A SCHOLARLY BOOK REPOSITORY29 start with U start with U
Even after the 2008 financial crisis, neoliberalism has been able to advance its program of privatization and deregulation. The Uberfication of the University analyzes the emergence of the sharing economy—an economy that has little to do with sharing access to good and services and everything to do with selling this access—and the companies behind it: LinkedIn, Uber, and Airbnb. In this society, we all are encouraged to become microentrepreneurs of the self, acting as if we are our own precarious freelance enterprises at a time when we are being steadily deprived of employment rights, public services, and welfare support. The book considers the contemporary university, itself subject to such entrepreneurial practices, as one polemical site for the affirmative disruption of this model.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Praise for Marilyn Hacker:
"How piercing the duet we're offered between Marilyn Hacker and the reality principle. Reality saying, it’s impossible, something's always sacrificed: you can't be so merry and so raw; so learned and earthy; so gut-wrenching, so danceable at once. Can you? To which, steadily, the voice of Marilyn Hacker: Yes. Evidently; Evidently so."
---Eve Kosofsky Sedgwick, author of Epistemology of the Closet and Touching Feeling
"Hacker is one of our best singers---by turns elegiac and fierce, sweet and witty. With each new collection her voice grows richer, more resonant, sorrowing and lovely."
---Julia Alvarez, author of In the Time of the Butterflies and How the García Girls Lost Their Accents
"Marilyn Hacker joins a marvelous facility with poetic forms to a shockingly intense sensuality. Not unlike Baudelaire, you might say, and indeed like him, she shares a taste for excess, drink, Paris, women, crowds. 'Enivrez-vous!' Baudelaire ordered his readers, and Marilyn Hacker has taken his advice seriously."
---Edmund White, author of Hotel de Dream, City Boy, and Le Flâneur
"Everything is thrilling and true, fast and witty, deep and wise; her vitality is the pulse of life itself."
---Derek Mahon, author of Harbour Lights and An Autumn Wind
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
For over twenty years, award-winning poet, translator, and editor Marilyn Hacker has been writing incisive criticism and reviews of contemporary poetry, with particular attention to the work of feminist poets, poets of color, and any poets whose work she judged worthy of more attention from the American (and sometimes British) reading public.
Unauthorized Voices is Hacker’s first collection of critical prose, bringing together her essays on American, British, Irish, and French poets. It includes pieces on Adrienne Rich, Hayden Carruth, Elizabeth Bishop, Tony Harrison, Marilyn Nelson, and June Jordan; on French and Francophone poets including Vénus Khoury-Ghata and Guy Goffette; on poetry and politics; and on the contemporary sonnet, all affirming Hacker as a lively, unabashedly opinionated American critical voice.
Marilyn Hacker is the author of twelve books of poems, most recently Names and Essays on Departure, and of ten collections of poetry translated from the French, including Marie Étienne's King of a Hundred Horsemen, recipient of the 2009 PEN Award for Poetry in Translation. She has been the recipient of the Lenore Marshall Poetry Prize, two Lambda Literary Awards, and the National Book Award for her own poetry and is a Chancellor of the Academy of American Poets.
On December 5, 2004, the still-developing blogosphere took one of its biggest steps toward mainstream credibility, as Nobel Prize–winning economist Gary S. Becker and renowned jurist and legal scholar Richard A. Posner announced the formation of the Becker-Posner Blog.
In no time, the blog had established a wide readership and reputation as a reliable source of lively, thought-provoking commentary on current events, its pithy and profound weekly essays highlighting the value of economic reasoning when applied to unexpected topics. Uncommon Sense gathers the most important and innovative entries from the blog, arranged by topic, along with updates and even reconsiderations when subsequent events have shed new light on a question. Whether it’s Posner making the economic case for the legalization of gay marriage, Becker arguing in favor of the sale of human organs for transplant, or even the pair of scholars vigorously disagreeing about the utility of collective punishment, the writing is always clear, the interplay energetic, and the resulting discussion deeply informed and intellectually substantial.
