A SCHOLARLY BOOK REPOSITORY40 start with M start with M
Now Evelyne Bloch-Dano’s touching biography acquaints Proust fans with the real Jeanne Weil Proust. Written with the imaginative force of a novel, but firmly grounded in Jeanne and Marcel Proust’s writings, Madame Proust skillfully captures the life and times of Proust’s mother, from her German-Jewish background and her marriage to a Catholic grocer’s son to her lifelong worries about her son’s sexuality, health problems, and talent. As well as offering intimate glimpses of the Prousts’ daily life, Madame Proust also uses the family as a way to explore the larger culture of fin-de-siècle France, including high society, spa culture, Jewish assimilation, and the Dreyfus affair. Throughout, Bloch-Dano offers sensitive readings of Proust’s work, drawing out the countless interconnections between his mother, his life, and his magnum opus.
Those coming to In Search of Lost Time for the first time will find in Madame Proust a delightful primer on Marcel Proust’s life and times. For those already steeped in the pleasures of Proust, this gem of a biography will give them a fresh understanding of the rich, fascinating background of the writer and his art.
WINNER, Russell P. Strange Memorial Book of the Year Award from the Illinois State Historical Society, 2007!
University Press Books for Public and Secondary Schools 2013 edition
In 2005, historian Jason Emerson discovered a steamer trunk formerly owned by Robert Todd Lincoln's lawyer and stowed in an attic for forty years. The trunk contained a rare find: twenty-five letters pertaining to Mary Todd Lincoln's life and insanity case, letters assumed long destroyed by the Lincoln family. Mary wrote twenty of the letters herself, more than half from the insane asylum to which her son Robert had her committed, and many in the months and years after.
The Madness of Mary Lincoln is the first examination of Mary Lincoln’s mental illness based on the lost letters, and the first new interpretation of the insanity case in twenty years. This compelling story of the purported insanity of one of America’s most tragic first ladies provides new and previously unpublished materials, including the psychiatric diagnosis of Mary’s mental illness and her lost will.
Emerson charts Mary Lincoln’s mental illness throughout her life and describes how a predisposition to psychiatric illness and a life of mental and emotional trauma led to her commitment to the asylum. The first to state unequivocally that Mary Lincoln suffered from bipolar disorder, Emerson offers a psychiatric perspective on the insanity case based on consultations with psychiatrist experts.
This book reveals Abraham Lincoln’s understanding of his wife’s mental illness and the degree to which he helped keep her stable. It also traces Mary’s life after her husband’s assassination, including her severe depression and physical ailments, the harsh public criticism she endured, the Old Clothes Scandal, and the death of her son Tad.
The Madness of Mary Lincoln is the story not only of Mary, but also of Robert. It details how he dealt with his mother’s increasing irrationality and why it embarrassed his Victorian sensibilities; it explains the reasons he had his mother committed, his response to her suicide attempt, and her plot to murder him. It also shows why and how he ultimately agreed to her release from the asylum eight months early, and what their relationship was like until Mary’s death.
This historical page-turner provides readers for the first time with the lost letters that historians had been in search of for eighty years.
Winner, 2017 Etel Adnan Poetry Prize
In the magic my body becomes, Jess Rizkallah seeks a vernacular for the inescapable middle ground of being Arab American—a space that she finds, at times, to be too Arab for America and too American for her Lebanese elders.
These poems freely assert gender, sexuality, and religious beliefs while at the same time respecting a generational divide: the younger’s privilege gained by the sacrifice of the older, the impossibility of separating what is wholly hers from what is hers secondhand.
In exploring family history, civil war, trauma, and Lebanon itself, Rizkallah draws from the spirits of canonical Arab and Middle Eastern poets. As a result of her conjuring, the reader feels these spirits begin to exorcise the grief of those who are still alive. Throughout, there is the body, a reclamation and pushback against cultures that simultaneously sexualize and shame women. And there is a softness as inherent as rage, a resisting of stereotypes that too often speak louder than the complexities of a resilient cultural identity.
The magic my body becomes is an exciting new book from an exciting young poet, a love letter to a people as well as a fist in the air.
