Lake|Flato Architects of San Antonio, Texas, is nationally and internationally acclaimed for buildings that respond organically to the natural environment. The firm uses local materials and workmanship, as well as a deep knowledge of vernacular traditions, to design buildings that are tactile and modern, environmentally responsible and authentic, artful and crafted. Lake|Flato won the Global Award for Sustainable Architecture in 2013, and it has also received the American Institute of Architects’ highest honor, the National Firm Award. In all, Lake|Flato has won more than 150 national and state design awards. Residential architecture has always been a priority for the firm, and Lake|Flato Houses showcases an extensive selection of landmark homes built since 1999. Color photographs and architectural commentary create a memorable portrait of houses from Texas to Montana. Reflecting the firm’s emphasis on designing in harmony with the land, the houses are grouped by the habitats in which they’re rooted—brushland, desert, hillside, mountains, city, and water. These groupings reveal how Lake|Flato works with the natural environment to create houses that merge into the landscape, blurring boundaries between inside and outside and accommodating the climate through both traditional and cutting-edge technologies. The sections are opened by noted architect and educator Frederick Steiner, who discusses Lake|Flato’s unique responses to the forms and materials of the various landscapes. An introduction by journalist Guy Martin summarizes the history of Lake|Flato and its philosophy, and explores the impact of its work on sustainable architecture.

Relationships with land are fundamental components of Indigenous worldviews, politics, and identity. The disruption of land relations is a defining feature of colonialism; colonial governments and capitalist industries have violently dispossessed Indigenous lands, and have undermined Indigenous political authority through the production of racialized and gendered hierarchies of difference. Consequently, Indigenous resistance and visions for justice and liberation are bound up with land and land-body relationships that challenge colonial power. “Land back” has become a slogan for Indigenous land protectors across the Americas, reflecting how relations to land are foundational to calls for decolonization and liberation.

Land Back highlights the ways Indigenous peoples and anti-colonial co-resistors understand land relations for political resurgence and freedom across the Americas. Contributors place Indigenous practices of freedom within the particularities of Indigenous place-based laws, cosmologies, and diplomacies, while also demonstrating how Indigeneity is shaped across colonial borders. Collectively, they examine the relationships among language, Indigenous ontologies, and land reclamation; Indigenous ecology and restoration; the interconnectivity of environmental exploitation and racial, class, and gender exploitation; Indigenous diasporic movement; community urban planning; transnational organizing and relational anti-racist place-making; and the role of storytelling and children in movements for liberation.

Early modern views of nature and the earth upended the depiction of land. Landscape emerged as a site of artistic exploration at a time when environments and ecologies were reshaped and transformed. This volume historicizes the contingency of an ever-changing elemental world, reframing and reimagining landscape as a mediating space in the interplay between the natural and the artificial, the real and the imaginary, the internal and the external. The lens of the “unruly” reveals the latent landscapes that undergirded their conception, the elemental resources that resurfaced from the bowels of the earth, the staged topographies that unsettled the boundaries between nature and technology, and the fragile ecologies that undermined the status quo of human environs. Landscape and Earth in Early Modernity: Picturing Unruly Nature argues for an art history attentive to the vicissitudes of circumstance and attributes the regrounding of representation during a transitional age to the unquiet landscape.

The Troodos Mountain range in central Cyprus is a region of great physical and cultural diversity. The landscapes range from fertile, cultivated plains to narrow, dry valleys and forested mountain regions and this physical topography is overlain by a rich human cultural landscape of farming, mining, industry, settlement, burial and ritual behaviour. Over six field seasons, a team of specialists and fieldwalkers from the Troodos Archaeological and Environmental Survey Project (TAESP) investigated the northern edge of this region and explored the complex and dynamic relationship between landscape and people over 12,000 years. The results of their integrated and interpretative approach are presented here, in the first of two volumes. Beginning with a considered overview of the context, research aims and methodology of the project, Volume 1 provides detailed accounts of the archaeology, material culture, geography and environmental record of the entire survey area. This wealth of information is then bought together to produce a series of chronological and thematic analyses of the interaction between people and landscape in this region of Cyprus from the Prehistoric through to the Modern period.

