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Bach
Essays on His Life and Music
Christoph Wolff
Harvard University Press

Johann Sebastian Bach holds a singular position in the history of music. A uniquely gifted musician, he combined outstanding performing virtuosity with supreme creative powers and remarkable intellectual discipline. More than two centuries after his lifetime, Bach’s work continues to set musical standards.

The noted Bach scholar Christoph Wolff offers in this book new perspectives on the composer’s life and remarkable career. Uncovering important historical evidence, the author demonstrates significant influences on Bach’s artistic development and brings fresh insight on his work habits, compositional intent, and the musical traditions that shaped Bach’s thought. Wolff reveals a composer devoted to an ambitious and highly individual creative approach, one characterized by constant self-criticism and self-challenge, the absorption of new skills and techniques, and the rethinking of riches from the musical past.

Readers will find illuminating analyses of some of Bach’s greatest music, including the B Minor Mass, important cantatas, keyboard and chamber compositions, the Musical Offering, and the Art of Fugue. Discussion of how these pieces “work” will be helpful to performers—singers, players, conductors—and to everyone interested in exploring the conceptual and contextual aspects of Bach’s music. All readers will find especially interesting those essays in which Wolff elaborates on his celebrated discoveries of previously unknown works: notably the fourteen “Goldberg” canons and a collection of thirty-three chorale preludes.

Representing twenty-five years of scholarship, these essays—half of which appear here in English for the first time—have established Christoph Wolff as one of the world’s preeminent authorities on J. S. Bach. All students, performers, and lovers of Bach’s music will find this an engaging and enlightening book.

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Back Cast
Fly-Fishing and Other Such Matters
Jeff Metcalf
University of Utah Press, 2018
A storyteller and avid fly fisherman, Jeff Metcalf is, for compelling personal reasons, an enhanced observer of the human condition, who finds himself often in the streams of the American West. Not only rivers run through his essays, his cancer does too. But so do camaraderie, adventures, reveling in nature and outdoor devotions, and the sheer bliss of focused engagement with the fish and the cast. Metcalf’s keenly observed companions are river guides, small-town locals, academics, and other city folk, all like him among those who run to the river for solace and joy.
 
These essays are much more than fish stories; they reveal the community and communion of fishing and the bonds to place the author nurtured through it. Whether he recalls carousing and tale-swapping with friends or excellence found through the challenge of the cast, Metcalf’s words, sometimes roiling and turbulent, sometimes calm and reflective, like a western river, vividly convey the pull of the steelhead and the fight for survival. Whether or not you fish, Metcalf’s sharp-eyed, open and honest look at life will draw you in.

"These waters have been my home, and I fish them more than most. In truth, they have saved my life on more than a few occasions. I seek refuge in the quiet solitude of rivers, and in dark hours of my life—including this particular year—I need desperately to be fly-fishing." —From the book
 
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Bad Objects
Essays Popular and Unpopular
Naomi Schor
Duke University Press, 1995
Bad objects are a contrarian’s delight. In this volume, leading French feminist theorist and literary critic Naomi Schor revisits some of feminist theory’s most widely discredited objects, essentialism and universalism, with surprising results. Bilingual and bicultural, she reveals the national character of contemporary theories that are usually received as beyond borders, while making a strong argument for feminist theory’s specific claims to universalism.
Written in a distinctive personal and self-reflective mode, this collection offers new unpublished work and brings together for the first time some of Schor’s best-known and most influential essays. These engagements with Anglo-American feminist theory, Freud and psychoanalytic theory, French poststructuralists such as Barthes, Foucault, and Irigaray, and French fiction by or about women—especially of the nineteenth century—also address such issues as bilingual identity, professional controversies, female fetishism, and literature and gender. Schor then concludes with a provocative meditation on the future of feminism.
As they read Bad Objects, Anglo-American theoreticians who have been mainly preoccupied with French feminism will find themselves drawn into French literary and cultural history, while French literary critics and historians will be placed in contact with feminist debate.
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Bakhtin
Essays and Dialogues on His Work
Edited by Gary Saul Morson
University of Chicago Press, 1986

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Baltimore Sports
Stories from Charm City
Daniel A. Nathan
University of Arkansas Press, 2016

To read a sample chapter, visit www.uapress.com.

Baltimore is the birthplace of Francis Scott Key’s “The Star-Spangled Banner,” the incomparable Babe Ruth, and the gold medalist Michael Phelps. It’s a one-of-a-kind town with singular stories, well-publicized challenges, and also a rich sporting history. Baltimore Sports: Stories from Charm City chronicles the many ways that sports are an integral part of Baltimore’s history and identity and part of what makes the city unique, interesting, and, for some people, loveable.

Wide ranging and eclectic, the essays included here cover not only the Orioles and the Ravens, but also lesser-known Baltimore athletes and teams. Toots Barger, known as the “Queen of the Duckpins,” makes an appearance. So do the Dunbar Poets, considered by some to be the greatest high-school basketball team ever.

Bringing together the work of both historians and journalists, including Michael Olesker, former Baltimore Sun columnist, and Rafael Alvarez, who was named Baltimore’s Best Writer by Baltimore Magazine in 2014, Baltimore Sports illuminates Charm City through this fascinating exploration of its teams, fans, and athletes.

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The Bark River Chronicles
Stories from a Wisconsin Watershed
Milton J. Bates
Wisconsin Historical Society Press, 2012

The Bark River valley in southeastern Wisconsin is a microcosm of the state's - indeed, of the Great Lakes region's - natural and human history. "The Bark River Chronicles" reports one couple's journey by canoe from the river's headwaters to its confluence with the Rock River and several miles farther downstream to Lake Koshkonong. Along the way, it tells the stories of Ice Age glaciation, the effigy mound builders, the Black Hawk War, early settlement and the development of waterpower sites, and recent efforts to remove old dams and mitigate the damage done by water pollution and invasive species.
Along with these big stories, the book recounts dozens of little stories associated with sites along the river. The winter ice harvest, grain milling technology, a key supreme court decision regarding toxic waste disposal, a small-town circus, a scheme to link the Great Lakes to the Mississippi River by canal, the murder of a Chicago mobster, controversies over race and social class in Waukesha County's lake country, community efforts to clean up the river and restore a marsh, visits to places associated with the work of important Wisconsin writers - these and many other stories belong to the Bark River chronicles.

For the two voyageurs who paddle the length of the Bark, it is a journey of rediscovery and exploration. As they glide through marshes, woods, farmland, and cities, they acquire not only historical and environmental knowledge but also a renewed sense of the place in which they live. Maps and historical photographs help the reader share their experience.

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Barren, Wild, and Worthless
Living in the Chihuahuan Desert
Susan J. Tweit
University of Arizona Press, 2003
Appearing barren and most definitely wild, the Chihuahuan Desert of northern Mexico and the southwestern United States may look worthless to some, but for Susan Tweit it is an inspiration. In this collection of seven elegant personal essays, she explores undiscovered facets of this seemingly hostile environment. With eloquence, passion, and insight, she describes and reflects on the relationship between the land, history, and people and makes this underappreciated region less barren for those who would share her journeys.
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The Barthes Effect
The Essay as Reflective Text
Réda BensmaïaTranslated by Pat FedkiewForeword by Michèle H. Richman
University of Minnesota Press, 1987

The Barthes Effect was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

The author acknowledges the essay as an eccentric phenomenon in literary history, one that has long resisted entry into the taxonomy of genres, as it concentrates on four works by Roland Barthes: The Pleasure of the Text, A Lover's Discourse, Roland Barthes by Roland Barthes, and Camera Lucida. Maintains that with Barthes the essay achieves a status of its own, as reflective text.

". . . a study rigorously conscious of the critical maneuvers it executes and, more importantly, questions as critical practice . . . " Bensmaïa's strategy produces a successful investigation of the interstices and slippages of meaning which Barthes addressed in his work." SubStance

Reda Bensmaia is associate professor in the departments of French and comparative literature at the University of Minnesota, and translator Pat Fedkiew, a graduate student in French at Minnesota. Michele Richman is associate professor of French at the University of Pennsylvania and author of Reading Georges Bataille: Beyond the Gift.

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Battles and Leaders of the Civil War, Volume 5
Edited by Peter Cozzens
University of Illinois Press, 2001

Indispensable must-reads for all Civil War buffs and historians, bringing together little-known and never before gathered first-hand accounts, articles, maps, and illustrations 

The first four volumes of Battles and Leaders of the Civil War, published in the late nineteenth century, became the best-selling and most frequently cited works ever published on the Civil War. Volume 5, assembled by the acclaimed military historian Peter Cozzens, carries on the tradition of its namesake, offering a dazzling new collection of fresh material written by military and civilian leaders, North and South, on a broad array of war-related topics. Featured articles include General Grant on the second battle of Bull Run, General Beauregard on the Shiloh campaign, General Sherman on the conference at City Point, Joshua Chamberlain on the Fredericksburg campaign, and many more. Also presented are dozens of maps and more than one hundred illustrations.

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Battles and Leaders of the Civil War, Volume 6
Edited by Peter Cozzens
University of Illinois Press, 2001

Sifting carefully through reports from newspapers, magazines, personal memoirs, and letters, Peter Cozzens' Volume 6 brings readers more of the best first-person accounts of marches, encampments, skirmishes, and full-blown battles, as seen by participants on both sides of the conflict. Alongside the experiences of lower-ranking officers and enlisted men are accounts from key personalities including General John Gibbon, General John C. Lee, and seven prominent generals from both sides offering views on "why the Confederacy failed." This volume includes one hundred and twenty illustrations, including sixteen previously uncollected maps of battlefields, troop movements, and fortifications.

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Bear Season
Katherine Ayres
Autumn House Press, 2013
Award-winning author Katherine Ayres charts a lyrical, thoughtful path through the lives of bears she encounters in the forests of Western Massachusetts. Using her natural curiosity and wit, Ayres explores how people and bears coexist, and what happens when things go wrong. This page-turner will delight any reader with an interest in the natural world, and also anyone who is awed by the power and majesty of the black bear.
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A Beat Beyond
Selected Prose of Major Jackson
Edited by Amor Kohli
University of Michigan Press, 2022

In this collection of essays, talks, and reviews, Major Jackson revels in the work of poetry not only to limn and assess the intellectual and spiritual dimensions of poets, but to amplify the controversies and inner conflicts that define our age: political unrest, climate crises, the fallout from bewildering traumas, and the social function of the art of poetry itself. Accessible and critically minded, Jackson returns to the poem as an unparalleled source of linguistic pleasure that structures a multilayered “lyric self.” In his interviews, Jackson illustrates poetry’s distinct ability to mediate the inexplicable while foregrounding the possibilities of human song. 

Collected over several decades, these essays find Jackson praising mythmaking in Frank Bidart and Ai’s poetry, expressing bafflement at the silence of white-identified poets in the cause of social and racial justice, unearthing the politics behind Gwendolyn Brooks’s Pulitzer Prize, and marveling at the “hallucinatory speed of thought” in a diverse range of poets including Mei-mei Berssenbrugge, Brenda Hillman, Afaa Michael Weaver, Forrest Gander, and Terrance Hayes. This collection passionately surveys the radical shifts of the art and notes poetry as a necessity for a modern sensibility.

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Beauford Delaney and James Baldwin
Through the Unusual Door
Stephen C. Wicks
University of Tennessee Press, 2020
Beauford Delaney and James Baldwin: Through the Unusual Door examines the thirty-eight-year relationship between painter Beauford Delaney (born in Knoxville, 1901; died in Paris, 1979) and writer James Baldwin (born in New York, 1924; died in Saint-Paul-de-Vence, France, 1987) and the ways their ongoing intellectual exchange shaped each other’s creative output and worldview. This full-color publication documents the groundbreaking exhibition organized by the Knoxville Museum of Art (KMA) and is drawn from the KMA’s extensive Delaney holdings, from public and private collections around the country, and from unpublished photographs and papers held by the Knoxville-based estate of Beauford Delaney. This book seeks to identify and disentangle the skein of influences that grew over and around a complex, lifelong relationship with a selection of Delaney’s works that reflects the powerful presence of Baldwin in Delaney’s life. While no other figure in Beauford Delaney’s extensive social orbit approaches James Baldwin in the extent and duration of influence, none of the major exhibitions of Delaney’s work has explored in any depth the creative exchange between the two.
            The volume also includes essays by Mary Campbell, whose research currently focuses on James Baldwin and Beauford Delaney within the context of the civil rights movement; Glenn Ligon, an internationally acclaimed New York-based artist with intimate knowledge of Baldwin’s writings, Delaney’s art, and American history and society; Levi Prombaum, a curatorial assistant at the Solomon R. Guggenheim Museum who did his doctoral research at University College London on Delaney’s portraits of James Baldwin; and Stephen Wicks, the Knoxville Museum of Art’s Barbara W. and Bernard E. Bernstein Curator, who has guided the KMA’s curatorial department for over 25 years and was instrumental in building the world’s largest and most comprehensive public collection of Beauford Delaney’s art at the KMA.
 
