front cover of Cadaverland
Cadaverland
Inventing a Pathology of Catastrophe for Holocaust Survival [The Limits of Medical Knowledge and Historical Memory in France]
Michael Dorland
Brandeis University Press, 2009
In this extraordinary study, Michael Dorland explores sixty years of medical attempts by French doctors (mainly in the fields of neuropsychiatry and psychoanalysis) to describe the effects of concentration camp incarceration on Holocaust survivors. Dorland begins with a discussion of the liberation of concentration camp survivors, their stay in deportation camps, and eventual return to France, analyzing the circulation of mainly medical (neuropsychiatric) knowledge, its struggles to establish a symptomology of camp effects, and its broadening out into connected medical fields such as psychoanalysis. He then turns specifically to the French medical doctors who studied Holocaust survivors, and he investigates somatic, psychological, and holistic conceptions of survivors as patients and human beings. The final third of the book offers a comparative look at the “psy-science” approach to Holocaust survival beyond France, particularly in the United States and Israel. He illuminates the peculiar journey of a medical discourse that began in France but took on new forms elsewhere, eventually expanding into nonmedical fields to create the basis of the “traumato-culture” with which we are familiar today. Embedding his analysis of different medical discourses in the sociopolitical history of France in the twentieth century, he also looks at the French Jewish Question as it affected French medicine, the effects of five years of Nazi Occupation, France’s enthusiastic collaboration, and the problems this would pose for postwar collective memory.
[more]

front cover of Catastrophe and Meaning
Catastrophe and Meaning
The Holocaust and the Twentieth Century
Edited by Moishe Postone and Eric Santner
University of Chicago Press, 2003
How should we understand the relation of the Holocaust to the broader historical processes of the century just ended? How do we explain the bearing of the Holocaust on problems of representation, memory, memorialization, and historical practice? These are some of the questions explored by an esteemed group of scholars in Catastrophe and Meaning, the most significant multiauthored book on the Holocaust in over a decade.

This collection features essays that consider the role of anti-Semitism in the recounting of the Holocaust; the place of the catastrophe in the narrative of twentieth-century history; the questions of agency and victimhood that the Holocaust inspires; the afterlife of trauma in literature written about the tragedy; and the gaps in remembrance and comprehension that normal historical works fail to notice.
Contributors:
Omer Bartov, Dan Diner, Debòrah Dwork, Saul Friedländer, Geoffrey Hartman, Dominick LaCapra, Paul Mendes-Flohr, Anson Rabinbach, Frank Trommler, Shulamit Volkov, Froma Zeitlin
[more]

front cover of Children of the Holocaust
Children of the Holocaust
Arnost Lustig
Northwestern University Press, 1995
Children of the Holocaust is a landmark of Holocaust literature and among the finest works produced since World War II. These profoundly moving stories transcend the gruesome realities of the camps; their strength is that of the human spirit, the individual's ability to achieve moral triumph through action. This volume contains sixteen short stories and the novel Darkness Casts No Shadow.
[more]

front cover of City of Life, City of Death
City of Life, City of Death
Memories of Riga
Max Michelson
University Press of Colorado, 2001
City of Life, City of Death: Memories of Riga is Max Michelson's stirring and haunting personal account of the Soviet and German occupations of Latvia and of the Holocaust.

Michelson had a serene boyhood in an upper middle-class Jewish family in Riga, Latvia--at least until 1940, when the fifteen-year old Michelson witnessed the annexation of Latvia by the Soviet Union. Private properties were nationalized, and Stalin's terror spread to Soviet Latvia. Soon after, Michelson's family was torn apart by the 1941 Nazi invasion of the Soviet Union. He quickly lost his entire family, while witnessing the unspeakable brutalities of war and genocide.

Michelson's memoir is an ode to his lost family; it is the speech of their muted voices and a thank you for their love. Although badly scarred by his experiences, like many other survivors he was able to rebuild his life and gain a new sense of what it means to be alive.

His experiences will be of interest to scholars of both the Holocaust and Eastern European history, as well as the general reader.

