As the U.S. Latino population grows rapidly, and as the LGBTQ Latino community becomes more visible and a more crucial part of our literary and artistic heritage, there is an increasing demand for literature that successfully highlights these diverse lives. Edited by Lázaro Lima and Felice Picano, Ambientes is a revolutionary collection of fiction featuring stories by established authors as well as emerging voices that present a collective portrait of gay, lesbian, bisexual, and transgender experience in America today. With a preface by Picano and an introduction by Lima that sets the stage for understanding Latino literary and cultural history, this is the first anthology to cross cultural and regional borders by offering a wide variety of urban, rural, East Coast, West Coast, and midwestern perspectives on Latina and Latino queers from different walks of life. Stories range from sensual pieces to comical romances and from inner-city dramas fueled by street language to portraits of gay domesticity, making this a much-needed collection for many different kinds of readers. The stories in this collection reflect a vibrant and creative community and redefine received notions of “gay” and “lesbian.”

Finalist, Over the Rainbow selection, American Library Association

Finalist, LGBT Anthology, Lambda Literary Awards

Best Special Interest Books, selected by the American Association of School Librarians

Best Special Interest Books, selected by the Public Library Reviewers

Successful professor Nick Hoffman finds his secure, happy, college-town life changed forever after a nightmarish encounter with police. But even when that horrible night is over, life doesn't return to normal. Someone is clearly out to destroy him. Nick and his partner Stefan Borowski face an escalating series of threats that lead to a brutal and stunning confrontation.
            A novel of suspense set in the academic world, Assault with a Deadly Lie probes the disturbing psychological impact of slander, harassment, stalking, police brutality, and the loss of personal safety. What will Nick do when his world threatens to collapse? How can he reestablish order in a suddenly chaotic life?
            Assault with a Deadly Lie, the eighth installment of Lev Raphael's Nick Hoffman Mysteries, propels the series to a new level of danger and intrigue as Nick and Stefan are catapulted out of their tranquil existence by shocking accusations.

Finalist, Midwest Book Award for Mystery/Thriller Fiction, Midwest Independent Publishers Association

“A riveting great read for mystery/suspense fans, author Lev Raphael once again documents his impressive gifts as a storyteller, holding the reader’s rapt attention from beginning to end with unexpected plot twists and surprise twists.”—Jack Mason, Midwest Book Review
 
“Raphael portrays with frightening power the wrenching experience of victimization by the corporatized, PR-prioritized groves of academia, where both men teach, and by local authorities militarized into SWAT teams practicing police brutality. . . . The compelling core of this unusual novel is Raphael’s depiction of the agonizing reality of victims’ shame, in which someone ‘feels doubly exposed talking about the violation’ and so says nothing.”—Booklist
 
“Professor Nick Hoffman learns that even tenure can’t guarantee real security.”—Kirkus Reviews

Escaping his ghosts, AIDS widower David Masiello accepts a one-year position at a Western medical clinic in Beijing. Lonely but excited, he sets out to explore the city—both its bustling street life and its clandestine gay subculture.
    David chronicles his adventures in China as he wrestles with cultural dislocation, loneliness, and sexual and spiritual longing. After a series of both comic and poignant encounters with gay Chinese men, he meets Bosheng, a handsome young artist. Though the attraction is strong, a difficult courtship ensues, during which Bosheng returns to his ancestral village to marry the girl his parents have chosen for him. Eventually, and quite unexpectedly, David and Bosheng reconnect and share an idyllic spring together. As the year ends, David must decide whether to say goodbye or face the uncertainties of a long-distance relationship.
    Gambone’s novel is peopled with a host of wonderfully memorable characters: Owen, David’s forthright best friend back home; Auntie Chen, the clinic’s office mom, who wants to fix David up with a girlfriend; Stewart, David’s Beijing roommate, a graduate student doing research on Peking opera; Jiantao and Guoyang, two lovers who lecture David on the fleeting quality of American romance; and Tyson, the Australian doctor with a Chinese girlfriend, who hopes to teach David that love doesn’t need any explanations or justifications.

