Winner of the 2004 Agnes Lynch Starrett Poetry Prize
Blue on Blue Ground is about the body, desire, anxiety, and obsession—how what we want redeems and isolates us (and is sometimes used against us). These poems are artful yet accessible, lyrical yet direct, strange but recognizable.
Smith’s relentless self-examination, fear, sense of humor, and vulnerability are all laid to bare in crisp, precise language. From lonely observations, bizarre medical fascinations, emotion, loss, and honesty, Blue on Blue Ground constructs its internal and external worlds.
The metaphorical city is also a “body,” a place of exile and restoration, a symbol of hope, a catalyst for connection. The urban landscape is often the background for the moment or is the moment itself—the world looked at and sorted into words.
Though at times dark, there’s love to be found. Perhaps it’s what drives this collection, colors its observations, and leads it to finally announce: “Someone is putting the world back together.” <I>Blue on Blue Ground</I> wants to look at absolutely everything and believes that complete exploration of the physical and mental selves—fears and desires—is the key to moving and being completely alive in the material world.
In the seventeenth century, a map of the plague suggested a radical idea—that the disease was carried and spread by humans. In the nineteenth century, maps of cholera cases were used to prove its waterborne nature. More recently, maps charting the swine flu pandemic caused worldwide panic and sent shockwaves through the medical community. In Disease Maps, Tom Koch contends that to understand epidemics and their history we need to think about maps of varying scale, from the individual body to shared symptoms evidenced across cities, nations, and the world.
Disease Maps begins with a brief review of epidemic mapping today and a detailed example of its power. Koch then traces the early history of medical cartography, including pandemics such as European plague and yellow fever, and the advancements in anatomy, printing, and world atlases that paved the way for their mapping. Moving on to the scourge of the nineteenth century—cholera—Koch considers the many choleras argued into existence by the maps of the day, including a new perspective on John Snow’s science and legacy. Finally, Koch addresses contemporary outbreaks such as AIDS, cancer, and H1N1, and reaches into the future, toward the coming epidemics. Ultimately, Disease Maps redefines conventional medical history with new surgical precision, revealing that only in maps do patterns emerge that allow disease theories to be proposed, hypotheses tested, and treatments advanced.
Six weeks before Pearl Harbor, Keith Mason received a $150 uniform allowance, a pair of silver wings, and his first assignment as a flight instructor: Randolph Field, Texas. Two years later, he was Squadron Officer in the 460th Bomb Group, 15th Air Force in Spinazzola, Italy - flying the harrowing combat missions he dreamed of as a boy in rural Iowa.
As a memoir of one man’s war years, Mason provides insight on the inner workings of serving as an airman during World War II: facing stultifying boredom, stupefying incompetence, paralyzing fear, and stunning success. Details of how crews were selected for combat missions, of the necessity to occasionally break up crews, and of select missions in which Mason was a participant are important additions to the history and literature of this often neglected theater.
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