In a compelling way, Philip Fanning traces the fraternal relationship of Orion and Samuel Clemens from its beginning in Hannibal, Missouri, in the 1830s to Orion's death in Iowa in 1897. He demonstrates that Orion’s influence on the writer known as Mark Twain was profound, pervasive, and prolonged.
In some respects, Samuel defined himself against Orion’s formidable background. It was Orion who became the chief financial and spiritual support of the Clemens family following the father's controversial death in 1847. It was Orion who led the way for his brother into printing, journalism, and mine speculation. And it was Orion who served as Sam’s first real editor and literary mentor, recognizing and encouraging his younger brother’s talents as a writer.
The two siblings had much in common, and they often appeared to be codependent, so much so that their attitudes veered sharply from mutual admiration to mutual disdain and rivalry. Whereas Orion was self-effacing, easygoing, humble, and adventurous in his politics and progressive in his views, Twain was often ill-tempered and antagonistic toward those around him and conservative in his outlook. He frequently portrayed his older brother in autobiographical writings and letters as a buffoon and a laughingstock.
Fanning—who drew upon extensive archival sources, unpublished letters between the two brothers, and the Mark Twain Papers at the University of California, Berkeley—charts these divergences in their characters and in their fortunes. As Twain rose to become a national celebrity and a financial success, Orion's finances and self-esteem disintegrated, and Twain’s treatment of his brother became evermore harsh and mocking. Fanning’s study stands as both a biography of a fractious fraternal relationship and a work of scholarship that highlights for the first time how significantly Orion Clemens influenced Twain’s psychic and artistic economy.
Mark Twain was the child of a loveless marriage and a homelife over which hovered the constant specter of violence. Informed by his difficult childhood, orthodox readings of The Adventures of Tom Sawyer and Adventures of Huckleberry Finn frame these canonical literary figures as nostalgic—autobiographical fables of heroic individualists slipping the bonds of domestic life.
Kiskis, however, presents a wealth of biographical details about Samuel Clemens and his family that reinterpret Twain’s work as a robust affirmation of domestic spheres of life. Among Kiskis’s themes are that, as the nineteenth century witnessed high rates of orphanhood and childhood mortality, Clemens’s work often depicted unmoored children seeking not escape from home but rather seeking the redemption and safety available only in familial structures. Similarly, Mark Twain at Home demonstrates that, following the birth of his first daughter, Twain began to exhibit in his writing an anxiety with social ills, notably those that affected children.
In vigorous and accessible descriptions of Twain’s life as it became reflected in his prose, Kiskis offers a compelling and fresh understanding of this work of this iconic American author.
With roller coaster changes in marriage and divorce rates apparently leveling off in the 1980s, Andrew Cherlin feels that the time is right for an overall assessment of marital trends. His graceful and informal book surveys and explains the latest research on marriage, divorce, and remarriage since World War II.
Cherlin presents the facts about family change over the past thirty-five years and examines the reasons for the trends that emerge. He views the 1950s, when Americans were marrying and having children early and divorcing infrequently, as the aberration, and he discusses why this period was unusual. He also explores the causes and consequences of the dramatic changes since 1960—increases in divorce, remarriage, and cohabitation, decreases in fertility—that are altering the very definition of the family in our society. He concludes with a discussion of the increasing differences in the marital patterns of black and white families over the past few decades.
Mary Lincoln is a lightning rod for controversy. Stories reveal widely different interpretations, and it is impossible to write a definitive version of her life that will suit everyone. The thirteen engaging essays in this collection introduce Mary Lincoln’s complex nature and show how she is viewed today.
The authors’ explanations of her personal and private image stem from a variety of backgrounds, and through these lenses—history, theater, graphic arts, and psychiatry—they present their latest research and assessments. Here they reveal the effects of familial culture and society on her life and give a broader assessment of Mary Lincoln as a woman, wife, and mother. Topics include Mary’s childhood in Kentucky, the early years of her marriage to Abraham, Mary’s love of travel and fashion, the presidential couple’s political partnership, and Mary’s relationship with her son Robert.
The fascinating epilogue meditates on Mary Lincoln’s universal appeal and her enigmatic personality, showcasing the dramatic differences in interpretations. With gripping prose and in-depth documentation, this anthology will capture the imagination of all readers.