Big Familia follows Juan Gutiérrez, a self-employed single father, as he navigates a tumultuous year of inescapable change. His daughter, Stella, is on the verge of moving away to college; his lover, Jared, is pressing him for commitment; and his favorite watering hole—a ramshackle dive presided over by Bob the Bartender—is transforming into a karaoke hotspot. The story is set in a neighborhood that is also changing, gentrification inciting the ire of the established community.

Upon the unexpected death of one of the bar’s regulars, Juan is sent reeling, and a series of upheavals follow as he both seeks and spurns intimacy, pondering the legacy of distant parents and a failed marriage and grappling with his sexuality—all the while cycling and dating, drinking at Nicks Lounge, and parenting a determined and defiant child-become-woman.

When his incarcerated father dies and Stella reveals she’s pregnant, Juan is forced to examine the emotional bonds that both hold and hinder him, to reassess his ideas of commitment, of friendship, of love. His encounters with various characters—his mother, his ex-wife, a middle-aged punker, an aspiring acupuncturist, a dapper veteran—lead Juan to the realization that he himself must change to thrive.

This is a story of making family and making mistakes, of rending and of mending. As a Latinx queer father with a mixed-race daughter, Juan exemplifies the ways identity connects and divides us. With wit, insight, and tenderness, Big Familia explores the complexities of desire, devotion, and the mysteries of the heart.

This volume makes available for the first time in English the work of a significant Indian nationalist author, Pandey Bechan Sharma, better known in India as “Ugra,” meaning “extreme.” His book Chocolate, a 1927 collection of eight stories, was the first work of Hindi fiction to focus on male same-sex relations, and its publication sparked India’s first public debates about homosexuality. Many prominent figures, including Gandhi, weighed in on the debates, which lasted into the 1950s. This edition, translated and with an introduction by Ruth Vanita, includes the full text of Chocolate along with an excerpt from Ugra’s novel Letters of Some Beautiful Ones (also published in 1927). In her introduction, Vanita situates Ugra and his writings in relation to Indian nationalist struggles and Hindi literary movements and feuds, and she analyzes the controversies that surrounded Chocolate. Those outraged by its titillating portrayal of homosexuality labeled the collection obscene. On the other side, although no one explicitly defended homosexuality in public, some justified Ugra’s work by arguing that it was the artist’s job to educate through provocation.

The stories depict male homoeroticism in quotidian situations: a man brings a lover to his disapproving friend’s house; a good-looking young man becomes the object of desire at his school. The love never ends well, but the depictions are not always unsympathetic. Although Ugra claimed that the stories were aimed at suppressing homosexuality by exposing it, Vanita highlights the ambivalence of his characterizations. Cosmopolitan, educated, and hedonistic, the Hindu and Muslim men he portrayed quote Hindi and Urdu poetry to express their love, and they justify same-sex desire by drawing on literature, philosophy, and world history. Vanita’s introduction includes anecdotal evidence that Chocolate was enthusiastically received by India’s homosexual communities.

Whether one thinks homosexuals are born or made, they generally are not born into gay families, nor are they socialized to be gay by their peers or schools. How then do people become aware of homosexuality and, in some cases, integrate into gay communities? The making of homosexual identity is the result of a communicative process that entails searching, listening, looking, reading, and finding. Contacts Desired proposes that this communicative process has a history, and it sets out to tell that story.

Martin Meeker here argues that over the course of the twentieth century, a series of important innovations occurred in the networks that linked individuals to a larger social knowledge of homosexuality. He points to three key innovations in particular: the emergence of the homophile movement in the 1950s; the mass media treatments of homosexuals in the late 1950s and early 1960s; and the popularization of do-it-yourself publishing from the late 1940s to the 1970s, which offered bar guides, handmade magazines, and other materials that gay men and lesbians could use to seek one another out. In the process, Meeker unearths a treasure trove of archival materials that reveals how homosexuals played a crucial role in transforming the very structure of communications and urban communities since the postwar era.