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Beautiful Flesh
A Body of Essays
Stephanie G'Schwind
University Press of Colorado, 2017

Selected from the country’s leading literary journals and publications—Colorado ReviewCreative NonfictionGeorgia ReviewPrairie SchoonerCrazyhorseThe Normal School, and others—Beautiful Flesh gathers eighteen essays on the body, essentially building a multi-gender, multi-ethnic body out of essays, each concerning a different part of the body: belly, brain, bones, blood, ears, eyes, hair, hands, heart, lungs, nose, ovaries, pancreas, sinuses, skin, spine, teeth, and vas deferens. The title is drawn from Wendy Call’s essay “Beautiful Flesh,” a meditation on the pancreas: “gorgeously ugly, hideously beautiful: crimson globes embedded in a pinkish-tan oval, all nestled on a bed of cabbage-olive green, spun through with gossamer gold.”

Other essays include Dinty W. Moore’s “The Aquatic Ape,” in which the author explores the curious design and necessity of sinuses; Katherine E. Standefer’s “Shock to the Heart, Or: A Primer on the Practical Applications of Electricity,” a modular essay about the author’s internal cardiac defibrillator and the nature of electricity; Matt Roberts’s “Vasectomy Instruction 7,” in which the author considers the various reasons for and implications of surgically severing and sealing the vas deferens; and Peggy Shinner’s “Elective,” which examines the author’s own experience with rhinoplasty and cultural considerations of the “Jewish nose.” Echoing the myriad shapes, sizes, abilities, and types of the human body, these essays showcase the many forms of the genre: personal, memoir, lyric, braided, and so on.

Contributors: Amy Butcher, Wendy Call, Steven Church, Sarah Rose Etter, Matthew Ferrence, Hester Kaplan, Sarah K. Lenz, Lupe Linares, Jody Mace, Dinty W. Moore, Angela Pelster, Matt Roberts, Peggy Shinner, Samantha Simpson, Floyd Skloot, Danielle R. Spencer, Katherine E. Standefer, Kaitlyn Teer, Sarah Viren, Vicki Weiqi Yang

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Beautiful Losers
Essays on the Failure of American Conservatism
Samuel Francis
University of Missouri Press, 1994

The 1992 presidential election campaign showed just how deep were the divisions within the Republican party.  In Beautiful Losers, Samuel Francis argues that the victory of the Democratic party marks not only the end of the Reagan-Bush era, but the failure of the American conservatism.

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Because the Light Will Not Forgive Me
Essays from a Poet
Shaun T, Griffin
University of Nevada Press, 2019
“Think of a man walking in the desert,” writes Griffin, “looking for the path to its summit, looking for the observatory that may, at last, shed light on what’s below.”

In this luminous and moving book of essays, award-winning author Shaun Griffin weaves together a poetic meditation on living meaningfully in this world. Anchored in the American West but reaching well beyond, he recounts his discoveries as a poet and devoted reader of poetry, a teacher of the disadvantaged, a friend of poets and artists, and a responsible member of the human family.

Always grounded in place, be it Nevada, South Africa, North Dakota, Spain, Zimbabwe, or Mexico, Griffin confronts the world with an openness that allows him to learn and grow from the people he meets. This is a meditation on how all of us can confront our own influences to achieve wholeness in our lives. Along with Griffin, readers will reflect on how they might respond to a homeless man walking through central Nevada, viewing the open desert as Thoreau might have viewed Walden, seeing the US-Mexico border as a region of lost identity, reconciling how poets who live west of the Hudson River find anonymity to be their laurel, and experiencing how writing poetry in prison becomes lifesaving.

Whether poets or places in the West or beyond, experiences with other cultures, or an acute awareness that poetry is the refuge of redress—all have influenced Griffin’s writing and thinking as a poet and activist in the Great Basin. The mindfulness of Because the Light Will Not Forgive Me demonstrates that even though the light does not forgive, it still reveals.
 
 
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Becoming John Marin
Modernist at Work
Ann Prentice Wagner
University of Arkansas Press, 2018

John Marin was a major figure among the cutting-edge circle of American modernist artists who showed his work in Alfred Stieglitz’s New York galleries from 1909 until 1950. A new collection of the artist’s work at the Arkansas Arts Center, given by Marin’s daughter-in-law, forms the basis of this first book of essays and images to concentrate on Marin’s drawings in the context of Marin’s life, his watercolors, and his etchings.

We follow Marin to his most famous subject matter: New York City and the coast of Maine. Foundational drawings and an unfinished watercolor of the towering Woolworth Building, still under construction when they were made in 1912, begin the story of a renowned group of watercolors first exhibited in 1913 at Alfred Stieglitz’s 291 Gallery and then at the ground-breaking 1913 Armory Show. Other images take us to lesser-known locales, such as the Ramapo Mountains in New York and New Jersey where Marin often painted when he couldn’t get to Maine. More obscure aspects of the artist’s career explored in this collection include portraits of friends and family, charming drawings of animals, and circus scenes.

Becoming John Marin invites readers to look over this important artist’s shoulder as he created and honed the sketches he would interpret into completed watercolors and etchings, illustrating the evolution of his style and methods as he transformed from intuitive draftsman to innovative modernist watercolorist and etcher.

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Before the Echo
Essays on Nature
By Pete Dunne
University of Texas Press, 1995

"The natural world is a lot like a game of musical chairs," observes Pete Dunne. "Everywhere you turn, everywhere you go, there are places where living things sit down, niches that support their specific needs. But just as in musical chairs, there aren't enough places to go around. Our species keeps removing them—forcing other creatures to leave the game."

In these twenty-nine essays, one of America's top nature writers trains his sights on the beauties and the vulnerabilities of the natural world. Writing to infuse others with a sense of the richness and diversity that nature holds, Pete Dunne ranges over topics from the wonder of the year's first snowfall to the lost art of stargazing to the mysterious forces that impel people to hunt—and not to hunt. Running like a thread through all the essays is Dunne's desire to preserve all that is "natural" in nature, to stop our unthinking destruction of wild places and wild creatures before we humans find ourselves with "the last chair, in an empty room" on an impoverished earth.

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Beginner's Luck
Dispatches from the Klamath Mountains
Malcolm Terence
Oregon State University Press, 2018

In the late 1960s, Malcolm Terence left his job as a reporter for the Los Angeles Times to look for adventure and may have found more than he bargained for. The era had triggered unprecedented social and political changes in America, tectonic shifts that challenged war and the social order that oppressed people along lines of class, gender, and race. One branch was a back-to-the-land movement, and Terence, who had just traveled for a year managing a rock band, strayed into Black Bear Ranch, a commune just starting in a remote corner of the Klamath Mountains near the California-Oregon border.

Black Bear Ranch still exists, but many of its early residents eventually returned to urban civilization. A few, Terence among them, stayed on in neighboring river towns. Some tried logging, others gold mining, and some tried growing marijuana, all with mixed success. The local mining and timber communities had a checkered opinion of their new hippie neighbors, as did the Native tribes, but it was the kind of place where people helped each other out, even if they didn’t always agree.

When wildfires grew large, Terence and other veterans of the commune joined the fire crews run by the US Forest Service. In between, the Black Bear expats built homesteads, planted gardens, delivered babies, and raised their children. They gradually overcame the skepticism of the locals and joined them in political battles against the use of herbicides in the forest and the Forest Service’s campaign to close all the mining claims. As in the best of organizing efforts, the organizers learned as much as they led.

Beginner’s Luck will appeal to anyone who experienced life on a commune in the 1960s–1970s or who wants to learn about this chapter in modern American history. Terence offers insight into environmental activism and the long history of conflict between resource exploitation and Native American rights without lecturing or pontificating. With wit, humor, and humility, his anecdotal essays chronicle a time and place where disparate people came together to form an unlikely community.

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Being There
Learning to Live Cross-Culturally
Sarah H. Davis
Harvard University Press, 2011

How can an academic who does not believe evil spirits cause illness harbor the hope that her cancer may be cured by a healer who enters a trance to battle her demons? Whose actions are more (or less) honorable: those of a prostitute who sells her daughter’s virginity to a rich man, or those of a professor who sanctions her daughter’s hook-ups with casual acquaintances? As they immerse themselves in foreign cultures and navigate the relationships that take shape, the authors of these essays, most of them trained anthropologists, find that accepting cultural difference is one thing, experiencing it is quite another. In tales that entertain as much as they illuminate, these writers show how the moral and intellectual challenges of living cross-culturally revealed to them the limits of their perception and understanding.

Their insights were gained only after discomforts resulting mainly from the authors’ own blunders in the field. From Brazil to Botswana, Egypt to Indonesia, Mongolia to Pakistan, mistakes were made. Offering a gift to a Navajo man at the beginning of an interview, rather than the end, caused one author to lose his entire research project. In Côte d’Ivoire, a Western family was targeted by the village madman, leading the parents to fear for the safety of their child even as they suspected that their very presence had triggered his madness. At a time when misunderstanding of cultural difference is an undeniable source of conflict, we need stories like these more than ever before.

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Believing In Place
A Spiritual Geography Of The Great Basin
Richard V. Francaviglia
University of Nevada Press, 2016

The austere landscape of the Great Basin has inspired diverse responses from the people who have moved through or settled in it. Author Richard V. Francaviglia is interested in the connection between environment and spirituality in the Great Basin, for here, he says, "faith and landscape conspire to resurrect old myths and create new ones." As a geographer, Francaviglia knows that place means more than physical space. Human perceptions and interpretations are what give place its meaning. In Believing in Place, he examines the varying human perceptions of and relationships with the Great Basin landscape, from the region's Native American groups to contemporary tourists and politicians, to determine the spiritual issues that have shaped our connections with this place. In doing so, he considers the creation and flood myths of several cultures, the impact of the Judeo-Christian tradition and individualism, Native American animism and shamanist traditions, the Mormon landscape, the spiritual dimensions of gambling, the religious foundations of Cold War ideology, stories of UFOs and alien presence, and the convergence of science and spirituality.

Believing in Place is a profound and totally engaging reflection on the ways that human needs and spiritual traditions can shape our perceptions of the land. That the Great Basin has inspired such a complex variety of responses is partly due to its enigmatic vastness and isolation, partly to the remarkable range of peoples who have found themselves in the region. Using not only the materials of traditional geography but folklore, anthropology, Native American and Euro-American religion, contemporary politics, and New Age philosophies, Francaviglia has produced a fascinating and timely investigation of the role of human conceptions of place in that space we call the Great Basin.

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The Beloved Border
Humanity and Hope in a Contested Land
Miriam Davidson
University of Arizona Press, 2021
Kids in cages, family separations, thousands dying in the desert. Police violence and corruption. Environmental devastation. These are just some of the dramatic stories recounted by veteran journalist Miriam Davidson in The Beloved Border. This groundbreaking work of original reporting also gives hope for the future, showing how border people are responding to the challenges with compassion and creativity.

The book draws on a variety of sources to explain how border issues intersect and how the current situation, while made worse under the Trump administration, is in fact the result of decades of prohibition, crackdowns, and wall building on the border. Davidson addresses subjects such as violence in Mexico, particularly against the press; cross-border gun smuggling and legal gun sales; the rise in migrant detentions, deportations, and deaths since the crackdown began; controversy over humanitarian aid in the desert; border patrol crimes and abuses; and the legal, ethical, and moral issues raised by increased police presence and militarization on the border. The book also looks at the environmental impact of wall building and construction of a planned copper mine near Tucson, especially on the jaguar and other endangered species.

