The landscapes of the Middle East have captured our imaginations throughout history. Images of endless golden dunes, camel caravans, isolated desert oases, and rivers lined with palm trees have often framed written and visual representations of the region. Embedded in these portrayals is the common belief that the environment, in most places, has been deforested and desertified by centuries of misuse. It is precisely such orientalist environmental imaginaries, increasingly undermined by contemporary ecological data, that the eleven authors in this volume question. This is the first volume to critically examine culturally constructed views of the environmental history of the Middle East and suggest that they have often benefitted elites at the expense of the ecologies and the peoples of the region. The contributors expose many of the questionable policies and practices born of these environmental imaginaries and related histories that have been utilized in the region since the colonial period. They further reveal how power, in the form of development programs, notions of nationalism, and hydrological maps, for instance, relates to environmental knowledge production.
Contributors: Samer Alatout, Edmund Burke III, Shaul Cohen, Diana K. Davis, Jennifer L. Derr, Leila M. Harris, Alan Mikhail, Timothy Mitchell, Priya Satia, Jeannie Sowers, and George R. Trumbull IV
In The Eternal Paddy, Michael de Nie examines anti-Irish prejudice, Anglo-Irish relations, and the construction of Irish and British identities in nineteenth-century Britain. This book provides a new, more inclusive approach to the study of Irish identity as perceived by Britons and demonstrates that ideas of race were inextricably connected with class concerns and religious prejudice in popular views of both peoples. De Nie suggests that while traditional anti-Irish stereotypes were fundamental to British views of Ireland, equally important were a collection of sympathetic discourses and a self-awareness of British prejudice. In the pages of the British newspaper press, this dialogue created a deep ambivalence about the Irish people, an ambivalence that allowed most Britons to assume that the root of Ireland’s difficulties lay in its Irishness.
Drawing on more than ninety newspapers published in England, Scotland, and Wales, The Eternal Paddy offers the first major detailed analysis of British press coverage of Ireland over the course of the nineteenth century. This book traces the evolution of popular understandings and proposed solutions to the "Irish question," focusing particularly on the interrelationship between the press, the public, and the politicians. The work also engages with ongoing studies of imperialism and British identity, exploring the role of Catholic Ireland in British perceptions of their own identity and their empire.
In the English response to the increasingly bloody French Revolution, Seamus Deane finds a new perspective on English political thought as well as a striking indication of the sharpening of national consciousness. Ranging widely among the major and lesser thinkers of the period, he has produced a complex picture of cultural affinity and national hostility. The group dominated by Edmund Burke, which included Southey, Wordsworth, and Carlyle, viewed the Revolution as the culmination of a great conspiracy, led by intellectuals, to overthrow all that was sacred and traditional. The radical group, led by Godwin, Shelley, and Hazlitt, welcomed the Revolution but were perturbed by its excesses.
The English debate about the French Revolution tended to focus on the specifically French characteristics that made it what it was, in sharp contrast to the culture and experience that produced the relatively peaceful English revolution of 1688. To see the Revolution as an essentially French phenomenon allowed it to be understood as alien to English circumstances and inclinations. This permitted the English to deny that its basic doctrines had any claim to universality and also led to an enhanced definition of the English national character. In his analysis of major writers, popular political novelists, and pamphleteers, Deane interprets the intellectual indebtedness of individual English writers to their French counterparts, reflects on the power of the written word to influence events, and dissects polemical styles and language. His book constitutes an important chapter of English intellectual history.
Behind the ancient artifacts exhibited in our museums lies a secret past—of travel, desire, the quest for knowledge, and even theft. Such is the case with the objects of Mesoamerican culture so avidly collected, cataloged, and displayed by the British in the nineteenth century. Informal Empire recaptures the history of those artifacts from Mexico and Central America that stirred Victorian interest—a history that reveals how such objects and the cultures they embodied were incorporated into British museum collections, panoramas, freak shows, adventure novels, and records of imperial administrators.
Robert D. Aguirre draws on a wealth of previously untapped historical information to show how the British colonial experience in Africa and the Near East gave rise to an “informal imperialism” in Mexico and Central America. Aguirre’s work helps us to understand what motivated the British to beg, borrow, buy, and steal from peripheral cultures they did not govern. With its original insights, Informal Empire points to a new way of thinking about British imperialism and, more generally, about the styles and forms of imperialism itself.
Landscape, Nature, and the Body Politic explores the origins and lasting influences of two contesting but intertwined discourses that persist today when we use the words landscape, country, scenery, nature, national. In the first sense, the land is a physical and bounded body of terrain upon which the nation state is constructed (e.g., the purple mountain majesties above the fruited plain, from sea to shining sea). In the second, the country is constituted through its people and established through time and precedence (e.g., land where our fathers died, land of the Pilgrims’ pride). Kenneth Robert Olwig’s extended exploration of these discourses is a masterful work of scholarship both broad and deep, which opens up new avenues of thinking in the areas of geography, literature, theater, history, political science, law, and environmental studies.
Olwig tracks these ideas though Anglo-American history, starting with seventeenth-century conflicts between the Stuart kings and the English Parliament, and the Stuart dream of uniting Scotland with England and Wales into one nation on the island of Britain. He uses a royal production of a Ben Jonson masque, with stage sets by architect Inigo Jones, as a touchstone for exploring how the notion of "landscape" expands from artful stage scenery to a geopolitical ideal. Olwig pursues these contested concepts of the body politic from Europe to America and to global politics, illuminating a host of topics, from national parks and environmental planning to theories of polity and virulent nationalistic movements.
Support of the Ottoman Empire was official British policy for some forty years following the Crimean War. A widespread and astonishing confidence prevailed in England: whatever past and continuing deficiencies might exist, the Ottoman Porte, as the government of the Empire was known in Europe, was determined to westernize and in fact was becoming more British every day. But reports of a series of alleged massacres by the Turks against their Bulgarian subjects scandalized Britain in 1876, igniting a firestorm of protest that shook the nation. Reluctant Icon tells the story of one of the most relentless social crusades of the Victorian era. Under the leadership of former prime minister William Ewart Gladstone, a loose coalition of Nonconformists, Radicals, and High Churchmen created a climate of indignation over the massacres that was strong enough to call into question the Disraeli government’s policy toward the Near East.
This absorbing analysis by Ann Pottinger Saab draws on contemporary newspaper accounts, parliamentary petitions, and the diaries and personal papers of Gladstone to recreate a pivotal episode in late nineteenth-century British history. Saab provides an informative historical backdrop to her study by tracing the multiple sources of strain in British–Ottoman relations that existed before the massacres. She then examines Gladstone’s evolving role as public idol and backstage adviser to a coterie of special groups that became bonded to him by a shared moral vision and a sense of continuing emergency. Through the lens of the Bulgarian agitation, Gladstone emerges as a man motivated more by his own complex emotional and political drives than by opportunism, a somewhat different picture from that presented by earlier historians. The heart of the book is Saab’s richly detailed exploration of the nascence and maturation of the militant, extra-parliamentary, multi-class protest movement itself, which mobilized the anger of groups previously outside politics such as newly enfranchised working men.
Reluctant Icon yields new insights on Gladstone, on the language of Victorian social protest, and on a national protest movement remarkable as much for its cohesiveness and longevity as for its fervor. It will be welcome reading for all those with an abiding interest in the Victorian age and especially for scholars and students of social, religious, and diplomatic history.
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