An extraordinarily gifted athlete, Babe Didrikson Zaharias starred in track and field and won three Olympic medals in 1932. She picked up golf late yet quickly dominated the women's sport. She also competed in baseball, bowling, basketball, and tennis.
Interviews with members of Babe's family, peers, and others inform Susan E. Cayleff’s story of the athlete and the difficulties she faced as a woman trying to be her own person. The American public was smitten with Babe’s wit, frankness, and "unladylike" bravado. But members of the press insinuated that her femininity, even her femaleness, were suspect. Cayleff looks at how Babe used her androgyny and athleticism to promote herself before crafting a more marketable female persona for golf. She also explores Babe’s role as a cofounder of the Ladies Professional Golf Association (LPGA); her marriage to George Zaharias and their partnership in shaping her career; her romantic relationship with fellow golfer Betty Dodd; and her courageous public fight against cancer.
Controversy swirls around Bernard Berenson today as it did in his middle years, before and between two world wars. Who was this man, this supreme connoisseur of Italian Renaissance painting? How did he support his elegant estate near Florence, his Villa I Tatti? What exactly were his relations with the art dealer Joseph Duveen? What part did his wife, Mary, play in his scholarly work and professional career? The answers are to be found in the day-to-day record of his life as he lived it—as reported at first hand in his and Mary’s letters and diaries and reflected in the countless personal and business letters they received. His is one of the most fully documented lives of this century. Ernest Samuels, having spent twenty years studying the thousands of letters and other manuscripts, presents his story in absorbing detail.
Berenson helped Isabella Stewart Gardner build her great collection and performed similar though lesser services for other wealthy Americans. It was merely an avocation and a useful source of income; his vocation was scholarship. But after 1904, when the book opens, his expertise was in ever-greater demand: a purchaser’s only assurance of the authorship of an Italian painting was the opinion of an expert, and in this field Berenson was preeminent. Increasingly he was drawn into the lucrative world of the art dealers; inevitably Joseph Duveen found it essential to enlist his services, at first ad hoc, then by contractual agreement. Samuels charts the course of Berenson’s long association with Duveen Brothers, detailing the financial arrangements, the humdrum chores and major contested attributions, the periodic clashes between the stubborn scholar and the arrogant entrepreneur.
The portrayal of Berenson’s relationship with Mary is especially intriguing: a union of opposites in all but brains and wit, bonded—despite love affairs, jealousies, recriminations—no longer by passion but by shared concerns. Impinging on their lives are those of a huge circle of friends and acquaintances in America and the beau monde of Europe. Both as biography and as a chapter of social and cultural history, it is a compelling book.
Last August, two men in rural Georgia announced that they had killed Bigfoot. The claim drew instant, feverish attention, leading to more than 1,000 news stories worldwide—despite the fact that nearly everyone knew it was a hoax. Though Bigfoot may not exist, there’s no denying Bigfoot mania.
With Bigfoot, Joshua Blu Buhs traces the wild and wooly story of America’s favorite homegrown monster. He begins with nineteenth-century accounts of wildmen roaming the forests of America, treks to the Himalayas to reckon with the Abominable Snowman, then takes us to northern California in 1958, when reports of a hairy hominid loping through remote woodlands marked Bigfoot’s emergence as a modern marvel. Buhs delves deeply into the trove of lore and misinformation that has sprung up around Bigfoot in the ensuing half century. We meet charlatans, pseudo-scientists, and dedicated hunters of the beast—and with Buhs as our guide, the focus is always less on evaluating their claims than on understanding why Bigfoot has inspired all this drama and devotion in the first place. What does our fascination with this monster say about our modern relationship to wilderness, individuality, class, consumerism, and the media?
Writing with a scientist’s skepticism but an enthusiast’s deep engagement, Buhs invests the story of Bigfoot with the detail and power of a novel, offering the definitive take on this elusive beast.
Businessman, politician, broadcasting personality, and newspaper publisher, Cas Walker (1902–1998) was, by his own estimation, a “living legend” in Knoxville for much of the twentieth century. Renowned for his gravelly voice and country-boy persona, he rose from blue-collar beginnings to make a fortune as a grocer whose chain of supermarkets extended from East Tennessee into Virginia and Kentucky. To promote his stores, he hosted a local variety show, first on radio and then TV, that advanced the careers of many famed country music artists from a young Dolly Parton to Roy Acuff, Chet Atkins, and Bill Monroe. As a member of the Knoxville city council, he championed the “little man” while ceaselessly irritating the people he called the “silk-stocking crowd.”