Davidson shares the history of sanctuary and argues that this social movement and others that have originated on the border are vanguards of larger global movements against the mistreatment of migrant workers and refugees, police brutality, and other abuses of human and natural rights. She gives concrete examples of positive ways in which border people are promoting local culture and cross-border solidarity through health care, commerce, food, art, and music. While death and suffering continue to occur, The Beloved Border shows us how the U.S.-Mexico border could be, and in many ways already is, a model for peaceful coexistence worldwide.
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The Benchley Roundup
A Selection by Nathaniel Benchley of his Favorites
Robert C. Benchley
University of Chicago Press, 1983
Robert C. Benchley's sketches and articles, published in periodicals like Life, Vanity Fair, and The New Yorker, earned him a reputation as one of the sharpest humorists of his time; his influence—on contemporaries such as E. B. White, James Thurber, and S. J. Perelman, or followers like Woody Allen, Steve Martin, and Richard Pryor—has left an indelible mark on the American comic tradition. The Benchley Roundup collects those pieces, selected by Benchley's son Nathaniel, "which seem to stand up best over the years"-a compendium of the most endearing and enduring work from one of America's funniest and most penetrating wits.

"It took me fifteen years to discover that I had no talent for writing, but I couldn't give it up because by then I was too famous."
—Robert Benchley
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Bernard Shaw on Cinema
Edited by Bernard F. Dukore
Southern Illinois University Press, 1997

With his customary wit and quite often with remarkable prescience, Bernard Shaw maintained a dialogue on cinema that ran almost from the infancy of the industry in 1908 until his death in 1950. Bernard F. Dukore presents the first collection of Bernard Shaw’s writings and oral statements about cinema. Of the more than one hundred comments Dukore has selected, fifty-nine—more than half—are new to today’s readers. Twelve are previously unpublished, one is published in full for the first time, and forty-six appear in a collected edition of Shaw’s writings for the first time since their publication in newspapers and magazines.

Very early in the life of cinema, Shaw perceived that as an invention, movies would be more momentous than the printing press because they appealed to the illiterate as well as the literate, to the manual laborer at the end of an exhausting day as well as to the person with more leisure. He predicted that cinema would form people’s minds and shape their conduct. He recognized that cinema’s "colossal proportions make mediocrity compulsory" by leveling art and life down to the blandest morality and to the lowest common denominator of potential audiences throughout the world.

By 1908, Shaw was familiar with experiments synchronizing movies and sound. When talkies arrived, he discerned that they would precipitate major changes in acting, writing, and economics. He also saw how they would affect live theatre: "The theatre may survive as a place where people are taught to act," he said in 1930, "but apart from that there will be nothing but ‘talkies’ soon." At that time, few people in the theatrical profession were making such prophecies, at least not in public.

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The Best of Bacon
Select Cuts
John U. Bacon
University of Michigan Press, 2018

From the Preface:
“I wrote these stories between 1992 and 2018. They cover a dozen different sports for a dozen different media outlets, from the Ann Arbor News to National Public Radio, and they stretch from a couple pages to a dozen. But they have one thing in common: they all meant a lot to me when I wrote them, and they still do today.”
 
The Best of Bacon presents both new and familiar stories by best-selling author John U. Bacon, all centered on sports in his home state of Michigan. Best known for his acclaimed books on college football, Bacon’s writing has been praised for going beyond traditional Xs and Os sports reporting. True to that reputation, this collection showcases personal, behind-the-scenes stories of players, coaches, and even fans. Many of these stories are connected to specific moments in time—a great season, the passing of a legendary broadcaster, or a star player’s daily grind before a big game—and will immediately transport readers to some of the highs (and lows) of their own sports memories. More often, Bacon’s writing explores timeless themes—why we love sports, how we pass that passion down to the next generation, and how it will be threatened or preserved in the future.

​Michigan is one of the nation’s best sports states, home to countless amateur squads, two Big Ten schools, and professional teams in all four major sports whose histories reach back to the start of their leagues—something only New York, Massachusetts, and Illinois can also claim. This book covers the spectrum, from insider profiles of big names like Magic Johnson, Bo Schembechler, and Joe Louis, to cautionary tales of the debilitating greed threatening our favorite pastimes, to uplifting stories of the unsung heroes whose passion drives them to coach Little League baseball teams or run summer camps for peanuts. These stories speak to the value of sports, but also to our values. Whether a Spartan or a Wolverine, a long-suffering Lions’ backer or a diehard Wing-Nut, a lifetime sports fan or just someone who loves a good story, there is something here for everyone.

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The Best of Technology Writing 2006
Brendan I. Koerner, Editor
University of Michigan Press, 2006
“The essays collected in this book are sparkling, imaginative pieces of journalism that just happen to be about technology. People steeped in the world of AJAX or Massively Mulitplayer Online Games will find a lot to value here, but so will readers simply in search of good writing.”
—James Fallows, National Correspondent for Atlantic Monthly


“The human experience is being shaped by our symbiotic relationship to technology. What makes this collection wonderful is that it’s not about the technology, per se, but it’s about this changing human experience. I will look forward to it every year.”
—Po Bronson, author of What Should I Do With My Life?


The Best of Technology Writing 2006 brings together some of the most important, timely, and just plain readable writing in the fast-paced, high-stakes field of technology. The first annual collection to target this vibrant and versatile area, The Best of Technology Writing 2006 features innovative work from an unusually diverse array of writers: best-selling authors, noted academics, and indie journalists and bloggers. The culmination of an open, on-line nominating process, this collection covers topics ranging from jetpacks, to the ethics of genetically cloned pets, to the meaning of life in the information age. By turns epic and intimate, serious and playful, The Best of Technology Writing 2006 captures the vitality, importance, and complexity of technology today. Koerner

Featuring contributions from:
David A. Bell
David Bernstein
Mike Daisey
Joshua Davis
Jay Dixit
Daniel Engber
Dan Ferber
Steven Johnson
Steven Levy
Farhad Manjoo
Lisa Margonelli
David McNeill
Justin Mullins
Koranteng Ofosu-Amaah
Adam L. Penenberg
Daniel H. Pink
Evan Ratliff
Alex Ross
Jim Rossignol
Jesse Sunenblick
Edward Tenner
Clive Thompson
Joseph Turow
Richard Waters
Brendan I. Koerner is a contributing editor for Wired, a columnist for both New York Times and Slate, and a fellow at the New America Foundation. His first book will be published by Henry Holt & Company in 2008.

digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

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The Best of Technology Writing 2007
Steven Levy, Editor
University of Michigan Press, 2007

The year’s best writing on tech: a collection as imaginative and compelling as its dynamic subject

“This book is not just an illuminating and instructive guide to our high-tech frontier. It’s also a great testimony to the power of that most ancient of technologies, the written word.”

—Steven Johnson, author of Everything Bad is Good for You

Together the essays in The Best of Technology Writing 2007 capture the versatility and verve of technology writing today. Solicited through an open online nominating process, these pieces explore a wide range of intriguing topics—from “crowdsourcing” to the online habits of urban moms to the digital future of movie production. The Best of Technology Writing 2007 will appeal to anyone who enjoys stellar writing.

Steven Levy is a Senior Editor at Newsweek, where he writes the biweekly column “The Technologist.” One of the most acclaimed and versatile technology writers in the country, Levy has written six books, including The Perfect Thing (about Apple’s iPod) and Hackers, which PC Magazine’s readers voted the best sci-tech book written in the last twenty years. He has written for many publications, including the New Yorker, the New York Times Magazine, Rolling Stone, and Wired.

Featuring contributions from

Kevin Berger

Paul Boutin

Kiera Butler

Joshua Davis

Julian Dibbell

Matt Gaffney

Lori Gottlieb

John Gruber

Jeff Howe

Kevin Kelly

Jaron Lanier

Preston Lerner

Farhad Manjoo

Justin McElroy

Ben McGrath

Katharine Mieszkowski

Emily Nussbaum

Jeffrey M. O’Brien

Larry O’Brien

The Onion

Adam L. Penenberg

John Seabrook

Philip Smith

Aaron Swartz

Clive Thompson

Jeffrey R. Young

digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

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The Best of Technology Writing 2008
Clive Thompson, Editor
University of Michigan Press, 2008

"No one covers technology with more insight or panache than Clive Thompson. I can't imagine anyone better qualified to curate this fascinating series."
---Chris Anderson, editor in chief of Wired magazine and author of The Long Tail

"Editor Clive Thompson suggests we are in a ‘golden age of technology journalism.' Reading this collection, one suspects he is right---it sparkles with beautifully written narratives not only about what technology can do for us but what it does to us as people, to our ways of thinking about ourselves, our relationships, and how we envisage our world."
---Sherry Turkle, Director, MIT Initiative on Technology and Self, Massachusetts Institute of Technology

The Best of Technology Writing 2008 proves that technology writing is a bona fide literary genre with some of the most stylish, compelling, and just plain readable work in journalism today.

The third volume in this annual series, The Best of Technology Writing 2008 covers a fascinating mix of topics---from a molecular gastronomist's recipe for the perfect gin and tonic; to "the Mechanism," an ancient Greek artifact that might be the world's first laptop computer; to social media, privacy, and what is possibly the biggest generation gap since rock 'n' roll.

Featuring contributions from

  • Ted Allen
  • Michael Behar
  • Caleb Crain
  • Julian Dibbell
  • Cory Doctorow
  • David Glenn
  • Thomas Goetz
  • Charles Graeber
  • Alex Hutchinson
  • Walter Kirn
  • Robin Mejia
  • Emily Nussbaum
  • Ben Paynter
  • Jeffrey Rosen
  • John Seabrook
  • Cass R. Sunstein

digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

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Between Grass And Sky
Where I Live And Work
Linda M. Hasselstrom
University of Nevada Press, 2005

An important collection of personal essays from one of the most widely published American environmental writers addresses the effects of ranching on the environment. Acclaimed nature writer Linda M. Hasselstrom sees herself as a rancher who writes—a definition that shapes the tone and content of her writing. Now owner of the South Dakota cattle ranch where she grew up, Hasselstrom lives in intimate contact with the natural world. "Nature is to me both home and office. Nature is my boss, manager of the branch office—or ranch office—where I toil to convert native grass into meat. . . . If I want to keep my job as well as my home, I pay attention not only to Nature's orders, but to her moods and whims." She writes knowingly of the rancher's toil and of the intelligence and dignity of the wild and domesticated creatures that share the prairie grassland she calls home. As one who knows and loves the land, Hasselstrom appreciates the concerns of environmental activists and understands that responsible ranchers can play a role in nurturing a healthy rural ecosystem. Rich in detail, humor, and pathos, these essays offer wry commentary on the scope of human folly and the even greater human potential for community and empathy. "Only people who live in the country," she writes, "could form a relationship with nature so intimate that they feel concern for one lonely duck. People who live in cities . . . only glimpse nature from high windows or speeding vehicles. Even wilderness lovers who probe deeply are only passing through. We who live on the land truly live within the land, each of our lives only one among the other inhabitants of the place." These are essays to read with wonder and delight, to relish and ponder. Available in hardcover and paperback.

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Between Method and Madness
Essays on Swedenborg and Literature
Stephen McNeilly
Swedenborg Foundation Publishers, 2005
Between Method and Madness: Essays on Swedenborg and Literature addresses the question of Emanuel Swedenborg’s (1688–1772) influence on literature of the nineteenth and early twentieth centuries. The collection opens with a seminal essay by William Butler Yeats, a lyrical and critical masterpiece in which the Nobel Prize-winning poet reveals his breadth of lifelong philosophical and theosophical interests, framing them around the significant influence of Swedenborg. The collection also studies Swedenborg’s role in the birth and rise of the Symbolist movement and his influence upon Victorian poetry. The volume closes with an essay by Sir Arthur Conan Doyle, who views Swedenborg as a founding figure for the Spiritualist circles he himself advocated. This volume, the fourth in the Journal of the Swedenborg Society series, contains the following six essays:
 
• W. B. Yeats, “Swedenborg, Mediums and the Desolate Places”
• Gary Lachman, “The Spiritual Detective: How Baudelaire invented Symbolism, by way of Swedenborg, E. T. A. Hoffmann and Edgar Allan Poe”
• Adelheid Kegler, “Elements of Swedenborgian Thought in Symbolist Landscapes: with reference to Sheridan Le Fanu and George MacDonald”
• Richard Lines, “Eros and the Unknown Victorian: Coventry Patmore and Swedenborg”
• Gary Lachman, “Space: the Final Frontier. O. V. de Lubicz Milosz and Swedenborg”
• Arthur Conan Doyle, “The Story of Swedenborg”
 
Also included are a preface by Stephen McNeilly, a chronology of Swedenborg, biographies of the essay subjects, and an index.
[more]

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Between Us
Healing Ourselves and Changing the World Through Sociology
Edited by Marika Lindholm and Elizabeth Anne Wood
University of Chicago Press, 2024
This heartfelt collection is a testament to sociology’s power to heal people and transform societies.
 