 

 

We live in a society obsessed with tracing the cause of homosexuality. Is there a gene that can be identified? Or do the origins lie outside of biology in the cultural context of childhood or adolescence? Most importantly, should we care about any of these questions?

Drawing on their own work with gays, lesbians, and bisexuals as well as other pertinent studies, psychoanalysts Bertram J. Cohler and Robert Galatzer-Levy have written a groundbreaking work that examines how psychological development and clinical intervention as well as social and historical change across generations contribute to how we think about sexuality. The authors argue that there is little support for assuming that homosexuality has a biological basis. Recognizing the many pathways that lead to same-gender sexual orientation, the authors conclude that the cause is much less important than understanding the meaning of being homosexual. They consider the destructive nature of an intolerant society that fosters so-called conversion psychotherapy and stress the importance of helping to rebuild a sense of coherence and personal integrity among homosexuals.

"I know nothing about death, absolutely nothing," asserts the narrator of this inventive autobiographical novel. Yet he can't stop thinking about it. Detached from life in Los Angeles and his past in Australia, uncomfortable around other humans, he researches death on the Internet; mulls over distant and intimate stories of suicides, serial killers, and "natural deaths"; and wanders about LA's Holy Cross Cemetery. He's looking for answers, all the while formulating his own disquieting philosophies.

Within this dizzying investigation into the mystery of death is another mystery: who is the companion igniting these memories? This enigmatic novel blurs the line between fiction and nonfiction, story and eulogy, poetry and obituary. Wry yet somber, astringent yet tender, The Disintegrations confronts both the impossibility of understanding death and the timeless longing for immortality.

What really happened that afternoon in November 1938, when the young Polish Jew walked into the German embassy in Paris and shots rang out? The immediate consequence was concrete: Nazi Germany retaliated with the "Night of Broken Glass," recognized as the beginning of the Holocaust. Lost and overlooked in the aftermath is the arresting story of Herschel Grynszpan, the confused teenager whose murder of Ernst vom Rath was used to justify Kristallnacht. In this historical novel, award-winning writer Harlan Greene may be the first author to take the Polish Jew at his word. Historians have tried to explain away Herschel Grynszpan's claim that he was involved in a love affair with vom Rath; Greene, instead, traces the lives of the underprivileged and persecuted Herschel Grynszpan and the wealthy German diplomat Ernst vom Rath as they move inevitably towards their ill-fated affair. In spare, vivid, and compelling prose, Greene imagines their world, their relationship, and their last horrific encounter, as they tried to wrest love and meaning from a world that would itself soon disappear in a whirlwind of disaster and madness.

As a writer, Glenway Wescott (1901–1987) left behind several novels, including The Grandmothers and The Pilgrim Hawk, noted for their remarkable lyricism. As a literary figure, Wescott also became a symbol of his times. Born on a Wisconsin farm in 1901, he associated as a young writer with Hemingway, Stein, and Fitzgerald in 1920s Paris and subsequently was a central figure in New York’s artistic and gay communities. Though he couldn’t finish a novel after the age of forty-five, he was just as famous as an arts impresario, as a diarist, and for the company he kept: W. H. Auden, Christopher Isherwood, Marianne Moore, Somerset Maugham, E. M. Forster, Joseph Campbell, and scores of other luminaries.
     In Glenway Wescott Personally, Jerry Rosco chronicles Wescott’s long and colorful life, his early fame and later struggles to write, the uniquely privileged and sometimes tortured world of artistic creation. Rosco sensitively and insightfully reveals Wescott’s private life, his long relationship with Museum of Modern Art curator Monroe Wheeler, his work with sex researcher Alfred Kinsey that led to breakthrough findings on homosexuality, and his kinship with such influential artists as Jean Cocteau, George Platt-Lynes, and Paul Cadmus.

