A SCHOLARLY BOOK REPOSITORY242 start with D start with D
"Outstanding. . . . The author packs a remarkable quantity of detail into a small space, even including a discussion of price and wage figures that will be intelligible to Americans [today]. . . . His prose is lucid, graceful, lively. Generously illustrated, the book also includes an extensive bibliography."—Choice
"An excellent source for English Literature and history students studying this period or Samuel Johnson."—Booklist
In a lively narrative that spans more than two centuries, Meredith Martin tells the story of a royal and aristocratic building type that has been largely forgotten today: the pleasure dairy of early modern France. These garden structures—most famously the faux-rustic, white marble dairy built for Marie-Antoinette’s Hameau at Versailles—have long been dismissed as the trifling follies of a reckless elite. Martin challenges such assumptions and reveals the pivotal role that pleasure dairies played in cultural and political life, especially with respect to polarizing debates about nobility, femininity, and domesticity. Together with other forms of pastoral architecture such as model farms and hermitages, pleasure dairies were crucial arenas for elite women to exercise and experiment with identity and power.
Opening with Catherine de’ Medici’s lavish dairy at Fontainebleau (c. 1560), Martin’s book explores how French queens and noblewomen used pleasure dairies to naturalize their status, display their cultivated tastes, and proclaim their virtue as nurturing mothers and capable estate managers. Pleasure dairies also provided women with a site to promote good health, by spending time in salubrious gardens and consuming fresh milk. Illustrated with a dazzling array of images and photographs, Dairy Queens sheds new light on architecture, self, and society in the ancien régime.
The common explanation for the outbreak of World War I depicts Europe as a minefield of nationalism, needing only the slightest pressure to set off an explosion of passion that would rip the continent apart. But in a crucial reexamination of the outbreak of violence, Michael S. Neiberg shows that ordinary Europeans, unlike their political and military leaders, neither wanted nor expected war during the fateful summer of 1914. By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting, Neiberg dispels the notion that Europeans were rabid nationalists intent on mass slaughter. He reveals instead a complex set of allegiances that cut across national boundaries.
Neiberg marshals letters, diaries, and memoirs of ordinary citizens across Europe to show that the onset of war was experienced as a sudden, unexpected event. As they watched a minor diplomatic crisis erupt into a continental bloodbath, they expressed shock, revulsion, and fear. But when bargains between belligerent governments began to crumble under the weight of conflict, public disillusionment soon followed. Yet it was only after the fighting acquired its own horrible momentum that national hatreds emerged under the pressure of mutually escalating threats, wartime atrocities, and intense government propaganda.
Dance of the Furies gives voice to a generation who found themselves compelled to participate in a ghastly, protracted orgy of violence they never imagined would come to pass.
The common explanation for the outbreak of World War I depicts Europe as a minefield of nationalism, needing only the slightest pressure to set off an explosion of passion that would rip the continent apart. But in a crucial reexamination of the outbreak of violence, Michael S. Neiberg shows that ordinary Europeans, unlike their political and military leaders, neither wanted nor expected war during the fateful summer of 1914. By training his eye on the ways that people outside the halls of power reacted to the rapid onset and escalation of the fighting, Neiberg dispels the notion that Europeans were rabid nationalists intent on mass slaughter. He reveals instead a complex set of allegiances that cut across national boundaries.
Neiberg marshals letters, diaries, and memoirs of ordinary citizens across Europe to show that the onset of war was experienced as a sudden, unexpected event. As they watched a minor diplomatic crisis erupt into a continental bloodbath, they expressed shock, revulsion, and fear. But when bargains between belligerent governments began to crumble under the weight of conflict, public disillusionment soon followed. Yet it was only after the fighting acquired its own horrible momentum that national hatreds emerged under the pressure of mutually escalating threats, wartime atrocities, and intense government propaganda.
Dance of the Furies gives voice to a generation who found themselves compelled to participate in a ghastly, protracted orgy of violence they never imagined would come to pass.
Developing a new theory of choreographic space, Arabella Stanger shows how embodied forms of hope promised in ballet and progressive dance modernisms conceal and depend on spatial operations of imperial, colonial, and racial subjection. Stanger unearths dance’s violent ground by interrogating the expansionist fantasies of Marius Petipa’s imperial ballet, settler colonial and corporate land practices in the modern dance of Martha Graham and George Balanchine, reactionary discourses of the human in Rudolf von Laban’s and Oskar Schlemmer’s movement geometries; Merce Cunningham’s experimentalism as a white settler fantasy of the land of the free, and the imperial amnesia of Boris Charmatz’s interventions into metropolitan museums. Drawing on materialist thought, critical race theory, and indigenous studies, Stanger ultimately advocates for dance studies to adopt a position of “critical negativity,” an analytical attitude attuned to how dance’s exuberant modeling of certain forms of life might provide cover for life-negating practices. Bold in its arguments and rigorous in its critique, Dancing on Violent Ground asks how performance scholars can develop a practice of thinking hopefully, without expunging history from their site of analysis.
Drawing on cultural, literary, dance, performance, and queer studies, Dancing with the Modernist City analyzes an array of material from 1896 to 1914—essays, novels, short stories, poetry, newspaper articles, photographs, posters, drawings, and early film. It argues that these writers and artists created a genre called the metropolitan dance text, which depicts dancing figures not on a traditional stage, but with the streets, advertising pillars, theaters, cafes, squares, and even hospitals of an urban setting. Breaking away from the historically male, heteronormative view, this posthumanist mode of writing highlights the visual and episodic unexpectedness of urban encounters. These literary depictions question traditional conceptualizations of space and performance by making the protagonist and the reader feel like they embody the dancer and the movement. In doing so, they upset the conventional depictions of performance and urban spaces in ways paralleling modern dance.
Drawing on cultural, literary, dance, performance, and queer studies, Dancing with the Modernist City analyzes an array of material from 1896 to 1914—essays, novels, short stories, poetry, newspaper articles, photographs, posters, drawings, and early film. It argues that these writers and artists created a genre called the metropolitan dance text, which depicts dancing figures not on a traditional stage, but with the streets, advertising pillars, theaters, cafes, squares, and even hospitals of an urban setting. Breaking away from the historically male, heteronormative view, this posthumanist mode of writing highlights the visual and episodic unexpectedness of urban encounters. These literary depictions question traditional conceptualizations of space and performance by making the protagonist and the reader feel like they embody the dancer and the movement. In doing so, they upset the conventional depictions of performance and urban spaces in ways paralleling modern dance.
In Dandyism in the Age of Revolution, Elizabeth Amann shows that in France, England, and Spain, daring dress became a way of taking a stance toward the social and political upheaval of the period. France is the centerpiece of the story, not just because of the significance of the Revolution but also because of the speed with which its politics and fashions shifted. Dandyism in France represented an attempt to recover a political center after the extremism of the Terror, while in England and Spain it offered a way to reflect upon the turmoil across the Channel and Pyrenees. From the Hair Powder Act, which required users of the product to purchase a permit, to the political implications of the feather in Yankee Doodle’s hat, Amann aims to revise our understanding of the origins of modern dandyism and to recover the political context from which it emerged.
Wisconsin Territory's first Dane arrived in 1829, and by 1860 the state's Danish-born population had reached 1,150. Yet these newcomers remained only a small segment of Wisconsin's increasingly complex cultural mosaic, and the challenges of adapting to life in this new land shaped the Danish experience in the state. In this popular book, now revised and expanded with additional historical photos and documents, Frederick Hale offers a concise introduction to Wisconsin's Danish settlers, exploring their reasons for leaving their homeland, describing their difficult journeys, and examining their adjustments to life on Wisconsin soil.
New to this edition are the selected letters of Danish immigrant Andrew Frederickson. These compelling documents, written over a 40-year span, capture the personal observations of one Dane as he made a new life in Wisconsin.
Yet is it possible that romance is expressing a truth—and a truth unrecognized by realist genres? The Arthurian literature of the Middle Ages, Karen Sullivan argues, consistently ventriloquizes in its pages the criticisms that were being made of romance at the time, and implicitly defends itself against those criticisms. The Danger of Romance shows that the conviction that ordinary reality is the only reality is itself an assumption, and one that can blind those who hold it to the extraordinary phenomena that exist around them. It demonstrates that that which is rare, ephemeral, and inexplicable is no less real than that which is commonplace, long-lasting, and easily accounted for. If romance continues to appeal to audiences today, whether in its Arthurian prototype or in its more recent incarnations, it is because it confirms the perception—or even the hope—of a beauty and truth in the world that realist genres deny.