The world is a tough place right now. Climate change, income inequality, racist violence, and the erosion of democracy have exposed the vulnerability of our individual and collective futures. But as the sociologists gathered here by Marika Lindholm and Elizabeth Wood show, no matter how helpless we might feel, it’s vital that we discover new paths toward healing and change. The short, accessible, emotionally and intellectually powerful essays in Between Us offer a transformative new way to think about sociology and its ability to fuel personal and social change. These forty-five essays reflect a diverse range of experiences. Whether taking an adult son with autism grocery shopping or fighting fires in Barcelona, contending with sexism at the beach or facing racism at a fertility clinic, celebrating one’s immigrant heritage, or acknowledging one’s KKK ancestors, this book shows students that sociology is deeply rooted in everyday life and can be used to help us process and understand it. A perfect introduction to the discipline and why it matters, Between Us will resonate with students from all backgrounds as they embark on their academic journey.
 
 
 
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Beyond Biopolitics
Essays on the Governance of Life and Death
Patricia Ticineto Clough and Craig Willse, eds.
Duke University Press, 2011
Under the auspices of neoliberalism, technical systems of compliance and efficiency have come to underwrite the relations among the state, the economy, and a biopolitics of war, terror, and surveillance. In Beyond Biopolitics, prominent theorists seek to account for and critically engage the tendencies that have informed neoliberal governance in the past and are expressed in its reformulation today. As studies of military occupation, the policing of migration, blood trades, financial markets, the war on terror, media ecologies, and consumer branding, the essays explore the governance of life and death in a near-future, a present emptied of future potentialities. The contributors delve into political and theoretical matters central to projects of neoliberal governance, including states of exception that are not exceptional but foundational; risk analysis applied to the adjudication of “ethical” forms of war, terror, and occupation; racism and the management of the life capacities of populations; the production and circulation of death as political and economic currency; and the potential for critical and aesthetic response. Together, the essays offer ways to conceptualize biopolitics as the ground for today’s reformulation of governance.

Contributors. Ann Anagnost, Una Chung, Patricia Ticineto Clough, Steve Goodman, Sora Y. Han, Stefano Harney, May Joseph, Randy Martin, Brian Massumi, Luciana Parisi, Jasbir Puar, Amit S. Rai, Eugene Thacker, Çağatay Topal, Craig Willse

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Beyond Borders
The Selected Essays of Mary Austin
Rueben J Ellis
Southern Illinois University Press, 1996

Seventeen essays by Mary Hunter Austin (1868–1934), author of the western classic The Land of Little Rain (1903), demonstrate her wide-ranging interests and equally varied writing styles.

Although she was born in Carlinville, Illinois, and graduated from Blackburn College, Mary Austin spent most of her writing career in California, New York, and finally Sante Fe, New Mexico. A well-known, popular, and prolific writer, Austin published thirty-three books and three plays and was closely associated with many important literary figures of her time, including H. G. Wells, George Bernard Shaw, Mabel Dodge Luhan, Jack London, and Willa Cather. Still best known today for her nature writing and southwestern cultural studies, Austin has been increasingly recognized for her work on feminist themes, including the play The Arrow Maker, the nonfiction The Young Woman Citizen, and the novels A Woman of Genius and No. 26 Jayne Street. What has been perhaps an overemphasis on Austin’s nature writing has, since her death, eclipsed the fact that Austin was known during her lifetime as a colorful, eccentric, and controversial person whose direct and outspoken opinions engaged a wide variety of topics.

Beyond Borders demonstrates that variety. In addition to her monographs, Austin also published her short fiction and essays in periodicals. In fact, like many a writer earning a living from her work, Austin wrote prolifically for the magazine market, producing during her career over two hundred individual pieces published in over sixty periodicals. Although a collection of her short fiction appeared in 1987, Austin’s nonfiction periodical work has remained uncollected until now.

In support of Austin’s essays, Reuben J. Ellis provides an introduction that establishes a biographical and historical context for Austin’s work. In addition, each Austin essay is prefaced by brief introductory remarks by the editor. A selected bibliography of Austin’s essays is also included. 

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front cover of Beyond C. L. R. James
Beyond C. L. R. James
Shifting Boundaries of Race and Ethnicity in Sports
John Nauright
University of Arkansas Press, 2014
Beyond C. L. R. James brings together essays analyzing the intercon¬nections among race, ethnicity, and sport. Published in memory of C. L. R. James, the revolutionary sociologist and writer from Trinidad who penned the famous autobiographical account of cricket titled Beyond a Boundary, this collection of essays, many of which originated at the 2010 conference on race and ethnicity in sport at the University of West Indies, Cave Hill in Barbados, cover everything from Aborigines in sport and cricket and minstrel shows in Australia to Zulu stick fighting and football and racism in northern Ireland. The essays, divided into four sections that include introductory comments by each editor, are written by some of the more well-known sport historians in the world and characterized by a focus on the role of culture and sport in society in the context of both political economies and the state as well as colonial and postcolonial struggles. Included also are discussions on how sport at once brings people together, shapes the identities of its participants, and reflects the continuing search for social justice.
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Beyond Desert Walls
Essays from Prison
Ken Lamberton
University of Arizona Press, 2005
“From the upper bunk where I write, a narrow window allows me a southern exposure of the desert beyond this prison. Saguaro cacti, residents here long before this rude concrete pueblo, fill the upper part of my frame. If I could open the window and reach out across the razed ground, sand traps, and shining perimeter fence, I might touch their fluted sides, their glaucous and waxen skins.”
 
For some people, even prison cannot shut out the natural world.

A teacher and family man incarcerated in Arizona State Prison—the result of a transgression that would cost him a dozen years of his life—Ken Lamberton can see beyond his desert walls. In essays that focus on the natural history of the region and on his own personal experiences with desert places, the author of the Burroughs Medal-winning book Wilderness and Razor Wire takes readers along as he revisits the Southwest he knew when he was free, and as he makes an inner journey toward self-awareness. Whether considering the seemingly eternal cacti or the desolate beauty of the Pinacate, he draws on sharp powers of observation to re-create what lies beyond his six-by-eight cell and to contemplate the thoughts that haunt his mind as tenaciously as the kissing bugs that haunt his sleep.

Ranging from prehistoric ruins on the Colorado Plateau to the shores of the Sea of Cortez, these writings were begun before Wilderness and Razor Wire and serve as a prequel to it. They seamlessly interweave natural and personal history as Lamberton explores caves, canyons, and dry ponds, evoking the mysteries and rhythms of desert life that elude even the most careful observers. He offers new ways of thinking about how we relate to the natural world, and about the links between those relationships and the ones we forge with other people. With the assurance of a gifted writer, he seeks to make sense of his own place in life, crafting words to come to terms with an insanity of his own making, to look inside himself and understand his passions and flaws.

Whether considering rattlesnakes of the hellish summer desert or the fellow inmates of his own personal hell, Lamberton finds meaningful connections—to his crime and his place, to the people who remained in his life and those who didn’t. But what he reveals in Beyond Desert Walls ultimately arises from language itself: a deep, and perhaps even frightening, understanding of a singular human nature.
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Beyond the Classroom
Essays on American Authors
Merton M. Sealts, Jr.
University of Missouri Press, 1996

Merton M. Sealts, Jr., a long-respected scholar and teacher of Emerson and Melville, has written, "I shall never tire of such writers, nor absorb all that they have to teach." This new collection of Sealts's essays reflects his many years of classroom experience and ongoing scholarship since his retirement in 1982. Most of these essays were originally delivered as public lectures before diverse audiences beyond the classroom; others first appeared in study pamphlets and as chapters of books.

These lucid essays, though varied in subject, have the commonality of an emphasis on teaching. The first essay, entitled "Emerson as Teacher," demonstrates how Emerson "provoked and inspired and educated his students--and his students' students."

In the most recently written essays Sealts deals with four of Emerson's contemporaries--Whitman, Thoreau, Hawthorne, and Melville--who responded variously to Emerson's teachings. A common thread among these four essays is each author's distinctive use of first-person narration.

Teachers of literature at every level will greatly benefit from these highly readable discussions, which illustrate practical strategies for reading and teaching literary works. Included in the appendixes are questions for the study of Melville's Bartleby, Benito Cereno, and Billy Budd, Sailor, which are also treated in individual essays.

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front cover of Beyond the Reach of Time and Change
Beyond the Reach of Time and Change
Native American Reflections on the Frank A. Rinehart Photograph Collection
Edited by Simon J. Ortiz
University of Arizona Press, 2004
Around the turn of the twentieth century, most photographs of Indians pandered to shameless, insensitive stereotypes. In contrast, photographic portraits made by Frank A. Rinehart conveyed the dignity and pride of Native peoples. More than 545 Native Americans representing tribes from all over the country attended the Trans-Mississippi and International Exposition in Omaha in 1898 to be part of an event known as the Indian Congress. Rinehart, the exposition’s official photographer, and his assistant Adolph Muhr made more than 500 glass-plate negatives depicting Native Americans in their traditional dress, now housed at Haskell Indian Nations University and regarded as one of the best photographic documentations of Indian leaders from this era.

This book provides an unusual perspective on the Rinehart collection. It features one hundred outstanding images printed from the original negatives made by Rinehart and Muhr at the Congress and over the course of the next two years. It also includes 14 essays by modern Native American writers, artists, and educators—some of them descendants of the individuals photographed—reflecting on the place of these images in their heritage.

Beyond the Reach of Time and Change is not another coffee-table book of historical Indian photographs but rather a conversation between Indian people of a century ago and today. Just as the Rinehart collection offers today's Native Americans a unique connection to the past, this book offers all readers a positive understanding of continuity and endurance within the American Indian community.
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Beyond the Revolution
Bolivia since 1952
James Malloy
University of Pittsburgh Press, 1971
Ten original essays discuss changes in the life, politics, and culture of Bolivia since the revolution of 1952.
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Beyond Vision
Essays on the Perception of Art
Pavel Florensky
Reaktion Books, 2004
Beyond Vision is the first English-language collection of essays on art by Pavel Florensky (1882–1937), Russian philosopher, priest, linguist, scientist, mathematician – and art historian. In addition to seven essays by Florensky, the book includes a biographical introduction and an examination of Florensky’s contribution as an art historian by Nicoletta Misler. Beyond Vision reveals Florensky’s fundamental attitudes to the vital questions of construction, composition, chronology, function and destination in the fields of painting, sculpture and design. His reputation as a theologian and philosopher is already established in the English-speaking world, but this first collection in English of his art essays (translated by Wendy Salmond) will be a revelation to those in the field.

Pavel Florensky was a true polymath: trained in mathematics and philosophy at Moscow University, he rejected a scholarship in advanced mathematics in order to study theology at the Moscow Theological Academy. He was also an expert linguist, scientist and art historian. A victim of the Soviet government’s animosity towards religion, he was condemned to a Siberian labor camp in 1933 where he continued his work under increasingly difficult circumstances. He was executed in 1937.
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Big Digital Humanities
Imagining a Meeting Place for the Humanities and the Digital
Patrik Svensson
University of Michigan Press, 2016
Big Digital Humanities has its origins in a series of seminal articles Patrik Svensson published in the Digital Humanities Quarterly between 2009 and 2012. As these articles were coming out, enthusiasm around Digital Humanities was acquiring a great deal of momentum and significant disagreement about what did or didn’t “count” as Digital Humanities work. Svensson’s articles provided a widely sought after omnibus of Digital Humanities history, practice, and theory. They were informative and knowledgeable and tended to foreground reportage and explanation rather than utopianism or territorial contentiousness. In revising his original work for book publication, Svensson has responded to both subsequent feedback and new developments.
 
Svensson’s own unique perspective and special stake in the Digital Humanities conversation comes from his role as director of the HUMlab at Umeå University. HUMlab is a unique collaborative space and Digital Humanities center, which officially opened its doors in 2000. According to its own official description, the HUMlab is an open, creative studio environment where “students, researchers, artists, entrepreneurs and international guests come together to engage in dialogue, experiment with technology, take on challenges and move scholarship forward.” It is this last element “moving scholarship forward” that Svensson argues is the real opportunity in what he terms the “big digital humanities,” or digital humanities as practiced in collaborative spaces like the HUMlab, and he is uniquely positioned to take an account of this evolving dimension of Digital Humanities practice.
 

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Big Wonderful
Notes from Wyoming
Kevin Holdsworth
University Press of Colorado, 2006
In this unconventional memoir, Kevin Holdsworth vividly portrays life in remote, unpredictable country and ruminates on the guts - or foolishness - it takes to put down roots and raise a family in a merciless environment.