The TAESP Landscape, the second of two volumes, presents an area-by-area analysis of the fieldwork and research undertaken by the Troodos Archaeological and Environmental Survey Project (TAESP) in the Troodos Mountains of Cyprus. Covering four regions of the survey area (The Plains, Karkotis Valley, Upper Lagoudhera Valley and The Mountains) the volume focuses on explicit research questions appropriate to each region. Organised geographically, chronologically and thematically, each region is investigated from the Neolithic to the present day and, through ‘Intensive Survey Zones’ – selected to give a representative range of the physical and cultural terrain – many notable new discoveries are made. These include the pattern of Bronze Age Settlement in the Plains, Archaic rural sanctuaries and cemeteries, the scope of Late Roman copper-mining and isolated Medieval mountain settlements. The TAESP Landscape provides a fully integrated and data-rich analysis of the material from a wide range of contrasting archaeological perspectives. Taken together, these wide-ranging and interdisciplinary perspectives give a nuanced and sensitive approach to a strikingly multi-faceted landscape.

This book offers a comprehensive overview of landscape and land use in southeast Italy in the first millennium BCE. Using the most up-to-date techniques, it combines archaeobotanical and archaeozoological data with information from excavations, field surveys, and ancient written texts to place the relationship between people and landscapes in a broad geographical and chronological framework. It also confronts questions of food habits, the scale and organisation of agricultural production, the influx of Greek and Roman colonists, and the effects of globalisation on local and regional land use.

Universities are custodians of some of the most significant designed landscapes in the world.

The planning of the academic campus has historically underscored the relationship between an institution’s faculty and its students. The campus creates spaces for sharing traditions and reinforces the aspirations of a community of learning that stewards knowledge, provokes reflection, and shapes citizenship. Landscape and the Academy complements the growing body of literature in architectural history, cultural geography, and education by examining the role of landscape in creating academic communities.

The volume looks beyond the central campus, to the gardens, arboreta, farms, forests, biotic reserves, and far-flung environmental research stations managed by universities. In these landscapes, the university’s project of fostering research and exploration is made explicit; these spaces reflect the broader research and scholarly mission of the university, its striving for understanding and enlightenment. The essays examine how and why universities have come to be responsible for so many different kinds of landscapes, as well as the role these landscapes play in academic life, pedagogy, and cultural politics today.

This book argues that theatre, and the new genre of opera in particular, played a key role in creating a new vision of landscape during the long seventeenth century in Italy. It explores how the idea of gardens as theatres emerged at the same time as opera was developed in Italian courts around the turn of the seventeenth century. During this period landscape painting emerged as a genre and the aesthetic of designed landscapes and gardens was wholly transformed, which resulted in a reconceptualization of the relationship between humans and landscape. The importance of theatre as a key cultural expression Italy is widely recognised, but the visual culture of theatre and its relationship to the broader artistic culture is still being untangled. This book argues that the combination of narratives playing out in natural settings (Arcadia, Parnassus, Alcina), the emotional responses elicited by sets and special effects (the apparent magical manipulation of the laws of nature), and, the way that garden theatres were used for displays of power and to enact princely virtue and social order, all contributed to this shifting idea of landscape in the seventeenth century.

Once the playgrounds and raw material for the avantgarde, abandoned places and things—decommissioned military sites, postindustrial spaces, contested and forgotten edgelands—are now just as likely to be seen as assets for entrepreneurs or connoisseurs of the authentically worn-out. This is the age of patina, where the material remains of times past—the fields and factories, test sites, back alleys, machines, and statues—are coveted, adored, mourned, and commemorated, as well as sometimes despised. Through an exploration of a wide range of recent film, photography, art, and writing about place, Landscape as Weapon argues that these abandoned sites are a critical arena for debate about the meaning of space and time under late capitalism.

How do people perceive the land around them, and how is that perception changed by history? The contributors explore this question from an anthropological angle, assessing the connections between place, space, identity, nationalism, history and memory in a variety of different settings around the world. Taking historical change and memory as key themes, they offer a broad study that will appeal to a readership across the social sciences.

Contributors from North America, Australia, New Zealand, Taiwan, and Europe explore a wide variety of case studies that includes seascapes in Jamaica; the Solomon Islands; the forests of Madagascar; Aboriginal and European notions of landscape in Australia; place and identity in 19th century maps and the bogs of Ireland; contemporary concerns over changing landscapes in Papua New Guinea; and representations of landscape and history in the poetry of the Scottish Borders.