To have a single thinker of the stature of a Becker or Posner addressing questions of this nature would make for fascinating reading; to have both, writing and responding to each other, is an exceptionally rare treat. With Uncommon Sense, they invite the adventurous reader to join them on a whirlwind intellectual journey. All they ask is that you leave your preconceptions behind.
In ten fascinating essays, Aveni examines topics that have absorbed scientists, religious figures, and ordinary citizens over the centuries. He traces the tug of war between astronomy and astrology, reveals the underpinnings of our notions of cartography and the representation of space and time, and much more.
Readers interested in science, history, and world cultures will revel in this celebration of different cultures’ common and uncommon questions and conclusions about the natural world.
In Undead TV, media studies scholars tackle the Buffy phenomenon and its many afterlives in popular culture, the television industry, the Internet, and academic criticism. Contributors engage with critical issues such as stardom, gender identity, spectatorship, fandom, and intertextuality. Collectively, they reveal how a vampire television series set in a sunny California suburb managed to provide some of the most biting social commentaries on the air while exposing the darker side of American life. By offering detailed engagements with Sarah Michelle Gellar’s celebrity image, science-fiction fanzines, international and “youth” audiences, Buffy tie-in books, and Angel’s body, Undead TV shows how this prime-time drama became a prominent marker of industrial, social, and cultural change.
Contributors. Ian Calcutt, Cynthia Fuchs, Amelie Hastie, Annette Hill, Mary Celeste Kearney, Elana Levine, Allison McCracken, Jason Middleton, Susan Murray, Lisa Parks
"Powell is one of the great novelists of our time, much more interested in other people than in his own views and ideas. The result is that his extraordinary richness of act and detail also embodies a far more arresting and penetrating quantity of critical judgements on books, authors, fashions, developments, than are to be found in the theoretical pronouncement of modern academic criticism."—John Bayley, The Sunday Times
"These delightful reviews could be said to amount to a latter-day Brief Lives."—David Plante, Times Literary Supplement
In the West Gessner began to rewrite his life. Under the Devil's Thumb is a story of rugged determination and sweat, as well as humor, adventure and hope. In and around his new hometown of Boulder, Colorado, Gessner hiked hard and ran alongside flooded creeks. He found that the West was a place of stories—stories that grow out of the ground, flow out of the dirt, work their way through one's limbs, and drive people to push their physical limits. Hiking up scree slopes toward the Devil's Thumb, a massive outcrop of orange rock that attracts climbers, hikers, and contemplaters, Gessner reflects on the illness he has so recently survived. He pushes his physical limits, hoping to outrun death, to outrun dread. He finds momentary transcendence in the joys and self-inflicted pain of mountain biking. "Nothing but the hardest ride has the power to flush out worry, mind clutter, and dread." In tranquil moments he seeks a chance to recover an animal self that is strong and powerful enough to conquer mountains, but also still and quiet enough to see things human beings ignore.
In the mountain West, Gessner finds what Wallace Stegner called "the geography of hope." He finds within himself an interior landscape that is healthy and strong. Combining memoir, nature writing, and travel writing, Under the Devil's Thumb is one man's journey deep into a place of healing.
Brutally honest, raw, gritty, down to earth, compassionate and affecting, Willy Vlautin’s writing evokes a power in not only theme, but in methodology. Vlautin’s novels, The Motel Life, Northline, Lean on Pete and The Free (2006-2014) chart the dispossessed lives of young people struggling to survive in difficult economic times and in regions of the U.S. West and Pacific Northwest traditionally viewed as affluent and abundant. Yet as his work shows, are actually highly stratified and deprived.
Likewise, Vlauntin’s songs, penned as lead singer of the Americana band Richmond Fontaine chart a related territory of blue-collar landscapes of the American West and Northwest with a strong emphasis on narrative and affective soundscapes evocative of the similar worlds defined in his novels.