Growing up in Utah, Holdsworth couldn't wait to move away. Once ensconced on the East Coast, however, he found himself writing westerns and dreaming of the mountains he'd skied and climbed. Fed up with city life, he moved to a small Wyoming town.

In Big Wonderful, he writes of a mountaineering companion's death, the difficult birth of his son, and his father's terminal illness - encounters with mortality that sharpened his ideas about risk, care, and commitment. He puts a new spin on mountaineering literature, telling wild tales from his reunion with the mountains but also relating the surprising willpower it took to turn back from risks he would have taken before he became a father. He found he needed courage to protect and engage deeply with his family, his community, and the wild places he loves.

Holdsworth's essays and poems are rich with anecdotes, characters, and vivid images. Readers will feel as if they themselves watched a bear destroy an entire expedition's food, walked with his great-great-grandmother along the icy Mormon Trail, and tried to plant a garden in Wyoming's infamous wind.

Readers who love the outdoors will enjoy this funny and touching take on settling down and adventuring in the West's most isolated country.
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Biographical Passages
Essays on Victorian and Modernist Biography
Edited by Joe Law & Linda K. Hughes
University of Missouri Press, 2000

In the last two decades, biographies have grown in popularity, often eclipsing the novel in sales and accessibility to specialists and the general public alike. Widely regarded as a distinctly modern form, today's biographies are marked by their willingness to "tell all" or to pursue overt political aims. But how new, how unprecedented, are today's biographies? Biographical Passages addresses this important question by juxtaposing Victorian and Modernist biography from diverse perspectives.

Challenging the view that modern biographies are radically different from the straitlaced and ponderous Victorian tomes, Joe Law and Linda K. Hughes illustrate that continuities in biographical practice do exist, proving, for example, that the "tell-all" biography is not the exclusive preserve of the twentieth century. Enlisting the talents of such acclaimed biographers and scholars as P. N. Furbank and Michael Holroyd, Biographical Passages is a true exploration of the art and craft of biography. Essays on the usefulness of biography in approaching late Victorian artists provide a detailed scrutiny of modern biography across disciplines and from a rich array of vantage points. Additional essays on E. M. Forster and the relations between England and India analyze the role of cultural difference in biography.

Law and Hughes conclude Biographical Passages with an epilogue in tribute to a scholar whose work is closely connected to all the essays in this collection—Mary Lago. Widely known for her important contributions to studies of late Victorian and Edwardian literature, art, music, and Anglo-Indian relations, Lago is the author of biographies of Christina Herringham and E. M. Forster.

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Biomedicalization
Technoscience, Health, and Illness in the U.S.
Adele E. Clarke, Laura Mamo, Jennifer Ruth Fosket, Jennifer R. Fishman, and Janet K. Shim, eds.
Duke University Press, 2010
The rise of Western scientific medicine fully established the medical sector of the U.S. political economy by the end of the Second World War, the first “social transformation of American medicine.” Then, in an ongoing process called medicalization, the jurisdiction of medicine began expanding, redefining certain areas once deemed moral, social, or legal problems (such as alcoholism, drug addiction, and obesity) as medical problems. The editors of this important collection argue that since the mid-1980s, dramatic, and especially technoscientific, changes in the constitution, organization, and practices of contemporary biomedicine have coalesced into biomedicalization, the second major transformation of American medicine. This volume offers in-depth analyses and case studies along with the groundbreaking essay in which the editors first elaborated their theory of biomedicalization.

Contributors. Natalie Boero, Adele E. Clarke, Jennifer R. Fishman, Jennifer Ruth Fosket, Kelly Joyce, Jonathan Kahn, Laura Mamo, Jackie Orr, Elianne Riska, Janet K. Shim, Sara Shostak

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Birding While Indian
A Mixed-Blood Memoir
Thomas C. Gannon
The Ohio State University Press, 2023
“A fascinating search for personal and cultural identity.” —Kirkus

Thomas C. Gannon’s Birding While Indian spans more than fifty years of childhood walks and adult road trips to deliver, via a compendium of birds recorded and revered, the author’s life as a part-Lakota inhabitant of the Great Plains. Great Horned Owl, Sandhill Crane, Dickcissel: such species form a kind of rosary, a corrective to the rosaries that evoke Gannon’s traumatic time in an Indian boarding school in South Dakota, his mother’s devastation at racist bullying from coworkers, and the violent erasure colonialism demanded of the people and other animals indigenous to the United States.

Birding has always been Gannon’s escape and solace. He later found similar solace in literature, particularly by Native authors. He draws on both throughout this expansive, hilarious, and humane memoir. An acerbic observer—of birds, the environment, the aftershocks of history, and human nature—Gannon navigates his obsession with the ostensibly objective avocation of birding and his own mixed-blood subjectivity, searching for that elusive Snowy Owl and his own identity. The result is a rich reflection not only on one man’s life but on the transformative power of building a deeper relationship with the natural world.

 
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Bird-Witched!
How Birds Can Change a Life
By Marjorie Valentine Adams
University of Texas Press, 2005

Birding can become an addiction. It starts when you hang a bird feeder in the backyard. Then you buy a bird book to identify the birds you see. Then, before you know it, you're keeping a life list and traveling the region, the country, perhaps even the world to catch glimpses of rare birds. Marjorie Adams's birding passion progressed through all these stages and continues today in her tenth decade. In this engaging and informative book, she looks back at her evolution into a full-fledged birder and the concurrent growth of the sport of birding, to which she contributed significantly as a founding member of the American Birding Association, a newspaper columnist on birding, and a teacher and producer of educational wildlife films with her husband and lifelong birding partner, "Red" Adams.

As one who was there from the beginning, Marjorie Adams is uniquely qualified to recount the astonishing rise of birding to a major pastime and recreational industry. She describes the founding of the American Birding Association and profiles its founder, James A. Tucker. She vividly recalls many of her and Red's birding adventures, from southern Canada to Mexico, as well as their encounters with a host of highly regarded birders, including Roger Tory Peterson, Pete Dunne, Victor Emanuel, Charles Hartshorne, and Roy Bedichek. She also explains how her and Red's love for birds led them to become conservation activists and how they produced an award-winning film on the endangered Golden-cheeked Warbler. Offering an important chapter in the story of birding in Texas and the United States, this book establishes Marjorie and Red Adams's rightful place among the leading Texas naturalists of recent decades.

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The Birth of the Penitentiary in Latin America
Essays on Criminology, Prison Reform, and Social Control, 1830-1940
Edited by Ricardo D. Salvatore and Carlos Aguirre
University of Texas Press, 1996

Opening a new area in Latin American studies, The Birth of the Penitentiary in Latin America showcases the most recent historical outlooks on prison reform and criminology in the Latin American context. The essays in this collection shed new light on the discourse and practice of prison reform, the interpretive shifts induced by the spread of criminological science, and the links between them and competing discourses about class, race, nation, and gender. The book shows how the seemingly clear redemptive purpose of the penitentiary project was eventually contradicted by conflicting views about imprisonment, the pervasiveness of traditional forms of repression and control, and resistance from the lower classes.

The essays are unified by their attempt to view the penitentiary (as well as the variety of representations conveyed by the different reform movements favoring its adoption) as an interpretive moment, revealing of the ideology, class fractures, and contradictory nature of modernity in Latin America. As such, the book should be of interest not only to scholars concerned with criminal justice history, but also to a wide range of readers interested in modernization, social identities, and the discursive articulation of social conflict. The collection also offers an up-to-date sampling of new historical approaches to the study of criminal justice history, illuminates crucial aspects of the Latin American modernization process, and contrasts the Latin American cases with the better known European and North American experiences with prison reform.

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Bjarki, Not Bjarki
On Floorboards, Love, and Irreconcilable Differences
Matthew J. C. Clark
University of Iowa Press, 2023
“You know, I actually think about that an awful lot, like, what is our purpose in life? Why am I here? I always think about some little kid being like, ‘What’d you do with your life?’ And me being like, ‘Well, I sold a bunch of floors.’” 

These are the words of Bjarki Thor Gunnarsson, the young man who manufactures the widest, purest, most metaphorical pine floorboards on the planet. 

As Matthew Clark—a carpenter by trade—begins researching a magazine-style essay about Bjarki and his American Dream Boards, he comes to discover that nothing is quite as it seems. Santa Claus arrives by helicopter. A wedding diamond disappears. A dead coyote jumps to its feet. And then, at a Thai restaurant in central Maine, Bjarki is transformed into an eggplant.  

In Bjarki, Not Bjarki, Clark wants nothing less than to understand everything, to make the world a better place, for you and him to love each other, and to be okay. He desires all of this sincerely, desperately even, and at the same time he proceeds with a light heart, playfully, with humor and awe. As Clark reports on the people and processes that transform the forest into your floor, he also ruminates on gift cards, crab rangoon, and Jean Claude Van Damme. He considers North American colonization, masculinity, the definition of disgusting, his own uncertain certainty. When the boards beneath our feet are so unstable, always expanding and cupping and contracting, how can we make sense of the world? What does it mean to know another person and to connect with them, especially in an increasingly polarized America?
 
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Black Avatar
and Other Essays
Amit Majmudar
Acre Books, 2023
The first nonfiction collection by internationally acclaimed writer and translator Amit Majmudar, Black Avatar combines elements of memoir, biography, history, and literary criticism.

The eight pieces in this deeply engaging volume reflect author Amit Majmudar’s comprehensive studies of American, European, and Indian traditions, as well as his experiences in both suburban Ohio and the western Indian state of Gujarat. The volume begins with the title piece, a fifteen-part examination of “How Colorism Came to India.” Tracing the evolution of India’s bias in favor of light skin, Majmudar reflects on the effects of colonialism, drawing upon sources ranging from early Sanskrit texts to contemporary film and television.

Other essays illuminate subjects both timely and timeless. “The Ramayana and the Birth of Poetry” discusses how suffering is portrayed in art and literature (“The spectrum of suffering: slapstick on one end, scripture on the other, with fiction and poetry . . . in the vastness between them”), while in “Five Famous Asian War Photographs”—a 2018 Best American Essays selection—Majmudar analyzes why these iconic images of atrocity have such emotional resonance. In “Nature/Worship,” another multi-part piece, the author turns his attention to climate change, linking notions of environmentalism to his ancestral tradition of finding divinity within the natural world, connections that form the basis of religious belief.

Perhaps the greatest achievement of these wide-ranging essays is the prose itself—learned yet lively, erudite yet accessible—nimbly revealing the workings of a wonderfully original mind.
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Black Paper
Writing in a Dark Time
Teju Cole
University of Chicago Press, 2021
A profound book of essays from a celebrated master of the form.

“Darkness is not empty,” writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity—and witness the humanity of others—in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience—not just to take in but to think critically about what we sense and what we don’t.

Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole’s writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: “Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning.”
 
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The Black Rock Desert
Text by William L. Fox; Photographs by Mark Klett
University of Arizona Press, 2002
It is the only absolute desert in North America, a four-hundred-square-mile dry lake bed so desolate that nothing ever grows there. Vast and featureless, Nevada's Black Rock Desert defies visual measurement—much to the consternation of off-roaders who venture out onto this playa only to run out of gas before reaching the other side. It is the largest flat area on the continent, where the sound barrier was broken in a car. And it is a place of total silence—not even birds or insects live here—except when thousands of humans congregate for the Burning Man Festival on Labor Day weekend. Writer and poet William Fox has demonstrated his familiarity with the Great Basin in such respected books as Mapping the Empty, just as Mark Klett has been documenting the landscape of the American West in his acclaimed photographic studies. Now these accomplished artists turn their combined talents to an appreciation of this desolate corner of North America, where the only change in scenery comes with the shifting pattern of cracks in the earth after seasonal rains. The Black Rock Desert is a philosophical and visual meditation on an extraordinary place virtually devoid of the usual physical features one relies on for orientation and comfort. It invites readers to consider how the mind responds to a place so empty that it's both physically overpowering and psychically disorienting. Klett's photographs are austere yet innovative, admitting the vastness of the desert yet never letting us forget that traces of human passage and perception are ubiquitous. Fox's contemplative essays bring us news of both the natural desert and its cultural occupation, from the explorations of John C. Frémont to the exaltations of Burning Man. Together, Fox and Klett have forged an introspective guide to a place so daunting that few dare to venture there alone. For anyone seeking to understand how and why we perceive deserts the way we do, their book charts the rugged intersection of the American landscape and the human spirit.
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Black, White, and in Color
Essays on American Literature and Culture
Hortense J. Spillers
University of Chicago Press, 2003
Black, White, and in Color offers a long-awaited collection of major essays by Hortense Spillers, one of the most influential and inspiring black critics of the past twenty years. Spanning her work from the early 1980s, in which she pioneered a broadly poststructuralist approach to African American literature, and extending through her turn to cultural studies in the 1990s, these essays display her passionate commitment to reading as a fundamentally political act-one pivotal to rewriting the humanist project.

