the unsociable magistrate Sir John Hawkins, as “a most unclubbable man." Conversely, this celebratory volume gathers distinguished eighteenth-century studies scholars to honor the achievements, professional generosity, and sociability of Greg Clingham, taking as its theme textual and social group formations. Here, Philip Smallwood examines the “mirrored minds” of Johnson and Shakespeare, while David Hopkins parses intersections of the general and particular in three key eighteenth-century figures. Aaron Hanlon draws parallels between instances of physical rambling and rhetorical strategies in Johnson’s Rambler, while Cedric D. Reverand dissects the intertextual strands uniting Dryden and Pope. Contributors take up other topics significant to the field, including post-feminism, travel, and seismology. Whether discussing cultural exchange or textual reciprocities, each piece extends the theme, building on the trope of relationship to organize and express its findings. Rounding out this collection are tributes from Clingham’s former students and colleagues, including original poetry.
 
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Codex Chimalpopoca
The Text in Nahuatl with a Glossary and Grammatical Notes
John Bierhorst
University of Arizona Press, 2011
In this companion volume to History and Mythology of the Aztecs, John Bierhorst provides specialists with a transcription of the Nahuatl text, keyed to the translation, and a linguistic apparatus to help elucidate it. The glossary offers definitions for all unusual usages in the codex, as well as careful treatment of many of the commonest (and most semantically flexible) verbs, adverbs, and particles. Detailed discussions of selected features appear in the Grammatical Notes, which complete the work.
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Cold Latitudes
Rosemary McGuire
University of Alaska Press, 2021
Cold Latitudes is a memoir in essay form based on years of working in the Alaska Arctic and Antarctica. The author was privileged to see first-hand worlds that few will ever know, while participating in cutting-edge research at high latitudes. From solo voyages down the Yukon and part of the Northwest Passage, to working with humpback whales in the Southern Ocean, to chilling encounters with polar bears, Rosemary McGuire’s stories are told in spare, graceful prose. It is her friendships with local people, and with scientific researchers, that form the core of her experiences. Through these local contacts and traditional knowledge, she learns humility and a sense of wonder at the natural world, while at the same time coming to appreciate the gritty determination of the field researchers whose work she shares. Throughout, she examines human relationships with wilderness, and our growing effects on a fragile planet. And so, as she writes, “In the end, this is a love story for a threatened place.”
 
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Cold Spell
Deb Vanasse
University of Alaska Press, 2014
With precise and evocative prose, Cold Spell tells the story of a mother who risks everything to start over and a daughter whose longings threaten to undo them both.
From the moment Ruth Sanders rips a glossy photo of a glacier from a magazine, she believes her fate is intertwined with the ice. Her unsettling fascination bewilders her daughter, sixteen-year-old Sylvie, still shaken by her father’s leaving. When Ruth uproots Sylvie and her sister from their small Midwestern town to follow her growing obsession—and a man—to Alaska, they soon find themselves entangled with an unfamiliar wilderness, a divided community, and one another. As passions cross and braid, the bond between mother and daughter threatens to erode from the pressures of icy compulsion and exposed secrets.
Inspired by her own experience arriving by bush plane to live on the Alaska tundra, Deb Vanasse vividly captures the reality of life in Alaska and the emotional impact of loving a remote and unforgiving land.
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Collages
Anaïs Nin
Ohio University Press, 2019
A transplant from Vienna to Malibu who is driven by her urge to observe and depict those around her, Renate is, as one of her friends describes her, “the freest woman I know.” Living in Malibu, working at the Paradise Inn restaurant, she encounters a series of people whose stories make up a larger collage: Henri the chef; Count Laundromat; Varda the artist and his teenage daughter, Nobuko the actress; the French Consul in the Hollywood Hills; an aged lifeguard with a spiritual longing for the sea; and Bruce, the intimate with an unnerving secret. First published in 1964 and now reissued with a new introduction by Anita Jarczok, Collages showcases Anaïs Nin’s dreamlike and introspective style and psychological acuity. Seen by some as linked vignettes and by others as a novel, the book is a mood piece that resists categorization. Based on a close friend of Nin’s, Renate is the glue that holds the pieces, by turn fragmentary and full, together. One character absorbs a lesson from the Koran: “Nothing is ever finished.” With each of Renate’s successive encounters, we take that message to be true.
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Collages
Anaïs Nin
Ohio University Press, 1964

Collages began with an image which had haunted me. A friend, Renate, had told me about her trip to Vienna where she was born, and of her childhood relationships to statues. She told me stories of her childhood, her relationship to her father, her first love.

I begin the novel with:

Vienna was the city of statues. They were as numerous as the people who walked the streets. They stood on the top of the highest towers, law down on stone tombs, sat on horseback, kneeled, prayed, fought animals and wars, danced, drank wine and read books made of stone. They adorned cornices like the figureheads of old ships. They stood in the heart of fountains glistening with water as if they had just been born. They sat under the trees in the parks summer and winter. Some wore costumes of other periods, and some no clothes at all. Men, women, children, kings, dwarfs, gargoyles, unicorns, lions, clowns, heroes, wise men, prophets, angels, saints, and soldiers preserved for Vienna a vision of eternity.