Univeristy Press Books for Public and Secondary Schools 2013 edition
In 1875 Mary Lincoln, the widow of a revered president, was committed to an insane asylum by her son, Robert. The trial that preceded her internment was a subject of keen national interest. The focus of public attention since Abraham Lincoln's election in 1860, Mary Lincoln had attracted plentiful criticism and visible scorn from much of the public, who perceived her as spoiled, a spendthrift, and even too much of a Southern sympathizer. Widespread scrutiny only increased following her husband's assassination in 1865 and her son Tad's death six years later, after which her overwhelming grief led to the increasingly erratic behavior that led to her being committed to a sanitarium. A second trial a year later resulted in her release, but the stigma of insanity stuck. In the years since, questions emerged with new force, as the populace and historians debated whether she had been truly insane and subsequently cured, or if she was the victim of family maneuvering.
In this volume, noted Lincoln scholar Jason Emerson provides a documentary history of Mary Lincoln's mental illness and insanity case, evenhandedly presenting every possible primary source on the subject to enable a clearer view of the facts. Beginning with documents from the immediate aftermath of her husband's assassination and ending with reminiscences by friends and family in the mid-twentieth century, Mary Lincoln's Insanity Case: A Documentary History compiles more than one hundred letters, dozens of newspaper articles, editorials, and legal documents, and the daily patient progress reports from Bellevue Place Sanitarium during Mary Lincoln's incarceration. Including many materials that have never been previously published, Emerson also collects multiple reminiscences, interviews, and diaries of people who knew Mary Lincoln or were involved in the case, including the first-hand recollection of one of the jurors in the 1875 insanity trial.
Suggesting neither accusation nor exoneration of the embattled First Lady, Mary Lincoln's Insanity Case: A Documentary History gives scholars and history enthusiasts incomparable access to the documents and information crucial to understanding this vexing chapter in American history.
To better understand these experiences, Schmalzbauer draws on interviews with 60 low-income Latino youth who graduated or were set to graduate from Amherst College, one of the most selective private colleges in the United States. The vast majority of these students were the first in their immigrant families to go to college in the U.S. She finds that while most of the students believed attending Amherst provided them with previously unimaginable opportunities, adjusting to life on campus came with significant challenges. Many of the students Schmalzbauer spoke with had difficulties adapting to the cultural norms at Amherst as well as with relating to their non-Latino, non-low-income peers. The challenges these students faced were not limited to life on campus. As they attempted to adapt to Amherst, many felt distanced from the family and friends they left behind who could not understand the new challenges they faced.
The students credit their elite education for access to extraordinary educational and employment opportunities. However, their experiences while in college and afterward reveal that the relationship between educational and social mobility is much more complicated and less secure than popular conversations about the “American Dream” suggest. Many students found that their educational attainment was not enough to erase the core challenges of growing up in a marginalized immigrant family: many were still poor, faced racism, and those who were undocumented or had undocumented family members still feared deportation.
Schmalzbeauer suggests ways elite colleges can better support low-income Latino students and lower the emotional price of educational mobility, including the creation of immigration offices on campus to provide programming and support for undocumented students and their families. She recommends educating staff to better understand the centrality of family for these students and the challenges they face, as well as educating more privileged students about inequality and the life experiences of their marginalized peers.
Meanings of Mobility provides compelling insights into the difficulties faced by low-income Latinos pursuing educational and social mobility in America’s elite institutions.
How should the medieval family be characterized? Who formed the household and what were the ties of kinship, law, and affection that bound the members together? David Herlihy explores these questions from ancient Greece to the households of fifteenth-century Tuscany, to provide a broad new interpretation of family life. In a series of bold hypotheses, he presents his ideas about the emergence of a distinctive medieval household and its transformation over a thousand years.
Ancient societies lacked the concept of the family as a moral unit and displayed an extraordinary variety of living arrangements, from the huge palaces of the rich to the hovels of the slaves. Not until the seventh and eighth centuries did families take on a more standard form as a result of the congruence of material circumstances, ideological pressures, and the force of cultural norms. By the eleventh century, families had acquired a characteristic kinship organization first visible among elites and then spreading to other classes. From an indifferent network of descent through either male or female lines evolved the new concept of patrilineage, or descent and inheritance through the male line. For the first time a clear set of emotional ties linked family members.
