A SCHOLARLY BOOK REPOSITORY
This revealing account concentrates on Egloffstein’s activity in the American mountain West from 1853 to 1858. The early chapters cover his roots as a member of an imperial baronial family in Franconia, his service in the Prussian army, his arrival in the United States in 1846, and his links to his scandalous gothic-novelist cousin, Baron Ludwig von Reizenstein.
Egloffstein’s work as a cartographer in St. Louis in the 1840s led to his participation in John C. Frémont’s final expedition to the West in 1853 and 1854. He left Frémont for Salt Lake City where he joined the Gunnison Expedition under the leadership of Edward Beckwith. During this time, Egloffstein produced his most outstanding panoramas and views of the expedition, which were published in Pacific Railroad Reports.
Egloffstein also served along with Heinrich Balduin Möllhusen as one of the artists and as the chief cartographer of Joseph Christmas Ives’s expedition up the Colorado River. The two large maps produced by Egloffstein for the expedition report are regarded as classics of American art and cartography in the nineteenth century.
While with the Ives expedition, Egloffstein performed his revolutionary experiments in printing photographic images. He developed a procedure for working from photographs of plaster models of terrain, and that led him to invent “heliography,” a method of creating printing plates directly from photographs. He later went on to launch a company to exploit his photographic printing process, which closed after only a few years of operation.
Among the many images in this engaging narrative are photographs of the Egloffstein castle and of Egloffstein in 1865 and in his later years. Also include are illustrations that were published in the PRR, such as “View Showing the Formation of the Cañon of Grand River [today called the Gunnison River] / near the Mouth of Lake Fork with Indications of the Formidable Side Cañons” and Beckwith Map 1: “From the Valley of Green River to the Great Salt Lake.”
Breaking Into the Current is a story of romance between women and a place. Each woman tells a part of every Canyon boatwoman's story: when Marilyn Sayre talks about leaving the Canyon, when Ellen Tibbets speaks of crew camaraderie, or when Martha Clark recalls the thrill of white water, each tells how all were involved in the same romance.
All the boatwomen have stories to tell of how they first came to the Canyon and why they stayed. Some speak of how they balanced their passion for being in the Canyon against the frustration of working in a traditionally male-oriented occupation, where today women account for about fifteen percent of the Canyon's commercial river guides.
As river guides in love with the Canyon and their work, these women have followed their hearts. "I've done a lot," says Becca Lawton, "but there's been nothing like holding those oars in my hands and putting my boat exactly where I wanted it. Nothing."
From Lee's Ferry to Diamond Creek, Ghiglieri leads you down 226 miles of wild river and through some of the most breathtaking scenery on earth. Along the way, he navigates the Colorado River's dozens of notorious rapids—many of which drop fifteen feet or more—and shares the excitement of waves and boulders, thunder and foam. Recounting a real journey through this geological wonder, Canyon interweaves heart-pounding adventure with factual insights into the world of Grand Canyon. Between the rapids, Ghiglieri relates tales of river runners past and present, lessons in geology and wildlife, observations on the impact of Glen Canyon Dam, and stories of Native inhabitants, from Anasazi ancestors to Havasupai Rastafarians. This trip also offers more than its share of human drama for the passengers aboard, leaving them with tales of their own to tell.
"Running the Colorado River in the Grand Canyon is to me the most impressive journey on our planet," writes Ghiglieri, "an adventure that leaves no traveler unchanged." For anyone who has ever shared or contemplated that adventure, Canyon recreates an unforgettable ride.
In 1923, America paid close attention, via special radio broadcasts, newspaper headlines, and cover stories in popular magazines, as a government party descended the Colorado to survey Grand Canyon. Fifty years after John Wesley Powell's journey, the canyon still had an aura of mystery and extreme danger. At one point, the party was thought lost in a flood.
Something important besides adventure was going on. Led by Claude Birdseye and including colorful characters such as early river-runner Emery Kolb, popular writer Lewis Freeman, and hydraulic engineer Eugene La Rue, the expedition not only made the first accurate survey of the river gorge but sought to decide the canyon's fate. The primary goal was to determine the best places to dam the Grand. With Boulder Dam not yet built, the USGS, especially La Rue, contested with the Bureau of Reclamation over how best to develop the Colorado River. The survey party played a major role in what was known and thought about Grand Canyon.