As a child Renate could see them from her bedroom window. At night, when the white muslin curtains fluttered out like ballooning wedding dresses, she heard them whispering like figures which had been petrified by a spell during the day and came alive only at night. Their silence by day taught her to read their frozen lips as one reads the messages of deaf mutes. On rainy days their granite eye sockets shed tears mixed with soot.

Renate would never allow anyone to tell her the history of the statues, or to identify them. This would have situated them in the past. She was convinced that people did not die, they became statues. They were people under a spell and if she were watchful enough they would tell her who they were and how they lived now.

If I had been asked then what was going to follow the description of the statues, I could not have answered. I was fascinated by the image of these many statues and of the child Renate inventing stories about them and dialoguing with them. It may have been that this image expressed the feeling I often had that people appear to us as a one-dimensional statue until we go deeper into their life story. People are like mute statues under a spell of appearance, and static, until we let them whisper their secrets. And this only happens at night. That is, when we are able to dream, imagine, and explore the unconscious. We see the external self. Because Collages took its images from painting and sculpture, I liked the idea that sculpture and painting could become animated, speaking, confessing, and then in daylight returning to their previous forms as statues or paintings. They spoke only to the artist. To me it meant dramatizing our relation to art, one feeding the other, the interrelation between human beings and the artist’s conception of them. In daylight (consciousness) we catch them all only in one attitude, one form. At night, we discover their lives.”

—Anaïs Nin, “The Novel of the Future,” (Athens: Ohio University Press, 1986), 128

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The Collected Letters of George Gissing Volume 5
1892-1895
George Gissing
Ohio University Press, 1994

Gissing’s career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization. His best known works are New Grub Street (1891) and Private Papers of Henry Ryecroft (1903), rich sources of social commentary that reflect a literary transition from the Victorian to the modern period.

For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927. Now the editors have culled widely scattered sources—private and public collections, journals, newspapers, memoirs, biographies, and sales catalogs—to gather and organize Gissing’s correspondence, including letters to him, and to provide an editorial context.

The years 1892-1895 saw an increase in the bulk and scope of Gissing’s literary production, coinciding with his new and cordial association with publishers Bullen and Lawrence. During this period, the partners published Denzil Quarrier, The Odd Women, In the Year of Jubilee, ad Eve’s Ransom, while A. and C. Black brought out Born in Exile. Gissing’s correspondence with his publishers, some of which is printed here for the first time, is matched in significance by his letters to his literary agent William Morris Colles and to editors such as Clement Shorter, who were instrumental in turning Gissing to the short story. His domestic life remained grim: his unfortunate marriage ruled out the possibility of satisfactory social relationships, and his anxiety over the care of his son Walter was eased only by sending the infant away to stay with strangers. New friends, especially Clara Collet and Edward Clodd, were a precious asset—in their presence he could be his better self, a highly cultured, joy-loving individual whose work was finding greater favor with the public.

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The Collected Letters of Henry Northrup Castle
Henry Northrup Castle
Ohio University Press, 2012

George Herbert Mead, one of America’s most important and influential philosophers, a founder of pragmatism, social psychology, and symbolic interactionism, was also a keen observer of American culture and early modernism. In the period from the 1870s to 1895, Henry Northrup Castle maintained a correspondence with family members and with Mead—his best friend at Oberlin College and brother-in-law—that reveals many of the intellectual, economic, and cultural forces that shaped American thought in that complex era. Close friends of John Dewey, Jane Addams, and other leading Chicago Progressives, the author of these often intimate letters comments frankly on pivotal events affecting higher education, developments at Oberlin College, Hawaii (where the Castles lived), progressivism, and the general angst that many young intellectuals were experiencing in early modern America.

The letters, drawn from the Mead-Castle collection at the University of Chicago, were collected and edited by Mead after the tragic death of Henry Castle in a shipping accident in the North Sea. Working with his wife Helen Castle (one of Henry’s sisters), he privately published fifty copies of the letters to record an important relationship and as an intellectual history of two progressive thinkers at the end of the nineteenth century. American historians, such as Robert Crunden and Gary Cook, have noted the importance of the letters to historians of the late nineteenth century.

The letters are made available here using the basic Mead text of 1902. Additional insights into the connection between Mead, John Dewey, Henry and Harriet Castle, and Hawaii’s progressive kindergarten system are provided by the foundation’s executive director Alfred L. Castle. Marvin Krislov, president of Oberlin College, has added additional comments on the importance of the letters to understanding the intellectual relationship that flourished at Oberlin College.

Published with the support of the Samuel N. and Mary Castle Foundation.

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The Collected Letters of Thomas and Jane Welsh Carlyle
1812–21, Volume 1
Charles Richard Sanders
Duke University Press
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Back volumes are available for purchase. To ensure that you don't miss a single issue, subscribe to The Collected Letters of Thomas and Jane Welsh Carlyle today. For more information, click here.
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The Collected Letters of Thomas and Jane Welsh Carlyle
1841, Volume 13
Clyde de L. Ryals and Kenneth J. Fielding
Duke University Press
The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.
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The Collected Letters of Thomas and Jane Welsh Carlyle
1852, Volume 27
Clyde de L. Ryals and Kenneth J. Fielding
Duke University Press
The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.
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The Collected Letters of Thomas and Jane Welsh Carlyle
January–December 1851, Volume 26
Clyde de L. Ryals and Kenneth J. Fielding
Duke University Press
The Collected Letters of Thomas and Jane Welsh Carlyle offer a window onto the lives of two of the Victorian world’s most accomplished, perceptive, and unusual inhabitants. Scottish writer and historian Thomas Carlyle and his wife, Jane Welsh Carlyle, attracted to them a circle of foreign exiles, radicals, feminists, revolutionaries, and major and minor writers from across Europe and the United States. The collection is regarded as one of the finest and most comprehensive literary archives of the nineteenth century.
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The Collected Poems and Selected Prose
By Stanley Burnshaw
University of Texas Press, 2002