It is the author’s singular contribution to show how, as they evolved from their heritages of either barbarian society or classical antiquity, medieval households developed commensurable forms, distinctive ties of kindred, and a tighter moral and emotional unity to produce the family as we know it. Herlihy’s range of sources is prodigious: ancient Roman and Greek authors, Aquinas, Augustine, archives of monasteries, sermons of saints, civil and canon law, inquisitorial records, civil registers, charters, censuses and surveys, wills, marriage certificates, birth records, and more. This well-written book will be the starting point for all future studies of medieval domestic life.
Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death, Gabe had been working on a film that would show madness from inside and out, as media stereotype and spectacle, symptom and stigma, malady and minority status, disability and gateway to insight. He was convinced that madness is an extreme form of subjective experience that we all endure at some point in our lives, whether in moments of ecstasy or melancholy, or in the enduring trauma of a broken heart. Gabe’s declared ambition was to transform schizophrenia from a death sentence to a learning experience, and madness from a curse to a critical perspective.
Shot through with love and pain, Mental Traveler shows how Gabe drew his father into his quest for enlightenment within madness. It is a book that will touch anyone struggling to cope with mental illness, and especially for parents and caregivers of those caught in its grasp.
Metabolics, a book-length poem, borrows the movements of metabolic pathways to consider how nature accomplishes both balance and deep transformation. In visual figures and prose blocks that bridge the divide between poetry and nonfiction, Jessica E. Johnson employs scientific idioms to construct an allegory about a family in the Pacific Northwest. The region becomes a character in its own right, with cedars, moss, and heavy cloud knitting the mother, father, boy, and girl into their setting.
This far-reaching volume also serves as a study of the ecologies of contemporary parenting, with adults and children affected by “feeds” both on screen and off as their bodies metabolize food, the environment, and excess feelings such as rage. From climate change to kombucha to smartphones and curated produce, the smallest details of daily life in “Plasticland” catalyze a larger examination of selfhood: “Despite so many attempts to resolve this tension, sometimes you are you and also sometimes mother just as light can be both particle and wave.”
A posthumous collection, Midflight collects the poems written by beloved science editor and journalist David Corcoran in the latter part of his life. Idling in a space between the pastoral and the ordinary, Corcoran’s lyrical world maps the sublime mundanity of nature while exploring memory, dreams, and consciousness itself. Corcoran’s lines abound with figures living and long deceased, with the dead walking onstage as if they never left. Describing the accident that killed his father when he was a toddler in “Here,” Corcoran writes, “the door [opens] in midflight / and [pitches] him out.” In “Last Questions,” he asks, “Are you my brother or / a mockingbird?” While these haunting, vivid poems have an aching prescience, imbued as they are with the awareness of human ephemerality, the gift they proffer, to the writer and the reader at once, is the sense of finding oneself midflight, in midair, betwixt sky and ground, in the free fall of being—going and going and never gone.
A Mind of Her Own: Helen Connor Laird and Family 1888–1982 captures the public achievement and private pain of a remarkable Wisconsin woman and her family, whose interests and influence extended well beyond the borders of the state. Spanning almost a century, the history speaks to the way we were and are: a stridently materialistic nation with a deep and persistent spiritual component.
The Misfit of the Family is a compelling argument that Balzac must be taken seriously as a major inventor and purveyor of new tools for analyzing connections between the sexual and the social. Lucey’s account of the novelist’s deployment of "sexual misfits" to impel a wide range of his most canonical works—Cousin Pons, Cousin Bette, Eugenie Grandet, Lost Illusions, The Girl with the Golden Eyes—demonstrates how even the flexible umbrella term "queer" barely covers the enormous diversity of erotic and social behaviors of his characters. Lucey draws on the thinking of Michel Foucault and Pierre Bourdieu and engages the work of critics of nineteenth-century French fiction, including Naomi Schor, D. A. Miller, Franco Moretti, and others. His reflections on Proust as Balzac’s most cannily attentive reader suggest how the lines of social and erotic force he locates in Balzac’s work continued to manifest themselves in twentieth-century writing and society.
