Investigate how Deuteronomy incorporates vulnerable, displaced people

Deuteronomy addresses social contexts of widespread displacement, an issue affecting 65 million people today. In this book Mark R. Glanville investigates how Deuteronomy fosters the integration of the stranger as kindred into the community of Yahweh. According to Deuteronomy, displaced people are to be enfolded within the household, within the clan, and within the nation. Glanville argues that Deuteronomy demonstrates the immense creativity that communities may invest in enfolding displaced and vulnerable people. Inclusivism is nourished through social law, the law of judicial procedure, communal feasting, and covenant renewal. Deuteronomy’s call to include the stranger as kindred presents contemporary nation-states with an opportunity and a responsibility to reimagine themselves and their disposition toward displaced strangers today.

Features:

• Exploration of the relationship of ancient Israel’s social history to biblical texts
• An integrative methodology that brings together literary-historical, legal, sociological, comparative, literary, and theological approaches
• A thorough study of Israelite identity and ethnicity

Rhetoric, Power, and Possibilities

Thirty years after the publication of Antoinette Clark Wire’s groundbreaking The Corinthian Women Prophets, an interdisciplinary, international, and intergenerational group of scholars reflects upon Wire’s impact on New Testament scholarship. Essays pursue further historical and theoretical possibilities, often in search of marginalized people, including the women of Corinth, using feminist, rhetorical, materialist, decolonizing, queer, and posthumanist approaches to interpret Paul’s letters and the history of ancient Mediterranean assemblies. Contributions from Cavan Concannon, Arminta Fox, Joseph A. Marchal, Shelly Matthews, Anna Miller, Jorunn Økland, and Antoinette Clark Wire reconsider how both the methods and results of Wire’s work reveal the possibilities of other people beside Paul who are worth our attention and effort. The essays in this collection introduce students and scholars to the possibilities of interdisciplinary and intersectional approaches for engaging the broader Pauline corpus.

The first study to focus exclusively on the use in the Hebrew Bible of soundplay to allude to and interpret earlier literary traditions

This book focuses on the way the biblical writers used allusive soundplay to construct theological discourse, that is, in service of their efforts to describe the nature of God and God's relationship to humanity. By showing that a variety of biblical books contain examples of allusive soundplay employed for this purpose, Kline demonstrates that this literary device played an important role in the growth of the biblical text as a whole and in the development of ancient Israelite and early Jewish theological traditions.

Features:

• Demonstrates that allusive soundplay was a productive compositional technique in ancient Israel
• Identifies examples of innerbiblical allusion that have not been identified before
• A robust methodology for identifying soundplay in innerbiblical allusions

This latest volume in the Bible and Women series examines ancient noncanonical Christian texts for what they reveal about women, their engagement with Scripture, and attitudes toward them in texts dating to the second to eighth century. Three sections include once-forgotten texts rediscovered in locations such as Nag Hammadi, those that have been in continuous use through the centuries, and works written by women that are traditionally excluded from discussions of noncanonical texts. Contributors Bernadette J. Brooten, María José Cabezas Cabello, Anna Carfora, Ute E. Eisen, Judith Hartenstein, Ursula Ulrike Kaiser, Karen L. King, Outi Lehtipuu, Heidrun Mader, Antti Marjanen, Silvia Pellegrini, Silke Petersen, Uwe-Karsten Plisch, Cristina Simonelli, Anna Rebecca Solevåg, M. Dolores Martin Trutet, and Carmen Bernabé Ubieta examine a range of texts, including noncanonical gospels and acts, poems, prophecy, and grave inscriptions.

An alternative understanding of apocalyptic eschatology in the Gospel of Matthew

Matthew’s eschatological imageries of judgment are often identified as apocalyptic and referred to as Matthew’s apocalyptic discourses. In this volume Elekosi F. Lafitaga reexamines Matthew’s vision of the sheep and goats in the judgment of the nations, which are often interpreted as metaphors for the saved and the condemned. Lafitaga views these images in the wider context of the rhetoric of apocalyptic communication stretching back to Matthew 3. This broader context reveals that the vision of Matthew 25 serves to exhort Israel in the here and now according to the torah, with salvation for Israel involving an indispensable responsibility to love and serve humanity. Central to Lafitaga’s analysis is the highly probable scenario that the material in Matthew is dependent on the Book of Dreams (1 Enoch 83–90).

Explore richly embellished Armenian tales of biblical heroes

This fifth book of Michael E. Stone's English translations of stories from medieval Armenian manuscripts illustrates how authors transmitted and transformed accounts of biblical heroes. Texts focus on important figures such as Adam, Noah, Abraham, Solomon, Daniel and Susanna, and more. This collection reflects not only the richness of Armenian creativity stimulated by piety and learning but also Michael E. Stone's career-long search for reworkings of biblical traditions, stories, and persons in the Armenian tradition.

Features:

• A rich tradition of biblical exegesis and commentary, much of it in genres of the older apocryphal and pseudepigraphical literature
• Reflections on the roots of Armenian texts in ancient Judaism and earliest Christianity
• Texts, translations, and a critical apparatus

A richly illustrated collection of essays on visual biblical interpretation

For centuries Christians have engaged their sacred texts as much through the visual as through the written word. Yet until recent decades, the academic disciplines of biblical studies and art history largely worked independently. This volume bridges that gap with the interdisciplinary work of biblical scholars and art historians. Focusing on the visualization of biblical characters from both the Old and New Testaments, essays illustrate the potential of such collaboration for a deeper understanding of the Bible and its visual reception. Contributions from Ian Boxall, James Clifton, David B. Gowler, Jonathan Homrighausen, Heidi J. Hornik, Jeff Jay, Christine E. Joynes, Yohana A. Junker, Meredith Munson, and Ela Nuțu foreground diverse cultural contexts and chronological periods for scholars and students of the Bible and art.

A critical study for those interested in the intersection of art and biblical interpretation

With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation.

Features

Resources for understanding the relation of texts to artistic paintings and images

Tools for integrating multiple approaches both to biblical and artistic interpretation

Sixty images and fifteen illustrations

An exploration of Aseneth's beginnings

In Aseneth of Egypt: The Composition of a Jewish Narrative, Patricia D. Ahearne-Kroll challenges reliance on reconstructed texts in previous scholarship on the book of Joseph and Aseneth. After outlining the problems with previous prototypes of the Hellenistic narrative, she proposes a way to talk about the story in its initial setting without ignoring the manuscript evidence. Her thorough analysis of the evidence reveals how Joseph and Aseneth reflects the literary impulse of Greek-speaking Jewish writers to redescribe their identity in Egypt and Judean connections to the land of Egypt, while incorporating Ptolemaic strategies of legitimation of power. In the end, Ahearne-Kroll concludes that the base storyline preserved in all the copies of this story demonstrates that it was written for Jewish communities living in Hellenistic Egypt.

Features:

• A focus on Hellenistic stories of heroic ancestors
• A discussion of the possible lives of Jews in Hellenistic Egypt drawn from the narrative of Aseneth
• An examination of the complexities involved in dating the composition of literary texts