Stanley Burnshaw began to publish poems in the 1920s and founded his own verse journal in 1925. After serving as coeditor and drama critic of the New Masses weekly (1934-1936), he entered book publishing, directing the Dryden Press until 1958, when he joined Henry Holt. The first of his nineteen earlier works, André Spire and His Poetry, appeared in 1934 and the last in 1990, A Stanley Burnshaw Reader, with an introduction by Denis Donoghue.

The present volume—the definitive Burnshaw collection—offers all the poems he wishes to preserve and a full representation of his prose, including My Friend, My Father in its entirety. The Collected Poems and Selected Prose is vital reading for anyone wishing to be fully acquainted with the man whom Karl Shapiro called "one of the best-respected men of letters of our time."

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Collected Poems of Hazel Hall, The
Hazel Hall
Oregon State University Press, 2020
On the 100th anniversary of her debut poetry collection, Curtains, first published in 1920, Hazel Hall’s reputation as a major Oregon poet endures. During her short career, she became one of the West’s outstanding literary figures, a poet whose fierce, crystalline verse was frequently compared with that of Emily Dickinson. Her three books, published to critical acclaim in the 1920s, are reissued here in paperback for the first time. Together, they reintroduce an immediate and intensely honest voice, one that speaks to us with an edgy modernity.

Confined to a wheelchair since childhood, Hall viewed life from the window of an upper room in her family’s house in Portland, Oregon. To better observe passersby on the sidewalk, she positioned a small mirror on her windowsill. Hall was an accomplished seamstress; her fine needlework helped to support the family and provided a vivid body of imagery for her precisely crafted, often gorgeously embellished poems.

Hall’s writings convey the dark undertones of the lives of working women in the early twentieth century, while bringing into focus her own private, reclusive life—her limited mobility, her isolation and loneliness, her gifts with needlework and words. In his updated introduction to this volume, John Witte examines Hall’s brief and brilliant career and highlights her remarkably modern sensibilities. In a new afterword, Anita Helle considers Hall’s work in an era when modes of literary historical recovery have been widened and expanded—and what that means in the afterlife of Hazel Hall.
 
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The Collected Works of Jupiter Hammon
Cedrick May
University of Tennessee Press, 2017

Cedrick May’s The Collected Works of Jupiter Hammon offers a complete look at the literary achievements of one of the founders of African American literature. Born into slavery on the Lloyd plantation in 1711, Jupiter Hammon became the first African American writer to be published in the present-day United States at the age of forty-nine. It has been decades since a collection of Hammon’s work has appeared, and May’s intensive research has yielded two additional poems, adding new layers to his works and life that, until now, have gone unexplored.

The most comprehensive volume on Hammon’s works to date, The Collected Works of Jupiter Hammon carefully reconstructs the historical, political, social, and religious contexts that shaped his essays and poems throughout the late eighteenth century. This attentive reconstruction, which takes full account of Hammon’s prose works as well as his more well-known poetry, gives readers a radical re-reading of Hammon as a much more complex and intellectually curious commentator on his historical and political period, while providing ample evidence of his literary importance and artistic integrity. Cedrick May’s fresh presentation and insightful reevaluation of Hammon’s life and writings will change the way Hammon is studied and appreciated among literary scholars and readers alike. This edition will become the definitive one for many years to come.

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The Collected Works of Jupiter Hammon
Cedrick May
University of Tennessee Press

Cedrick May’s The Collected Works of Jupiter Hammon offers a complete look at the literary achievements of one of the founders of African American literature. Born into slavery on the Lloyd plantation in 1711, Jupiter Hammon became the first African American writer to be published in the present-day United States at the age of forty-nine. It has been decades since a collection of Hammon’s work has appeared, and May’s intensive research has yielded two additional poems, adding new layers to his works and life that, until now, have gone unexplored.

The most comprehensive volume on Hammon’s works to date, The Collected Works of Jupiter Hammon carefully reconstructs the historical, political, social, and religious contexts that shaped his essays and poems throughout the late eighteenth century. This attentive reconstruction, which takes full account of Hammon’s prose works as well as his more well-known poetry, gives readers a radical re-reading of Hammon as a much more complex and intellectually curious commentator on his historical and political period, while providing ample evidence of his literary importance and artistic integrity. Cedrick May’s fresh presentation and insightful reevaluation of Hammon’s life and writings will change the way Hammon is studied and appreciated among literary scholars and readers alike. This edition will become the definitive one for many years to come.