Acclaimed children’s book author Cornelia Maude Spelman’s memoir of her family springs from a meeting and subsequent friendship with the late, legendary New Yorker editor William MaxwellIn the 1920s, he and her parents had been friends as undergraduates at the University of Illinois at Urbana-Champaign. When Spelman hints at what she thinks of as the failure of her parents’ lives, he counters that “in a good novel one doesn’t look for a success story, but for a story that moves one with its human drama and richness of experience.”
At their final meeting, Maxwell encourages her to tell her mother’s story. Missing is Spelman’s response to Maxwell’s wisdom. With the pacing of the mystery novels her mother loved, and using everything from letters and interviews to the family’s quotidian paper trail—medical records, telegrams, and other oft-overlooked clues to a family’s history—Spelman reconstructs her mother’s life and untimely death. Along the way, she unravels mysteries of her family, including the fate of her long lost older brother.
Spelman skillfully draws the reader into the elation and sorrow that accompany the discovery of a family’s past. A profoundly loving yet honest elegy, Missing is, like the woman it memorializes, complex and beautiful.
The memoir is structured as an account of her mother's and aunt’s final days and the year that follows, a year in which she reconstructs her life. This is a powerful story about family, what it means to have one, to lose one, never to have made one, and what, if anything, might take its place. It’s the story of a vexed mother-daughter relationship that mellows with age. It is also a search for home, as the very landscape shifts around her and the vast orchards are dug up and paved over for tract housing, strip malls, freeways, and the Santa Clara Valley, once known as the Valley of Heart’s Delight, is transformed to “Silicon.”
Born in postcolonial Philippines into a family—and country—with a complicated history, Christine Imperial learns from a lifetime of experiences that there is no easy path to understanding or belonging. Setting out to renew her relationship to Tagalog, the language she had previously distanced herself from, she contends with the meaning of her dual Philippine/US citizenship along with the conditions surrounding it, reflecting on imperialist and class systems and the history of her birth country. Beginning with an attempt to translate into Tagalog Rudyard Kipling’s “The White Man’s Burden”—Kipling’s ode to American imperialism after the US takeover of the Philippines—Imperial reflects on and writes against Kipling’s poem as she unspools her fractured family’s story.
Reckoning with both the anguish and promise of hybridity, Mistaken for an Empire expands into an exploration of the author’s relationship to English and Tagalog, history, family and state, origin and belonging. By interrogating the many intricacies of individual and national identity and the legacies that shape them, Imperial grapples with the tangled nature of allegiance, whether it be to family, to country, or to self.
The loss of her piano casts a shadow over Emily’s life in Knoxville, a city she could never love. Throughout the rest of her life, Emily longs to return to Cleveland, where she had an idyllic youth with many boyfriends and girlfriends and was, above all, a good piano student. Her life becomes like that of a nomad, moving from house to house and from job to job.
Her great love of life is expressed by dancing in highway honky-tonks, along with her six beautiful girlfriends. After divorcing her lovable, alcoholic husband, Emily falls deeply in love with troubled married men. She doesn’t enjoy whiskey or smoking, but she’s not a churchgoer. She raises three boys in poverty. A fourth son dies soon after birth. Oldest Dickie becomes a life-long petty conman, but little brother John, known as “Sunshine,” becomes a legendary rescuer of wayward boys and girls. Jerry, the middle brother, becomes a merchant seaman, a soldier, and finally a professor and successful writer.
Rather than a chronological narrative, Madden employs an impressionistic style that enables readers to experience Emily’s memories as he imagines them. In sharply focused scenes, Madden evokes the colorful expressions of the articulate, witty woman he has spent all his life listening to—and this memoir will inspire readers to listen eagerly, too.