The Danish-Mormon migration to Utah in the nineteenth century was, relative to population size, one of the largest European religious out-migrations in history. Hundreds of thousands of Americans can trace their ancestry to Danish Mormons, but few know about the social and cultural ramifications of their ancestors’ conversion to Mormonism. This book tells that exciting and complex story for the first time.
In 1849, after nearly a thousand years of state- controlled religion, Denmark’s first democratic constitution granted religious freedom. One year later, the arrival of three Mormon missionaries in Denmark and their rapid success at winning converts to their faith caused a crisis in Danish society over the existential question: "How could someone be Danish but not Lutheran?" Over the next half-century nearly thirty thousand Danes joined the LDS Church, more than eighteen thousand of whom emigrated to join their fellow Mormons in Utah. This volume explores the range of Danish public reactions to Mormonism over a seventy-year period—from theological concerns articulated by Søren and Peter Christian Kierkegaard in the 1850s to fear-mongering about polygamy and white slavery in silent films of the 1910s and 1920s—and looks at the personal histories of converts.
Honorable Mention for Best International Book from the Mormon History Association.
A Times Literary Supplement Book of the Year
A Marginal Revolution Best Non-Fiction Book of the Year
A Seminary Co-op Notable Book of the Year
A Times Higher Education Book of the Week
A Choice Outstanding Academic Title of the Year
Marco Santagata’s Dante: The Story of His Life illuminates one of the world’s supreme poets from many angles—writer, philosopher, father, courtier, political partisan. Santagata brings together a vast body of Italian scholarship on Dante’s medieval world, untangles a complex web of family and political relationships for English readers, and shows how the composition of the Commedia was influenced by local and regional politics.
“Reading Marco Santagata’s fascinating new biography, the reader is soon forced to acknowledge that one of the cornerstones of Western literature [The Divine Comedy], a poem considered sublime and universal, is the product of vicious factionalism and packed with local scandal.”
—Tim Parks, London Review of Books
“This is a wonderful book. Even if you have not read Dante you will be gripped by its account of one of the most extraordinary figures in the history of literature, and one of the most dramatic periods of European history. If you are a Dantean, it will be your invaluable companion forever.”
—A. N. Wilson, The Spectator
Despite the absence of tracts about beauty and art, aesthetic issues did command the attention of people in the Middle Ages. Whenever poets or philosophers turned their thoughts to the order of the heavens, whenever they delighted in music or art, they contemplated how the pleasure they took in the artistry of the universe was related to the God who created it. For Dante, aesthetics was the discourse of being and could not be narrowly defined. The aesthetic became the domain in which he considered not only form and proportion, but questions of love, identity, and perfection of the self.
Warren Ginsberg expertly guides us through Dante's work. He distinguishes between early texts such as the Vita Nuova, in which the aesthetic offers only a form of knowledge between sensation and reason, and the Comedy, in which the aesthetic is transformed into a language of existence. Among other subjects, Dante's Aesthetics of Being treats poeticism, literary history, language theory, the relation of philosophy to poetry, and of course, aesthetics. Its readers will include not only experts in Dante and medievalists in general, but literary critics of all periods. Indeed, anyone interested in poetic theory, the philosophy of beauty, or interdisciplinary studies will profit from reading Ginsberg's thoughtful offering.
Warren Ginsberg is Professor of English, University at Albany, State University of New York. He is author of The Cast of Character: The Representation of Personality in Ancient and Medieval Literature and editor of two Middle English poems, Wynnere and Wastoure and The Parlement of the Thre Ages.
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship.
Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished.
In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
In Dante's Epistle to Cangrande Robert Hollander commandingly marshals new evidence to demonstrate that the epistle should be considered authentically Dantean. He further provides enlightening discussion of the nature of tragedy and comedy in the Divine Comedy. The author draws authoritatively on the extensive array of medieval and modern commentaries stored in electronic form by the Dartmouth Dante Project, of which he is the director.
Dante's Epistle to Cangrande makes a signal contribution to Dante studies. Naturally of interest to students of Dante's work, it will also be important reading for those concerned with literary critical questions such as authorial intent, programmatic statements, and allegorical interpretations of literature.
One of the Most Important Histories of the Greatest Battle on the Western Front in World War II
“Dark December occupies a distinguished place among war books. Every paragraph is based upon evidence, not flimsy wartime rumors. Technical enough for the professional, accurate enough for the historian (in fact, it is history of the best), it is lucid and understandable for the general reader.”—New York Herald Tribune
“If other veterans of the Army’s historical division can maintain Mr. Merriam’s high standard of stimulating, critical and painstaking work, we will be fortunate. Dark December can be heartily recommended to anyone faintly interested in the war.”—New York Times
“The book explodes a number of myths which have been winning their improper way into general belief.” —Arthur Schlesinger, Jr., Booklist
The massive German counteroffensive through Belgium’s Ardennes forest in December 1944 took the American and British armies by surprise and changed the outcome of the war. With whole divisions destroyed and decimated, the American army scrambled to contain the German threat, while also trying to determine how such an attack had gone undetected. The Americans succeeded in winning the month-long battle, commonly known as the Battle of the Bulge, through the tenacity of several pockets of troops, notably those in the Belgian town of Bastogne, and the remarkable rapid movement of Patton’s Third Army to seal the breech in the American lines. The battle stalled the British and American advances and lengthened the war with the result that the Soviet Union was able to make greater gains in Europe than previously anticipated. Dark December is a thorough and engrossing examination of the Battle of the Bulge by a historian who had the opportunity to prepare notes as the battle was occurring and consult classified American as well as German records. Notably, the book contains unique and critical information, including details gleaned from interviews conducted by the author with commanding officers on both sides, some of which are the only reports gathered from these sources. Originally published in 1947, this the first paperback edition with the complete original text and maps.
The ruins of war have long held the power to stupefy and appall. Can such ruins ever be persuasively depicted and comprehended? Can images of ruins force us to identify with the suffering of the enemy and raise uncomfortable questions about forgiveness and revenge?
Françoise Meltzer explores these questions in Dark Lens, which uses the images of war ruins in Nazi Germany to investigate problems of aestheticization and the representation of catastrophe. Through texts that give accounts of bombed-out towns in Germany in the last years of the war, painters’ attempts to depict the destruction, and her own mother’s photographs taken in 1945, Meltzer asks if any medium offers a direct experience of war ruins for the viewer. Refreshingly accessible and deeply personal, Dark Lens is a compelling look at the role images play in constructing memory.
Translated into English for the first time, Dark Side of the Light scrutinizes Condorcet’s Reflections on NegroSlavery and the works of Montesquieu, Rousseau, and Diderot side by side with the Code Noir (the royal document that codified the rules of French Caribbean slavery) in order to uncover attempts to uphold the humanist project of the Enlightenment while simultaneously justifying slavery. Wielding the pen of both the ironist and the moralist, Sala-Molins demonstrates the flawed nature of these attempts and the reasons given for this denial of rights, from the imperatives of public order to the incomplete humanity of the slave (and thus the need for his progressive humanization through slavery), to the economic prosperity that depended on his labor. At the same time, Sala-Molins uses the techniques of literature to give equal weight to the perspective of the “barefooted, the starving, and the slaves” through expository prose and scenes between slave and philosopher, giving moral agency and flesh-and-blood dimensions to issues most often treated as abstractions.
Both an urgent critique and a measured analysis, Dark Side of the Light reveals the moral paradoxes of Enlightenment philosophies and their world-changing consequences.
Louis Sala-Molins is a moral and political philosopher and emeritus professor at the University of Toulouse. He is the author of many books, including Le Code Noir, ou Le calvaire de Canaan and L’Afrique aux Amériques.
John Conteh-Morgan is associate professor of French and Francophone, African-American, and African studies at Ohio State University. He is the author of Theatre and Drama in Francophone Africa: A Critical Introduction.
The hugely popular spiritualist movement, which maintained that women were uniquely qualified to commune with spirits of the dead, offered female mediums a new independence, authority, and potential to undermine conventional class and gender relations in the home and in society.
Using previously unexamined sources and an innovative approach, Alex Owen invokes the Victorian world of darkened séance rooms, theatrical apparitions, and moving episodes of happiness lost and regained. She charts the struggles between spiritualists and the medical and legal establishments over the issue of female mediumship, and provides new insights into the gendered dynamics of Victorian society.