This wonderfully entertaining book brings together selections from interviews with a score of Knoxvillians, various newspaper accounts, Walker’s own autobiography, and other sources to present a colorful mosaic of Walker’s life. The stories range from his flamboyant advertising schemes—as when he buried a man alive outside one of his stores—to memories of his inimitable managerial style—as when he infamously canned the Everly Brothers because he didn’t like it when they began performing rock ’n’ roll. Further recollections call to mind Walker’s peculiar brand of bare-knuckle politics, his generosity to people in need, his stance on civil rights, and his lifelong love of coon hunting (and coon dogs). The book also traces his decline, hastened in part by a successful libel suit brought against his muckraking weekly newspaper, the Watchdog.
It’s said that any Knoxvillian born before 1980 has a Cas Walker story. In relating many of those stories in the voices of those who still remember him, this book not only offers an engaging portrait of the man himself and his checkered legacy, but also opens a new window into the history and culture of the city in which he lived and thrived.
Designed to fill a gap in Chaucerianstudies, this book offers new insight intothe development of Chaucer's artistry at acritical point in his career, after he hadcompleted the Troilus and just beforehe embarked on The Canterbury Tales. Chaucer and "The Legend of GoodWomen" rejects the usual criticalassessment of the Legend, setting it forthinstead as a serious and experimental work,an important and necessary prelude tothe achievement of The Canterbury Tales.
Robert Worth Frank, Jr., begins hisanalysis of the Legend with a carefulconsideration of Chaucer's situation in1386, the year he presumably beganthe Legend. It was, he suggests, a momentin his career propitious for change--change in subject and in art as well. TheLegend reveals this change in the process ofits accomplishment.
Frank stresses that the road to TheCanterbury Tales runs through the Legend.In tracing the route he shows howChaucer broke away from the limited tradition of courtly love and experimented with a variety of tones and styles and an expanded range of subject matter, with a new verse form, the pentameter couplet, and with new techniques of compression which led to a greater dedication to the short narrative form. The individual legends, though not Chaucer's greatest creations, have merits of their own. The general uniformity of theme proves misleading. The legends provide Chaucer with a broader canvas than he had ever used before, making possible a wide variety in tone and dramatic incident.
Above all, this study, enlivened by the author's supple and spirited prose, depicts Chaucer boldly committing himself to the great world of story and thereby drawing on some of the most enduring classical myths for material and moving toward a new art and a new and richer realm of human experience.
Few frontiersmen in the late eighteenth century and early nineteenth century epitomized the reckless energies of the West and the lust for adventure as did John Smith T—pioneer, gunfighter, entrepreneur, militia colonel, miner, judge, and folk hero. In this fascinating biography, Dick Steward traces the colorful Smith T's life from his early days in Virginia through his young adulthood. He then describes Smith T's remarkable career in the wilds of Missouri and his armed raids to gain land from Indians, Spaniards, and others.
Born into the fifth generation of Virginia gentry, young Smith first made his name on the Tennessee frontier. It was there that he added the "T" to his name to distinguish his land titles and other enterprises from those of the hosts of other John Smiths. By the late 1790s he owned or laid claim to more than a quarter million acres in Tennessee and northern Alabama.
In 1797, Smith T moved to Missouri, then a Spanish territory, and sought to gain control of its lead-mining district by displacing the most powerful American in the region, Moses Austin. He acquired such public positions as judge of the court of common pleas, commissioner of weights and levies, and lieutenant colonel of the militia, which enabled him to mount a spirited assault on Austin's virtual monopoly of the lead mines. Although neither side emerged a winner from that ten-year-old conflict, it was during this period that Smith T's fame as a gunfighter and duelist spread across the West. Known as the most dangerous man in Missouri, he was said to have killed fourteen men in duels.
Smith T was also recognized by many for his good works. He donated land for churches and schools and was generous to the poor and downtrodden. He epitomized the opening of the West, helping to build towns, roads, and canals and organizing trading expeditions.
Even though Smith T was one of the most notorious characters in Missouri history, by the late nineteenth century he had all but disappeared from the annals of western history. Frontier Swashbuckler seeks to rescue both the man and the legend from historical obscurity. At the same time, it provides valuable insights into the economic, political, and social dynamics of early Missouri frontier history.
The iconic leader of one of America’s most powerful unions, Harry Bridges put an indelible stamp on the twentieth century labor movement. Robert Cherny’s monumental biography tells the life story of the figure who built the International Longshore and Warehouse Union (ILWU) into a labor powerhouse that still represents almost 30,000 workers.
An Australian immigrant, Bridges worked the Pacific Coast docks. His militant unionism placed him at the center of the 1934 West Coast Waterfront Strike and spurred him to expand his organizing activities to warehouse laborers and Hawaiian sugar and pineapple workers. Cherny examines the overall effectiveness of Bridges as a union leader and the decisions and traits that made him effective. Cherny also details the price paid by Bridges as the US government repeatedly prosecuted him for his left-wing politics.