    Landscape, Nature, and the Body Politic explores the origins and lasting influences of two contesting but intertwined discourses that persist today when we use the words landscape, country, scenery, nature, national. In the first sense, the land is a physical and bounded body of terrain upon which the nation state is constructed (e.g., the purple mountain majesties above the fruited plain, from sea to shining sea). In the second, the country is constituted through its people and established through time and precedence (e.g., land where our fathers died, land of the Pilgrims’ pride). Kenneth Robert Olwig’s extended exploration of these discourses is a masterful work of scholarship both broad and deep, which opens up new avenues of thinking in the areas of geography, literature, theater, history, political science, law, and environmental studies.
    Olwig tracks these ideas though Anglo-American history, starting with seventeenth-century conflicts between the Stuart kings and the English Parliament, and the Stuart dream of uniting Scotland with England and Wales into one nation on the island of Britain. He uses a royal production of a Ben Jonson masque, with stage sets by architect Inigo Jones, as a touchstone for exploring how the notion of "landscape" expands from artful stage scenery to a geopolitical ideal. Olwig pursues these contested concepts of the body politic from Europe to America and to global politics, illuminating a host of topics, from national parks and environmental planning to theories of polity and virulent nationalistic movements.

    One of the very first books to take Stephen King seriously, Landscape of Fear (originally published in 1988) reveals the source of King's horror in the sociopolitical anxieties of the post-Vietnam, post-Watergate era. In this groundbreaking study, Tony Magistrale shows how King's fiction transcends the escapism typical of its genre to tap into our deepest cultural fears: "that the government we have installed through the democratic process is not only corrupt but actively pursuing our destruction, that our technologies have progressed to the point at which the individual has now become expendable, and that our fundamental social institutions-school, marriage, workplace, and the church-have, beneath their veneers of respectability, evolved into perverse manifestations of narcissism, greed, and violence."
    Tracing King's moralist vision to the likes of Twain, Hawthorne, and Melville, Landscape of Fear establishes the place of this popular writer within the grand tradition of American literature. Like his literary forbears, King gives us characters that have the capacity to make ethical choices in an imperfect, often evil world. Yet he inscribes that conflict within unmistakably modern settings. From the industrial nightmare of "Graveyard Shift" to the breakdown of the domestic sphere in The Shining, from the techno-horrors of The Stand to the religious fanaticism and adolescent cruelty depicted in Carrie, Magistrale charts the contours of King's fictional landscape in its first decade.

Sport is deeply embedded in human nature and culture, and it is central to human well-being. Outdoor sport and physical exercise have had considerable impact on how we design, live in, and understand landscapes. Landscapes and environments have, in turn, contributed to the formation and development of new sport activities as well as cultures of movement and the body. How have perceptions and politics of the body played a role in the evolution of different landscapes for sport? What do they tell us about their inherent culture and use, and how do landscapes for sport embody constructions of race, gender, and place? What are the interrelationships between more and less agonistic sport and body cultures, their politics, and the sites and spaces that accommodate them?

Landscapes for Sport explores these intersections from multiple perspectives in different parts of the world. They focus on outdoor spaces that have been designed, built, and used for physical exercise and various competitive and non-competitive sports since the early modern period. Frequently overlooked and taken for granted, these landscapes for sport often constitute significant areas of open space in and outside our cities. This volume uncovers their relevance and meanings.

As the world’s population continues to urbanize, the extensive reshaping and ecological transformation of the regions where cities develop have become mainstream concerns. Even the phrase “urban landscape” has evolved from modernist paradox to commonsense category. Yet what exactly does it cover? When did the phenomenon it denotes emerge, and how did it evolve across time and space? Could past dynamics of urban landscapes help reveal their present nature and anticipate future developments?

Answers to such questions are far from evident. While industrial pasts and postindustrial transitions of cities and their landscapes seem to be well charted, preindustrial conditions are only starting to be explored in a few, rapidly expanding fields of archaeology, historical geography, and heritage studies. These areas of study have benefited, over the past three decades, from tremendous advances and renewal in technologies, research methods, and conceptual frameworks. As a result, a wealth of knowledge is unearthed and landscapes turn out to be the very stuff of preindustrial urbanism. In fact, a paradigm shift is underway, according to which, during preindustrial times, landscapes and urbanism were formed in reciprocal relation. Landscapes of Preindustrial Urbanism seeks to introduce such a paradigm shift to landscape scholars and designers while offering alternative visions to urban historians and planners.

Children love to play in risky—often misunderstood to mean unsafe—ways. It is often how they learn. Research shows that activities like climbing on trees and boulders, hiking in nature, and playing in a creek are excellent ways for kids to develop their creativity and their senses, because playing outdoors evokes different sights, sounds, smells, and textures. 