Only now, with Darwin and the Making of Sexual Selection, do we have a comprehensive and meticulously researched account of Darwin’s path to its formulation—one that shows the man, rather than the myth, and examines both the social and intellectual roots of Darwin’s theory. Drawing on the minutiae of his unpublished notes, annotations in his personal library, and his extensive correspondence, Evelleen Richards offers a richly detailed, multilayered history. Her fine-grained analysis comprehends the extraordinarily wide range of Darwin’s sources and disentangles the complexity of theory, practice, and analogy that went into the making of sexual selection. Richards deftly explores the narrative strands of this history and vividly brings to life the chief characters involved. A true milestone in the history of science, Darwin and the Making of Sexual Selection illuminates the social and cultural contingencies of the shaping of an important—if controversial—biological concept that is back in play in current evolutionary theory.
In Darwin Deleted, Bowler argues that no one else, not even Wallace, was in a position to duplicate Darwin’s complete theory of evolution by natural selection. Evolutionary biology would almost certainly have emerged, but through alternative theories, which were frequently promoted by scientists, religious thinkers, and moralists who feared the implications of natural selection. Because non-Darwinian elements of evolutionism flourished for a time in the real world, it is possible to plausibly imagine how they might have developed, particularly if the theory of natural selection had not emerged until decades after the acceptance of the basic idea of evolution. Bowler’s unique approach enables him to clearly explain the non-Darwinian tradition—and in doing so, he reveals how the reception of Darwinism was historically contingent. By taking Darwin out of the equation, Bowler is able to fully elucidate the ideas of other scientists, such as Richard Owen and Thomas Huxley, whose work has often been misunderstood because of their distinctive responses to Darwin.
There has always been a mystery surrounding Darwin: How did this quiet, respectable gentleman come to beget one of the most radical ideas in the history of human thought? It is difficult to overstate what Darwin was risking in publishing his theory of evolution. So it must have been something very powerful—a moral fire, as Desmond and Moore put it—that helped propel him. That moral fire, they argue, was a passionate hatred of slavery.
In opposition to the apologists for slavery who argued that blacks and whites had originated as separate species, Darwin believed the races belonged to the same human family. Slavery was a “sin,” and abolishing it became his “sacred cause.” By extending the abolitionists’ idea of human brotherhood to all life, Darwin developed our modern view of evolution.
Drawing on a wealth of fresh manuscripts, family letters, diaries, and even ships’ logs, Desmond and Moore argue that only by acknowledging Darwin’s abolitionist heritage can we fully understand the development of his groundbreaking ideas.
Professor Turyn has published books on Greek manuscripts in the Vatican Library, and here he examines book scripts and subscriptions from the dated Greek manuscripts in the libraries of Great Britain.
These to-scale facsimile reproductions, one hundred ninety-eight in total, provide ample paleographical material that will help in dating other manuscripts. The author presents the chronological evidence and extensively interprets the prosopographical and linguistic elements of the manuscripts. At the same time he elucidates the origins of a manuscript, its character as a document of Byzantine culture, and its role in the transmission of ancient and medieval Greek literature.
The era of the Scientific Revolution has long been epitomized by Galileo. Yet many women were at its vanguard, deeply invested in empirical culture. They experimented with medicine and practical alchemy at home, at court, and through collaborative networks of practitioners. In academies, salons, and correspondence, they debated cosmological discoveries; in their literary production, they used their knowledge of natural philosophy to argue for their intellectual equality to men.
Meredith Ray restores the work of these women to our understanding of early modern scientific culture. Her study begins with Caterina Sforza’s alchemical recipes; examines the sixteenth-century vogue for “books of secrets”; and looks at narratives of science in works by Moderata Fonte and Lucrezia Marinella. It concludes with Camilla Erculiani’s letters on natural philosophy and, finally, Margherita Sarrocchi’s defense of Galileo’s “Medicean” stars.
Combining literary and cultural analysis, Daughters of Alchemy contributes to the emerging scholarship on the variegated nature of scientific practice in the early modern era. Drawing on a range of under-studied material including new analyses of the Sarrocchi–Galileo correspondence and a previously unavailable manuscript of Sforza’s Experimenti, Ray’s book rethinks early modern science, properly reintroducing the integral and essential work of women.
Famous and seductive, female stage performers haunted French public life in the century before and after the Revolution. This pathbreaking study delineates the distinctive place of actresses, dancers, and singers within the French erotic and political imaginations. From the moment they became an unofficial caste of mistresses to France's elite during the reign of Louis XIV, their image fluctuated between emasculating men and delighting them.
Drawing upon newspaper accounts, society columns, theater criticism, government reports, autobiographies, public rituals, and a huge corpus of fiction, Lenard Berlanstein argues that the public image of actresses was shaped by the political climate and ruling ideology; thus they were deified in one era and damned in the next. Tolerated when civil society functioned and demonized when it faltered, they finally passed from notoriety to celebrity with the stabilization of parliamentary life after 1880. Only then could female fans admire them openly, and could the state officially recognize their contributions to national life.
Daughters of Eve is a provocative look at how a culture creates social perceptions and reshuffles collective identities in response to political change.
Born on January 17, 1863, in Manchester, England, David Lloyd George is perhaps best known for his service as prime minister of the United Kingdom during the second half of World War I. While many biographies have chronicled his life and political endeavors, few, if any, have explored how his devotion to democratic doctrines in the Church of Christ shaped his political perspectives and choices both before and during the First World War. In David Lloyd George: The Politics of Religious Conviction, Jerry L. Gaw bridges this gap in scholarship, showcasing George’s religious roots and their impact on his politics in the late nineteenth and early twentieth centuries.
With a comprehensive narrative that spans more than a century, Gaw’s book ranges beyond typical biography and examines how the work and theology of Alexander Campbell, a founder
of the Stone-Campbell Movement in America, influenced a prominent world leader. George’s twelve diaries and the more than three thousand letters he wrote to his brother between 1886 and 1943 provide the foundation for Gaw’s thorough analysis of George’s beliefs and politics. Taken together, these texts illuminate his lifelong adherence to the Church of Christ in Britain and how his faith, in turn, contributed to his proclivity for championing humanitarian, egalitarian, and popular political policies beginning with the first of his fifty-five years in the British Parliament.
Broadly, Gaw’s study helps us to understand how the Stone-Campbell tradition—and later, Churches of Christ—became contextualized in the British Isles over the course of the nineteenth century. His significant mining of primary materials successively reveals a lesser-known side of David Lloyd George, in large part explaining how he arrived at the political decisions that helped shape history.
A Day in a Medieval City breathes life into the activities of the city streets, homes, fields, schools, and places of worship. With entertaining anecdotes and gritty details, it engages the modern reader with its discoveries of the religious, economic, and institutional practices of the day. From urban planning and education to child care, hygiene, and the more leisurely pursuits of games, food, books, and superstitions, Frugoni unearths the daily routines of the private and public lives of citizens. A Day in a Medieval City is a charming portal to the Middle Ages that you'll surely want with you on your travels to Europe—or in your armchair.
“Stunningly beautiful . . . and a good read as well. . . . It’s amazing how much wealth of detail and image Ms. Frugoni has packed into this delightful, relatively small book.”—Steve Goode, Washington Times
“Charming and insightful. . . .Written with exceptional grace and infused with a warm sense of humanity.”—Library Journal
Silent parachutes dotting the night sky—that’s how one woman in Normandy in June 1944 learned that the D-Day invasion was underway. Though they yearned for liberation, the people of Normandy steeled themselves for further warfare, knowing that their homes, land, and fellow citizens would have to bear the brunt of the attack. In D-Day through French Eyes, Mary Louise Roberts resets our view of the usual stories of that momentous operation, taking readers across the Channel to view the invasion anew. Roberts builds her history from an impressive range of gripping first-person accounts from French citizens, reinvigorating a story we thought we knew. The result is a fresh perspective on the heroism, sacrifice, and achievement of D-Day.
Winner of the Duff Cooper Prize
Winner of the Elizabeth Longford Prize
A New Yorker, Financial Times, Spectator, Times, and Telegraph Book of the Year
In this definitive biography of the mythic general who refused to accept the Nazi domination of France, Julian Jackson captures Charles de Gaulle as never before. Drawing on unpublished letters, memoirs, and papers from the recently opened de Gaulle archive, he shows how this volatile visionary of staunch faith and conservative beliefs infuriated Churchill, challenged American hegemony, recognized the limitations of colonial ambitions in Algeria and Vietnam, and put a broken France back at the center of world affairs.
“With a fluent style and near-total command of existing and newly available sources…Julian Jackson has come closer than anyone before him to demystifying this conservative at war with the status quo, for whom national interests were inseparable from personal honor.”