Drawing on personal interviews with Bridges and years of exhaustive research, Harry Bridges places an extraordinary individual and the ILWU within the epic history of twentieth-century labor radicalism.
An 1858er who had spent nearly two decades following the will-o-the-wisp Colorado mining frontier, in 1876 Tabor was then living and working in out-of-the-way Oro City, near where Leadville would be one day. Soon thereafter came the Little Pittsburg silver strike, and Tabor's fortune took flight. Very quickly, Colorado - and the rest of the nation - was hearing about Horace Tabor. "Denver's lucky star was on high when Governor Tabor decided to spend his fortune here," praised the Denver Tribune in 1881. The Leadville Daily Herald (July 8, 1882) also understood his contribution: "Colorado has produced fortunes for many men, but no man who has met with success has so freely made investments in this state, as has Governor Tabor."
The events that followed that amazing silver discovery on Fryer Hill, May 1878 unfolded like a classic Greek tragedy. Tabor weathered them all, and his name has resounded through the succeeding decades. No other Coloradan of his generation is so well remembered, nor does anyone else so typify the tempo of this legendary mining era.
A legend in his own lifetime, John Hance (1837–1919) was synonymous with early Grand Canyon tourism. Between the late 1880s and early 1900s, to say “John Hance” was to say “Grand Canyon.” Hance was well known to travelers and visiting dignitaries alike, men such as William “Buffalo Bill” Cody and Theodore Roosevelt, the president who affectionately referred to him as “the greatest liar on earth.” It was said that Hance tried to jump the canyon on his horse Darby only to turn back when he was halfway over and realized he would never make it across.
The truth behind Hance’s life is remarkable even without embellishment. In this book, Shane Murphy chronicles Hance’s childhood in Tennessee and Missouri, his service in the Confederacy during the Civil War, his time in Union prisons as a POW, and his later adventures with the Hickok brothers crossing the plains. Settling in Arizona’s fruitful Verde Valley, Hance farmed and filled military contracts before taking up residence as Grand Canyon’s first permanent Euro-American settler, trail builder, guide, and renowned storyteller.
Hance left no correspondence, personal memoirs, or other writings. Only informal portraits from magazines and newspaper accounts remain. Murphy investigated assessors’ rolls, rare mercantile ledgers, and mining claims to create a full and compelling narrative of a man who was once an icon of the American West and should be remembered as the founding father of Grand Canyon tourism.
This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, RémiBrague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, intellectuals in each theological tradition often viewed the others’ ideas with skepticism, if not disdain. Brague’s portrayal of this misunderstood age brings to life not only its philosophical and theological nuances, but also lessons for our own time.
The Life and Legend of James Wattoffers a deeper understanding of the work and character of the great eighteenth-century engineer. Stripping away layers of legend built over generations, David Philip Miller finds behind the heroic engineer a conflicted man often diffident about his achievements but also ruthless in protecting his inventions and ideas, and determined in pursuit of money and fame. A skilled and creative engineer, Watt was also a compulsive experimentalist drawn to natural philosophical inquiry, and a chemistry of heat underlay much of his work, including his steam engineering. But Watt pursued the business of natural philosophy in a way characteristic of his roots in the Scottish “improving” tradition that was in tension with Enlightenment sensibilities. As Miller demonstrates, Watt’s accomplishments relied heavily on collaborations, not always acknowledged, with business partners, employees, philosophical friends, and, not least, his wives, children, and wider family. The legend created in his later years and “afterlife” claimed too much of nineteenth-century technology for Watt, but that legend was, and remains, a powerful cultural force.
Missouri has been likened to a “cave factory” because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouri’s caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages.
Missouri Caves in History and Legend records a cultural heritage stretching from the end of the ice age to the twenty-first century. In a grand tour of the state’s darkest places, Weaver takes readers deep underground to shed light on the historical significance of caves, correct misinformation about them, and describe the ways in which people have used and abused these resources.
Weaver tells how these underground places have enriched our knowledge of extinct animals and early Native Americans. He explores the early uses of caves: for the mining of saltpeter, onyx, and guano; as sources of water; for cold storage; and as livestock shelters. And he tells how caves were used for burial sites and moonshine stills, as hideouts for Civil War soldiers and outlaws—revealing how Jesse James became associated with Missouri caves—and even as venues for underground dance parties in the late nineteenth century.
Bringing caves into the modern era, Weaver relates the history of Missouri’s “show caves” over a hundred years—from the opening of Mark Twain Cave in 1886 to that of Onyx Mountain Caverns in 1990—and tells of the men and women who played a major role in expanding the state’s tourism industry. He also tracks the hunt for the buried treasure and uranium ore that have captivated cave explorers, documents the emergence of organized caving, and explains how caves now play a role in wildlife management by providing a sanctuary for endangered bats and other creatures.