Since the Stonewall rebellion in 1969, gay and lesbian movements have  grown from small outposts in a few major cities to a worldwide mobilization. This book brings together stories of the emergence and growth of movements in more than a dozen nations on five continents, with a comparative look that offers insights for both activists and those who study social movements.

Lesbian and gay groups have existed for  more than a century, often struggling against enormous odds. In the middle of the twentieth century, movement organizations were suppressed or swept away by fascism, Stalinism, and McCarthyism. Refounded by a few pioneers in the postwar period, movements have risen again as more and more people have stood up for their right to love and live with persons of their choice.

This book addresses both the mature movements of the European Union, North America, and Australia and the newer movements emerging in Latin America, Eastern Europe, and parts of Asia and Africa, examining the social and political conditions that shape movement opportunities and trajectories. It is rich in the details of gay and lesbian cultural and political life in different countries.

Explores America’s culture of sexual violence and degeneration
 
First written thirty-five years ago and completed days before the Stonewall riots in New York, award-winning author Samuel R. Delany’s Hogg is one of America’s most famous “unpublishable” novels. It recounts three days in 1969 in the life of truck driver and rapist-for-hire, Franklin Hargus. Narrated by his young accomplice, Delaney’s novel portrays an exploration of erotic depravity, a capacious landscape of sexuality that transgresses social and erotic boundaries.

While testing readers’ tolerance, what transfigures the novel into a work of literature is Delany’s refusal, faced with moral anxieties and revulsion, to mutilate or disown his creation. Hogg’s characters wear recognizable human faces, possessing intense loyalty, perverse admiration, and a kind of integrity. Hargus fascinates. He is the embodiment of what society can turn people into, the decaying condition of the human soul.
 

Award-winning novelist Trebor Healey depicts San Francisco in the 1980s and ’90s in poetic prose that is both ribald and poignant, and a crossing into the American West that is dreamy, mythic, and visionary.
    When troubled twenty-one-year-old Seamus Blake meets the strong and self-possessed Jimmy (just arrived in San Francisco by bicycle from his hometown in Buffalo, New York), he feels his life may finally be taking a turn for the better. But the ensuing romance proves short-lived as Jimmy dies of an AIDS-related illness. The grieving Seamus is obliged to keep a promise to Jimmy: “Take me back the way I came.”
    And so Seamus sets out by bicycle on a picaresque journey with the ashes, hoping to bring them back to Buffalo. He meets truck drivers, waitresses, college kids, farmers, ranchers, Marines, and other travelers—each one giving him a new perspective on his own life and on Jimmy’s death. When he meets and becomes involved with a young Native American man whose mother has recently died, Seamus’s grief and his story become universal and redemptive.

The year is 1955. Andy Meyer, a young farmer, manages the pickle factory in Link Lake, a rural town where the farms are small, the conversation is meandering, and the feeling is distinctly Midwestern. Workers sort, weigh, and dump cucumbers into huge vats where the pickles cure, providing a livelihood to local farmers. But the H. H. Harlow Pickle Company has appeared in town, using heavy-handed tactics to force family farmers to either farm the Harlow way or lose their biggest customer—and, possibly, their land. Andy, himself the owner of a half-acre pickle patch, works part-time for the Harlow Company, a conflict that places him between the family farm and the big corporation. As he sees how Harlow begins to change the rural community and the lives of its people, Andy must make personal, ethical, and life-changing decisions.

