A SCHOLARLY BOOK REPOSITORY15 start with E start with E
September 12, 1910: The world premiere of Gustav Mahler’s Eighth Symphony and the artistic breakthrough for which the composer had yearned all his life. Munich’s new Musik Festhalle was filled to capacity on two successive evenings for the performances, which were received with rapturous applause. Representatives of many European royal houses were in attendance, along with an array of stars from the musical and literary world, including Thomas Mann and the young Arnold Schoenberg. Also present were Alma Mahler, the composer’s wife, and Alma’s longtime lover, the architect Walter Gropius. Knowledge of their relationship would precipitate an emotional crisis in Mahler that, compounded with his heart condition and the loss of his young daughter Maria, would lead to his premature death the next year.
In The Eighth, Stephen Johnson provides a masterful account of the symphony’s far-reaching consequences and its effect on composers, conductors, and writers of the time. The Eighth looks behind the scenes at the demanding one-week rehearsal period leading up to the premiere—something unheard of at the time—and provides fascinating insight into Mahler’s compositional habits, his busy life as a conductor, his philosophical and literary interests, and his personal and professional relationships. Johnson expertly contextualizes Mahler’s work among the prevailing attitudes and political climate of his age, considering the art, science, technology, and mass entertainment that informed the world in 1910. The Eighth is an absorbing history of a musical masterpiece and the troubled man who created it.
"One is soon swept away by this 'Babar' for adults. By the end, one even begins to feel an aversion for people. One wants to curse human civilization and cry out, 'Now God stand up for the elephants!'"—Christopher Lehmann-Haupt, New York Times
"Moss speaks to the general reader, with charm as well as scientific authority. . . . [An] elegantly written and ingeniously structured account." —Raymond Sokolov, Wall Street Journal
"Moss tells the story in a style so conversational . . . that I felt like a privileged visitor riding beside her in her rickety Land-Rover as she showed me around the park." —Sarah Blaffer Hrdy, New York Times Book Review
"A prose-poem celebrating a species from which we could learn some moral as well as zoological lessons." —Chicago Tribune
An annotated selection of unpublished letters by Nathaniel Hawthorne's sister.
Retrieved from seven different libraries, this corpus of letters was preserved by the Manning family chiefly for their value as records of Nathaniel Hawthorne's life and work; but they ironically also illuminate the life and mind of a fascinating correspondent and citizen of New England with incisive views and commentaries on her contemporaries, her role as a woman writer, Boston and Salem literary culture, and family life in mid-19th-century America.
This book illuminates Elizabeth's early life; the trauma caused for sister and brother by the death of their father; her and her brother's education; and the tensions the two children experienced when they moved in with their mother's family, the welthier Mannings, instead of the poorer though socially more venerable Hawthornes, following their father's death. The letters portray Elizabeth's constrained relationship with Nathaniel's wife Sofia Peabody and counter Sophia's portrayal of her sister-in-law as a recluse, oddity, and "queer scribbler."
These 118 letters also reveal Elizabeth Hawthorne's tremendous gifts as a thinker, correspondent, and essayist, her interest in astronomy, a lifelong drive toward self-edification in many fields, and her extraordinary relationship with Nathaniel. As a sibling and a fellow author, they were sometimes lovingly codependent and sometimes competitive. Finally, her writing reveals the larger worlds of politics, war, the literary landscape, class, family life, and the freedoms and constraints of a woman's role, all by a heretofore understudied figure.
From the award-winning author of Poe the Detective: The Curious Circumstances Behind "The Mystery of Marie Roget" comes a compelling argument for the identity of Emily Dickinson’s true love
Proud of my broken heart
Since thou didst break it,
Proud of the pain I
Did not feel till thee . . .
Those words were written by Emily Dickinson to a married man. Who was he?
For a century or more the identity of Emily Dickinson’s mysterious “Master” has been eagerly sought, especially since three letters from her to him were found and published in 1955. In Emily Dickinson in Love, John Evangelist Walsh provides the first book-length treatment of this fascinating subject, offering a solution based wholly on documented facts and the poet’s own writings.
Crafting the affair as a love story of rare appeal, and writing with exquisite attention to detail, in Part I Walsh reveals and meticulously proves the Master to be Otis Lord, a friend of the poet’s father and a man of some reputation in law and politics. Part II portrays the full dimensions of their thirty-year romance, most of it clandestine, including a series of secret meetings in Boston.
After uncovering and confirming the Master’s identity, Walsh fits that information into known events of Emily’s life to make sense of facts long known but little understood—Emily’s decision to dress always in white, for instance, or her extreme withdrawal from a normal existence when she had previously been an active, outgoing friend to many men and women.