The authors weave a narrative from the party's firsthand accounts and frame it with a thorough history of water politics and development and the Colorado River. The recommended dams were not built, but the survey both provided base data that stood the test of time and helped define Grand Canyon in the popular imagination.
Teamed with scientists and other volunteer naturalists, Zwinger was part of an ongoing study of change along the Colorado. In all seasons and all weathers, in almost every kind of craft that goes down the waves, she returned to the Grand Canyon again and again to explore, look, and listen. From the thrill of running the rapids to the wonder in a grain of sand, her words take the reader down 280 miles of the "ever-flowing, energetic, whooping and hollering, galloping" river.
Zwinger's book begins with a bald eagle count at Nankoweap Creek in January and ends with a subzero, snowy walk out of the canyon at winter solstice. Between are the delights of spring in side canyons, the benediction of rain on a summer beach, and the chill that comes off limestone walls in November.
Her eye for detail catches the enchantment of small things played against the immensity of the river: the gatling-gun love song of tree frogs; the fragile beauty of an evening primrose; ravens "always in close attendance, like lugubrious, sharp-eyed, nineteenth-century undertakers"; and a golden eagle chasing a trout "with wings akimbo like a cleaning lady after a cockroach."
As she travels downstream, Zwinger follows others in history who have risked—and occasionally lost—their lives on the Colorado. Hiking in narrow canyons, she finds cliff dwellings and broken pottery of prehistoric Indians. Rounding a bend or running a rapid, she remembers the triumphs and tragedies of early explorers and pioneers. She describes the changes that have come with putting a big dam on a big river and how the dam has affected the riverine flora and fauna as well as the rapids and their future.
Science in the hands of a poet, this captivating book is for armchair travelers who may never see the grandiose Colorado and for those who have run it wisely and well. Like the author, readers will find themselves bewitched by the color and flow of the river, and enticed by what's around the next bend. With her, they will find its rhythms still in the mind, long after the splash and spray and pound are gone.
The Grand Canyon became a microcosm of the history and evolving values of the National Park Service, long conflicted between encouraging tourism and protecting nature. Many vivid characters shaped the canyon’s past. Its largest story is one of cultural history and changing American visions of the land.
Grand Canyon: A History of a Natural Wonder and National Park is a mixture of great storytelling, unlikely characters, and important ideas. The book will appeal to both general readers and scholars interested in seeking a broader understanding of the canyon.
"Will benefit all amateur naturalists because of its survey of the life zone patterns in [the] southwestern United States." —Science Books & Films
"The subtitle accurately reflects the contents of this excellent book on the birds of a unique natural wonder and national treasure. . . . An annotated checklist discusses the status and abundance of each of the over 300 species of birds known to have occurred in the Grand Canyon region, which is defined here as the river between Glen Canyon Dam and Lake Mead and the contiguous plateaus to the north and south." —Journal of Arizona History
Contents
Foreword, by Ann H. Zwinger
1. The Geologic Record, by Stanley S. Beus
2. The Living Canyon, by Steven W. Carothers
3. Grand Canyon Indians, by Robert C. Euler
4. Historical Explorations, by Robert C. Euler
5. The Canyon by River, by Kim Crumbo
6. Hiking the Canyon, by Frank Tikalsky
Although John Wesley Powell and party are usually given credit for the first river descent through the Grand Canyon, the ghost of James White has haunted those claims. White was a Colorado prospector, who, almost two years before Powell's journey, washed up on a makeshift raft at Callville, Nevada. His claim to have entered the Colorado above the San Juan River with another man (soon drowned) as they fled from Indians was widely disseminated and believed for a time, but Powell and his successors on the river publically discounted it. Colorado River runners and historians have since debated whether White's passage through Grand Canyon even could have happened.
Hell or High Water is the first full account of White's story and how it became distorted and he disparaged over time. It is also a fascinating detective story, recounting how White's granddaughter, Eilean Adams, over decades and with the assistance of a couple of notable Colorado River historians who believed he could have done what he claimed, gradually uncovered the record of James White's adventure and put together a plausible narrative of how and why he ended up floating helplessly down a turbulent river, entrenched in massive cliffs, with nothing but a driftwood raft to carry him through.