Spillers is best known for her race-centered revision of psychoanalytic theory and for her subtle account of the relationships between race and gender. She has also given literary criticism some of its most powerful readings of individual authors, represented here in seminal essays on Ralph Ellison, Gwendolyn Brooks, and William Faulkner. Ultimately, the essays collected in Black, White, and in Color all share Spillers's signature style: heady, eclectic, and astonishingly productive of new ideas. Anyone interested in African American culture and literature will want to read them.
[more]

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Blindness and Insight
Essays in the Rhetoric of Contemporary Criticism
Paul De Man
University of Minnesota Press, 1983

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Blue Desert
Charles Bowden; Foreword by Francisco Cantú
University of Arizona Press, 2018
Published in 1986, Blue Desert was Charles Bowden’s third book-length work and takes place almost entirely in Arizona, revealing Bowden’s growing and intense preoccupation with the state and what it represented as a symbol of America’s “New West.”

Bowden presents a view of the Southwest that measures how rapid growth takes its toll on the land. Writing with a reporter’s objectivity and a desert rat’s passion, Bowden offers us his trademarked craft and wit to take us into the streets as well as the desert to depict not a fragile environment but the unavoidable reality of abuse, exploitation, and human cruelty. Blue Desert shows us the darker side of development—where “the land always makes promises of aching beauty and the people always fail the land”—and defies us to ignore it.

In a thoughtful new foreword, Francisco Cantú writes, “In Blue Desert, we follow Bowden in the processes of becoming. We see the version of Bowden that he would likely most want us to remember—someone who did their best to be an honest witness, someone who was haunted by modernity and his place in it, someone who grappled with his demons by gazing deeply into the desert.” Blue Desert is a critical piece in the oeuvre of Charles Bowden, and it continues to remind readers of the cruelty and beauty of the world around us.
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Blue Desert
Charles Bowden
University of Arizona Press, 1986
In the promised land of the Sunbelt, people come by the thousands to escape the crush of Eastern cities and end up duplicating the very world they have fled. Can the land remain unchanged?

In Blue Desert, Charles Bowden presents a view of the Southwest that seeks to measure how rapid growth has taken its toll on the land. Writing with a reporter's objectivity and a desert rat's passion, Bowden takes us into the streets as well as the desert to depict not a fragile environment but the unavoidable reality of abuse, exploitation, and human cruelty. Blue Desert shows us the Sunbelt's darker side as it has developed in recent times—where “the land always makes promises of aching beauty and the people always fail the land”—and defies us to ignore it.

Blue Desert has no boundaries, no terrain, no topographical coordinates; it is a state of mind inescapable to one who sees change and knows that nothing can be done to stop it.
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Blue Notes
Essays, Interviews, and Commentaries
Yusef Komunyakaa
University of Michigan Press, 2000
Blue Notes offers an assortment of poet Yusef Komunyakaa's writing on contemporary poetry and music. The book is arranged in four sections. The first gathers essays on the work of poets and blues and jazz musicians influential to Komunyakaa's work, from Langston Hughes and Etheridge Knight to Ma Rainey and Thelonious Monk; the second collects a gallery of Komunyakaa's poems and the poet's commentary about each of them. The third selects interviews that reveal the development of the poet's aesthetic sensibility. The final section consists of four artistic explorations that reflect the poet's current interests. Two of of these texts, "Tenebrae" and "Buddy's Monologue," have been recently performed.
As editor Radiclani Clytus makes clear in the volume's introductory essay, although Komunyakaa's poetry has its roots in the stylistic innovations of early twentieth-century American modernists, his writing often reflects his understanding that a "black" experience should not particularize the presentation of one's art. This volume, according to the editor, is an attempt to understand Komunyakaa's critical eclecticism within the context of his own words.
Yusef Komunyakaa's books of poetry include I Apologize for the Eyes in My Head, Magic City, Thieves of Paradise, and Neon Vernacular, for which he received the Pulitzer Prize and the Kingsley Tufts Poetry Award in 1994.
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Bodies in Formation
An Ethnography of Anatomy and Surgery Education
Rachel Prentice
Duke University Press, 2012
Surgeons employ craft, cunning, and technology to open, observe, and repair patient bodies. In Bodies in Formation, anthropologist Rachel Prentice enters surgical suites increasingly packed with new medical technologies to explore how surgeons are made in the early twenty-first century. Prentice argues that medical students and residents learn through practice, coming to embody unique ways of perceiving, acting, and being. Drawing on ethnographic observation in anatomy laboratories, operating rooms, and technology design groups, she shows how trainees become physicians through interactions with colleagues and patients, technologies and pathologies, bodies and persons. Bodies in Formation foregrounds the technical, ethical, and affective formation of physicians, demonstrating how, even within a world of North American biomedicine increasingly dominated by technologies for remote interventions and computerized teaching, good care remains the art of human healing.
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Body and Soul
Essays on Poetry
Mark Jarman
University of Michigan Press, 2002
Mark Jarman, author of the narrative poem Iris and the lyric sequence Unholy Sonnets, is a poet associated with the revival of narrative and traditional form in contemporary American poetry. In Body and Soul he considers poetry from the Renaissance to the present in essays that touch on the importance of religion, place, and personal experience to poetry and reflect Jarman's particular interests. His focus is on the relationship between lyric and narrative, song and story, in poems of all kinds. He considers the poem as a record of both body and soul, and examines his own life, in an extended autobiographical essay, as a source for the stories he has told in his poetry.
The essays "Where Poems Take Place" and "A Shared Humanity" consider the relation between setting or situation and representation. The psychological roots of narrative are considered in "The Primal Storyteller." But the main interest of these essays is how and why narrative is used as a form. The influence of Robinson Jeffers's style of narrative is argued in "Slip, Shift, and Speed Up: The Influence of Robinson Jeffers's Narrative Syntax." In "The Trace of a Story Line" an argument is made that the poets Philip Levine and Charles Wright employ narration or storytelling in their poetry as a mode of meaning. Other essays consider Donald Davie, Philip Larkin, Herbert Lomas, Louis Simpson, Lyn Hejinian, Tess Gallagher, and Ellen Bryant Voigt.
Mark Jarman's poetry has appeared in many publications, including the American Poetry Review and the New Yorker. He has won the Lenore Marshall/Nation Prize of the Academy of American Poets, a Guggenheim fellowship, and multiple grants from the National Endowment for the Arts. He is Professor of English, Vanderbilt University.
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The Body Can Speak
Essays on Creative Movement Education with Emphasis on Dance and Drama
Edited by Annelise Mertz. Foreword by Joseph Roach
Southern Illinois University Press, 2002

Movement is our first language, our universal language. Expression of body movement is the very basis of life as the nineteen contributors to The Body Can Speak: Essays on Creative Movement Education with Emphasis on Dance and Drama attest. Students use their bodies as an instrument of expression, and movement as medium; this means investigating space, energy, time, and motion in order to gain insight into these basic principles. At the same time they gain essential awareness of the self. Such work stimulates the senses and intellect, and develops a tangible new vision to satisfy the human need for aesthetic and artistic expression.

As editor of this collection, accomplished dancer and artistic director Annelise Mertz provides both an aesthetic appreciation for creative movement education as well as practical pedagogy for incorporating dance and drama into contemporary curriculum. Mertz has assembled here a definitive body of work from fellow artists and former students that speaks to the need to actively promote art as part of education.

The book gives voice to accomplished teachers, actors, dancers, directors, authors, and choreographers who share their experiences while they address creative movement education from preschool through college. Forty-eight photographs add an illuminating visual dimension to this wealth of stimulating ideas. The Body Can Speak provides a balanced and varied mosaic, with each essay offering evidence that creative movement education is vital for human development.

Contributors include Becky Engler-Hicks, Ruth Grauert, Anna Halprin, Joanna G. Harris, Margaret N. H’Doubler, Michael Hoeye, Murray Louis, Annelise Mertz, Jaime Nisenbaum, Carol North, Jeff Rehg, Shirley Ririe, G. Hoffman Soto, Emma D. Sheehy, Harold Taylor, Branislav Tomich, Dorothy M. Vislocky, and Joan J. Woodbury.

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The Body of Poetry
Essays on Women, Form, and the Poetic Self
Annie Finch
University of Michigan Press, 2005
The Body of Poetry collects essays, reviews, and memoir by Annie Finch, one of the brightest poet-critics of her generation. Finch's germinal work on the art of verse has earned her the admiration of a wide range of poets, from new formalists to hip-hop writers. And her ongoing commitment to women's poetry has brought Finch a substantial following as a "postmodern poetess" whose critical writing embraces the past while establishing bold new traditions. The Body of Poetry includes essays on metrical diversity, poetry and music, the place of women poets in the canon, and on poets Emily Dickinson, Phillis Wheatley, Sara Teasdale, Audre Lorde, Marilyn Hacker, and John Peck, among other topics. In Annie Finch's own words, these essays were all written with one aim: "to build a safe space for my own poetry. . . . [I]n the attempt, they will also have helped to nourish a new kind of American poetics, one that will prove increasingly open to poetry's heart."

Poet, translator, and critic Annie Finch is director of the Stonecoast low-residency MFA program at the University of Southern Maine. She is co-editor, with Kathrine Varnes, of An Exaltation of Forms: Contemporary Poets Celebrate the Diversity of Their Art, and author of The Ghost of Meter: Culture and Prosody in American Free Verse, Eve, and Calendars. She is the winner of the eleventh annual Robert Fitzgerald Prosody Award for scholars who have made a lasting contribution to the art and science of versification.

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Bolivia
Revolution and the Power of History in the Present
James Dunkerley
University of London Press, 2007

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The Bond of the Furthest Apart
Essays on Tolstoy, Dostoevsky, Bresson, and Kafka
Sharon Cameron
University of Chicago Press, 2017
In the French filmmaker Robert Bresson’s cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The “bond” of Sharon Cameron’s title refers to the astonishing connections found both within Bresson’s films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson’s in their resistance to all forms of abstraction and classification that segregate aspects of reality. 

Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christian conventions, Tolstoy’s incompatible beliefs about death, or Kafka’s focus on creatures neither human nor animal, Cameron illuminates how the repeated juxtaposition of disparate, even antithetical, phenomena carves out new approaches to defining the essence of being, one where the very nature of fixed categories is brought into question. An innovative look at a classic French auteur and three giants of European literature, The Bond of the Furthest Apart will interest scholars of literature, film, ethics, aesthetics, and anyone drawn to an experimental venture in critical thought.
[more]

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Bonelight
Ruin And Grace In The New Southwest
Mary Sojourner
University of Nevada Press, 2004
When upstate New Yorker Mary Sojourner reluctantly agreed to visit the Grand Canyon of Arizona, she little suspected that she was about to lose her heart to the beauty of the Southwest, or that she would shortly find a passion for the land, and a cause in protecting it. She has since gained notoriety as an environmental writer and as a grass-roots activist protesting the heedless development of the Southwest's increasingly precious and embattled open spaces. The essays collected here reflect Sojourner's journey from greenhorn to old-timer, from tourist to committed defender of the land and the human communities that share it. She writes of exploring the deserts, forests, mountains, and river rapids of the Southwest, and of her love for this austere and ravishing landscape; of family, friends, and lovers; of the ways that development is destroying the Southwest's fragile beauty; and of the greed and spiritual emptiness that motivate much of this development. There is humor here, and adventure, and the intensity of a writer who confronts the world around her with bold candor and a lover's tender gaze.
[more]

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Bones, Bodies amd Behavior
Essays in Behavioral Anthropology
Edited by George W. Stocking, Jr.
University of Wisconsin Press, 1990
History of Anthropology is a series of annual volumes, inaugurated in 1983, each broadly unified around a theme of major importance to both the history and the present practice of anthropological inquiry. Bones, Bodies, Behavior, the fifth in the series, treats a number of issues relating to the history of biological or physical anthropology: the application of the "race" idea to humankind, the comparison of animals minds to those of humans, the evolution of humans from primate forms, and the relation of science to racial ideology. Following an introductory overview of biological anthropology in Western tradition, the seven essays focus on a series of particular historical episodes from 1830 to 1980: the emergence of the race idea in restoration France, the comparative psychological thought of the American ethnologist Lewis Henry Morgan, the archeological background of the forgery of the remains "discovered" at Piltdown in 1912, their impact on paleoanthropology in the interwar period, the background and development of physical anthropology in Nazi Germany, and the attempts of Franx Boas and others to organize a consensus against racialism among British and American scientists in the late 1930s. The volume concludes with a provocative essay on physical anthropology and primate studies in the United States in the years since such a consensus was established by the UNESCO "Statements on Race" of 1950 and 1951. Bringing together the contributions of a physical anthropologist (Frank Spencer), a historical sociologist (Michael Hammond), and a number of historians of science (Elazar Barkan, Claude Blanckaert, Donna Haraway, Robert Proctor, and Marc Swetlitz), this volume will appeal to a wide range of students, scholars, and general readers interested in the place of biological assumptions in the modern anthropological tradition, in the biological bases of human behavior, in racial ideologies, and in the development of the modern human sciences.
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The Book of Samuel
Essays on Poetry and Imagination
Mark Rudman
Northwestern University Press, 2009
Crisis, breakdown, rejuvenation: this is the territory of poetry that Rudman takes readers into with this set of essays. Constructed as a series of character studies, the essays are rooted in autobiographical material with biographical counterpoints, tying the poets distinctly to places. Even as they are placed, however, they are displaced: Rudman's subjects, from D.H. Lawrence to Czeslaw Milosz to T. S. Eliot, are almost all exiles, either geographically or within themselves. This exile spins anger into energy, transmuting emotion into imagination the same way that Passaic Falls, known to William Carlos Williams, turns water into power.