—Richard Norton Smith, Wall Street Journal
“A sweeping-yet-concise introduction to the most brilliant, infuriating, and ineffably French of men.”
—Ross Douthat, New York Times
“Classically composed and authoritative…Jackson writes wonderful political history.”
—Adam Gopnik, New Yorker
“A remarkable book in which the man widely chosen as the Greatest Frenchman is dissected, intelligently and lucidly, then put together again in an extraordinary fair-minded, highly readable portrait. Throughout, the book tells a thrilling story.”
—Antonia Fraser, New Statesman
“Makes awesome reading, and is a tribute to the fascination of its subject, and to Jackson’s mastery of it…A triumph, and hugely readable.”
—Max Hastings, Sunday Times
From the Preface:
The de Peysters were an armigerous family of Ghent, and can be traced as landowners of some importance in that neighborhood as far back as the thirteenth century. By custom they were associated with various of the mediaeval guilds of Ghent, especially the Goldsmiths' Guild, serving frequently as Chief-Dean and Syndic of more than one. Many, including Johannes de Peyster's grandfather, Josse de Peyster (1554- ?) of Ghent, were described as goldsmith, probably in the old meaning of banker. Their conversion to Protestantism caused the family to take refuge in Holland, while some established themselves in London and in Rouen.
The interest of the author, Waldron Phoenix Belknap, Jr., in his Dutch and Colonial ancestors prompted him to write this book. His painstaking research has given us a record of the de Peyster family up to the present, and brought to light many interesting and little-known facts about the family. Attention is called to the variation in the spelling of some names, in many instances of the same person, but the spelling follows the records as found.
The Dead Ladies Project is an account of that journey—but it’s also much, much more. Fascinated by exile, Crispin travels an itinerary of key locations in its literary map, of places that have drawn writers who needed to break free from their origins and start afresh. As she reflects on William James struggling through despair in Berlin, Nora Barnacle dependant on and dependable for James Joyce in Trieste, Maud Gonne fomenting revolution and fostering myth in Dublin, or Igor Stravinsky starting over from nothing in Switzerland, Crispin interweaves biography, incisive literary analysis, and personal experience into a rich meditation on the complicated interactions of place, personality, and society that can make escape and reinvention such an attractive, even intoxicating proposition.
Personal and profane, funny and fervent, The Dead Ladies Project ranges from the nineteenth century to the present, from historical figures to brand-new hangovers, in search, ultimately, of an answer to a bedrock question: How does a person decide how to live their life?
In this landmark reader, Benjamin Fraser offers in five parts 44 Spanish documents dating from 1417 to the present, translated for the first time to trace the turbulent history of Deaf culture in Spain. Part I: The Birth of Oralism and Deafness as Metaphor illustrates the predominant impression of deafness as isolation, exemplified by Teresa de Cartagena writings in 1455-60 about deafness as an island. Part II: The Return to Deaf Education highlights writers who wished to restore “the Spanish ‘Art’” of educating deaf students. Lorenzo Hervás y Panduro wrote The Spanish School of Deafmutes, or Method of Teaching Them to Write and Speak the Spanish Language in 1795. Yet, Madrid’s Royal School for Deaf-Mutes, which opened in 1805, taught deaf students using methodical signs adopted from France’s Abbé de l’Epée.
Readings in Part III :The Contemporary Deaf Experience reveal considerations from the 1970s to the ‘90s of Deaf culture and linguistics similar to those in the United States, typified by the works of Inés Polo and Félix-Jesús Pinedo Peydró. The fourth part, The Recognition of Deaf Language and Culture, marks the expansion of academic research in Spain. María Angeles Rodríguez González spearheaded Spanish Sign Language (LSE) linguistics in 1992 with her publication Sign Language. The final part, A Selection of Deaf Poetry, concludes these documents with verse in Spanish spoken dialects rather than LSE, indicating that the evolution of the Deaf experience in Spain continues on its own path today.
Since the French Revolution in1789, Deaf French people have struggled to preserve their cultural heritage, to win full civil rights, and to gain access to society through their sign language. Anne T. Quartararo depicts this struggle in her new book Deaf Identity and Social Images in Nineteenth-Century France. In it, she portrays the genesis of the French Deaf community, examines its identity as a minority culture, and analyzes how deaf people developed their cultural heritage, a deaf patrimonie that has been historically connected to the preservation of French sign language.
Quartararo begins by describing how Abbé de l’Epée promoted the education of deaf students with sign language, an approach supported by the French revolutionary government, which formally established the Paris Deaf Institute in 1791. In the early part of the nineteenth century, the school’s hearing director, Roch-Ambroise-Auguste Bébian, advocated the use of sign language even while the institute’s physician Dr. Jean-Marc-Gaspard Itard worked to discredit signing.
In this meticulous study, Quartararo details the many variations in deaf education from 1830 to1930. She describes the banquet movement in the 1830s led by Ferdinand Berthier, Alponse Lenoir, and Claudius Forestier, which celebrated sign language and fostered the deaf association known as the Société Centrale. Quartararo also recounts how hearing educators at the Milan Congress in 1880 universally adopted oralism as the way to defeat deafness, and prohibited sign language in deaf schools. French deaf people refused to submit to this attack upon their cultural heritage, however, and an explosion of social activity among deaf people between 1880 and 1900 created a host of active deaf groups in all corners of the country. Deaf Identity and Social Images paints a unique, rich tapestry of the resilience of French deaf people in defending their culture through the most trying century in their history.
Inspired by the conference “Deaf People in Hitler’s Europe, 1933–1945,” hosted jointly by Gallaudet University and the United States Holocaust Memorial Museum in 1998, this extraordinary collection, organized into three parts, integrates key presentations and important postconference research.
Henry Friedlander begins “Part I: Racial Hygiene” by analyzing the assault on deaf people and people with disabilities as an integral element in the Nazi attempt to implement their theories of racial hygiene. Robert Proctor documents the role of medical professionals in deciding who should be sterilized or forbidden to marry, and whom the Nazi authorities would murder. In an essay written especially for this volume, Patricia Heberer details how Nazi manipulation of eugenics theory and practice facilitated the justification for the murder of those considered socially undesirable.
“Part II: The German Experience” commences with Jochen Muhs’s interviews of deaf Berliners who lived under Nazi rule, both those who suffered abuse and those who, as members of the Nazi Party, persecuted others, especially deaf Jews. John S. Schuchman describes the remarkable 1932 film Misjudged People, which so successfully portrayed the German deaf community as a vibrant contributor to society that the Nazis banned its showing when they came to power. Horst Biesold’s contribution confirms the complicity of teachers who denounced their own students, labeling them hereditarily deaf and thus exposing them to compulsory sterilization. The section also includes the reprint of a chilling 1934 article entitled “The Place of the School for the Deaf in the New Reich,” in which author Kurt Lietz rued the expense of educating deaf students, who could not become soldiers or bear “healthy children.”
In “Part III: The Jewish Deaf Experience,” John S. Schuchman discusses the plight of deaf Jews in Hungary. His historical analysis is complemented by a chapter containing excerpts from the testimony of six deaf Jewish survivors who describe their personal ordeals. Peter Black’s reflections on the need for more research conclude this vital study of a little-known chapter of the Holocaust.
Offering much more than a detached historical account of the "German miracle"—a ruined, war-torn nation evolving within a decade into the most flourishing country in Europe—Eugene Davidson delves into this intriguing story as a "participant observer." Drawing on countless interviews with Germans and Americans of various backgrounds and perspectives, from High Commissioner's office personnel to occupation troop GIs, storekeepers to housewives, Davidson insightfully conveys the atmosphere of postwar Germany and the role of the American occupation in achieving the nation's economic miracle.
The Death and Life of Germany examines the transformation of Germany, focusing on such key episodes as the unprecedented war-crimes tribunal at Nuremberg, the almost unceasing attempts of the Western Allies to cooperate with the Russians, the startling effects of the currency reform and Marshall Plan aid, the break between East and West Germany that culminated in the Berlin airlift, the heroic East German uprising of June 17, 1953, and the eventual formation of the Federal Republic of Germany and the German Democratic Republic.
Davidson traces the progress of thought among Germans and Americans alike as their conceptions of postwar Germany gradually evolved and the leaders of a new, democratic West Germany emerged from the ashes of defeat.
The strength of Davidson's research and analysis and the continuing relevance of this important volume make The Death and Life of Germany an invaluable addition to the collections of scholars and general readers interested in the evolution of postwar Germany.