A legend in his own lifetime, John Hance (1837–1919) was synonymous with early Grand Canyon tourism. Between the late 1880s and early 1900s, to say “John Hance” was to say “Grand Canyon.” Hance was well known to travelers and visiting dignitaries alike, men such as William “Buffalo Bill” Cody and Theodore Roosevelt, the president who affectionately referred to him as “the greatest liar on earth.” It was said that Hance tried to jump the canyon on his horse Darby only to turn back when he was halfway over and realized he would never make it across.
The truth behind Hance’s life is remarkable even without embellishment. In this book, Shane Murphy chronicles Hance’s childhood in Tennessee and Missouri, his service in the Confederacy during the Civil War, his time in Union prisons as a POW, and his later adventures with the Hickok brothers crossing the plains. Settling in Arizona’s fruitful Verde Valley, Hance farmed and filled military contracts before taking up residence as Grand Canyon’s first permanent Euro-American settler, trail builder, guide, and renowned storyteller.
Hance left no correspondence, personal memoirs, or other writings. Only informal portraits from magazines and newspaper accounts remain. Murphy investigated assessors’ rolls, rare mercantile ledgers, and mining claims to create a full and compelling narrative of a man who was once an icon of the American West and should be remembered as the founding father of Grand Canyon tourism.
Why do nearly five million people travel to the Grand Canyon each year? Mark Neumann answers this question with a book as compelling as the panoramic vistas of the canyon. In On the Rim, he describes how the Grand Canyon became an internationally renowned tourist attraction and cultural icon, and delves into the meanings the place holds for the individuals who live, work, and travel there.
Weaving history, ethnography, documentary photography, and autobiography, Neumann exposes the roots—the personal and social dimensions—of America’s pursuit of leisure. He shows how people visiting the Grand Canyon create their own experiences, even while they are affected by one hundred years of social history and cultural expectations. On the Rim examines the lines between progress and nostalgia, science and spirituality, nature and culture, authenticity and mass production, and work and leisure—all of which crisscross the tourist experience.
To support his argument, Neumann uses evidence from tourist registers and Park Service records, first-person narratives, interviews, and scenes from television shows, Hollywood movies, and popular novels. Heavily illustrated with historical and contemporary photographs, the narrative shifts back and forth between early descriptions of the canyon and modern tourist stories, the past illuminating the present at every step.
From Albert Einstein’s visit and the hunt for the fugitive Danny Horning to the everyday experiences of local Native Americans, park rangers, and vacationing families, Neumann reminds us that every trip to the Grand Canyon is a complex journey, fueled by shared expectations but always open to the possibility of surprise. On the Rim is a multilayered, nuanced study of the place and its many visitors.
2020 Spur Awards Finalist Contemporary Nonfiction, Western Writers of America
The Grand Canyon has been saved from dams three times in the last century. Unthinkable as it may seem today, many people promoted damming the Colorado River in the canyon during the early twentieth century as the most feasible solution to the water and power needs of the Pacific Southwest. These efforts reached their climax during the 1960s when the federal government tried to build two massive hydroelectric dams in the Grand Canyon. Although not located within the Grand Canyon National Park or Monument, they would have flooded lengthy, unprotected reaches of the canyon and along thirteen miles of the park boundary.
Saving Grand Canyon tells the remarkable true story of the attempts to build dams in one of America’s most spectacular natural wonders. Based on twenty-five years of research, this fascinating ride through history chronicles a hundred years of Colorado River water development, demonstrates how the National Environmental Policy Act came to be, and challenges the myth that the Sierra Club saved the Grand Canyon. It also shows how the Sierra Club parlayed public perception as the canyon’s savior into the leadership of the modern environmental movement after the National Environmental Policy Act became law.
The tale of the Sierra Club stopping the dams has become so entrenched—and so embellished—that many historians, popular writers, and filmmakers have ignored the documented historical record. This epic story puts the events from 1963–1968 into the broader context of Colorado River water development and debunks fifty years of Colorado River and Grand Canyon myths.
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