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Collected Works of Nana Asma'u
Daughter of Usman 'dan Fodiyo (1793-1864)
Jean Boyd
Michigan State University Press, 1997

Nana Asma'u Bint Usman 'dan Fodiyo, a nineteenth-century Muslim scholar, lived in the region now known as northern Nigeria and was an eyewitness to battles of the largest of the West-African jihads of the era. The preparation and conduct of the jihad provide the topics for Nana Asma'u's poetry. Her work also includes treatises on history, law, mysticism, theology, and politics, and was heavily influenced by the Arabic poetic tradition. 
     This volume contains annotated translations of works by the 19th century intellectual giant, Nana Asma'u, including 54 poems and prose texts. Asma'u rallied public opinion behind a movement devoted to the revival of Islam in West Africa, and organized a public education system for women.

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Collected Works of Ralph Waldo Emerson
Historical Introduction by Ronald A. BoscoNotes and Parallel Passages by Glen M. JohnsonTextual Apparatus by Joel Myerson
Harvard University Press, 2010

Letters and Social Aims, published in 1875, contains essays originally published early in the 1840s as well as those that were the product of a collaborative effort among Ralph Waldo Emerson, his daughter Ellen Tucker Emerson, his son Edward Waldo Emerson, and his literary executor James Eliot Cabot. The volume takes up the topics of “Poetry and Imagination,” “Social Aims,” “Eloquence,” “Resources,” “The Comic,” “Quotation and Originality,” “Progress of Culture,” “Persian Poetry,” “Inspiration,” “Greatness,” and, appropriately for Emerson’s last published book, “Immortality.”The historical introduction demonstrates for the first time the decline in Emerson’s creative powers after 1865; the strain caused by the preparation of a poetry anthology and delivery of lectures at Harvard during this time; the devastating effect of a house fire in 1872; and how the Emerson children and Cabot worked together to enable Emerson to complete the book. The textual introduction traces this collaborative process in detail and also provides new information about the genesis of the volume as a response to a proposed unauthorized British edition of Emerson’s works.Historical Introduction by Ronald A. Bosco
Notes and Parallel Passages by Glen M. Johnson
Text Established and Textual Introduction and Apparatus by Joel Myerson

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Collected Works of Ralph Waldo Emerson
Ralph Waldo Emerson
Harvard University Press, 1971

With the appearance of the tenth and final volume of Collected Works, a project fifty years in the making reaches completion: the publication of critically edited texts of all of Emerson’s works published in his lifetime and under his supervision. The Uncollected Prose Writings is the definitive gathering of Emerson’s previously published prose writings that he left uncollected at the time of his death.

The Uncollected Prose Writings supersedes the three posthumous volumes of Emerson’s prose that James Elliot Cabot and Edward Waldo Emerson added to his canon. Seeing as their primary task the expansion of the Emerson canon, they embellished and improvised. By contrast, Ronald A. Bosco and Joel Myerson have undertaken the restoration of Emerson’s uncollected prose canon, printing only what Emerson alone wrote, authorized for publication, and saw into print.

In their Historical Introduction and Textual Introduction, the editors survey the sweep of Emerson’s uncollected published prose. The evidence they marshal reveals Emerson’s progressive reliance on lectures as forerunners to his published prose in major periodicals and clarifies what has been a slowly emerging portrait of the last decade and a half of his life as a public intellectual.

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Collected Works of Ralph Waldo Emerson
Ralph Waldo Emerson
Harvard University Press, 1971

At his death in 1882, Ralph Waldo Emerson was counted among the greatest poets in nineteenth-century America. This variorum edition of all the poems Emerson chose for publication during his lifetime offers readers the opportunity to situate Emerson’s poetic achievement alongside his celebrated essays and to consider their interrelationship.

Decades before Walt Whitman and Emily Dickinson took their places in the firmament of American poets, Emerson was securely enthroned. Though his reputation as essayist now eclipses his reputation as poet, Emerson self-identified as a writer of verse and worked out his transcendental philosophy in this genre, establishing his belief in the authority of individual experience and in the essential metaphoric nature of language. Albert J. von Frank’s historical introduction traces the development of Emerson the poet, considering how life events, as well as his reading of German philosophy and Sufi poetry, influenced his thought and expression. Alongside accounts of the critical reception of his poems are public and private writings that reveal Emerson’s own estimation of his poetic project and achievement.

The textual introduction and apparatus make transparent the theoretical and practical concerns that inform these critical texts. Also included are a chronological lists of variants and texts constituting the historical collation, notes clarifying obscure allusions, and headnotes identifying sources and context.

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The Collected Works of William Howard Taft, Volume I
Four Aspects of Civic Duty and Present Day Problems
David H. Burton
Ohio University Press, 2001

The inaugural volume of The Collected Works of William Howard Taft is composed of two of his earliest books, Four Aspects of Civic Duty and Present Day Problems. Based on a series of lectures delivered at Yale in 1906, Four Aspects of Civic Duty is an attempt by then Secretary of War Taft to bring to the attention of his audience the importance of civic duty from the perspective of the university graduate, the judge on the bench, the colonial administrator, and the national executive branch of government. His remarks were drawn from his own experience, while at the same time he laid down the principles of citizenship with which all people could identify. In Present Day Problems, William Howard Taft demonstrates the depth of his knowledge and the seriousness of his reflections on a wide range of topics including Sino-American relations and the ongoing contest between capital and labor in America’s increasingly industrial socioeconomy. The problems he takes up are met head-on and discussed in a fashion likely to persuade his audience that he is well prepared to tackle the burdens of the presidency.