Letting Play Bloom analyzes five outstanding case studies of children’s nature-based risky play spaces—the Slide Hill at Governors Island in New York, the Berkeley (CA) Adventure Playground, and Wildwoods at Fernbank Museum in Atlanta, as well as sites in the Netherlands and Australia. Author Lolly Tai provides detailed explanations of their background and design, and what visitors can experience at each site. 

She also outlines the six categories of risky—not hazardous—play, which involve great heights, rapid speeds, dangerous tools, dangerous elements, rough-and-tumble play, and wandering or getting lost. These activities allow children to explore and challenge themselves (testing their limits) to foster greater self-worth while also learning valuable risk-management skills such as dealing with fear-inducing situations.

Filled with more than 200 photographs, Letting Play Bloom advocates for a thoughtful landscape design process that incorporates the specific considerations children need to fully experience the thrill that comes from playing in nature.

A hard-hitting look at the story behind California's famous scenery. The beauty of the California landscape is integral to its place in the imagination of generations of people around the world. In The Lie of the Land, geographer Don Mitchell looks at the human costs associated with this famous scenery. Through an account of the labor history of the state, Mitchell examines the material and ideological struggles over living and working conditions that played a large part in the construction of the contemporary California landscape. The Lie of the Land examines the way the California landscape was built on the backs of migrant workers, focusing on migratory labor and agribusiness before World War II. The book relates the historical geography of California to the processes of labor that made it, discussing not only significant strikes but also on the everyday existence of migrant workers in the labor camps, fields, and "Hoovervilles" where they lived. Mitchell places class struggle at the heart of social development, demonstrating concretely how farm workers affected their social and material environment, as well as exploring how farm owners responded to their workers' efforts to improve their living and working conditions. Mitchell also places "reformers" in context, revealing the actual nature of their role in relation to migrant workers' efforts-that of undermining the struggle for genuine social change. In addition, this volume captures the significance of the changing composition of the agricultural workforce, particularly in racial terms, as the class struggle evolved over a period of decades. Mitchell has written a narrative history that describes the intimate connection between landscape representations and the material form of geography. The Lie of the Land places people squarely in the middle of the landscapes they inhabit, shedding light on the complex and seemingly contradictory interactions between progressive state agents, radical workers, and California growers as they seek to remake the land in their own image. "It is important that the story of the migrant workers is told and Mitchell tells it well." Transactions/Area "The Lie of the Land opens up new and rich possibilities to help prod our thinking about the processes involved in understanding the changing morphology of landscape. This is an important book. Mitchell's lucid examination of the role of migrant workers in shaping and reshaping California's agricultural landscapes brings new meaning to the creation of the sometimes sublime, yet always complex, rural landscapes in places like the Salinas Valley, the Central Valley, and the Imperial Valley. For many historical geographers and others fortunate enough to read this book, the vision and study of landscape evolution will never be the same." Historical Geography "For anyone wishing to go beyond such movies and novels that do address Californian labour history before the Second World War, this is an excellent integration of all too often disparate approaches and materials. It should be required reading far beyond the confines of labour history." Labour History Review "The Lie of the Land is an important contribution to the study of landscape, to cultural geography, and more generally to critical geography. The book should be held up as a model for students and researchers in the field." Environment & Planning A "In The Lie of the Land, Don Mitchell represents a new, interdisciplinary, cultural geography, using such disparate fields as art history and labor history. He looks at migrant workers in California from the Wheatland riot of 1913 to the Bracero Program of 1942." Western Historical Quarterly "What he discovers is that the image of California as an agricultural Eden, as initially witnessed by John Steinbeck's Joad family in The Grapes of Wrath, never matches the reality of a land that is tightly controlled by corporate growers, a land that exploits the labor of waves of migratory workers from the late 19th century on. Mitchell looks behind the pastoral charm of fertile fields and neatly tended farmhouses to reveal the brutal working conditions and squalid living conditions of the migratory camps. Along the way, he acquaints the reader with a century of labor history and the fact that Anglos, Filipinos, Japanese and Chicanos have all taken their turn at working--and fighting against--the California agricultural landscape." Journal of the West "Mitchell, who teaches geography at the University of Colorado at Boulder, describes the labor struggles of the migrants with clarity and grace. The Lie of the Land is, in many ways, a valuable contribution to the study of California labor relations." Los Angeles Reader "Amidst the array of studies about California agriculture, geographer Don Mitchell offers a singular analysis. His study is a carefully researched and closely reasoned interpretation of the interaction between the place, the people, and the agricultural plenitude which together, he contends, have contributed to the evolving morphology of the California landscape." Agricultural History Don Mitchell is assistant professor of geography at the University of Colorado at Boulder.