 

Best Books for General Audiences, selected by the American Association of School Librarians, and Outstanding Book, selected by the Public Library Association
   

Jonathan Ascher, an acclaimed 1960s radical writer and cultural hero, has been dead for thirty years.
            When a would-be biographer approaches Ascher’s widow Martha, she delves for the first time into her husband’s papers and all the secrets that come tumbling out of them. She finds journals that begin as a wisecracking chronicle of life at the fringes of the New York literary scene, then recount Ascher’s sexual adventures in the pre-Stonewall gay underground and the social upheavals that led to his famous book “JD.” As Martha reads on, she finds herself in a long-distance conversation with her dead husband, fighting with him again about their rocky marriage and learning about the unseen tragedy in her own apartment that ended with the destruction of their son, Mickey. Mickey comes to life in the space between Jonathan and Martha’s conflicting portraits of him, while Martha and the biographer tangle over the continued relevance of Jonathan’s politics and his unfulfilled vision of a nation remade. Martha learns about herself, finally, through her confrontation with a man who will not let her go, even in death.
            Mark Merlis’s JD is a brilliant and harrowing view of a half century of the American experiment, acted out on a small stage by three people who cannot find a way—neither sex nor touch nor words—to speak their love for one another.

Best Books of 2015: Fiction, Open Letters Monthly

Finalist, Gay Fiction, Lambda Literary Award

Finalist, Ferro-Grumley Award for LGBT Fiction, Publishing Triangle

Best books for public & secondary school libraries from university presses, American Library Association

“Many years after a ’60s New York writer's death, his widow confronts their tumultuous marriage and private identities through his journals. . . . JD’s most masterful element is its treatment of these two characters, both of whom spent their lives groping for contentment like one trying to find a light switch in a darkened room. A great writer offers not just tight prose but also insight, a series of probing questions that extend from the fictional world into the real one. JD asks who its characters were, and in doing so, forces the reader to confront the intricate and fascinating politics of identity.”—Shelf Awareness for Readers, *starred review
 
“A truly impressive work of literary fiction, JD documents author Mark Merlis as an extraordinary novelist able to deftly craft a complex plot and populate it with a roster of inherently fascinating characters and memorable events. The result is an entertaining and engaging read that will linger in the mind long after the book is finished. Very highly recommended for both community and academic library literary fiction collections.”—Midwest Book Review/Reviewer’s Bookwatch

“The fantastic JD (U. of Wisconsin), by acclaimed gay writer Mark Merlis (American Studies), is the writer's first novel in a dozen years. It's told in two voices. The first is that of the late gay writer Jonathan Ascher, and we hear from him through his journals. The second belongs to his widow Martha, who learns more about Jonathan than she ever imagined while reading the journals after agreeing to help a biographer of her late husband.”—Gregg Shapiro, Bay Area Reporter

In 2003, after serving five and a half years as a carpenter in a North Dakota National Guard engineer unit, Bronson Lemer was ready to leave the military behind. But six months short of completing his commitment to the army, Lemer was deployed on a yearlong tour of duty to Iraq. Leaving college life behind in the Midwest, he yearns for a lost love and quietly dreams of a future as an openly gay man outside the military. He discovers that his father’s lifelong example of silent strength has taught him much about being a man, and these lessons help him survive in a war zone and to conceal his sexuality, as he is required to do by the U.S. military.

James Magruder’s collection of linked stories follows two gay cousins, Tom and Elliott, from adolescence in the 1970s to adulthood in the early ’90s. With a rueful blend of comedy and tenderness, Magruder depicts their attempts to navigate the closet and the office and the lessons they learn about libidinous coworkers, résumé boosting, Italian suffixes, and frozen condoms. As Tom and Elliot search for trusting relationships while the AIDS crisis deepens, their paths diverge, leading Tom to a new sense of what matters most. Magruder is especially adept at rendering the moments that reveal unwritten codes of behavior to his characters, who have no way of learning them except through painful experience.

Loss is sudden, the fallout portrayed with a powerful economy. In Tom and Elliott, readers come to recognize themselves, driven by the same absurd desires and unconscious impulses, subjected to the same fates.

This collection, the first of its kind, gathers original and previously published fiction and poetry from lesbian, gay, bisexual, transgender, and queer authors from Appalachia. Like much Appalachian literature, these works are pervaded with an attachment to family and the mountain landscape, yet balancing queer and Appalachian identities is an undertaking fraught with conflict. This collection confronts the problematic and complex intersections of place, family, sexuality, gender, and religion with which LGBTQ Appalachians often grapple.