The Collected Works of William Howard Taft, in eight volumes, will include Taft’s complete published works as well as his presidential and state addresses and selected court opinions from his days as chief justice of the Supreme Court.

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The Collected Works of William Howard Taft, Volume II
Political Issues and Outlooks: Speeches Delivered Between August 1908 and February 1909
David H. Burton
Ohio University Press, 2001

The second volume of The Collected Works of William Howard Taft is dedicated to the speeches and writings that displayed his thinking in the autumn of 1908 and the following winter.

At this time he was campaigning for the presidency against the well-known William Jennings Bryan, and in Taft’s writings is evidence of the contrast in style between Taft and Bryan and between Taft and his predecessor, Teddy Roosevelt. as well. Although uncomfortable with campaigning, he thoughtfully addresses the concerns of the day that framed the election, including race, the Philippines, and socialism.

Political Issues and Outlooks also contains speeches made after the election and leading up to his inauguration as the twenty-seventh president of the United States. Introduced by a commentary from the general series editor Professor David H. Burton, the second volume of The Collected Works of William Howard Taft is a revealing look at the machinations of United States politics at the beginning of the twentieth century and a glimpse into the mind of one of the century’s most influential political architects.

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The Collected Works of William Howard Taft, Volume III
Presidential Addresses and State Papers
David H. Burton
Ohio University Press, 2001

The third volume of The Collected Works of William Howard Taft imparts an appreciation of the range of the twenty-seventh president’s interests. Beginning with his inaugural address and concluding with a detailed exposition of governmental expenses and needed economies, President William Howard Taft showed himself willing to tackle the routine as well as the rarified responsibilities of executive rule.

Whether he was addressing the issue of strikes and labor unions or conservation, President Taft consistently demonstrated that, in word and action, he was prepared to be a modern president. What impresses the reader of these remarks is Taft’s willingness to administer to virtually every part of the nation, thereby proving that he was not a mere figurehead but a chief executive truly concerned about problems across the country. Perhaps, as his words here indicate, Taft was not a good politician after all but a kind man who saw himself as president of all the people. As the first of two volumes directly related to Taft’s tenure as president, Presidential Addresses and State Papers documents a pivotal time in the public life of this man from Ohio. Introduced by a commentary from the general series editor Professor David H. Burton, the third volume of The Collected Works of William Howard Taft underscores the presidential stature of William Howard Taft.

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The Collected Works of William Howard Taft, Volume IV
Presidential Messages to Congress
David H. Burton
Ohio University Press, 2002

“A time when panics seem far removed is the best time to prepare our financial system to withstand a storm. The most crying need this country has is a proper banking and currency system. The existing one is inadequate, and everyone who has studied the question admits it.”—William Howard Taft

The interaction between President William Howard Taft and the Congress provides a window on his leadership. Volume IV of The Collected Works of William Howard Taft is devoted to his messages to the legislative branch and concerns some of the pressing issues of the day, issues that have relevance still.

Oftentimes President Taft was at odds with a somewhat reactionary Congress, causing him to veto legislation that he thought unwise. For example, his commitment to the independence of elected judges led him to reject statehood for Arizona until its constitution was altered to address his objection.

His messages also touched on subjects for which he led the way over the objections of Congress, such as his recommendation of a federal law to protect resident aliens against denial of their civil rights and his advocacy of free trade with Canada.

In his commentary to the volume, Professor Burton points out: “There is exhibited time after time concern for the American people, for men and women from different walks of life. Taft comes across less as a judge, which he had been, or the chief justice he was to become, and more as a sitting president of all the people.”

Taft’s Presidential Messages to Congress provides the documentary evidence to support that claim.

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The Collected Works of William Howard Taft, Volume VII
Taft Papers on League of Nations
Frank X. Gerrity
Ohio University Press, 2003

Eager to turn the congressional election of 1918 into a confirmation of his foreign policy, President Woodrow Wilson was criticized for abandoning the spirit of the popular slogan “Politics adjourned!”

His predecessor, William Howard Taft, found Wilson difficult to deal with and took issue with his version of the League of Nations, which Taft felt was inferior to the model proposed by the League to Enforce Peace. Rather than join the massive Republican opposition to the Treaty of Versailles, however, Taft instead supported Wilson’s controversial decision to travel to Paris as the head of the American peace delegation, and he defended the critical tenth article in the covenant, which detractors saw as a surrender of American sovereignty. He also counseled Wilson to insert a clause concerning the Monroe Doctrine that would pacify the Senate’s group of “reservationists,” whose votes were essential to approval of the treaty.

Volume VII in The Collected Works of William Howard Taft consists of the Taft Papers on League of Nations originally published in 1920. This is a collection ofTaft’s speeches, newspaper articles, and complementary documents that reflect his consistent support for a league of nations and, eventually, for the Covenant of the League of Nations emanating from the Paris Peace Conference.

Although the failure of the treaty and its League of Nations can probably be laid at the feet of an obstinate Wilson and a wily Henry Cabot Lodge, William Howard Taft can be credited with rising above partisanship to emerge as the League’s most consistent supporter.

As in the rest of the Collected Works, Taft Papers on League of Nations provides a window on the machinations surrounding some of the most significant decisions of the era.