Was a convicted criminal executed on stage during a beheading scene? Was an unfortunate actor driven insane while playing a madman? Did a theatrical enactment of a crucifixion result in a real one? Did an androgynous young man seduce a priest when portraying a female saint? Enders answers these and other questions while presenting a treasure trove of tales that have long seemed true but are actually medieval urban legends. On topics ranging through politics, religion, marriage, class, and law, these tales, Enders argues, do the cultural work of all urban legends: they disclose the hopes, fears, and anxieties of their tellers. Each one represents a medieval meditation created or dramatized by the theater with its power to blur the line between fiction and reality, engaging anyone who watches, performs, or is represented by it. Each one also raises pressing questions about the medieval and modern world on the eve of the Reformation, when Europe had never engaged more anxiously and fervently in the great debate about what was real, what was pretend, and what was pretense.
Written with elegance and flair, and meticulously researched, Death by Drama and Other Medieval Urban Legends will interest scholars of medieval and Renaissance literature, history, theater, performance studies, and anyone curious about urban legends.
Death in England provides the first ever social history of death-from the earliest times to Diana, Princess of Wales. As we discard the taboos surrounding death, this book charts the fascinating story of how people have coped with this fundamental aspect of their daily lives.
Peter C. Jupp and Clare Gittings reveal how attitudes, practices, and beliefs about death have undergone constant change, as well as how, why, and at what ages people died. Examining how death touches all aspects of society, they cover topics such as plagues and violence; wills and deathbeds; funerals and memorials; and beliefs and bereavement. This wide-ranging analysis is lavishly illustrated with photographs and drawings, their diversity reflecting the breadth of issues and periods covered.
The contributors are all specialists in their own fields, including archaeology, history, and sociology. The ten chapters cover: earliest times to the Bronze Age; the Iron and Roman Ages; the Early Middle Ages; from the advent of Purgatory to the Black Death; the Later Middle Ages and the Reformation; from Elizabeth I to the Civil War; the "Age of Decency"; the Enlightenment; the Victorian era; and the twentieth century.
With the pervasive depiction of death through the media and the ensuing public awareness of this topic, Death in England will be of interest not only to the general reader but also to students of archaeology, art, history, medicine, and sociology.
From Alexanderplatz, the bustling Berlin square ringed by bleak slums, to Moabit, site of the city's most feared prison, Death in the Tiergarten illuminates the culture of criminal justice in late imperial Germany. In vivid prose, Benjamin Hett examines daily movement through the Berlin criminal courts and the lawyers, judges, jurors, thieves, pimps, and murderers who inhabited this world.
Drawing on previously untapped sources, including court records, pamphlet literature, and pulp novels, Hett examines how the law reflected the broader urban culture and politics of a rapidly changing city. In this book, German criminal law looks very different from conventional narratives of a rigid, static system with authoritarian continuities traceable from Bismarck to Hitler. From the murder trial of Anna and Hermann Heinze in 1891 to the surprising treatment of the notorious Captain of Koepenick in 1906, Hett illuminates a transformation in the criminal justice system that unleashed a culture war fought over issues of permissiveness versus discipline, the boundaries of public discussion of crime and sexuality, and the role of gender in the courts.
Trained in both the law and history, Hett offers a uniquely valuable perspective on the dynamic intersections of law and society, and presents an impressive new view of early twentieth-century German history.
Co-winner of the Yad Vashem International Book Prize for Holocaust Research
From January 1945, in the last months of the Third Reich, about 250,000 inmates of concentration camps perished on death marches and in countless incidents of mass slaughter. They were murdered with merciless brutality by their SS guards, by army and police units, and often by gangs of civilians as they passed through German and Austrian towns and villages. Even in the bloody annals of the Nazi regime, this final death blow was unique in character and scope.
In this first comprehensive attempt to answer the questions raised by this final murderous rampage, the author draws on the testimonies of victims, perpetrators, and bystanders. Hunting through archives throughout the world, Daniel Blatman sets out to explain—to the extent that is possible—the effort invested by mankind’s most lethal regime in liquidating the remnants of the enemies of the “Aryan race” before it abandoned the stage of history. What were the characteristics of this last Nazi genocide? How was it linked to the earlier stages, the slaughter of millions in concentration camps? How did the prevailing chaos help to create the conditions that made the final murderous rampage possible?
In its exploration of a topic nearly neglected in the current history of the Shoah, this book offers unusual insight into the workings, and the unraveling, of the Nazi regime. It combines micro-historical accounts of representative massacres with an overall analysis of the collapse of the Third Reich, helping us to understand a seemingly inexplicable chapter in history.
Since first reported to the world in 1780, the death of Captain Cook on a Hawaiian beach the previous year has been revered, celebrated, and shrouded in mystery. Simultaneously called a hero and an antihero, a ruthless invader, and a torchbearer of the Enlightenment, Cook’s reputation grew as much out of the moving story of his death as out of his adventures while he lived.
In a style that is more detective story than conventional biography, Glyn Williams explores the multiple narratives of Cook’s death. He reveals how the British Admiralty first attempted to censor accounts of Cook’s erratic behavior and how the “authorized” version of his death—a lengthy narrative serialized in the leading publications of the day—reduced the story to the final hours of a noble leader who gave his life to save others. Williams argues that the contrary evidence of a chaotic bloody fracas on the beach at Kealakekua Bay was ignored, and that the unexplained disappearance of Cook’s own journal helped the process of concealment. He believes that Cook was not entirely the man sanctified by the British public. More than two hundred years later, an explosive interplay between academic controversy and nationalist feelings has once more drawn attention to a life that has attracted praise and controversy, abhorrence and admiration. In short, Williams examines the story of Cook’s progress from obscurity to fame and, eventually, to infamy—a story that, until now, has never been fully told.
In 1401, Christine de Pizan (1365–1430?), one of the most renowned and prolific woman writers of the Middle Ages, wrote a letter to the provost of Lille criticizing the highly popular and widely read Romance of the Rose for its blatant and unwarranted misogynistic depictions of women. The debate that ensued, over not only the merits of the treatise but also of the place of women in society, started Europe on the long path to gender parity. Pizan’s criticism sparked a continent-wide discussion of issues that is still alive today in disputes about art and morality, especially the civic responsibility of a writer or artist for the works he or she produces.
In Debate of the “Romance of the Rose,” David Hult collects, along with the debate documents themselves, letters, sermons, and excerpts from other works of Pizan, including one from City of Ladies—her major defense of women and their rights—that give context to this debate. Here, Pizan’s supporters and detractors are heard alongside her own formidable, protofeminist voice. The resulting volume affords a rare look at the way people read and thought about literature in the period immediately preceding the era of print.
Examining key disagreements about Darwin that continue to confound even committed Darwinists, Richards and Ruse offer divergent views on the origins and nature of Darwin and his ideas. Ruse argues that Darwin was quintessentially British and that the roots of his thought can be traced back to the eighteenth century, particularly to the Industrial Revolution and thinkers such as Adam Smith and Thomas Robert Malthus. Ruse argues that when these influences are appreciated, we can see how Darwin’s work in biology is an extension of their theories. In contrast, Richards presents Darwin as a more cosmopolitan, self-educated man, influenced as much by French and particularly German thinkers. Above all, argues Richards, it was Alexander von Humboldt who both inspired Darwin and gave him the conceptual tools that he needed to find and formulate his evolutionary hypotheses. Together, the authors show how the reverberations of the contrasting views on Darwin’s influences can be felt in theories about the nature of natural selection, the role of metaphor in science, and the place of God in Darwin’s thought.
Revealing how much there still is to investigate and interrogate about Darwin’s ideas, Debating Darwin contributes to our understanding of evolution itself. The book concludes with a jointly authored chapter that brings this debate into the present, focusing on human evolution, consciousness, religion, and morality. This will be powerful, essential reading for anyone seeking a comprehensive understanding of modern-day evolutionary science and philosophy.
After 9/11, many Americans took the view that the attacks on the World Trade Center and the Pentagon were the leading edge of a new war: Islam versus the West. Yet the attacks were also part of the current struggle within Islam between fundamentalist and moderate approaches and were staged for maximum effect in the Muslim world.
This book is based on a special-topic issue of the American Journal of Islamic Social Sciences (Fall 2005), and brings together prominent Muslim voices from the policy and academic communities to debate the nature of moderate Islam and what moderation means in both a theological and a geopolitical sense. Participants reflect on the future of political Islam, its role in Muslim politics, western policies in the Muslim world, and the future of American-Muslim relations. This book and the debate it presents are vital to understanding these complex issues.