With works by established writers such as Dorothy Allison, Silas House, Ann Pancake, Fenton Johnson, and Nickole Brown and emerging writers such as Savannah Sipple, Rahul Mehta, Mesha Maren, and Jonathan Corcoran, this collection celebrates a literary canon made up of writers who give voice to what it means to be Appalachian and LGBTQ.

Little Reef and Other Stories announces the arrival of an original voice in literature. From Key West to Maine, Michael Carroll’s debut collection of stories depicts the lives of characters who are no longer provincial but are not yet cosmopolitan. These women and their gay male friends are “B-listers” of a new, ironic, media-soaked culture. They live in a rich but increasingly divided America, a weirdly paradoxical country increasingly accepting of gay marriage but still marked by prejudice, religious strictures, and swaths of poverty and hopelessness. Carroll shows us people stunned by the shock of the now, who have forgotten their pasts and can’t envision a future.

Winner, Sue Kaufman Prize for First Fiction, American Academy of Arts and Letters

Finalist, Gay Fiction, Lambda Literary Award

Finalist, Edmund White Award for Debut Fiction, Publishing Triangle

Decadence meets gothic in Manfred Macmillan (1907), a carefully constructed tale of doppelgangers, magical intrigue, and the rootless scion of a noble house. This annotated, first-ever English translation presents an early queer novel long unavailable except in the original Czech. Author Jiří Karásek ze Lvovic (1871–1951) was a major cultural figure in his native Bohemia and cultivated ties with fellow artists from across Central Europe. In their extensive scholarly introduction, translator Carleton Bulkin and translation scholar Brian James Baer situate the novel within longer histories of gay literature, fascinations with the occult, and the cultural and linguistic politics of so-called peripheral European nations. They persuasively frame Karásek as a queer author and cultural disruptor in the fin de siècle Habsburg space.

Karasék rejected Czech translations of ancient Greek writers that bowdlerized gay themes, and he personally and vigorously defended Oscar Wilde in print, both on the grounds of artistic freedom and of private morality. He also published a cycle of homoerotic poems under the title Sodom, confiscated by the Austrian authorities but republished in 1905 and repeatedly afterward. A colonized subject, a literary decadent, and a sexual outlaw, Karasék’s complex responses to his own marginalization can be traced through his fantastically strange novel trilogy Three Magicians. As the first volume in that series, Manfred Macmillan is a gorgeous, compelling, and important addition to expanding canons of LGBTQI+ literature.

We don't usually associate thriving queer culture with rural America, but John Howard's unparalleled history of queer life in the South persuasively debunks the myth that same-sex desires can't find expression outside the big city. In fact, this book shows that the nominally conservative institutions of small-town life—home, church, school, and workplace—were the very sites where queer sexuality flourished. As Howard recounts the life stories of the ordinary and the famous, often in their own words, he also locates the material traces of queer sexuality in the landscape: from the farmhouse to the church social, from sports facilities to roadside rest areas.

Spanning four decades, Men Like That complicates traditional notions of a post-WWII conformist wave in America. Howard argues that the 1950s, for example, were a period of vibrant queer networking in Mississippi, while during the so-called "free love" 1960s homosexuals faced aggressive oppression. When queer sex was linked to racial agitation and when key civil rights leaders were implicated in homosexual acts, authorities cracked down and literally ran the accused out of town.

In addition to firsthand accounts, Men Like That finds representations of homosexuality in regional pulp fiction and artwork, as well as in the number one pop song about a suicidal youth who jumps off the Tallahatchie Bridge. And Howard offers frank, unprecedented assessments of outrageous public scandals: a conservative U.S. congressman caught in the act in Washington, and a white candidate for governor accused of patronizing black transgender sex workers.