Featuring an interview with Vlautin himself, this edited collection aims to develop the first serious, critical consideration of the important novels and songs of Willy Vlautin by exploring relations between region, music, and writing through the lens of critical regionality and other interdisciplinary, cultural, and theoretical methodologies. In so doing, it will situate his work within its regional frame of the American New West, and particularly the city of Reno, Nevada and the Pacific Northwest, whilst showing how he addresses wider cultural and global issues such as economic change, immigration shifts, gender inequality, and the loss of traditional mythic identities.
The essays take different positions in relation to considerations of both novels and music, looking for links and relations across genres, always mindful of their specificity. Under the Western Sky shows how although apparently rooted in place, Vlautin’s work traces diverse lines of contemporary cultural enquiry, engaging in an effective and troubling examination of regional haunting.
As Gonzalez drives the highways of New Mexico and west Texas, he shows us a border culture rejuvenated by tourist and trade dollars, one that will surprise readers for whom the border means only illegal immigration, NAFTA, and the drug trade. Played out against a soundtrack of the Allman Brothers and The Doors, The Underground Heart takes readers on a trip through a seemingly barren landscape that teems with life and stories. Gonzalez witnesses Minnesotans experiencing culture shock while attending a college football game in El Paso; he finds a proliferation of Pancho Villa death masks housed at different museums; he revisits Carlsbad Caverns, discovering unsuspected beauty beneath the desert's desolation; and he takes us shopping at El Mercado—where tourists can buy everything from black velvet paintings of Elvis (or Jesus, or JFK) to Mexican flag underwear.
From "nuclear tourism" in New Mexico to "heritage tourism" in the restored missions of San Antonio, Gonzalez goes behind the slogans of The Land of Enchantment and The Lone Star State to uncover a totally different Southwest. Here are tourist centers that give a distorted view of southwestern life to outsiders, who leave their dollars in museum gift shops and go home weighed down with pounds of Indian jewelry around their necks. Here border history is the story of one culture overlaid on another, re-forming itself into a whole new civilization on the banks of the Rio Grande.
The Underground Heart is a book brimming with subtle ironies and insights both quiet and complex—one which recognizes that sometimes one must go away and grow older to finally recognize home as a life-giving, spiritually sustaining place. As Gonzalez rediscovers the land of his past, he comes to understand the hyper, bilingual atmosphere of its future. And in the Southwest he describes, readers may catch a glimpse of their own hidden landscapes of home.
Examining science as a rhetorical enterprise, this book seizes upon one scientific essay—"The Spandrels of San Marco and the Panglossian Paradigm: A Critique of the Adaptationist Programme"—and probes it from many angles. Written by prominent evolutionary theorists Stephen Jay Gould and Richard C. Lewontin and first published in the Proceedings of the Royal Society of London in 1979, the "Spandrels" article is both serious science and vivid prose. Applying methods inspired by Louis Althusser, Michel Foucault, Jacques Derrida, Ferdinand de Saussure, and others, the contributors employ a range of interpretive strategies. Stephen Jay Gould adds his own comments, and the full text of the essay "Spandrels" is reproduced as an appendix. Applying methods inspired by Louis Althusser, Michel Foucault, Jacques Derrida, Ferdinand de Saussure, and others, the contributors employ a range of interpretive strategies. Stephen Jay Gould adds his own comments, and the full text of the essay "Spandrels" is reproduced as an appendix.
How do you document the undocumented? UNDOCUMENTS both poses and attempts to answer this complex question by remixing the forms and styles of the first encyclopedia of the New World, the Florentine Codex, in order to tell a modern story of Greater Mexico. Employing a broad range of writing genres and scholarly approaches, UNDOCUMENTS catalogs, recovers, and erases documents and images by and about peoples of Greater Mexico from roughly the first colonial moment. This brave and bracing volume organizes and documents ancient New World Mexican peoples from the Florentine Codex (1592) to our current technology-heavy age, wherein modern lawmakers and powerful global figures desire to classify, deport, and erase immigrants and their experiences.