During the 1890s, British women for the first time began to leave their family homes to seek work, accommodation, and financial and sexual freedom. Decadent Women is an account of some of these women who wrote for the innovative art and literary journal The Yellow Book. For the first time, and drawing on original research, Jad Adams describes the lives and work of these vibrant and passionate women, from well-connected and fashionable aristocrats to the desperately poor. He narrates the challenges they faced in a literary marketplace, and within a society that overwhelmingly favored men, showing how they were pioneers of a new style, living lives of lurid adventure and romance, as well as experiencing poverty, squalor, disease, and unwanted pregnancy.
Western ruins have long been understood as objects riddled with temporal contradictions, whether they appear in baroque poetry and drama, Romanticism’s nostalgic view of history, eighteenth-century paintings of classical subjects, or even recent photographic histories of the ruins of postindustrial Detroit. Decay and Afterlife pivots away from our immediate, visual fascination with ruins, focusing instead on the textuality of ruins in works about disintegration and survival. Combining an impressive array of literary, philosophical, and historiographical works both canonical and neglected, and encompassing Latin, Italian, French, German, and English sources, Aleksandra Prica addresses ruins as textual forms, examining them in their extraordinary geographical and temporal breadth, highlighting their variability and reflexivity, and uncovering new lines of aesthetic and intellectual affinity. Through close readings, she traverses eight hundred years of intellectual and literary history, from Seneca and Petrarch to Hegel, Goethe, and Georg Simmel. She tracks European discourses on ruins as they metamorphose over time, identifying surprising resemblances and resonances, ignored contrasts and tensions, as well as the shared apprehensions and ideas that come to light in the excavation of these discourses.
The recent crisis, created by finance capitalism, has brought us to the economic abyss. The excessive freedom of international markets has rapidly transformed into international panic, with states struggling to rescue and bail out a globalised financial sector. Reform is promised by our leaders, but in governments dominated by financial interests there is little hope of meaningful change.
Decent Capitalism argues for a response that addresses capitalism’s systemic tendency towards crisis, a tendency which is completely absent from the mainstream debate. The authors develop a concept of a moderated capitalism that keeps its core strengths intact while reducing its inherent destructive political force in our societies. This book argues that reforming the capitalist system will have to be far more radical than the current political discourse suggests.
Decent Capitalism is a concept and a slogan that will inspire political activists, trade unionists and policy makers to get behind a package of reforms that finally allows the majority to master capitalism.
Decolonizing German and European History at the Museum examines efforts by European museums to investigate colonialism as part of an unprocessed past, confront its presence, and urge repair. A flurry of exhibitions and the overhaul of numerous large museums in the last decade signal that an emergent colonial memory culture is now reaching broader publics. Exhibitions pose the question of what Europeans owe to those they colonized.
Decolonizing German and European History at the Museum shows how museums can help visitors mourn historic violence and identify the contemporary agents, beneficiaries, victims, survivors, and resisters of colonial presence. At the same time, the book treats the museum as part of the racialized power relations that activists, academics, and artists have long protested against. This book asks whether museums have made the dream of activists, academics, and artists to build equitable futures more acceptable and more durable—or whether in packaging that dream for general audiences they curtail it. Confronting colonial violence, this book argues, pushes Europeans to face the histories of racism and urges them to envision antiracism at the global scale.
Geoffrey Malaterra's Deeds of Count Roger is the most important extant account of the Norman conquest of Muslim Silicy (1061-91). This volume includes a translation of the Latin original as well as an introduction, notes, and maps.
The Deeds of Count Roger fills a gap in the primary literature pertaining to the earliest phase of Latin Christian expansion at the expense of Islam, since the Norman conquests in Sicily were more or less contemporary with the First Crusade and the beginnings of the Spanish Reconquista. The account also illustrates the complexity of medieval historical writing, with Malaterra on the one hand praising the Normans for their military achievements and on the other subtly criticising the "lust for domination" that inspired them.
Kenneth Baxter Wolf is Professor of History at Pomona College.
A Rwandan proverb says “Defeat is the only bad news.” For Rwandans living under colonial rule, winning called not only for armed confrontation, but also for a battle of wits—and not only with foreigners, but also with each other. In Defeat Is the Only Bad News Alison Des Forges recounts the ambitions, strategies, and intrigues of an African royal court under Yuhi Musinga, the Rwandan ruler from 1896 to 1931. These were turbulent years for Rwanda, when first Germany and then Belgium pursued an aggressive plan of colonization there. At the time of the Europeans’ arrival, Rwanda was also engaged in a succession dispute after the death of one of its most famous kings. Against this backdrop, the Rwandan court became the stage for a drama of Shakespearean proportions, filled with deceit, shrewd calculation, ruthless betrayal, and sometimes murder.
Anthony Grafton is erudite and elegant in the style of the best historical writers who make the past come alive for the reader. In a full-scale presentation of the world of scholarship, from the Renaissance to the modern period, Grafton sets before us in three-dimensional detail such seminal figures as Poliziano, Scaliger, Kepler, and Wolf. He calls attention to continuities, moments of crisis, and changes in direction.
The central issue in Defenders of the Text is the relation between humanism and science from the mid-fifteenth century to the beginning of the modern period. Treatments of Renaissance humanism in English have emphasized the humanists’ commitment to rhetoric, ethics, and politics and have accused the humanists of concentrating on literary matters in preference to investigating the real world via new developments in science, philosophy, and other technical disciplines. This revisionist book demonstrates that humanism was neither a simple nor an impractical enterprise, but worked hand-in-hand with science in developing modern learning.
Grafton makes clear that humanism remained an integral and vital part of European culture until the eighteenth century, maintaining a technical component of its own—classical philology—which developed in as rich, varied, and unexpected a way as any other field of European thought. Attention to the text led the humanists to develop a whole range of cools and methods that lent power to science and learning for centuries to come. Grafton shows the continued capacity of classical texts to provoke innovative work in both philology and philosophy, and traces a number of close and important connections between humanism and natural science. His book will be important to intellectual historians, students of the classics and the classical tradition, and historians of early modern science.
". . . Williams has done an exemplary job of analyzing the intersection of the discourses of magic (as related to women and witchcraft), discovery, and religious diversity/dissidence to explain how the confluence of these discourses eventually 'determined who occupied society's center and who was forced to move to, or remain at, its margins.' . . . Gerhild Scholz Williams is no dilettante grazing in the greener pastures of other disciplines. She has been laboring assiduously in these neighboring fields for years now, and it is breathtaking to see how all of her disparate projects have come together so elegantly articulated in this one volume." --Susan L. Cocalis, German Studies Review
Gerhild Scholz Williams is Professor of German and Comparative Literature, Washington University, St. Louis.
In a unique blend of political, intellectual, and cultural history, Brian Vick explores the world of German nationalism during the first half of the nineteenth century. Vick first presents an original investigation of German conceptions of nationhood in these decades before moving on to analyze the efforts of deputies at the Frankfurt Constituent National Assembly to construct a German national state based on the ethnically diverse German Confederation. He examines debates over fundamental issues that included citizenship qualifications, minority linguistic rights, Jewish emancipation, and territorial disputes, and offers valuable insights into nineteenth-century liberal opinion on the Jewish Question, language policy, and ideas of race.
Contrary to the often invoked dichotomy between cultural and political types of nationalism, in which the German case is usually seen as prototypical of the xenophobic, exclusionary cultural form, this study reveals how German nationalists at Frankfurt interwove cultural and political strands of the national ideal so finely as to sanction equal citizenship status in the proposed state for both the German-Jewish minority and the non-German-speaking nationalities within its boundaries. Yet deputies also contentiously defined Germany's borders so as to incorporate the latter, often unwilling groups, thereby hoping to dominate them both culturally and politically. Conflict was thus as much a part of this "culture of nationhood" as inclusion.
Neil Tarrant challenges conventional thinking by looking at the longer history of censorship, considering a five-hundred-year continuity of goals and methods stretching from the late eleventh century to well into the sixteenth.
Unlike earlier studies, Defining Nature’s Limits engages the history of both learned and popular magic. Tarrant explains how the church developed a program that sought to codify what was proper belief through confession, inquisition, and punishment and prosecuted what they considered superstition or heresy that stretched beyond the boundaries of religion. These efforts were continued by the Roman Inquisition, established in 1542. Although it was designed primarily to combat Protestantism, from the outset the new institution investigated both practitioners of “illicit” magic and inquiries into natural philosophy, delegitimizing certain practices and thus shaping the development of early modern science. Describing the dynamics of censorship that continued well into the post-Reformation era, Defining Nature's Limits is revisionist history that will interest scholars of the history science, the history of magic, and the history of the church alike.