In a lengthy section of Notes and Sources, Walsh presents his proofs in abundant detail, demonstrating that the evidence favors one man so irresistibly that there is left no room for doubt. Each reader will decide if he has truly succeeded in making the case for Otis Lord.
Engine Running explores debut author Cade Mason’s gradual distancing from home and old selves alongside an increasingly fractured family doing the same. Starting at the beginning of his parents’ love and working past its end, he combs through memory to piece together a portrait of a family then and now: of a father, reeling after a blindsiding divorce; of a mother, anxious to move on; of a sister, caught in the crossfire; and of a son, learning to embrace his sexuality even as he fears that his own loves may have deepened the rift between his parents.
Lush and innovative, these essays contemplate childhood memories and family secrets, religion and queerness in the rural South, and the ways rituals and contours of manhood are passed through generations. Most of all, we feel with Mason what it is to grapple with and love a place even as you yearn to leave.
Epilepsy and the Family: A New Guide updates Richard Lechtenberg’s classic handbook for people with seizure disorders and those closest to them. It offers coping strategies for the wide range of practical and emotional challenges that epilepsy can introduce into the family: marital and sexual difficulties, concerns about pregnancy and inheritance, drug compliance and abuse among teenagers, personality changes and suicide. This new guide addresses the personal questions that adults with epilepsy may be reluctant to ask their physician, and it offers chapters tailored to the special stresses of spouses, parents, and siblings who, like the patient, must live with a seizure disorder.
As many as two and a half million Americans have epilepsy. Thirty percent of them are children under the age of 18. And there are 125,000 newly diagnosed cases each year. A practicing neurologist with decades of clinical experience, Lechtenberg clearly and concisely explains the biology behind this complex and relatively widespread class of diseases. He discusses the various medical conditions that can cause seizures in children and adults and points out that the cause of many seizure disorders is never discovered. Patients and those who care about them will find authoritative but accessible advice on various medications and surgical approaches and the information they need to ask informed questions of their doctors. For the medical professional, this book offers important information on how to better treat the patient with epilepsy by recognizing the needs of the entire family.
This revised edition addresses:
— New drugs and surgical techniques that have been developed in the past 15 years
— Pharmaceutical and non-pharmaceutical treatment strategies
— New clinical data on drug combinations and side effects
— Up-to-date statistics for mortality, reproduction, violent behavior, divorce, and suicide
Known principally as the author of some of the most significant plays in the American dramatic canon and as one of America’s Nobel Laureates in literature, O'Neill rarely gave interviews and offered few details about himself. As a consequence, his life has long been shrouded in myth. He also abetted some of the misconceptions about his youth by, for example, advocating the story that he was expelled from Princeton for throwing a rock through Woodrow Wilson's window or by exaggerating the amount of time he had spent at sea. The legend of the hard-drinking, tormented playwright with a grim view of life was further reinforced when Long Day's Journey into Night was produced in 1956, three years after his death instead of the twenty-five years he had insisted on.
The portrayal of O’Neill as a tragic figure has been solidified in a number of biographies. The purpose of this collection, however, is to present O'Neill as others saw him and described him in their first-person accounts. In the course of these reminiscences, many of the vast and various narrators conflict with and contradict each other. Unlike other accounts of O’Neill’s life, much of the focus is on impressions instead of facts. The result is a revealing composite portrait of a key figure in twentieth-century American literary history.
This extensive collection offers insights unavailable in any other book and will hold massive appeal for scholars and students interested in American literature, Eugene O’Neill, and theater history, as well as anyone keen to uncover intimate details of the life of one of America’s greatest writers.
In 1980, Christine J. Walley’s world was turned upside down when the steel mill in Southeast Chicago where her father worked abruptly closed. In the ensuing years, ninety thousand other area residents would also lose their jobs in the mills—just one example of the vast scale of deindustrialization occurring across the United States. The disruption of this event propelled Walley into a career as a cultural anthropologist, and now, in Exit Zero, she brings her anthropological perspective home, examining the fate of her family and that of blue-collar America at large.
This book is part of a project that also includes a documentary film.
Exciting and beautifully crafted, The Extraordinary Work of Ordinary Writing provides an entirely new way of viewing “ordinary writing,” the everyday writing we typically ignore or dismiss. It takes as its center the diary of Jennifer Sinor's great-great-great-aunt Annie Ray, a woman who homesteaded in the Dakotas in the late nineteenth century. Diaries such as this have long been ignored by scholars, who prefer instead to focus on diaries with literary features. Reading diaries through this lens gives privileged status to those that are coherently crafted and ignores the very diaries that define the form through their relentless inscription of dailiness.
Annie Ray’s diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day.
The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies and diaries.
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