The first book-length history of the queer South, Men Like That completely reorients our presuppositions about gay identity and about the dynamics of country life.

"Men Like That goes a long way towards redressing the urban bias in American lesbian and gay-history writing. . . . Howard's rigorous scholarship, which is based both on oral history and traditional historical documents . . . is enhanced by a disarmingly personal touch. . . . His insights into queerness and the mentality of the American South should be of great interest both to the professional gay historian and the general reader."—Madeleine Minson, Times Higher Education Supplement

"Howard creates a history remarkable in its complexity yet intimate in its portraiture. At long last an intimate and full vision of queer lives in America that did not unfold in San Francisco's discos."—Kirkus Reviews

"In this groundbreaking and engrossing analysis of gay male life in postwar Mississippi, Howard . . . boldly demonstrates that gay culture and sex not only existed but flourished in small towns."—Publishers Weekly, starred review

Out in Culture charts some of the ways in which lesbians, gays, and queers have understood and negotiated the pleasures and affirmations, as well as the disappointments, of mass culture. The essays collected here, combining critical and theoretical works from a cross-section of academics, journalists, and artists, demonstrate a rich variety of gay and lesbian approaches to film, television, popular music, and fashion. This wide-ranging anthology is the first to juxtapose pioneering work in gay and lesbian media criticism with recent essays in contemporary queer cultural studies.
Uniquely accessible, Out in Culture presents such popular writers as B. Ruby Rich, Essex Hemphill, and Michael Musto as well as influential critics such as Richard Dyer, Chris Straayer, and Julia Lesage, on topics ranging from the queer careers of Agnes Moorehead and Pee Wee Herman to the cultural politics of gay drag, lesbian style, the visualization of AIDS, and the black snap! queen experience. Of particular interest are two "dossiers," the first linking essays on the queer content of Alfred Hitchcock’s films, and the second on the production and reception of popular music within gay and lesbian communities. The volume concludes with an extensive bibliography—the most comprehensive currently available—of sources in gay, lesbian, and queer media criticism.
Out in Culture explores the distinctive and original ways in which gays, lesbians, and queers have experienced, appropriated, and resisted the images and artifacts of popular culture. This eclectic anthology will be of interest to a broad audience of general readers and scholars interested in gay and lesbian issues; students of film, media, gender, and cultural studies; and those interested in the emerging field of queer theory.

Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood

Having a baby to save a marriage—it’s the oldest of clichés. But what if the marriage at risk is a gay one, and having a baby involves a surrogate mother?
    Pat Faunce is a faltering romantic, a former poetry major who now writes textbooks. A decade into his relationship with Stu, an airline pilot from a fraught Jewish family, he fears he’s losing Stu to other men—and losing himself in their “no rules” arrangement. Yearning for a baby and a deeper commitment, he pressures Stu to move from Manhattan to Cape Cod, to the cottage where Pat spent boyhood summers.
    As they struggle to adjust to their new life, they enlist a surrogate: Debora, a charismatic Brazilian immigrant, married to Danny, an American carpenter. Gradually, Pat and Debora bond, drawn together by the logistics of getting pregnant and away from their spouses. Pat gets caught between loyalties—to Stu and his family, to Debora, to his own potent desires—and wonders: is he fit to be a father?
    In one of the first novels to explore the experience of gay men seeking a child through surrogacy, Michael Lowenthal writes passionately about marriages and mistakes, loyalty and betrayal, and about how our drive to create families can complicate the ones we already have. The Paternity Test is a provocative look at the new “family values.”

“It’s safe to say your relationship is in trouble if the only way you can imagine solving your problems is by borrowing a time machine.”

InSight Out Book Club, featured selection

Bob Smith named one of Instinct magazine’s Leading Men 2011

A once-booming West Virginia rail town no longer has a working train. The residents left behind in this tiny hamlet look to the mountains that surround them on all sides: The outside world encroaches, and the buildings of the gilded past seem to crumble more every day. 