Included in the book is an overview of cave resources in twelve regions, covering all the counties that currently have recorded caves, as well as a superb selection of photos from the author’s extensive collection, depicting the history and natural features of these underground wonders. Missouri Caves in History and Legend is a riveting account that marks an important contribution to the state’s heritage and brings this world of darkness into the light of day.
Oscar Wilde and Modern Culture: The Making of a Legend explores the meteoric rise, sudden fall, and legendary resurgence of an immensely influential writer’s reputation from his hectic 1881 American lecture tour to recent Hollywood adaptations of his dramas. Always renowned—if not notorious—for his fashionable persona, Wilde courted celebrity at an early age. Later, he came to prominence as one of the most talented essayists and fiction writers of his time.
In the years leading up to his two-year imprisonment, Wilde stood among the foremost dramatists in London. But after he was sent down for committing acts of “gross indecency” it seemed likely that social embarrassment would inflict irreparable damage to his legacy. As this volume shows, Wilde died in comparative obscurity. Little could he have realized that in five years his name would come back into popular circulation thanks to the success of Richard Strauss’s opera Salome and Robert Ross’s edition of De Profundi. With each succeeding decade, the twentieth century continued to honor Wilde’s name by keeping his plays in repertory, producing dramas about his life, adapting his works for film, and devising countless biographical and critical studies of his writings.
This volume reveals why, more than a hundred years after his demise, Wilde’s value in the academic world, the auction house, and the entertainment industry stands higher than that of any modern writer.
In Reading Medieval Latin with the Legend of Barlaam and Josaphat, Donka D. Markus offers comprehensive commentary on the 13th-century Dominican theologian Jacobus de Voragine’s retelling of the ancient story of the life of the Buddha that will resonate with contemporary students of Latin.
Jacobus’s version of the legend serves as a compelling, original Latin text. Vividly conveyed through parables, fables, and anecdotes, it naturally lends itself to a critical consideration of ethical principles and philosophical truths commonly shared across many cultures. With its rich stylistic devices and authentic classical Latin word order, it provides superb training for reading rhetorical prose before advancing to the works of more complex classical prose authors. At the same time, the text offers a unique opportunity for systematically learning the special features of Late and Medieval Latin. Included in this volume are two presentations of Jacobus’s text: one maintaining the original orthography reflecting Latin as it appears in medieval manuscripts, and one in which the orthography follows Classical Latin norms.
This textbook is designed for intermediate-level learners of Classical or Medieval Latin, whether in college, high school, or by self-directed study. The 5,000-word narrative text lends itself to a semester-long experience of reading one continuous work of prose. Each of the legend’s embedded stories can also be read as an independent selection with the help of the ample commentary, vocabulary, and grammar guidance. The extensive introduction provides the necessary background to contextualize the legend in its Latin iteration and sufficient historical information to make the reading meaningful for those without prior knowledge of Buddhism or medieval history. Additionally, this work makes Latin attractive to students of diverse backgrounds, as it highlights the language’s important role in disseminating the universally shared cultural legacy of humanity.
An entertaining collection of over 400 folk tales of legends, stories, and magic. Translated from the original Norwegian, Danish, and Swedish, this highly acclaimed work is perfect for bedside or fireside reading.
June 12, 1952—only a local sportswriter showed up at the Eau Claire airport to greet a newly signed eighteen-year-old shortstop from Alabama toting a cardboard suitcase. "I was scared as hell," said Henry Aaron, recalling his arrival as the new recruit on the city’s Class C minor league baseball team.
Forty-two years later, as Aaron approached the stadium where the Eau Claire Bears once played, an estimated five thousand people surrounded a newly raised bronze statue of a young "Hank" Aaron at bat. "I had goosebumps," he said later. "A lot of things happened to me in my twenty-three years as a ballplayer, but nothing touched me more than that day in Eau Claire." For the people of Eau Claire, Aaron’s summer two years before his Major League debut with the Milwaukee Braves symbolizes a magical time, when baseball fans in a small city in northern Wisconsin could live a part of the dream.
In 1867, German immigrant Paul Seifert settled in the Driftless Area of southwestern Wisconsin and began capturing the distinctive farms and landscapes of his new home in vivid, detailed watercolors. Today, these paintings are coveted by American folk art collectors across the country, but Seifert’s life remains shrouded in mystery.
In this first book written about Paul Seifert, author Joe Kapler examines the life of this enigmatic artist and provides context for his extraordinary art. The book features high-quality reproductions of twenty-two Seifert watercolors (more than half of which have never been published) and many close-ups of his characteristic details, from horses and hay wagons to dogs and dinner bells. Part art history treatment, part coffee table book, part research memoir, and part love letter to the Driftless Area, Wisconsin in Watercolor shines a long-awaited light on Seifert and the land he so carefully rendered over a hundred years ago.
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