[more]

front cover of Collected Memories
Collected Memories
Holocaust History and Postwar Testimony
Christopher R. Browning
University of Wisconsin Press, 2003
    Christopher R. Browning addresses some of the most heated controversies that have arisen from the use of postwar testimony: Hannah Arendt’s uncritical acceptance of Adolf Eichmann’s self-portrayal in Jerusalem; the conviction of Ivan Demjanuk (accused of being Treblinka death camp guard "Ivan the Terrible") on the basis of survivor testimony and its subsequent reversal by the Israeli Supreme Court; the debate in Poland sparked by Jan Gross’s use of both survivor and communist courtroom testimony in his book Neighbors; and the conflict between Browning himself and Daniel Goldhagen, author of Hitler’s Willing Executioners, regarding methodology and interpretation in the use of pre-trial testimony.
    Despite these controversies and challenges, Browning delineates the ways in which the critical use of such problematic sources can provide telling evidence for writing Holocaust history. He examines and discusses two starkly different sets of "collected memories"—the voluminous testimonies of notorious Holocaust perpetrator Adolf Eichmann and the testimonies of 175 survivors of an obscure complex of factory slave labor camps in the Polish town of Starachowice.
[more]

logo for University of Chicago Press
Conscience and Memory
Meditations in a Museum of the Holocaust
Harold Kaplan
University of Chicago Press, 1994
Prompted by the suicides of Jean Amery and Primo Levi, Harold Kaplan sought to ask what the Holocaust can be said to affirm even even in the face of its overwhelming negation of meaning. "I wrote this book," he explains, "to translate the Holocaust out of the moral and intellectual shock which contemplates the alienation of humanity from itself. I wished to understand the 'crime against humanity' as a viable category of the moral reason. And I wished to respond to the written testimony of Holocaust victims and survivors as if the issue of their survival were present to us today."

Kaplan simulates the response to a long visit to the new Holocaust museum in Washington, D.C., which, crucially for Kaplan, is sited in direct view of the Jefferson and Lincoln monuments, powerful symbols of humanist democracy. He insists the Holocaust be viewed not only in terms of personal ethics but modern political ethics as well: for Kaplan the affirmative legacy of the Holocaust is its focus on the dangers of nationalism, racism, and all forms of separatist group identities. It challenges the historicism, cults of power, and scientistic politics of modernity. And it challenges the moral passivity and relativism of mass politics in Western and Eastern societies.

The opening of the Holocaust museum has sparked a debate that reflects a larger debate over the Holocaust's "meaning," its translatability for ordinary understanding. Some deny any possible response except that of overwhelming grief and horror. For others, the "lesson" of the Holocaust implies, in the words of Robert Nozick, that "mankind has fallen. . . . Humanity has lost its claim to continue." The moral life and political institutions will remain endlessly tormented by the Holocaust. That, Kaplan tells us, is the ultimate content of its "meaning," and is what makes the discussion of "meaning" much more than a mourner's symposium.

The Museum itself, according to Kaplan, has become an impressive memorial to the principle of humanism, instructing the collective memory of this democracy and that of nations everywhere which aspire to civil existence. Out of its awful darkness the Holocaust throws the light of conscience for those capable of receiving it.
[more]

front cover of Considering Maus
Considering Maus
Approaches to Art Spiegelman's "Survivor's Tale" of the Holocaust
Deborah R. Geis
University of Alabama Press, 2007

The first collection of critical essays on Maus, the searing account of one Holocaust survivor's experiences rendered in comic book form.

In 1992, Art Spiegelmans two-volume illustrated work Maus: A Survivor’s Tale was awarded a special-category Pulitzer Prize. In a comic book form, Spiegelman tells the gripping, heart-rending story of his father's experiences in the Holocaust. The book renders in stark clarity the trials Spiegelman's father endured as a Jewish refugee in the ghettos and concentration camps of Poland during World War II, his American life following his immigration to New York, and the author's own troubled sense of self as he grapples with his father's history. Mixing autobiography, biography, and oral history in the comic form, Maus has been hailed as a daring work of postmodern narration and as a vivid example of the power of the graphic narrative.


