logo for University of Minnesota Press
Allen Tate and His Work
Critical Evaluations
Radcliffe Squires, EditorIntroduction by Radcliffe Squires
University of Minnesota Press, 1972

Allen Tate and His Work was first published in 1972. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The thirty-five essays and memoirs about Allen Tate which are collected in this volume along with the introduction by Radcliffe Squires provide a perceptive, many-windowed view of Tate's work and his life. Poet, critic, novelist -- Tate is all of these, and the selections, reflecting these various aspects of his career, are arranged in sections entitled "The Man," "The Essayist," "The Novelist," and "The Poet." As Professor Squires points out, the last three divisions take cognizance of the astounding diversity of Tate's achievement. "But in a last analysis," he continues, "the divisions are an Aristotelian nicety, an arbitrary convenience. His work is really all of a piece. It has all derived from the same energy, the same insights. It has all had a single aim."

What is that aim? Squires compares it to a simple physics experiment in which students are taught the principles of pressure, and he goes on to explain: "The synergy of Allen Tate's poetry, fiction, and essays has had the aim of applying pressure—think of the embossed, bitterly stressed lines, his textured metaphors—until it brings up before our eyes a blanched parody of the human figure, which is our evil, the world's evil, so that we begin to long for God. That has seemed to him a worthwhile task to perform for modern man threatened by such fatal narcissism, such autotelic pride that he is in danger of disappearing into a glassy fantasy of his own concoction. We shall need his help for a long time to come."

The selections were first published in a variety of periodicals and books over the years. The volume includes a substantial bibliography.

[more]

front cover of Bakhtin
Bakhtin
Essays and Dialogues on His Work
Edited by Gary Saul Morson
University of Chicago Press, 1986

logo for Harvard University Press
Every Child a Wanted Child
Clarence James Gamble, M.D., and His Work in the Birth Control Movement
Doone Williams and Greer Williams; edited by Emily P. Flint
Harvard University Press, 1978

A pioneer in the birth control movement both in the United States and abroad, Dr. Clarence J. Gamble began his work as a volunteer in Philadelphia in 1929. Because he was convinced that the health and happiness of women and children and, in fact, entire families depended on adequate spacing of their babies, he helped to establish family planning clinics in a dozen American cities before he was forty years old.

Dr. Gamble's major concern was to provide a safe, reliable, and cheap contraceptive that poor women who had no access to running water or modern conveniences could use. After World War II and the population explosion that followed it, Dr. Gamble expanded his efforts in what he called the Great Cause to help those in the developing nations who wanted their people to be able to choose when to have children and how many to have.

Every Child a Wanted Child is more than the biography of a unique man. It is a record of the ups and downs of the birth control movement in the United States and in Italy, Japan, India, and parts of Asia and Africa.

[more]

front cover of Nathaniel Mackey, Destination Out
Nathaniel Mackey, Destination Out
Essays on His Work
Jeanne Heuving
University of Iowa Press, 2021
In this first book of essays devoted entirely to Nathaniel Mackey’s work, prominent critics respond to a major oeuvre that is at once affirmative and utopic, negational and dystopic. Drawing on multiple genealogies and traditions, primarily from African and African diaspora histories and cultures, Mackey’s work envisions cultural creation as cross-cultural, based in the damaging relationships of Africans brought against their will to the Americas and the resulting innovations of New World African literatures and music.

This collection is organized through broad topics in order to provide entrances into his challenging work: myth, literature, and seriality; music, performance, and collaboration; syncretism, synopsis, and what-saying. It engages Mackey’s spiritual and esoteric disposition along with his attention to what Amiri Baraka called the “enraged sociologies” of Black music. In his manifesto “Destination Out,” Mackey describes his work as “wanting to bid all givens goodbye” and as “centrifugal.” It is also centripetal, manifesting a reflexive interiority that creates itself through recurring forms.
 
Contributors: Maria Damon, Joseph Donahue, Rachel Blau DuPlessis, Norman Finkelstein, Luke Harley, Paul Jaussen, Adalaide Morris, Fred Moten, Peter O’Leary, Anthony Reed
[more]

logo for University of Chicago Press
Paul Klee
His Work and Thought
Marcel Franciscono
University of Chicago Press, 1991
Marcel Franciscono offers an exhaustive historical and critical study of Klee's artistic personality and thought. Drawing extensively on documentation published since 1940, Franciscono highlights the extraordinary range of artistic, literary, and philosophical speculation Klee brought to his work. The portrait that emerges is one of a great comic artist, an ironist whose most characteristic pictures pit beauty of form and color against the dubious nature of things, yet one whose satiric depictions of everyday life extend to the most rarified evocations of nature.
[more]

logo for Harvard University Press
The Pride of Jacob
Essays on Jacob Katz and His Work
Jay M. Harris
Harvard University Press, 2002

Jacob Katz (1904–1998) was one of the greatest Jewish historians of the twentieth century. A pioneer of new foci and methods, Katz brought extraordinary insights to many aspects of Jewish life and its surrounding contexts.

