In Remaking Chinese America, Xiaojian Zhao explores the myriad forces that changed and unified Chinese Americans during a key period in American history. Prior to 1940, this immigrant community was predominantly male, but between 1940 and 1965 it was transformed into a family-centered American ethnic community. Zhao pays special attention to forces both inside and outside of the country in order to explain these changing demographics. She scrutinizes the repealed exclusion laws and the immigration laws enacted after 1940. Careful attention is also paid to evolving gender roles, since women constituted the majority of newcomers, significantly changing the sex ratio of the Chinese American population.

As members of a minority sharing a common cultural heritage as well as pressures from the larger society, Chinese Americans networked and struggled to gain equal rights during the cold war period. In defining the political circumstances that brought the Chinese together as a cohesive political body, Zhao also delves into the complexities they faced when questioning their personal national allegiances. Remaking Chinese America uses a wealth of primary sources, including oral histories, newspapers, genealogical documents, and immigration files to illuminate what it was like to be Chinese living in the United States during a period that—until now—has been little studied.

Throughout the twentieth century, millions of African Americans, many from impoverished, historically black counties, left the South to pursue what they thought would be a better life in the North. But not everyone moved away during what scholars have termed the Great Migration. What has life been like for those who stayed? Why would they remain in a place that many outsiders would see as grim, depressed, economically marginal, and where racial prejudice continues to place them at a disadvantage?

Through oral history William Falk tells the story of an extended family in the Georgia-South Carolina lowcountry. Family members talk about schooling, relatives, work, religion, race, and their love of the place where they have lived for generations. This “conversational ethnography” argues that an interconnection between race and place in the area helps explain African Americans’ loyalty to it. In Colonial County, blacks historically enjoyed a numerical majority as well as deep cultural roots and longstanding webs of social connections that, Falk finds, more than outweigh the racism they face and the economic disadvantages they suffer.

One of the most gifted of America’s writers, James Rufus Agee (1909–1955), spent a third of his short life in Tennessee, yet no biographical treatment until this one has so fully explored his roots in the state. In Rufus, Paul F. Brown draws deeply on a trove of journals, letters, interviews, and contemporaneous newspaper accounts, to produce a captivating portrait of Agee’s boyhood.

Brown meticulously delineates Agee’s family history, his earliest years as a sensitive child growing up in Knoxville’s Fort Sanders neighborhood, and the traumatic event that marked his sixth year: his father’s death in an automobile accident. Young Rufus—as his family always called him—revered his father and would use his memories of the tragedy to create his most enduring work of fiction, the Pulitzer Prize–winning A Death in the Family. Just a few years after his father was killed, Agee’s mother placed him in the St. Andrew’s School for Mountain Boys near Sewanee, Tennessee, where he would meet his mentor and lifelong friend, Father James Flye; these experiences would inspire Agee’s poignant novella, The Morning Watch. Another year in Knoxville followed, and then his mother, newly remarried, whisked him away to New England, where he would complete his education at Phillips Exeter Academy and Harvard.

Brown’s account deftly reconstructs various settings the young Agee encountered—including not only turn-of-the-century Knoxville and St. Andrew’s but also the mountain hamlet of LaFollette, his father’s hometown—and the complex family relationships that swirled around the young writer-to-be. Brown also explores Knoxville’s belated discovery of its famous son, initiated when Hollywood came to town in 1962 to film All the Way Home, an adaptation of A Death in the Family. Notable commemorations—including academic seminars, a public park, and a street named in Agee’s honor—would come later as the writer’s posthumous reputation bloomed. And now, with Rufus, we have the definitive account of how it all began.