front cover of Eating the Landscape
Eating the Landscape
American Indian Stories of Food, Identity, and Resilience
Enrique Salmón
University of Arizona Press, 2012

"Eating is not only a political act, it is also a cultural act that reaffirms one’s identity and worldview," Enrique Salmón writes in Eating the Landscape. Traversing a range of cultures, including the Tohono O’odham of the Sonoran Desert and the Rarámuri of the Sierra Tarahumara, the book is an illuminating journey through the southwest United States and northern Mexico. Salmón weaves his historical and cultural knowledge as a renowned indigenous ethnobotanist with stories American Indian farmers have shared with him to illustrate how traditional indigenous foodways—from the cultivation of crops to the preparation of meals—are rooted in a time-honored understanding of environmental stewardship.

In this fascinating personal narrative, Salmón focuses on an array of indigenous farmers who uphold traditional agricultural practices in the face of modern changes to food systems such as extensive industrialization and the genetic modification of food crops. Despite the vast cultural and geographic diversity of the region he explores, Salmón reveals common themes: the importance of participation in a reciprocal relationship with the land, the connection between each group’s cultural identity and their ecosystems, and the indispensable correlation of land consciousness and food consciousness. Salmón shows that these collective philosophies provide the foundation for indigenous resilience as the farmers contend with global climate change and other disruptions to long-established foodways. This resilience, along with the rich stores of traditional ecological knowledge maintained by indigenous agriculturalists, Salmón explains, may be the key to sustaining food sources for humans in years to come.

As many of us begin to question the origins and collateral costs of the food we consume, Salmón’s call for a return to more traditional food practices in this wide-ranging and insightful book is especially timely. Eating the Landscape is an essential resource for ethnobotanists, food sovereignty proponents, and advocates of the local food and slow food movements.

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Ecodesign for Cities and Suburbs
Jonathan Barnett and Larry Beasley
Island Press, 2015
As world population grows, and more people move to cities and suburbs, they place greater stress on the operating system of our whole planet. But urbanization and increasing densities also present our best opportunity for improving sustainability, by transforming urban development into desirable, lower-carbon, compact and walkable communities and business centers.

Jonathan Barnett and Larry Beasley seek to demonstrate that a sustainable built and natural environment can be achieved through ecodesign, which integrates the practice of planning and urban design with environmental conservation, through normal business practices and the kinds of capital programs and regulations already in use in most communities. Ecodesign helps adapt the design of our built environment to both a changing climate and a rapidly growing world, creating more desirable places in the process.

In six comprehensively illustrated chapters, the authors explain ecodesign concepts, including the importance of preserving and restoring natural systems while also adapting to climate change; minimizing congestion on highways and at airports by making development more compact, and by making it easier to walk, cycle and take trains and mass transit; crafting and managing regulations to insure better placemaking and  fulfill consumer preferences, while incentivizing preferred practices; creating an inviting and environmentally responsible public realm from parks to streets to forgotten spaces; and finally how to implement these ecodesign concepts.          

Throughout the book, the ecodesign framework is demonstrated by innovative practices that are already underway or have been accomplished in many cities and suburbs—from Hammarby Sjöstad in Stockholm to False Creek North in Vancouver to Battery Park City in Manhattan, as well as many smaller-scale examples that can be adopted in any community. 

Ecodesign thinking is relevant to anyone who has a part in shaping or influencing the future of cities and suburbs – designers, public officials, and politicians.
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Embodiment of a Nation
Human Form in American Places
Cecelia Tichi
Harvard University Press, 2001

From Harriet Beecher Stowe's image of the Mississippi's "bosom" to Henry David Thoreau's Cape Cod as "the bared and bended arm of Massachusetts," the U.S. environment has been recurrently represented in terms of the human body. Exploring such instances of embodiment, Cecelia Tichi exposes the historically varied and often contrary geomorphic expression of a national paradigm. Environmental history as cultural studies, her book plumbs the deep and peculiarly American bond between nationalism, the environment, and the human body.