How and why you should take your children backpackingDespite America’s enthusiasm for outdoors activities like hiking and backpacking, most books on these subjects focus on adults. Backpacking, however, is an ideal activity for the entire family. Tim Hauserman, who is both an experienced outdoors guide and the father of two daughters, now offers a handbook for parents who would like to introduce their children to backpacking and camping. Hauserman provides practical, humorous advice for families new to the outdoors and for trail-savvy parents planning to take their children along for the first time: how to prepare, what to bring, who carries what, how far to walk, what to do in camp, safety precautions, dealing with mishaps, and proper trail and campground etiquette. He includes guidance about appropriate distances and pack weights for every age level of child, as well as tips about backpacking with an infant and bringing the family dog along on the adventure. He even suggests appealing destinations in the Sierra Nevada appropriate for various age groups and recounts some of his (and his daughters’) favorite hikes. Hauserman’s down-to-earth encouragement is based on decades of backpacking and camping with his own children, their friends, and other groups of youngsters. He is candid about his experiences and the lessons he learned from his own mistakes and how he dealt with them. Ultimately, the reward of sharing a special adventure and the peace and beauty of the outdoors makes all the effort worthwhile.
In the tender, sensual, and bracing poems of a more perfect Union, Teri Ellen Cross Davis reclaims the experience of living and mothering while Black in contemporary America, centering Black women’s pleasure by wresting it away from the relentless commodification of the White gaze. Cross Davis deploys stunning emotional range to uplift the mundane, interrogate the status quo, and ultimately create her own goddesses. Parenting, lust, household chores—all are fair game for Cross Davis’s gimlet eye. Whether honoring her grief for Prince’s passing while examining his role in midwifing her sexual awakening or contemplating travel and the gamble of being Black across this wide world, these poems tirelessly seek a path out of the labyrinth to hope.
Sibling rivalry and intergenerational conflict are not limited to human beings. Among seals and piglets, storks and burying beetles, in bird nests and beehives, from apples to humans, family conflicts can be deadly serious, determining who will survive and who will perish. When offspring compete for scarce resources, sibling rivalry kicks in automatically. Parents sometime play favorites or even kill their young. In More than Kin and Less than Kind, Douglas Mock tells us what scientists have discovered about this disturbing side of family dynamics in the natural world.
Natural selection operates primarily for the benefit of individuals (and their genes). Thus a family member may profit directly, by producing its own offspring, or indirectly, by helping close kin to reproduce. Much of the biology of family behavior rests on a simple mathematical relationship called Hamilton’s rule, which links the benefits and costs of seemingly altruistic or selfish behavior to the degree of relatedness between individuals.
Blending natural history and theoretical biology, Mock shows how Hamilton’s rule illuminates the study of family strife by throwing a spotlight on the two powerful forces—cooperation and competition—that shape all interaction in the family arena. In More than Kin and Less than Kind, he offers a rare perspective on the family as testing ground for the evolutionary limits of selfishness. When budgets are tight, close kin are often deadly rivals.
In 1984, Phillip Lopate sat down with his mother, Frances, to listen to her life story. A strong, resilient, indomitable woman who lived through the major events of the twentieth century, she was orphaned in childhood, ran away and married young, and then reinvented herself as a mother, war factory worker, candy store owner, community organizer, clerk, actress, and singer. But paired with exciting anecdotes are the criticisms of the husband who couldn’t satisfy her, the details of numerous affairs and sexual encounters, and, though she succeeded at many of her roles, accounts of how she always felt mistreated, taken advantage of. After the interviews, at a loss for what to do with the tapes, Lopate put them away. But thirty years later, after his mother had passed away, Lopate found himself drawn back to the recordings of this conversation. Thus begins a three-way conversation between a mother, his younger self, and the person he is today.
Trying to break open the family myths, rationalizations, and self-deceptions, A Mother’s Tale is about family members who love each other but who can’t seem to overcome their mutual mistrust. Though Phillip is sympathizing to a point, he cannot join her in her operatic displays of self-pity and how she blames his father for everything that went wrong. His detached, ironic character has been formed partly in response to her melodramatic one. The climax is an argument in which he tries to persuade her—using logic, of all things—that he really does love her, but is only partially successful, of course.
A Mother’s Tale is about something primal and universal: the relationship between a mother and her child, the parent disappointed with the payback, the child, now fully grown, judgmental. The humor is in the details.