Now, for the first time in one collection, prominent scholars in a variety of fields take on Spiegelman's text and offer it the critical and artistic scrutiny it deserves. They explore many aspects of the work, including Spiegelman’s use of animal characters, the influence of other "comix" artists, the role of the mother and its relation to gender issues, the use of repeating images such as smoke and blood, Maus's position among Holocaust testimonials, its appropriation of cinematic technique, its use of language and styles of dialect, and the implications of the work’s critical and commercial success.


Informed readers in many areas of study, from popular culture and graphic arts to psychoanalysis and oral history, will value this first substantial collection of criticism on a revered work of literature.

[more]

front cover of Contested Memories
Contested Memories
Poles and Jews during the Holocaust and Its Aftermath
Zimmerman, Joshua D.
Rutgers University Press, 2003
Few issues have divided Poles and Jews more deeply than the Nazi occupation of Poland during the Second World War and the subsequent slaughter of almost ninety percent of Polish Jewry. Many Jewish historians have argued that, during the occupation, Poles at best displayed indifference to the fate of the Jews and at worst were willing accomplices of the Nazis. Many Polish scholars, however, deny any connection between the prewar culture of antisemitism and the wartime situation. They emphasized that Poles were also victims of the Nazis and, for the most part, tried their best to protect the Jews.

This collection of essays, representing three generations of Polish and Jewish scholars, is the first attempt since the fall of Communism to reassess the existing historiography of Polish-Jewish relations just before, during, and after the Second World War. In the spirit of detached scholarly inquiry, these essays fearlessly challenge commonly held views on both sides of the debates. The authors are committed to analyzing issues fairly and to reaching a mutual understanding. Contributors cover six topics:
1. The prewar legacy
2. The deterioration of Polish-Jewish relations during the first years of the war
3. Institutional Polish responses to the Nazi Final Solution
4. Poles and the Polish nation through Jewish eyes
5. The destruction of European Jewry and Polish popular opinion
6. Polish-Jewish relations since 1945
[more]

front cover of The Correspondence of Hannah Arendt and Gershom Scholem
The Correspondence of Hannah Arendt and Gershom Scholem
Hannah Arendt and Gershom Scholem
University of Chicago Press, 2017
Few people thought as deeply or incisively about Germany, Jewish identity, and the Holocaust as Hannah Arendt and Gershom Scholem. And, as this landmark volume reveals, much of that thinking was developed in dialogue, through more than two decades of correspondence.
            Arendt and Scholem met in 1932 in Berlin and quickly bonded over their mutual admiration for and friendship with Walter Benjamin. They began exchanging letters in 1939, and their lively correspondence continued until 1963, when Scholem’s vehement disagreement with Arendt’s Eichmann in Jerusalem led to a rupture that would last until Arendt’s death a dozen years later. The years of their friendship, however, yielded a remarkably rich bounty of letters: together, they try to come to terms with being both German and Jewish, the place and legacy of Germany before and after the Holocaust, the question of what it means to be Jewish in a post-Holocaust world, and more. Walter Benjamin is a constant presence, as his life and tragic death are emblematic of the very questions that preoccupied the pair. Like any collection of letters, however, the book also has its share of lighter moments: accounts of travels, gossipy dinner parties, and the quotidian details that make up life even in the shadow of war and loss.
            In a world that continues to struggle with questions of nationalism, identity, and difference, Arendt and Scholem remain crucial thinkers. This volume offers us a way to see them, and the development of their thought, anew.
 
[more]

front cover of Crossing the River
Crossing the River
Shalom Eilati
University of Alabama Press, 2009
Crossing the River is a personal memoir—and more. Against the backdrop of Lithuania’s occupation—first by the Red Army, next by the Germans, and then again by the Russians—it is a story reflected through the prism of a sharp-eyed young child, Shalom Eilati. His story starts in the occupied Kovno Ghetto and ends with his flight across the Soviet border, through Poland and Germany and finally, his arrival in Palestine.
 
The adult survivor, while recalling the terrorized child that he was and how he then perceived the adult world, also takes stock of his present life. Throughout the memoir, Eilati attempts to reconcile his present life as a husband, father, scientist, and writer, with the images, feelings, and thoughts from the past that have left an indelible mark on his life and that continue to haunt him.
[more]


Send via email Share on Facebook Share on Twitter