The mosaic style of the essays touches on nerve after nerve, avoiding the snags of academic jargon to ease towards an illuminating truth about the artists' shifting work and worlds. Some of the Samuels—Beckett and Fuller—were able to navigate these shifts, while others--Coleridge and Johnson--are shown to be less able to transmute their energy into motion.
[more]

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A Book that Shook the World
Essays on Charles Darwin’s Origin of Species
Julian S. Huxley
University of Pittsburgh Press, 1958
This collection features five essays from noted theologians, philosophers, geneticists, and biologists who discuss the sweeping impact of Charles Darwin's On the Origin of Species on their respective fields. This volume, edited by Ralph Buchsbaum, professor of biology at the University of Pittsburgh, was published to celebrate the centenary of Darwin's announcement in 1858, along with Alfred Russel Wallace, of their independent discovery of the process of natural selection. Darwin's book was published one year later.
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Borrowed Power
Essays on Cultural Appropriation
Edited by Bruce Ziff
Rutgers University Press, 1997
This book was a really informative and insightful collection of essays over cultural appropriation in our society today, mostly focusing on America's appropriation and use of Native American culture specifically more or less. The topics in this book covers a lot of ground from arts, land, and artifacts to ideas, knowledge, and symbols. The book doesn't try and point fingers blaming anyone rather then stating facts of the matter over the gray area of cultural appropriation. Overall a really nice read.
[more]

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Boswell and the Press
Essays on the Ephemeral Writing of James Boswell
Donald J. Newman
Bucknell University Press, 2021
Boswell and the Press: Essays on the Ephemeral Writing of James Boswell is the first sustained examination of James Boswell’s ephemeral writing, his contributions to periodicals, his pamphlets, and his broadsides. The essays collected here enhance our comprehension of his interests, capabilities, and proclivities as an author and refine our understanding of how the print environment in which he worked influenced what he wrote and how he wrote it. This book will also be of interest to historians of journalism and the publishing industry of eighteenth-century Britain.
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The Boswell Thesis
Essays on Christianity, Social Tolerance, and Homosexuality
Edited by Mathew Kuefler
University of Chicago Press, 2005
Few books have had the social, cultural, and scholarly impact of John Boswell's Christianity, Social Tolerance, and Homosexuality. Arguing that neither the Bible nor the Christian tradition was nearly as hostile to homoeroticism as was generally thought, its initial publication sent shock waves through university classrooms, gay communities, and religious congregations. Twenty-five years later, the aftershocks still reverberate. The Boswell Thesis brings together fifteen leading scholars at the intersection of religious and sexuality studies to comment on this book's immense impact, the endless debates it generated, and the many contributions it has made to our culture.

The essays in this magnificent volume examine a variety of aspects of Boswell's interpretation of events in the development of sexuality from Classical Antiquity through the Middle Ages, including a Roman emperor's love letters to another man; suspicions of sodomy among medieval monks, knights, and crusaders; and the gender-bending visions of Christian saints and mystics. Also included are discussions of Boswell's career, including his influence among gay and lesbian Christians and his role in academic debates between essentialists and social constructionists.

Elegant and thought-provoking, this collection provides a fitting twenty-fifth anniversary tribute to the incalculable influence of Christianity, Social Tolerance, and Homosexuality and its author.
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Botanical Companions
A Memoir of Plants and Place
Frieda Knobloch
University of Iowa Press, 2005
In her luminous inquiry into the intricate connections among work, place, and people, Frieda Knobloch explores the lives of two Rocky Mountain botanists, Aven Nelson (1859-1952) and Ruth Ashton Nelson (1896-1987). Aven was a professor of botany at the University of Wyoming for many years; Ruth compiled field guides to Rocky Mountain plants and wrote articles on botany for magazines. The two met and married when Aven was in his seventies and Ruth was in her mid thirties, and they developed a symbiotic partnership that joined work and play, learning and companionship. Into this relatively straightforward reconstruction of two lives Knobloch blends the history of her own life as a scholar and an amateur naturalist, her own journal entries, and her letters written to Ruth to create a transformative environmental auto/biography.
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Bound in the Bond of Life
Pittsburgh Writers Reflect on the Tree of Life Tragedy
Beth Kissileff and Eric S. Lidji
University of Pittsburgh Press, 2022

On October 27, 2018, three congregations were holding their morning Shabbat services at the Tree of Life Synagogue in Pittsburgh’s Squirrel Hill neighborhood when a lone gunman entered the building and opened fire. He killed eleven people and injured six more in the deadliest anti-Semitic attack in American history. The story made international headlines for weeks following the shooting, but Pittsburgh and the local Jewish community could not simply move on when the news cycle did.

The essays in this anthology, written by local journalists, academics, spiritual leaders, and other community members, reveal a city’s attempts to come to terms with an unfathomable horror. Here, members from each of the three impacted congregations are able to reflect on their experiences in a raw, profound way. Local journalists who covered the story as it unfolded explore the personal and public aspects of reporting the news. Activists consider their work at a calm distance from the chaotic intensity of their daily efforts. Academics mesh their professional expertise with their personal experiences of this shattering event in their hometown. A local rabbi shares his process for crafting messages of comfort even as he attempts to reckon with his own feelings.

Bringing these local voices together into a chorus raises them over the din of international chroniclers who offer important contributions but cannot feel the intensity of this tragedy in the same way as Pittsburghers. The essays in this anthology tell a collective story of city shaken to its very core, but determined that love will ultimately win.

A portion of the proceeds from the sale of this book will go to Jewish Family and Community Service of Pittsburgh (https://www.jfcspgh.org/), which serves individuals and families of all faiths throughout the Greater Pittsburgh community.

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A Braided Heart
Essays on Writing and Form
Brenda Miller
University of Michigan Press, 2021

A Braided Heart provides a friendly, personal, and smart guide to the writing life. It also offers clear and original instruction on craft elements at the forefront of today’s emerging forms in creative nonfiction: from the short-short, to the braided form, to the hermit crab essay. An acknowledged expert in these forms, Brenda Miller gives writers practical advice on how to sustain and invigorate their writing practice, while also encouraging readers to explore their own writing lives.

“Brenda Miller writes so beautifully in these lyrical and ‘braided’ essays—personal meditations that take us deep into the miracle of writing itself. Her eye is always alert, her ear wonderfully tuned to the nuances of perception. The art of the essay is alive and well in her hands.”
 —Jay Parini, author of Borges and Me

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Brazil
Essays on History and Politics
Leslie Bethell
University of London Press, 2018
Published to mark his 80th birthday, this volume consists of seven essays by Leslie Bethell on major themes in modern Brazilian history and politics: Brazil and Latin America; Britain and Brazil (1808-1914); The Paraguayan War (1864-70); The decline and fall of slavery (1850-1888); The long road to democracy; Populism; The failure of the Left. The essays are new, but they draw on book chapters and journal articles published (mainly in Portuguese) and public lectures delivered in the ten years since his retirement as founding Director of the University of Oxford Centre for Brazilian Studies in 2007. In an autobiographical Introduction (Why Brazil?) Professor Bethell describes how, from the most unlikely of backgrounds, he became a historian of Brazil and how he came to devote much of his long academic career to the promotion and development of Brazilian studies in UK (and, to a lesser extent, US) universities. Leslie Bethell is one of the few great Brazilianists, as foreign scholars of Brazil are called, of his and subsequent generations. Brazilianists engage in scholarship that has breadth and depth; illuminate Brazil as an object of study, asking the most important questions that can be asked about the country; and give voice to Brazilian experiences and perspectives. Leslie Bethell has done these things during his long career, and he continues to do so, as this collection of his recent essays on Brazilian history and politics demonstrates.  Anthony Pereira, Director, Brazil Institute, King’s College London
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Breakfast Served Any Time All Day
Essays on Poetry New and Selected
Donald Hall
University of Michigan Press, 2004
Breakfast Served Any Time All Day collects forty years of writings on poetry in one essential volume by master of American letters Donald Hall.

Praise for Breakfast Served:


". . . the essays in this book are engaging, passionate, strange, and unified. Hall has been around a long time, and you can trace the concerns of a generation through the mind of this one man: questions about the diminished scope of poetry, the diminished ambitions of poets, how a poem 'means,' etc. . . . . Criticism . . . is an exercise in sanity, of which these essays are a splendid and useful example."
-Poetry

"A luminous and essential volume about the sensuality of language, its pleasures and sounds."
-Ploughshares

"It is in this merger of a poet's biography and a poem's body that Hall does his best work. . . . [Breakfast Served Any Time All Day] has an undeniably infectious quality to it. Finishing it, you cannot help but want to return to your bookshelf, and read-again or for the first time-the great forgotten poems of our past."
-Nathan Greenwood Thompson, Rain Taxi
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The Breakout
The Origins of Civilization
Martha Lamberg-Karlovsky
Harvard University Press, 2000

For much of the twentieth century, Mesopotamia was thought to he the singular “Cradle of Civilization,” and the agents of change that brought it about were thought to be demographic, ecological, and technological. Bronze Age Mesopotamian accomplishments were believed to have diffused outward, influencing the development of civilization in the rest of the world. Part of this Mesopocentric view was revised as archaeological evidence revealed that other unique civilizations had existed in both the Old and New Worlds, but the traditional Near Eastern pattern of development continued to serve as a model.

In the mid-1980s, however, Harvard’s Kwang-chih Chang proposed in Symbols—a publication of Harvard’s Peabody Museum and Department of Anthropology—that China’s first civilization did not evolve according to the conventional Mesopotamian model and argued instead for a new paradigm for understanding the origins of civilization in ancient China and the New World.

In this collection of subsequent Symbols articles and other essays, Maya and Near Eastern studies specialists engage in a stimulating debate of Chang’s thesis, also presented here.

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Brewtown Tales
More Stories from Milwaukee and Beyond
John Gurda
Wisconsin Historical Society Press, 2022
John Gurda’s South Side Milwaukee family loved potluck dinners. “From the Jell-O salads at the start of the line through the hot dishes in the middle and on to the pumpkin bars at the end, the food was always hearty, abundant, and certifiably homemade,” he writes. Drawing from Gurda’s long-running Sunday Milwaukee Journal Sentinel column, Brewtown Tales was prepared in the spirit of those fondly remembered meals. The main dish is Milwaukee history, served in a multitude of ways. You will find in these pages the biography of a bridge, a requiem for a union, tales of two shipwrecks, a frank take on segregation, and memories of the summer of ’68, among many other things. There are also side dishes that convey the distinctive flavors of Wisconsin and a few more exotic places, from Vilas County to Vietnam. Brewtown Tales will satisfy your hunger, introduce you to new and unexpected tastes, and whet your appetite for more homemade history.
 
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Bridges to Fantasy
Essays from the Eaton Conference on Science Fiction and Fantasy Literature
George E Slusser
Southern Illinois University Press, 1982

Thirteen original essays written specifically for the second Eaton Conference on Science Fiction and Fantasy Literature, held February 23–24, 1980, at the University of California, Riverside.