While grappling with anxiety and the physical and mental health consequences of the way the United States treats immigrant bodies, John-Michael Rivera documents and scrutinizes what it means to seek opportunities in America. With a focus on the poetics of Latinx documentality itself, this book is concerned with the complicated and at times contradictory ways peoples of Greater Mexico have been documented and undocumented within systems of colonial knowledges, and how these peoples have been rendered as specters of the bureaucratic state. Rivera takes us through the painful, anxiety-ridden, and complex nature of what it means to be documented or undocumented, and the cruelty married to each of these states of being.
Kant holds a key position in the history of modern philosophy as the last great figure to belong fully to both the Anglo-American analytic tradition and the Continental tradition. As the world's foremost scholar of Kant and German Idealism, Dieter Henrich combines an encyclopedic knowledge of Kant's texts with an equally profound understanding of the philosophers of preceding and succeeding centuries. In this collection comprising four of his most influential essays, Henrich proves himself unique in the conjunction of philosophical acumen, insight, and originality that he brings to Kant interpretation.
Henrich's distinctive contribution has been to break through the entrenched stereotypes of the ontological and neo-Kantian schools of Kant interpretation in order to place Kant's major ideas in their historical and developmental context, demonstrating their enduring philosophical significance. Henrich has shown how Kant's attempt to overcome the dichotomy between rationalism and moral-sense philosophy led to a lifelong struggle to establish the unity of theoretical and practical reason and the inseparability of the motivational force of the principle of ethics from its function as a principle for ethical judgment. But Henrich has also shown how Kant's project of unification contained fundamental tensions that called forth the projects of such post-Kantians as Schiller, Fichte, and Hegel, which explored new approaches within the Kantian framework.
The heart of Henrich's interpretation of Kant, the essays in this book present a persuasive picture of the development of Kant's moral philosophy and give an account of the argumentative strategies determining all the aspects of Kant's philosophy. They reflect Henrich's general interest in the unity of reason as well as his special interest in self-consciousness as both a key concept of modern philosophy and the key to the highly disputed interpretation of Kant's transcendental deduction of categories.
This volume features twelve articles from both established and emerging scholars who undertake representative readings of the African despot in fiction, drama, films, and music. Arranged chronologically, these essays cover postcolonial realities in a wide range of countries: Mali, Cote d’Ivoire, Senegal, the Congo, Nigeria, the Central African Republic, Somalia, Kenya, and Uganda. Included here are a variety of voices that illuminate the different aspects of dictator fiction in Africa and in the process enrich our understanding of the continent’s literature, politics, and culture.
This work features a foreword by formerly exiled Kenyan novelist, poet, and critic Ngũgĩ wa Thiong’o. Ndĩgĩrĩgĩ’s own extended introduction reviews the overarching themes found in the collection and summarizes each of the artistic works being examined while placing the individual essays in context. A pioneering study, Unmasking the African Dictator examines the works of several major authors of dictator fictions like Achebe, Ngugi, Farah, and Tamsi, among others. It is an ideal resource for both undergraduate and graduate courses on African literature, culture, and politics.
Gĩchingiri Ndĩgĩrĩgĩ is an associate professor of English at the University of Tennessee. He is the author of Ngũgĩ wa Thiongʼo’s Drama and the Kamĩrĩĩthũ Popular Theater Experiment.
Not since Ireland broke away from the United Kingdom has the British state been so fragile. Northern Ireland now operates under trading rules that are legally separate from the rest of the nation. In Wales, support for independence is running at a historical high, and Scotland is more conscious than ever of its individual identity and has aspirations for a European future. With public trust and confidence in government at record lows, the United Kingdom faces a crisis that can only be repaired by a new constitutional settlement. Unwritten Rule calls for a radical realignment, embracing a federal approach that would accommodate devolution as the best way of bringing about a successful and diverse national life, increasing democratic control over local and national decision-making, and modernizing national political structures.
And yet the essence of this region, known to many as simply “Up North,” has proved remarkably perennial. Millions of acres of state and national forests and other public lands remain intact. Small towns peppered across the rural countryside have changed little over the decades, pushing back the machinery of progress with the help of dedicated land conservancies, conservation organizations, and other advocacy groups.