With a keen eye for both “forests” and “trees,” Katz transformed our understanding of many areas of Jewish history, among them: Jewish-Christian relations in the Middle Ages, the social-historical significance of Jewish law, the rise of Orthodoxy in Germany and Hungary, and the emergence of modern anti-Semitism. In this volume, ten leading scholars critically discuss Katz’s work with an appreciation for Katz’s importance in reshaping the way Jewish history is studied.

[more]

logo for Duke University Press
Richard Strauss
New Perspectives on the Composer and His Work
Bryan Gilliam, ed.
Duke University Press, 1997
As we approach the fiftieth anniversary of Richard Stauss’s death, scholarly interest in the composer continues to grow. Despite what was once a tendency by musicologists to overlook or deny Strauss’s importance, these essays firmly place the German composer in the musical mainstream and situate him among the most influential composers of the late nineteenth and early twentieth centuries. Originally published in 1992, this volume examines Strauss’s life and work from a number of approaches and during various periods of his long career, opening up unique corridors of insight into a crucial time in German history.
Contributors discuss Strauss as a young composer steeped in a conservative instrumental tradition, as a brash young modernist tone poet of the 1890s, as an important composer of twentieth-century German opera, and as a cultural icon manipulated by the national socialists during the 1930s and early 1940s. Individual essays use Strauss’s creative work as a framework for larger musicological questions such as the tension between narrative and structure in program music, the problem of extended tonality at the turn of the century, stylistic choice versus stylistic obligation, and conflicting perspectives of progressive versus conservative music.
This collection will interest Strauss scholars, musicologists, and those interested in the artistic and cultural life of Germany from 1880 through the Second World War.

Contributors. Kofi Agawu, Günter Brosche, Bryan Gilliam, Stephen Hefling, James A. Hepokoski, Timothy L. Jackson, Michael Kennedy, Lewis Lockwood, Barbara A. Peterson, Pamela Potter, Reinhold Schlötterer, R. Larry Todd

[more]

front cover of Saint Thomas Aquinas
Saint Thomas Aquinas
The Person and His Work
Jean-Pierre Torrell, OP
Catholic University of America Press, 2022
The presentation of the life and work of any great thinker is a formidable task, even for a renowned scholar. This is all the more the case when such a historical figure is a saint and mystic, such as Friar Thomas Aquinas. In this volume, Fr. Jean-Pierre Torrell, OP, masterfully takes up the strenuous task of presenting such a biography, providing readers with a detailed, scholarly, and profound account of the thirteenth-century theologian whose works have not ceased to draw the attention of both friend and foe! In this volume, Fr. Torrell, an internationally renowned expert on St. Thomas, speaks to neophytes and experts alike: for those new to Thomas’s works, he paints an engaging human portrait of Friar Thomas in his historical context; for specialists, he provides a rigorous scholarly account of contemporary research concerning Thomas’s life and work. This new edition of Fr. Torrell’s widely-lauded text involved significant revision, expansion, and bibliographical updates in light of the latest scholarship. The Catholic University of America Press is pleased to present such an eminent specialist’s mature synthesis concerning Friar Thomas Aquinas.
[more]

front cover of Walter Benjamin
Walter Benjamin
An Introduction to His Work and Thought
Uwe Steiner
University of Chicago Press, 2010
Seven decades after his death, German Jewish writer, philosopher, and literary critic Walter Benjamin (1892–1940) continues to fascinate and influence. Here Uwe Steiner offers a comprehensive and sophisticated introduction to the oeuvre of this intriguing theorist.

Acknowledged only by a small circle of intellectuals during his lifetime, Benjamin is now a major figure whose work is essential to an understanding of modernity. Steiner traces the development of Benjamin’s thought chronologically through his writings on philosophy, literature, history, politics, the media, art, photography, cinema, technology, and theology. Walter Benjamin reveals the essential coherence of its subject’s thinking while also analyzing the controversial or puzzling facets of Benjamin’s work. That coherence, Steiner contends, can best be appreciated by placing Benjamin in his proper context as a member of the German philosophical tradition and a participant in contemporary intellectual debates.

As Benjamin’s writing attracts more and more readers in the English-speaking world, Walter Benjamin will be a valuable guide to this fascinating body of work.
[more]


Send via email Share on Facebook Share on Twitter