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The Collected Writings of Beatrix Farrand
American Landscape Gardener, 1872-1959
Beatrix Farrand
University Press of New England, 2009
Beatrix Jones Farrand (1872–1959) was among the first professional American women landscape gardeners. One of the founding eleven members of the American Society of Landscape Architects, Farrand believed in using native plant materials to connect the natural and designed landscape. Her papers are archived at the University of California, Berkeley, and Harvard’s Arnold Arboretum. This volume offers a print version of most of her written work, which includes her gardening diary and a wide selection of essays. The volume also contains a bibliography of additional materials.
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The Collected Writings of Zelda Fitzgerald
Zelda Fitzgerald
University of Alabama Press, 1997

Zelda Sayre Fitzgerald has long been perceived as the tragic "other half" of the Scott and Zelda legend. Born in Montgomery, Alabama, the high-spirited tomboy turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband's success. Her writing can be experienced on its own terms in Matthew Bruccoli's meticulously edited The Collected Writings of Zelda Fitzgerald.

The collection includes Zelda's only published novel, Save Me the Waltz, an autobiographical account of the Fitzgeralds' adventures in Paris and on the Riviera; her celebrated farce, Scandalabra; eleven short stories; twelve articles; and a selection of letters to her husband, written over the span of their marriage, that reveals the couple's loving and turbulent relationship.

Zelda Sayre Fitzgerald has long been an American cultural icon. The Collected Writings affirms her place as a writer and as a symbol not only of the Lost Generation but of all generations as she struggled to define herself through her art.



 
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College Girls
A Century in Fiction
Marchalonis, Shirley
Rutgers University Press, 1995

Since the opening of Vassar College in 1865, objections to higher education for women have ranged from charges that females were mentally and physically incapable of learning to the belief that educating women would destroy society. Underlying all arguments was the folk wisdom which declared that women could not live and work together. To counteract such beliefs, women’s colleges tried to create a special kind of space and new role models that would allow women to exist for a short time in idyllic (or, at least, idealized) conditions. The debate over women’s education, for the good or ill of society, generated a great deal of "print," including short stories and novels. Shirley Marchalonis guides us through the history of this fiction, its depiction of the complexities of the college experience, and the conflicting attitudes that teetered between fascination and fear, celebration and regret.

Using novels, short stories, and some juvenile fiction from 1865 to 1940--all of it specifically about college “girls”--she examines these ideas, the way they developed over time, and their significance in understanding women’s education and women’s history. The debate over separate colleges for women continues to this day and can be better understood in the context of this informative and entertaining look at the past.

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Colorado River Reader
Richard F. Fleck
University of Utah Press, 2000

"This canyon world where water yearns toward the ocean is a place so large I can’t take it in. Instead, I am taken in, traveling a near dream as we journey by water, contained by rock walls. In order to see this shorn-away world, I narrow my vision to the small and nearly secret. Never mind the stone’s illusion of permanence or the great strength of water. I look to the most fragile of things here, to the plant world of the canyon. The other river travelers seem taken in by stone, time, and water, and do not see the small things that tempt my attention, the minute fern between stones, the tiny black snails in a pond of water. I am drawn in by the growing life and not by the passing."
- from 'Plant Journey' by Linda Hogan

The mystique of the Colorado River is no less enduring and powerful than is its physical presence in the landscape of the West. Little wonder that narratives about the Colorado still arouse and intrigue readers, or that the river continues to inspire new writing among contemporary authors. What is surprising is that no anthology offering a comprehensive introduction to these works existed - until now.

A Colorado River Reader spans hundreds of years and many cultures and voices to capture an array of responses to this mighty river and tributaries. The collection opens with a Paiute creation myth set in the Grand Canyon and progresses through time, encompassing the Spanish and American exploration narratives of the eighteenth and nineteenth centuries and culminating in the adventure and nature writings of the twentieth.

This is a book that deserves a place next to every armchair and in a pocket of every backpack.

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Comanche Midnight
Essays by Stephen Harrigan
University of Texas Press, 1995

Writing timeless essays that capture vanished worlds and elusive perceptions, Stephen Harrigan is emerging as a national voice with an ever-expanding circle of enthusiastic readers. For those who have already experienced the pleasures of his writing—and especially for those who haven't—Comanche Midnight collects fifteen pieces that originally appeared in the pages of Texas Monthly, Travel Holiday, and Audubon magazines.

The worlds Harrigan describes in these essays may be vanishing, but his writing invests them with an enduring reality. He ranges over topics from the past glories and modern-day travails of America's most legendary Indian tribe to the poisoning of Austin's beloved Treaty Oak, from the return-to-the-past realism of the movie set of Lonesome Dove to the intimate, off-season languor of Monte Carlo.

If the personal essay can be described as journalism about that which is timeless, then Stephen Harrigan is a reporter of people, events, and places that will be as newsworthy years from now as they are today. Read Comanche Midnight and see if you don't agree.