The second book by NAACP Image Award finalist Cameron Barnett, Murmur considers the question of how we become who we are. The answers Barnett offers in these poems are neither safe nor easy, as he traces a Black man’s lineage through time and space in contemporary America, navigating personal experiences, political hypocrisies, pop culture, social history, astronomy, and language. Barnett synthesizes unexpected connections and contradictions, exploring the Tulsa Race Massacre of 1921 and the death of Terence Crutcher in 2016 and searching both the stars of Andromeda and a plantation in South Carolina. A diagnosis from the poet’s infancy haunts the poet as he wonders, “like too many Black men,” if “a heart is not enough to keep me alive.”
The poems in Steven Rood’s newest collection take on a musical sensibility as they flow from the poet’s sixty years as a classical guitarist who remains preoccupied with the tonalities of daily life. Each poem in music from behind a stone wall comes together to build a multi-layered symphony that reveals the delights and travails of family life and moments of intimate connection with animals and plants. At the core of the book are poems considering the overwhelming task of trying to communicate the essence of musical experience via the written word. This is a book of grief and joy sung with lyric acuity, vivid images, and formal variation.
My Brother's Madness is part thriller, part exploration that not only describes the causes, character, and journey of mental illness, but also makes sense of it. It is ultimately a story of our own humanity, and answers the question, Am I my brother's keeper?
A touching, funny, and always affectionate memoir, My Family and Other Saints traces the reverberations of Rahoul's spiritual journey through the entire family. As their beachside Bombay home becomes a crossroads for Westerners seeking Eastern enlightenment, Kirin’s sari-wearing American mother wholeheartedly embraces ashrams and gurus, adopting her son’s spiritual quest as her own. Her Indian father, however, coins the term “urug”—guru spelled backward—to mock these seekers, while young Kirin, surrounded by radiant holy men, parents drifting apart, and a motley of young, often eccentric Westerners, is left to find her own answers. Deftly recreating the turbulent emotional world of her bicultural adolescence, but overlaying it with the hard-won understanding of adulthood, Narayan presents a large, rambunctious cast of quirky characters. Throughout, she brings to life not just a family but also a time when just about everyone, it seemed, was consumed by some sort of spiritual quest.
“A lovely book about the author's youth in Bombay, India. . . . The family home becomes a magnet for truth-seekers, and Narayan is there to affectionately document all of it.”—Body + Soul
Thirty years after her father’s death, Karen McClintock sets out to find the gay father she never really knew. As we follow the unraveling family secret, we find ourselves drawn into her story as they stumble into infidelity, grieve heartbreaking losses, and remain loyal in love.
Set in Columbus, Ohio, My Father’s Closet tells the story of how just before the war, McClintock’s parents fell in love and married, while overseas in Germany the man whom she believes became her father’s lover was concealing his Jewish and gay identities in order to escape to America. A set of her father’s journals, letters her parents sent to each other during the Second World War, and a mysterious painting all lead her toward the truth about her gay father. McClintock weaves a complex secret into the fabric of lives we truly care about. And in the process, she leads us out of her father’s closet.
This gripping memoir captures the longing children feel for a distant or hidden parent and taps into the complexity of human connection and abandonment. The characters are resilient and vibrant. The hidden lovers, the nosey neighbors, and surprise lovers all show up. In the end, this extraordinary family finds ways to connect and freedom to love. Anyone who grew up with a family secret will appreciate the dynamics afoot in this fast-paced and compelling story.
My Father’s Name is a family story full of twists and turns—and one of haunting familiarity to many Americans, who may question whether the promises of emancipation have ever truly been fulfilled. It is also a resolute look at the duties that come with reclaiming and honoring Americans who survived slavery and a thoughtful meditation on its painful and enduring history.
Kephart’s obsession with paper began in the wake of her father’s death, when she began to handcraft books and make and marble paper in his memory. But it was when she read My Life with Paper, an autobiography by the late renowned paper hunter and historian Dard Hunter, that she felt she had found a kindred spirit, someone to whom she might address a series of one-sided letters about life and how we live it. Remembering and crafting, wanting and loving, doubting and forgetting—the spine and weave of My Life in Paper came into view.
Paper, for Kephart, provides proof of our yearning, proof of our failure, proof of the people who loved us and the people we have lost. It offers, too, a counterweight to the fickle state of memory.
My Life in Paper, illustrated by the author herself, is an intimate and poignant meditation on life’s most pressing questions.
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