Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design. Each annual issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public.

Pairs 03 features conversations with Thomas Demand, Mindy Seu, Mira Henry and Matthew Au, Alfredo Thiermann, Ila Bêka and Louise Lemoine, Anne Lacaton, Edward Eigen, Katarina Burin, Marrikka Trotter, Christopher C. M. Lee, Keller Easterling, and others. Contributors include the editors and Elif Erez, Emily Hsee, Stephanie Lloyd, Andrea Sandell, Kenismael Santiago-Págan, Klelia Siska, and Julia Spackman.

Breaking with the idea that gardens are places of indulgence and escapism, these studies of ritualized practices reveal that gardens in Europe, Asia, the United States, and the Caribbean have in fact made significant contributions to cultural change.

This book demonstrates methods and the striking results of garden reception studies. The first section explores how cultural changes occur, and devotes chapters to public landscapes in the Netherlands, seventeenth-century Parisian gardens, Freemason gardens in Tuscany, nineteenth-century Scottish kitchen gardens, and the public parks of Edo and modern Tokyo. The second part provides striking examples of construction of self in vernacular gardens in Guadeloupe and American Japanese-style gardens in California. Finally, the third section analyzes struggles for political change in gardens of Yuan China and modern Britain.

Garden history is a discipline of contested purposes. Perspectives on Garden Histories contributes to a self-critical examination of this emergent field of study, at the same time offering an overview of its main achievements in several domains—such as Italian and Mughal gardens—and of the new kinds of investigation to which they have led.

In its early years garden history centered on architectural studies of garden design, but in the 1960s the emphasis shifted from garden design to garden meaning. The new paradigm considered gardens as complex works of art and demanded an extensive documentation of the historical context as well as of the figurative and discursive sources. This approach, in its turn, was challenged by neo-Marxist scholars who proceeded to view landscape appreciation as an ideological superstructure, an outgrowth of agricultural production processes.

Garden designs and their histories can also be viewed as expressions of ideological conflicts in society. Neither gardens nor their history can thus be studied independently of the social, cultural, and political movements that give prominence to the contested ideologies. Gardens can be used to foster some ideologies or reflect a reaction against a social change.

Comparative research offers another fascinating approach, exploring the relations between European landscape concepts and other cultural contexts and discussing issues of cultural dominance and interpretation.

The emergence of various perspectives has led to the incorporation of further questions into the domain of garden studies, which has been moving in new directions and using new methods in search of an adapted theoretical framework. This volume offers a striking view of changes taking place in the discipline.

“Everyone is occupied, consciously or unconsciously, with identity—one’s origin and the question of one’s place in humankind and society of the past, present, and future. Identity and memory are not stable and objective things, but representations or constructions of reality related to a particular interest, such as class, gender, of power relations. Identity is problematic without history and without the commemoration of history, and of course such remembrance may distort historical events and facts. When dealing with gardens, a substantial part of our physical environment, there are always unspoken questions of identity.”

Places of Commemoration examines commemorative sites of different character, including gardens, landscapes, memorials, cemeteries, and sites of former Nazi concentration camps, detailing the ideas behind the creation of memorials and monuments and the struggles over the narratives they present.

Inspiration, happy accidents, and outright obsessions have all had their way with gardens—but nothing has done more to shape the modern garden than plants themselves. In a story that ranges from continent to continent and spans four centuries, botanist and gardener David Stuart reveals how the garden as we know it was created not by garden designers but by ordinary gardeners responding to exotic and novel plants that suggested new spaces, places, and means of display. The history begins with two earth-changing events—the establishment of colonies in the Americas and the spread of the Turkish empire. Both brought the first astonishing wave of flowering exotics to gardens across Europe. Stuart relates how, over the following centuries, the influx of new plants inspired a frenzy of hybridization (at first by a new breed of gardener, the “florist,” later by nurserymen), which in turn led to such features as the familiar herbaceous border, flower bed, and rose garden, as well as the now little-known rockery, shrubbery, and “wilderness.”

From the Dutch tulip mania, the eighteenth-century European passion for “American gardens,” and on to the rhododendron craze of the nineteenth century, Stuart’s book traces the shape of the modern garden as it changed with the fashion, returning at last to classic, cottage garden varieties long neglected in favor of the foreign and new. In conclusion, Stuart looks at plant prospecting today—now that the collecting of plants may prove essential to protecting botanical diversity and preserving plant species rapidly disappearing from the wild.