[more]

front cover of Comedy
Comedy
American Style: Jessie Redmon Fauset
Sherrard-Johnson, Cherene
Rutgers University Press, 2009
Comedy: American Style, Jessie Redmon Fauset's fourth and final novel, recounts the tragic tale of a family's destructionùthe story of a mother who denies her clan its heritage. Originally published in 1933, this intense narrative stands the test of time and continues to raise compelling, disturbing, and still contemporary themes of color prejudice and racial self-hatred. Several of today's bestselling novelists echo subject matter first visited in Fauset's commanding work, which overflows with rich, vivid, and complex characters who explore questions of color, passing, and black identity.

Cherene Sherrard-Johnson's introduction places this literary classic in both the new modernist and transatlantic contexts and will be embraced by those interested in earlytwentieth-century women writers, novels about passing, the Harlem Renaissance, the black/white divide, and diaspora studies. Selected essays and poems penned by Fauset are also included, among them "Yarrow Revisited" and "Oriflamme," which help highlight the full canon of her extraordinary contribution to literature and provide contextual background to the novel.

[more]

front cover of Coming After
Coming After
Essays on Poetry
Alice Notley
University of Michigan Press, 2005
Coming After gathers critical pieces by acclaimed poet Alice Notley, author of Mysteries of Small Houses and Disobedience.

Notley explores the work of second-generation New York School poets and their allies: Ted Berrigan, Anne Waldman, Joanne Kyger, Ron Padgett, Lorenzo Thomas, and others. These essays and reviews are among the first to deal with a generation of poets notorious for their refusal to criticize and theorize, assuming the stance that "only the poems matter." The essays are characterized by Notley's strong, compelling voice, which transfixes the reader even in the midst of professional detail. Coming After revives the possibility of the readable book of criticism.
[more]

front cover of Coming of Age in New Jersey
Coming of Age in New Jersey
College and American Culture
Moffatt, Michael
Rutgers University Press, 1989
Coming of Age is about college as students really know it and--often--love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism, friendship, community, bureaucracy, diversity, race, sex, gender, intellect, work, and play. As an example of an ethnography written about an anthropologist's own culture, this book is an uncommon one. As a new and revealing perspective on the much-studied American college student, it is unique.
[more]

front cover of The Common Lot and Other Stories
The Common Lot and Other Stories
The Published Short Fiction, 1908–1921
Emma Bell Miles
Ohio University Press, 2016

The seventeen narratives of The Common Lot and Other Stories, published in popular magazines across the United States between 1908 and 1921 and collected here for the first time, are driven by Emma Bell Miles’s singular vision of the mountain people of her home in southeastern Tennessee. That vision is shaped by her strong sense of social justice, her naturalist’s sensibility, and her insider’s perspective.

Women are at the center of these stories, and Miles deftly works a feminist sensibility beneath the plot of the title tale about a girl caught between present drudgery in her father’s house and prospective drudgery as a young wife in her own. Wry, fiery, and suffused with details of both natural and social worlds, the pieces collected here provide a particularly acute portrayal of Appalachia in the early twentieth century.

Miles’s fiction brings us a world a century in the past, but one that will easily engage twenty-first-century readers. The introduction by editor and noted Miles expert Grace Toney Edwards places Miles in the literary context of her time. Edwards highlights Miles’s quest for women’s liberation from patriarchal domination and oppressive poverty, forces against which Miles herself struggled in making a name for herself as a writer and artist. Illustrations by the author and Miles family photographs complement the stories.

[more]

front cover of The Community Rule
The Community Rule
A Critical Edition with Translation
Sarianna Metso
SBL Press, 2019

An authoritative critical edition

The discovery and translation of the Dead Sea Scrolls transformed our understanding of the life and history of ancient Jewish communities when both rabbinic Judaism and early Christianity were emerging. As part of this rich discovery, the Community Rule serves to illuminate the religious beliefs and practices as well as the organizational rules of the group behind the Dead Sea Scrolls. However, there is no single, unified text of the Community Rule; rather, multiple manuscripts of the Community Rule show considerable variation and highlight the work of ancient Jewish scribes and their intentional literary development of the text. In this volume, Sarianna Metso brings together the surviving evidence in a new edition that presents a critically established Hebrew text with an introduction and an English translation.

Features:

  • A critical apparatus and textual notes
  • All the surviving evidence of the Community Rule
  • A new method for presenting complex developments and transmission history of ancient texts
[more]

front cover of The Complete Correspondence, 1928–1940
The Complete Correspondence, 1928–1940
Theodor W. Adorno and Walter Benjamin
Harvard University Press, 1999

The correspondence between Walter Benjamin and Theodor Adorno, which appears here for the first time in its entirety in English translation, must rank among the most significant to have come down to us from that notable age of barbarism, the twentieth century. Benjamin and Adorno formed a uniquely powerful pair. Benjamin, riddle-like in his personality and given to tactical evasion, and Adorno, full of his own importance, alternately support and compete with each other throughout the correspondence, until its imminent tragic end becomes apparent to both writers. Each had met his match, and happily, in the other. This book is the story of an elective affinity. Adorno was the only person who managed to sustain an intimate intellectual relationship with Benjamin for nearly twenty years. No one else, not even Gershom Scholem, coaxed so much out of Benjamin.

The more than one hundred letters in this book will allow readers to trace the developing character of Benjamin's and Adorno's attitudes toward each other and toward their many friends. When this book appeared in German, it caused a sensation because it includes passages previously excised from other German editions of the letters--passages in which the two friends celebrate their own intimacy with frank remarks about other people. Ideas presented elliptically in the theoretical writings are set forth here with much greater clarity. Not least, the letters provide material crucial for understanding the genesis of Benjamin's Arcades Project.