Defoe was an outsider, a man of many interests whom Black asserts evades too precise a portrait or coherent description of character and career. But he is a traveler, in the literal and imaginative senses, and in his engagement with life and its issues and willingness to associate with 'low-life' prefigures later literary giants like Smollett and Fielding. More than the establishment of genre, Defoe created the writer "whose business is observation." Black's account of this parcel of the British past is impeccable because it is in fact an account that the past, in Defoe, gives of itself. "As a writer, Defoe brought together a reality usually presented as, and endorsed by, history, with the imaginative focus of storytelling, and the direction of, variously, propaganda, analysis, and exemplary tale."
How does France reconcile the modern movement toward pluralism and decentralization with a strong central governing power? One of the country's most distinguished political historians offers a radical new interpretation of the development of democracy in France and the relationship between government and its citizens.
Since the publication of Tocqueville's Ancient Regime and the Revolution, French political structures have been viewed as the pure expression of a native Jacobinism, itself the continuation of an old absolutism. This interpretation has served as both a diagnosis of and an excuse for the inability to accept pluralism and decentralization as norms of a modern democracy, as evidenced in such policies as the persistence of the role of prefects and the ban on headscarves in schools.
Pierre Rosanvallon, by contrast, argues that the French have cherished and demonized Jacobinism at the same time; their hearts followed Robespierre, but their heads turned toward Benjamin Constant. The Demands of Liberty traces the long history of resistance to Jacobinism, including the creation of associations and unions and the implementation of elements of decentralization. Behind the ideological triumph of the state lies the conflicting creation of an active civil society.
In exploring these tensions, Rosanvallon takes the debate far beyond traditional views of liberalism versus republicanism and offers an innovative analysis of why the French system has worked despite Jacobinism.
In 2005 hopes for closer European integration were dealt a potentially fatal blow when French and Dutch voters rejected the proposed new European Union constitution. Going beyond the instant analysis of journalists, which placed blame for the failed vote on the two nations’ internal politics, Democracy Needs Dispute examines a collection of media accounts of European policy debates to argue that the problem with the EU is its relative lack of vibrant political conflict. Democracy Needs Dispute offers both up-to-date analysis and a rich theoretical understanding of the problems facing further efforts at European integration.
The Italian Risorgimento, the movement for national independence and unification, is as significant to Italian history as the American Revolution is to United States history. Liberal supporters of constitutional monarchy triumphed in the political struggles of the Risorgimento, yet democratic activists and thinkers like Mazzini, Garibaldi, Pisacane, and Ferrari were major participants in those struggles.
By reconstructing the lives and political careers of 146 such activists and thinkers, Clara M. Lovett explores the democratic movement's impact on the development of modern Italy. She shows that three main principles—secularism, political egalitarianism, and a concern for social justice—sustained the movement throughout its development and became its legacy after the unification. By exploring the social context of the movement and the specific experiences of its members, she explains why the democrats failed to lead Italy's unification in 1860 and why some of them became Italy's early professional politicians.
Rather, Scandinavia’s peaceful process of democratization owed itself to the development of a penetrative bureaucracy in the early modern period and the activism of cooperative associations, first of farmers in the early nineteenth century and then of industrialized workers in the late nineteenth and early twentieth centuries. Thanks to the gradual, relatively consensual adoption of political reforms and social norms, the history of “Nordic democratic exceptionalism” today helps account for the ongoing stability of the Scandinavian countries.
As Walter Stephens demonstrates in Demon Lovers, it was not Hausmännin or other so-called witches who were obsessive about sex with demons—instead, a number of devout Christians, including trained theologians, displayed an uncanny preoccupation with the topic during the centuries of the "witch craze." Why? To find out, Stephens conducts a detailed investigation of the first and most influential treatises on witchcraft (written between 1430 and 1530), including the infamous Malleus Maleficarum (Hammer of Witches).
Far from being credulous fools or mindless misogynists, early writers on witchcraft emerge in Stephens's account as rational but reluctant skeptics, trying desperately to resolve contradictions in Christian thought on God, spirits, and sacraments that had bedeviled theologians for centuries. Proof of the physical existence of demons—for instance, through evidence of their intercourse with mortal witches—would provide strong evidence for the reality of the supernatural, the truth of the Bible, and the existence of God. Early modern witchcraft theory reflected a crisis of belief—a crisis that continues to be expressed today in popular debates over angels, Satanic ritual child abuse, and alien abduction.
Previous studies have covered in great detail how the modern state slowly emerged from the early Renaissance through the seventeenth century, but we know relatively little about the next great act: the birth and transformation of the modern democratic state. And in an era where our democratic institutions are rife with conflict, it’s more important now than ever to understand how our institutions came into being.
Stephen W. Sawyer’s Demos Assembled provides us with a fresh, transatlantic understanding of that political order’s genesis. While the French influence on American political development is well understood, Sawyer sheds new light on the subsequent reciprocal influence that American thinkers and politicians had on the establishment of post-revolutionary regimes in France. He argues that the emergence of the stable Third Republic (1870–1940), which is typically said to have been driven by idiosyncratic internal factors, was in fact a deeply transnational, dynamic phenomenon. Sawyer’s findings reach beyond their historical moment, speaking broadly to conceptions of state formation: how contingent claims to authority, whether grounded in violence or appeals to reason and common cause, take form as stateness.
In his previous book, Demos Assembled, historian Stephen W. Sawyer offered a transatlantic account of the birth and transformation of the modern democratic state. In Demos Rising, he presents readers of political history with a prequel whose ambitious claim is that a genuine demos became possible in France only with the development of government regulation and administration. Focusing on democracy as a form of administration rather than as a form of sovereignty allows Sawyer to explore urban planning, work and private enterprise, health administration, and much more, as cornerstones of a self-governing society of equals.
Focusing on the period between 1800 and 1850, Sawyer examines a set of thinkers who debated at length over the material problems of everyday life, sparking calls for political action and social reform in the face of conflict wrought by issues like deforestation, urbanization, health crises, labor relations, industrial capitalism, religious tensions, and imperial expansion. The solutions to these problems, Sawyer argues, were sought and sometimes found, not through elections, as one might assume, but rather through the “care for all” promised by modern administrative power, regulatory intervention, and social welfare programs. By studying this profound transformation in governance, the book wagers, we can better understand the origin and meaning of democracy when events in our own time have thrown the concept into doubt.
“In Denaturalized, Claire Zalc combines the precision of the scholar with the passion of a storyteller…This is a deftly written book. Zalc combines in an accessible style (smoothly translated by Catherine Porter) the stories of people trapped within a bureaucracy that was as obsessed, perhaps, with clearing files as with hunting Jews. In other words, Zalc reminds us how cruel the banality of indifference could be.”—Wall Street Journal
Winner of the Prix d’histoire de la justice
A leading historian radically revises our understanding of the fate of Jews under the Vichy regime.
Thousands of naturalized French men and women had their citizenship revoked by the Vichy government during the Second World War. Once denaturalized, these men and women, mostly Jews who were later sent to concentration camps, ceased being French on official records and walked off the pages of history. As a result, we have for decades severely underestimated the number of French Jews murdered by Nazis during the Holocaust. In Denaturalized, Claire Zalc unearths this tragic record and rewrites World War II history.
At its core, this is a detective story. How do we trace a citizen made alien by the law? How do we solve a murder when the body has vanished? Faced with the absence of straightforward evidence, Zalc turned to the original naturalization papers in order to uncover how denaturalization later occurred. She discovered that, in many cases, the very officials who granted citizenship to foreigners before 1940 were the ones who retracted it under Vichy rule.
The idea of citizenship has always existed alongside the threat of its revocation, and this is especially true for those who are naturalized citizens of a modern state. At a time when the status of millions of naturalized citizens in the United States and around the world is under greater scrutiny, Denaturalized turns our attention to the precariousness of the naturalized experience—the darkness that can befall those who suddenly find themselves legally cast out.
In his study of Brandenburg, Germany, Timothy Vogt directly challenges both the "antifascist" paradigm employed by East German historians and the "sovietization" interpretive model that has dominated western studies. He argues that Soviet denazification was neither an effective purge of society nor part of a methodical "sovietization" of the eastern zone. Instead, in a detailed study, denazification is pictured as a failure, which fell short of its goals and was eventually abandoned by the frustrated Soviet and German leadership.The case example of Brandenburg is an effective means of putting "flesh and blood" into the study and giving the reader insight into both broader developments and the human actors who propelled events. The result is an analysis that is based not simply on policymakers and their policies, but rather on how policy was continuously reformulated in response to developments on the local level.