Up North in Michigan, the new collection from celebrated nature writer Jerry Dennis, captures its author’s lifelong journey to better know this place he calls home by exploring it in every season, in every kind of weather, on foot, on bicycle, in canoes and cars. The essays in this book are more than an homage to a particular region, its people, and its natural wonders. They are a reflection on the Up North that can only be experienced through your feet and fingertips, through your ears, mouth, and nose—the Up North that makes its way into your bones as surely as sand makes its way into wood grain.
Historian Brooks Blevins has spent his life studying and writing about the people of his native regions—the South and the Ozarks. He has been in the vanguard of a new and vibrant Ozarks Studies movement that has worked to refract the stories of Ozarkers through a more realistic and less exotic lens. In Up South in the Ozarks: Dispatches from the Margins, Blevins introduces us with humor and fairness to mostly unseen lives of the past and present: southern gospel singing schools and ballad collectors, migratory cotton pickers and backroad country storekeepers, fireworks peddlers and impoverished diarists.
Part historical and part journalistic, Blevins’s essays combine the scholarly sensibilities of a respected historian with the insights of someone raised in rural hill country. His stories of marginalized characters often defy stereotype. They entertain as much as they educate. And most of them originate in the same place Blevins does: up south in the Ozarks.
Wide-ranging essays and experimental prose forcefully demonstrate how digital media and computational technologies have redefined what it is to be human
Over the past decade, digital media has expanded exponentially, becoming an essential part of daily life. The stimulating essays and experimental compositions in The User Unconscious delve into the ways digital media and computational technologies fundamentally affect our sense of self and the world we live in, from both human and other-than-human perspectives.
Critical theorist Patricia Ticineto Clough’s provocative essays center around the motif of the “user unconscious” to advance the challenging thesis that that we are both human and other-than-human: we now live, think, and dream within multiple layers of computational networks that are constantly present, radically transforming subjectivity, sociality, and unconscious processes.
Drawing together rising strains of philosophy, critical theory, and media studies, as well as the political, social, and economic transformations that are shaping the twenty-first-century world, The User Unconscious points toward emergent crises and potentialities in both human subjectivity and sociality. Moving from affect to data, Clough forces us to see that digital media and computational technologies are not merely controlling us—they have already altered what it means to be human.
The essays explore a variety of incarnations of "the folk," from the contested meanings of folk dance in creating a national culture in twentieth-century Haiti and Nicaragua, to the ways that the London Museum’s collection of artifacts challenged early-twentieth-century British notions of gender, labor, and citizenship, to the production of urban folklore in New York City. The Uses of the Folk identifies folk culture of the past and present as an important site of ongoing struggle—one affecting all scholars who draw on folk or vernacular culture in their work.
Contributors. Adina Back, Jordanna Bailkin, Regina Bendix, Katherine Borland, Sally Charnow, Peggy P. Hargis, Georgina Hickey, John Howard, Shafali Lal, R. J. Lambrose, Ronald Radano, Kate Ramsey, Gerald Shenk, David Takacs, David Waldstreicher, Daniel Walkowitz, Steve Zeitlin
A light, literary take on an animal book for grown-ups, a tongue-in-cheek self-help column with lessons drawn from nature, a sort of hitchhiker’s guide to the more-than-human world—Isaac Yuen’s Utter, Earth is a celebration, through wordplay and earthplay, of our planet’s riotous wonders.
In a time of dirges and elegies for the natural world, Utter, Earth features odes to sloths, tributes to trilobites, and ringing endorsements for lichen. For animal lovers and readers of Brian Doyle, Aimee Nezhukumatathil, and Amy Leach, each essay of this one-of-a-kind collection combines joyous language, whimsical tangents, and scientific findings to remind us of and reconnect us with those to whom we are inextricably bound. Highlighting life that once was, still is, and all that we stand to lose, this living and lively mini encyclopedia (complete with glossary) shines the spotlight on the motley, fantastical, and astonishing denizens with whom we share this planet.
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