front cover of The Journey Home
The Journey Home
By Dermot Bolger
University of Texas Press, 2008

2008 — Finalist, ForeWord Magazine Book of the Year Awards, Fiction Category

Young Francis Hanrahan dreams desperately of a life different from that of his country-born, suburban-living parents. On his first day at his first job Francis makes his first real friend. Shay, a would-be older brother, introduces "Hano" to Dublin's appealingly seedy after-hours bars and drug-fueled parties. They are joined by Cait, a troubled teenager who spends her days in a stupor. But the noir thrills of underground Dublin cannot conceal the unemployment, corruption, and violence strangling the city. The Plunkett brothers, masters of "the subtle everyday corruption on which a dynasty was built" will use the friends—with tragic results.

Torn between his friends, his family, and his own ideals, Hano ultimately falls victim to these powerful forces and commits a heinous crime. He flees through the countryside with Cait, wondering, as he narrates the events that set him on this path, if there is a home at the end of it.

Controversial for its gritty portrait of Dublin in the 1980s, The Journey Home is Dermot Bolger's unflinching look at the personal cost of social progress, and those, innocent or not, lost during the journey.

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Odyssean Identities in Modern Cultures
The Journey Home
Hunter Gardner and Sheila Murnaghan
The Ohio State University Press, 2014
Addressed to both classicists and students of modern culture, Odyssean Identities in Modern Cultures: The Journey Home traces the Odyssey’s central theme of homecoming in a wide range of narratives from the late nineteenth to the early twenty-first century. Accounts of the journey home in novels, plays, lyric poems, paintings, and a television series explore the challenges of returning from a long absence to reclaim a former life.
 
These retellings raise fresh questions about the relationship between home and the identities we expect to find rooted there and stress the elusiveness of a satisfying homecoming. They remind us that the Odyssey’s happy ending is itself qualified by the hero’s unsettled future, the violence of his return, and the independent desires of his friends and family members. At the same time, they highlight new obstacles to homecoming posed by the modern world with its political and economic upheavals, newly configured family relations and gender roles, and diminished confidence in the stability of identity. The authors discussed include Charlotte Yonge, James Joyce, Virginia Woolf, Rebecca West, George Seferis, Yannis Ritsos, Gwendolyn Brooks, Charles Frazier, W. B. Sebald, Marilynne Robinson, and Zachary Mason.
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