The study encompasses significant aspects of contemporary European history: everyday life in Nazi Germany, Germany's postwar coming to terms with its Nazi past, the Cold War division of Germany, postwar Soviet policy, and the construction of a one-party communist system in Eastern Europe.
Antiquity’s original travel guide.
Pausanias, born probably in Lydia in Asia Minor, was a Greek of the second century AD, about 120–180, who traveled widely not only in Asia Minor, Palestine, Egypt, and North Africa, but also in Greece and in Italy, including Rome. He left a description of Greece in ten books, which is like a topographical guidebook or tour of Attica, the Peloponnese, and central Greece, filled out with historical accounts and events and digressions on facts and wonders of nature. His chief interest was in monuments of art and architecture, especially the most famous of them; the accuracy of his descriptions is proved by surviving remains.
The Loeb Classical Library edition of Pausanias is in five volumes; the fifth volume contains maps, plans, illustrations, and a general index.
Antiquity’s original travel guide.
Pausanias, born probably in Lydia in Asia Minor, was a Greek of the second century AD, about 120–180, who traveled widely not only in Asia Minor, Palestine, Egypt, and North Africa, but also in Greece and in Italy, including Rome. He left a description of Greece in ten books, which is like a topographical guidebook or tour of Attica, the Peloponnese, and central Greece, filled out with historical accounts and events and digressions on facts and wonders of nature. His chief interest was in monuments of art and architecture, especially the most famous of them; the accuracy of his descriptions is proved by surviving remains.
The Loeb Classical Library edition of Pausanias is in five volumes; the fifth volume contains maps, plans, illustrations, and a general index.
Antiquity’s original travel guide.
Pausanias, born probably in Lydia in Asia Minor, was a Greek of the second century AD, about 120–180, who traveled widely not only in Asia Minor, Palestine, Egypt, and North Africa, but also in Greece and in Italy, including Rome. He left a description of Greece in ten books, which is like a topographical guidebook or tour of Attica, the Peloponnese, and central Greece, filled out with historical accounts and events and digressions on facts and wonders of nature. His chief interest was in monuments of art and architecture, especially the most famous of them; the accuracy of his descriptions is proved by surviving remains.
The Loeb Classical Library edition of Pausanias is in five volumes; the fifth volume contains maps, plans, illustrations, and a general index.
Antiquity’s original travel guide.
Pausanias, born probably in Lydia in Asia Minor, was a Greek of the second century AD, about 120–180, who traveled widely not only in Asia Minor, Palestine, Egypt, and North Africa, but also in Greece and in Italy, including Rome. He left a description of Greece in ten books, which is like a topographical guidebook or tour of Attica, the Peloponnese, and central Greece, filled out with historical accounts and events and digressions on facts and wonders of nature. His chief interest was in monuments of art and architecture, especially the most famous of them; the accuracy of his descriptions is proved by surviving remains.
The Loeb Classical Library edition of Pausanias is in five volumes; the fifth volume contains maps, plans, illustrations, and a general index.
Antiquity’s original travel guide.
Pausanias, born probably in Lydia in Asia Minor, was a Greek of the second century AD, about 120–180, who traveled widely not only in Asia Minor, Palestine, Egypt, and North Africa, but also in Greece and in Italy, including Rome. He left a description of Greece in ten books, which is like a topographical guidebook or tour of Attica, the Peloponnese, and central Greece, filled out with historical accounts and events and digressions on facts and wonders of nature. His chief interest was in monuments of art and architecture, especially the most famous of them; the accuracy of his descriptions is proved by surviving remains.
The Loeb Classical Library edition of Pausanias is in five volumes; the fifth volume contains maps, plans, illustrations, and a general index.
The U.S.-led conquest and occupation of Iraq have kept that troubled country in international headlines since 2003. For America’s major Coalition ally, Great Britain, however, this latest incursion into the region played out against the dramatic backdrop of imperial history: Britain’s fateful invasion of Mesopotamia in 1914 and the creation of a new nation from the shards of war.
The objectives of the expedition sent by the British Government of India were primarily strategic: to protect the Raj, impress Britain’s military power upon Arabs chafing under Ottoman rule, and secure the Persian oil supply. But over the course of the Mesopotamian campaign, these goals expanded, and by the end of World War I Britain was committed to controlling the entire region from Suez to India. The conquest of Mesopotamia and the creation of Iraq were the central acts in this boldly opportunistic bid for supremacy. Charles Townshend provides a compelling account of the atrocious, unnecessary suffering inflicted on the expedition’s mostly Indian troops, which set the pattern for Britain’s follow-up campaigns in Iraq and Afghanistan over the next seven years. He chronicles the overconfidence, incompetence, and dangerously vague policy that distorted the mission, and examines the steps by which an initially cautious strategic operation led to imperial expansion on a vast scale.
Desert Hell is a cautionary tale for makers of national policy. And for those with an interest in imperial history, it raises searching questions about Britain’s quest for global power and the indelible consequences of those actions for the Middle East and the world.
Working beyond the traditions established for Latin, scribes of English needed to be more inventive, using each book as an opportunity to redesign. Surveying eight centuries of graphic design in manuscripts and inscriptions, Designing English focuses on the craft, agency, and intentions of scribes, painters, and engravers from the Anglo-Saxon to the early Tudor periods. The book examines format, layout, and decoration, as well as bilingual manuscripts and oral recitations, weighing the balance of ingenuity and copying, imagination and practicality, behind early English book design. With over ninety illustrations, drawn especially from the holdings of the Bodleian Library, Designing English gives a comprehensive overview of English books and other material texts across the Middle Ages.
Led first by architect Nikola Dobrovic and later by Miloš Somborski, planners blended the predominant school of European modernism and the socialist principles of efficient construction and space usage to produce a model for housing, green space, and working environments for the masses. A major influence was modernist Le Corbusier and his Athens Charter published in 1943, which called for the total reconstruction of European cities, transforming them into compact and verdant vertical cities unfettered by slumlords, private interests, and traffic congestion. As Yugoslavia transitioned toward self-management and market socialism, the functionalist district of New Belgrade and its modern living were lauded as the model city of socialist man.
The glow of the utopian ideal would fade by the 1960s, when market socialism had raised expectations for living standards and the government was eager for inhabitants to finance their own housing. By 1972, a new master plan emerged under Aleksandar Ðordevic, fashioned with the assistance of American experts. Espousing current theories about systems and rational process planning and using cutting edge computer technology, the new plan left behind the dream for a functionalist Belgrade and instead focused on managing growth trends. While the public resisted aspects of the new planning approach that seemed contrary to socialist values, it embraced the idea of a decentralized city connected by mass transit.
Through extensive archival research and personal interviews with participants in the planning process, Le Normand’s comprehensive study documents the evolution of ‘New Belgrade’ and its adoption and ultimate rejection of modernist principles, while also situating it within larger continental and global contexts of politics, economics, and urban planning.
The twentieth century was the most destructive in human history, but from its vast landscapes of ruins was born a new architectural type: the cultural monument. In the wake of World War I, an international movement arose which aimed to protect architectural monuments in large numbers, and regardless of style, hoping not only to keep them safe from future conflicts, but also to make them worthy of protection from more quotidian forms of destruction. This movement was motivated by hopeful idealism as much as by a pragmatic belief in bureaucracy. An evolving group—including architects, intellectuals, art historians, archaeologists, curators, and lawyers—grew out of the new diplomacy of the League of Nations. During and after World War II, it became affiliated with the Allied Military Government, and was eventually absorbed by the UN as UNESCO. By the 1970s, this organization had begun granting World Heritage status to a global register of significant sites—from buildings to bridges, shrines to city centers, ruins to colossi.
Examining key episodes in the history of this preservation effort—including projects for the Parthenon, for the Cathedral of St-Lô, the temples of Abu Simbel, and the Bamyian Buddahs —Lucia Allais demonstrates how the group deployed the notion of culture to shape architectural sites, and how architecture in turn shaped the very idea of global culture. More than the story of an emergent canon, Designs of Destruction emphasizes how the technical project of ensuring various buildings’ longevity jolted preservation into establishing a transnational set of codes, values, practices. Yet as entire nations’ monumental geographies became part of survival plans, Allais also shows, this paradoxically helped integrate technologies of destruction—from bombs to bulldozers—into cultural governance. Thus Designs of Destruction not only offers a fascinating narrative of cultural diplomacy, based on extensive archival findings; it also contributes an important new chapter in the intellectual history of modernity by showing the manifold ways architectural form is charged with concretizing abstract ideas and ideals, even in its destruction.
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