These are the stories of outsiders—the down and out. What happens to the young boy whose burgeoning sexuality pushes him to the edge of the forest to explore what might be love with another boy? What happens when one lost soul finally makes it to New York City, yet the reminders of his past life are omnipresent? What happens when an old woman struggles to find a purpose and reinvent herself after decades of living in the shadow of her platonic life partner? What happens to those who dare to live their lives outside of the strict confines of the town’s traditional and regimented ways? 

The characters in The Rope Swing—gay and straight alike—yearn for that which seems so close but impossibly far, the world over the jagged peaks of the mountains. 

Setting the Lawn on Fire, the first novel by critically acclaimed writer Mack Friedman, trails its narrator through his obsessions with sex, drugs, art, and poison. Ivan, a young Jewish boy from Milwaukee, embarks on a journey of sexual discovery that leads him from Wisconsin to Alaska, Philadelphia, and Mexico through stints as a fishery worker, artist, and finally a hustler who learns to provide the blank canvas for other people’s dreams. The result is a new kind of coming-of-age story that sees passion from every angle because its protagonist is every kind of lover: the seducer and the seduced, the pornographer and the model, the hunter and the prey, the trick and the john. In the end, Setting the Lawn on Fire is also something rare—a fully realized, contemporary romance that illuminates the power of desire and the rituals of the body, the brain, and the heart that attempt to contain our passions.

Things look bad for Rick Lahrem, a high school sophomore in a cookie-cutter Chicago suburb in 1976. His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.
    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.
    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.
    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.

 

 

A selection of InsightOut Book Club

 

Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation

 

Finalist, TLA Gaybie Award for Best Gay Fiction

 

Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University

 

Semi-finalist, William Saroyan International Prize For Writing, Stanford University

Queer stories about love, loneliness, the surreal, and the self

The stories in Tell Me feature queer men of various ages reckoning with loneliness, selfishness, and the struggle for self-discovery and identity. In “The Vanisher,” a young bisexual man struggling with his own desire to be seen receives a bandana that allows him to become invisible. In “Retreat,” a widower travels to an artists’ colony to seek an audience with his recently deceased husband. And in “We Are Rendered Silent,” people lose their ability to speak when a man they love dies. Through Baumann’s inventive employment of the strange and surreal, these stories set out to explore the bizarre and often confounding experience of navigating modern-day queerness. With his unique voice and magnificent imagination, Baumann fully immerses readers in the queer experience.
 

Treacherously comic and poignant, the autobiographical stories in They Change the Subject follow a young man’s quest for identity through love and desire. Sustained by a single voice, the stories simultaneously offer a fractured novel and stand, powerfully, on their own. At the center of each tale is the heightened, visceral possibility of unexpected emotional encounters—from an escort’s dates in Manhattan hotels to a photo shoot that doubles as seduction. Always pushing toward a bigger shiver of passion, Martin’s young-man-on-the-make learns how to adapt his persona to suit his lovers’ needs and tries to embrace his own experience—and his self—by becoming the purest object of desire.

            The autobiographical story is about a literary man, frustrated in love, who puts aside his pride and makes a date with a young artist in Maine. Lavishly rendered in Wescott's elegant prose, the tale is explicit where it needs to be, but—as is typical of Wescott—it is filled with descriptive beauty and introspective lessons about sex and sexuality, love and creativity.

            Previously published in anthology form in the United Kingdom, "A Visit to Priapus" is presented for the first time in book form in America, containing previously uncollected stories, including three never before published. The result is a candid portrayal of the gifted but enigmatic writer who was famous in youth and remained a perceptive and compassionate voice throughout his long life. Drawn together from midcentury literary journals and magazines of the 1920s and 1930s, as well as from Wescott's papers, the stories were inspired by his life, from childhood to old age, from Wisconsin farm country to New York, London, Germany, and Paris.

Finalist, Gay General Fiction, Lambda Literary Awards