Tichi disputes the United States' reputation of being "nature's nation." U.S. citizens have screened out nature effectively by projecting the bodies of U.S. citizens upon nature. She pursues this idea by pairing Mount Rushmore with Walden Pond as competing efforts to locate the head of the American body in nature; Yellowstone's Old Faithful with the Moon as complementary embodiments of the American frontier; and Hot Springs, Arkansas, with Love Canal as contrasting sites of the identification of women and water. A major contribution to current discussions of gender and nature, her book also demonstrates the intellectual power of wedding environmental studies to the social history of the human body.

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Entranced Earth
Art, Extractivism, and the End of Landscape
Jens Andermann
Northwestern University Press, 2023

A sweeping analysis of the lasting effects of neocolonial extractivism in Latin American aesthetic modernity from 1920 to the present

Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated “insurgent nature”—organic and inorganic matter, human and nonhuman life, thrown into turmoil.

In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.

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Environmentalism in Landscape Architecture
Michel Conan
Harvard University Press, 2000

More than forty years after the first signs of a new era in environmental thinking, landscape architects and the public at large continue to engage in ethical, practical, and metaphysical debates on what environmentalism really is and what it should be. This exchange of ideas has been characterized more by passion than by clarity, with definitive and persuasive answers hard to come by.

The papers presented in this volume range from proposals for new design approaches, historical analysis of the relationship between the practice of landscape architecture and environmentalism, to the theories of early practitioners of landscape architecture imbued by an environmentalist outlook.

The issues above are addressed through topics as eclectic as the design of American zoos, the establishment of the Tennessee Valley Authority, road design and maintenance in Texas, and criticism of relationships between the words and works of select landscape architects. This volume provides a fresh approach to encounters between environmentalism and landscape architecture by reframing the issues through self-reflection instead of strategic debate.

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The Essential Ian McHarg
Writings on Design and Nature
Ian L. McHarg; Edited by Frederick R. Steiner
Island Press, 2006

The Essential Ian McHarg brings together a series of short essays that reveal the full range of Ian McHarg's thoughts on design and nature. Adapted from the comprehensive book of his work, To Heal the Earth, these carefully selected essays provide an ideal reader for undergraduate and graduate students in planning and landscape architecture.

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Exhibiting Blackness
African Americans and the American Art Museum
Bridget R. Cooks
University of Massachusetts Press, 2011
In 1927, the Chicago Art Institute presented the first major museum exhibition of art by African Americans. Designed to demonstrate the artists' abilities and to promote racial equality, the exhibition also revealed the art world's anxieties about the participation of African Americans in the exclusive venue of art museums—places where blacks had historically been barred from visiting let alone exhibiting. Since then, America's major art museums have served as crucial locations for African Americans to protest against their exclusion and attest to their contributions in the visual arts.

In Exhibiting Blackness, art historian Bridget R. Cooks analyzes the curatorial strategies, challenges, and critical receptions of the most significant museum exhibitions of African American art. Tracing two dominant methodologies used to exhibit art by African Americans—an ethnographic approach that focuses more on artists than their art, and a recovery narrative aimed at correcting past omissions—Cooks exposes the issues involved in exhibiting cultural difference that continue to challenge art history, historiography, and American museum exhibition practices. By further examining the unequal and often contested relationship between African American artists, curators, and visitors, she provides insight into the complex role of art museums and their accountability to the cultures they represent.
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Exploring The Beloved Country
American Society And Culture
Wilbur Zelinsky
University of Iowa Press, 1994

 For fifty years geographer Wilbur Zelinsky has charted the social, cultural, and historical map of the American experience. A self-confessed incurable landscape voyeur, he has produced order and pattern from massive amounts of data, zestfully finding societal meaning in the terra incognita of our postmodern existence. Now he has gathered his most original and exciting explorations into a volume that captures the nature and dynamics of this remarkable phenomenon we call the United States of America. Each the product of Zelinsky's joyous curiosity, these energetic essays trace the innermost contours of our bewildering American reality.

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