[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Aeschylus I
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1969
"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic

"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation

"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement

"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian

"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal

"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times

"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Aeschylus II
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1991
The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.

For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.

All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Euripides I
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1955
In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Euripides II
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1956
In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Euripides III
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1992
In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic

"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation

"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement

"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian

"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal

"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times

"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Euripides IV
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1968
In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Euripides V
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1969
In nine paperback volumes, the Grene and Lattimore editions offer the most comprehensive selection of the Greek tragedies available in English. Over the years these authoritative, critically acclaimed editions have been the preferred choice of over three million readers for personal libraries and individual study as well as for classroom use.
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Sophocles I
Edited by David Grene
University of Chicago Press, 1991
"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic

"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation

"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement

"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian

"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal

"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times

"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review
[more]

front cover of The Complete Greek Tragedies
The Complete Greek Tragedies
Sophocles II
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1969
"These authoritative translations consign all other complete collections to the wastebasket."—Robert Brustein, The New Republic

"This is it. No qualifications. Go out and buy it everybody."—Kenneth Rexroth, The Nation

"The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary....They have life and speed and suppleness of phrase."—Times Education Supplement

"These translations belong to our time. A keen poetic sensibility repeatedly quickens them; and without this inner fire the most academically flawless rendering is dead."—Warren D. Anderson, American Oxonian

"The critical commentaries and the versions themselves...are fresh, unpretentious, above all, functional."—Commonweal

"Grene is one of the great translators."—Conor Cruise O'Brien, London Sunday Times

"Richmond Lattimore is that rara avis in our age, the classical scholar who is at the same time an accomplished poet."—Dudley Fitts, New York Times Book Review
[more]

logo for University of Chicago Press
The Complete Greek Tragedies, Volume 1
Aeschylus
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1992
The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.

For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.

All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
[more]

logo for University of Chicago Press
The Complete Greek Tragedies, Volume 2
Sophocles
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1992
The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.

For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.

All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
[more]

logo for University of Chicago Press
The Complete Greek Tragedies, Volume 3
Euripides
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1992
The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.

For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.

All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
[more]

logo for University of Chicago Press
The Complete Greek Tragedies, Volume 4
Euripides
Edited by David Grene and Richmond Lattimore
University of Chicago Press, 1992
The Grene and Lattimore edition of the Greek tragedies has been among the most widely acclaimed and successful publications of the University of Chicago Press. On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks.

For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions.

All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.
[more]

front cover of The Complete Sermons of Ralph Waldo Emerson, Volume 4
The Complete Sermons of Ralph Waldo Emerson, Volume 4
Ralph Waldo Emerson, Edited by Wesley T. Mott, Series Editor Albert J. von Frank
University of Missouri Press, 1992

The final volume in the series focuses on a crossroads in Emerson's life, the year 1832, when he resigned from his ministry at the Second Church of Boston. It includes a new and more accurate text of the single most important of Emerson's sermons, "The Lord's Supper Sermon."  For the first time, this sermon has been transcribed from the manuscript Emerson actualy read from on the occasion of its only delivery.  The sermon was not only pivotal in Emerson's career, it was historically important because of the controversy that ensued over formalism in religion.

Volume 4 presents annotated texts of eight occasional sermons in addition to twenty-seven regular sermons, and an annotated text of relevant portions of the official records of the Second Church of Boston during Emerson's ministry.  The sermons-most appearing in print for the first time-provide a thorough understanding of the evolution of Emerson's thought in the years immediately preceding the 1836 publication of Nature, a treatise of central importance to nineteenth-century American literature.

Transcribed and edited from manuscripts in Harvard's University's Houghton Library, the sermons are presented in a clear text approximating as nearly as possible the original version delivered to Emerson's congregation.  As well as the detailed chronology, explanatory footnotes, and textual endnotes found in previous volumes, this one contains a comprehensive index to the entire four-volume collection.  Such outstanding textual scholarship makes this edition a unique entrance into the spiritual life of a man who so profoundly influenced American thought.

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front cover of The Complete Stories of Paul Laurence Dunbar
The Complete Stories of Paul Laurence Dunbar
Paul Laurence Dunbar
Ohio University Press, 2005
The son of former slaves, Paul Laurence Dunbar was one of the most prominent figures in American literature at the turn of the twentieth century. Thirty-three years old at the time of his death in 1906, he had published four novels, four collections of short stories, and fourteen books of poetry, as well as numerous songs, plays, and essays in newspapers and magazines around the world. In the century following his death, Dunbar slipped into relative obscurity, remembered mainly for his dialect poetry or as a footnote to other more canonical figures of the period. The Complete Stories of Paul Laurence Dunbar showcases his gifts as a writer of short fiction and provides key insights into the tensions and themes of Dunbar’s literary achievement. The 104 stories written by Dunbar between 1890 and 1905 reveal Dunbar’s attempts to maintain his artistic integrity while struggling with America’s racist stereotypes. Making them available for the first time in one convenient, comprehensive, and definitive volume, The Complete Stories of Paul Laurence Dunbar illustrates the complexity of his literary life and legacy.
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