These essays demonstrate the variety of fantasy forms and their pervasiveness throughout the ages and will stimulate further study of this complex and elusive mode. The essays—by Harold Bloom, writer and DeVane Professor of the Humanities at Yale University; Larry McCaffery, Assistant Professor of En­glish at San Diego State University; Marta E. Sánchez, Instructor of English at the University of California, San Diego; Arlen J. Hansen, Professor of English at the University of the Pacific, Stockton; David Clayton, Instructor of Comparative Literatureat the University of California, San Diego; Robert Sale, writer and Professor of English at the University of Washington; G. Richard Thompson, Professor of English at Purdue Univer­sity, West Lafayette; Robert A. Collins, Coordinator of the an­nual Swann Conference on the Fantastic and Instructor at Flor­ida Atlantic University, Boca Raton; John Gerlach, Associate Professor of English at Cleveland State University; David Ket­terer, writer and Professor of English at Concordia University, Montreal; George R. Guffey, Professor of English at the Univer­sity of California, Los Angeles; Jack P. Rawlins, Associate Pro­fessor of English at California State University, Chico; and Gary Kern, writer and translator of early Soviet literature—examine fantasy on many levels of interest: as an element of human thought, as a constant factor in the social and intellectual environment, and as a generator of form in art and literature.

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Bridges to Science Fiction
George E Slusser
Southern Illinois University Press, 1980

Ten new critical essays written for presentation at the first Eaton Conference on Science Fiction and Fantasy Literature held 24–25February 1979,at the University of California, Riverside.

While critical discussion of science fiction has become increasingly sophisticated during the past decade, there remains a tendency among some teachers and readers to consider science fiction as an independent phenomenon that exists unconnected to the mainstream of our cultural inheritance. These essays—by Harry Levin, Irving Babbitt Professor of Comparative Litera­ture at Harvard University; Kent T. Kraft, Assistant Professor of Comparative Literature at the University of Georgia, Athens; Stephen Potts, writer and instructor at San Diego State Univer­sity; Gregory Benford, writer and Associate Professor of Physics at the University of California, Irvine; Robert Hunt, an editor at Glencoe Publishing; Eric S. Rabkin, Professor of English at the University of Michigan; Patrick Parrinder, instructor at the University of Reading, England; Thomas Keeling, Lecturer in English at the University of California, Los Angeles; Carl D. Malmgren, instructor at the University of Oregon, Eugene; and Thomas Hanzo, Professor of English and Chairman of the de­partment at the University of California, Davis—suggest the connections that exist between science fiction and other aspects of Western cultural tradition.

Ranging in interest from the specifically philosophical to the specifically literary, the essays relate science fiction to such top­ics as medieval cosmological discourse, classical empirical phi­losophy, fairy tale, epic, and Gothic fiction. Emerging from the volume as a whole are both a coherent view of science fiction as a genre and a heightened sense of its complex relation to our cultural heritage.

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Brief Interviews with the Romantic Past
Kathryn Nuernberger
The Ohio State University Press, 2017
Could Marie Antoinette’s wigs get any higher? Could the anonymous women riding in hot air balloons alone with gentlemen be any more scandalous? Does an Ozark holler hold the mouth to a lost cave with the longest, thickest vein of gold in North America? Brief Interviews with the Romantic Past is a collection of rumors, secrets, tall tales, and lies that begins at the court of Louis XV and ends in the foothills of the Ozark Mountains.
With all the astonishments of history and the intimacy of memoir, Kathryn Nuernberger’s collection juxtaposes peripheral figures from the French Revolution—the assassin, the executioner, the mistress, the spy, the son of a slave, the transgender swordfighter—with the oral histories of poachers, prophets, well witches, and ghosts of the Ozarks a century later. In essays that are equal parts historical and personal, Nuernberger brings the marvelous strangeness of the past into our present moment with wry wit and insight. Nuernberger has an eye for salvaging overlooked snapshots of human decency and moments of moral courage—the memories of which we might just want to save for later. 
 
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Bringing It All Back Home
Essays on Cultural Studies
Lawrence Grossberg
Duke University Press, 1997
As one of the founding figures of cultural studies, Lawrence Grossberg was an early participant in the Birmingham Centre for Contemporary Cultural Studies’ project, one which sought to develop a critical practice adequate to the complexities of contemporary culture. The essays in Bringing It All Back Home bring a sense of history, depth, and contestation to the current success of cultural studies while charting Grossberg’s intellectual and theoretical developments from his time at Birmingham to the present day. Written over a twenty-year period, these essays—which helped introduce British cultural studies to the United States—reflect Grossberg’s ongoing effort to find a way of theorizing politics and politicizing theory.

The essays collected here recognize both the specificity of cultural studies, by locating it in a range of alternative critical perspectives and practices, and its breadth, by mapping the extent of its diversity. By discussing American scholars’ initial reception of cultural studies, its relation to communication studies, and its origins in leftist politics, Grossberg grounds the development of cultural studies in the United States in specific historical and theoretical context. His criticism of "easy" identification of cultural studies with the theories, models, and issues of communications and his challenge to some of cultural studies’ current directions and preoccupations indicates what may lie ahead for this dynamic field of study. Bringing together the Gramscian tradition of British cultural studies with the antimodernist philosophical positions of Foucault, Deleuze, and Guattari, Grossberg articulates an original and important vision of the role of the political intellectual in the contemporary world and offers an essential overview of the emerging field of cultural studies by one of its leading practitioners and theorists.

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Broken Dreams
Another Year Inside Boxing
Thomas Hauser
University of Arkansas Press, 2021

Each year, readers, writers, and critics alike look forward to Thomas Hauser’s newest collection of articles about the contemporary boxing scene. As Booklist has proclaimed, “Many journalists have written fine boxing pieces, but none has written as extensively or as memorably as Thomas Hauser. . . . Hauser remains the current champion of boxing. . . . Hauser is a treasure.”

Broken Dreams meets this high standard with its coverage of 2020’s most important fighters and fights, outside-the-ring controversies, regulatory missteps, and other issues that defined the year’s boxing scene. Hauser explores the heavyweight trio of Tyson Fury, Anthony Joshua, and Deontay Wilder in depth, as well as Canelo Álvarez and historic greats like Jack Dempsey, Carlos Monzon, and Muhammad Ali.

Hauser also tackles the larger social challenges that imposed themselves so assertively in 2020, including the coronavirus pandemic, the Black Lives Matter movement, runaway social media, the presidential election, and other forces that left a deep imprint on the sport and business of boxing.

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Brussels, the Gentle Monster
or the Disenfranchisement of Europe
Hans Magnus Enzensberger
Seagull Books, 2011
The inner workings of the European Union are as much a mystery to those living within its confines as they are to those of us who reside elsewhere. The Brussels bureaucracy that sets many of the EU’s policies feels remote to its citizens, yet the influence of its decisions can extend worldwide and throughout the global marketplace.
 
In this timely and insightful essay, Hans Magnus Enzensberger blends reportage, argument, and analysis in order to make sense of the EU’s present political and economic roles and examine the EU’s origins and inherent contradictions. In Enzensberger’s view, Europe is involved in a project without precedent—the first non-violent form of post-democratic governance, which is trying to abolish the diversity of Europe and impose a regime that is not accountable to its citizens. Its often bizarre and arbitrary rules amount to a soft but relentless guardianship, dictating how half a billion people should live their lives regardless of their own political opinions and traditions. Enzensberger here offers a strategy for approaching this modern monster—at once gentle and giant, friend and foe.
 
Praise for Enzensberger
 
“How should one cope with Germany? Let’s ask Hans Magnus Enzensberger. . . . One can only marvel at his permanent alertness, his tone of cold enragement, the dimensions of his hunger for experience, most of all however, one can only marvel at his sense of important issues. For 50 years, time and again Enzensberger has posed the right questions to German society. . . . No one should ever believe Enzensberger is on his side. Whenever someone makes a clear distinction between Good and Evil, Enzensberger will jump out of his cover and shout: It’s not that simple.”—Florian Illies, Die Zeit
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Bub
Essays from Just North of Nashville
Drew Bratcher
University of Iowa Press, 2022
Nashville native Drew Bratcher writes musically about memory and memorably about music in uncommonly beautiful essays that announce the arrival of a major new voice. The title essay, a requiem in fragments, tells the story of a grandfather through his ear, comb, hands, El Camino, and clothes. Bratcher delivers a tough and moving tribute to a man who “went on ahead, on up the road, and then the road turned.” Elsewhere, Bratcher directs his attention to Johnny Cash’s looming presence over his childhood, the relative pain of red paper wasp stings, Dolly Parton’s generative homesickness, the humiliations and consolations of becoming a new father, the experience of hearing his name in a Taylor Swift song, and the mystifying hymns treasured by both his great grandmother and D. H. Lawrence.

Seamlessly blending memoir and arts criticism and aiming at both the heart and the head, this is a book about listening closely to stories and songs, about leaving home in order to find home, and about how the melodies and memories absorbed along the way become “a living music that advances and prevails upon us at formative moments, corralling chaos into the simple, liberating stockade of verse, chorus, verse.”
 
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Buddhism and the Emerging World Civilization
Essays in Honor of Nolan Pliny Jacobson
Ramakrishna Puligandla
Southern Illinois University Press, 1996

This captivating new book, a milestone in Buddhist and comparative studies, is a compilation of seventeen essays celebrating the work and thought of Nolan Pliny Jacobson.

A profoundly motivated interdisciplinary thinker, Jacobson sought to discover, clarify, and synthesize points of similarity among leading thinkers of different Oriental and Western cultures. For almost half a century, he articulated his vision of an emerging world civilization, one in which all people can feel and express their creative, constructive powers for the benefit of others as well as for themselves.

Jacobson believed that philosophy and the works of philosophers should be understood as a vital force enriching all civilizational experience. His own philosophic perspective was rooted in the conviction that novelty is the source of all experience and the center of a creativity that lives beyond words, arguments, and rational paradigms. Throughout his career, Jacobson explored Buddhist texts and personalities, spending much time in the Orient, particularly Myanmar and Japan. He also closely studied the works of numerous Western philosophers, including Whitehead, Dewey, Peirce, James, Hartshorne, and Wieman. Jacobson believed that American philosophy and Buddhism concurred in many ways, with the potential to form a powerful basis for the development of a world civilization.

The essays in this volume are organized around Jacobson’s activities, publications, and interests. Authored by an impressive selection of scholars, the essays are grouped into four sections—"Historical Context," "Central Issues," "Practical Implications," and "The Japan Emphasis." Hajime Nakamura, Charles Hartshorne, Kenneth K. Inada, Seizo Oho, and numerous others discuss freedom, creativity, and Buddhism’s self-corrective nature, setting forth their reasons for sharing Jacobson’s ideas and visions.

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BUG
Deaf Identity and Internal Revolution
Christopher Jon Heuer
Gallaudet University Press, 2007

“What you have in your hands is a bomb. But it is the kind you need to hold on to for dear life, not run away from.”
—From the Foreword, John Lee Clark

Christopher Jon Heuer lost his hearing early, but not before “being able to hear a lot as a kid.” He also received a good education, both in a speech-oriented setting and a signing environment. These varied experiences provided him with the perfect background to write about biases he faced, not only those of a mostly oblivious hearing society, but also those of ideologically restrictive members of the Deaf community. BUG: Deaf Identity and Internal Revolution combines new work of Heuer’s with his best columns from The Tactile Mind Weekly and the National Association of the Deaf’s Mind Over Matter. He addresses all topics – exit interviews, baldness, faith healing, marriage, cats, Christmas trips, backyard campfires in boxer shorts – with a withering wit that spares no aspect of life and deafness.

Being “bugged” for Heuer began early: “When I was growing up, my mother’s response to every problem I had was: ‘Well, he just needs to adjust to his deafness.’ Bloody nose? ‘Chris, you need to adjust to your deafness.’ Homework not done? ‘I know it’s hard adjusting to your deafness, honey, but ....’ Acne scarring? ‘Lots of teenagers get zits, Chris. I know it’s hard for you, dealing with this while trying to adjust to your ....’” He rebelled then, and continues through his even-handed irreverence in BUG, a bomb that should go off in everyone’s consciousness about being deaf and Deaf.

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The Burden of Over-representation
Race, Sport, and Philosophy
Grant Farred
Temple University Press, 2018

The Burden of Over-representation artfully explores three curious racial moments in sport: Jackie Robinson’s expletive at a Dodgers spring training game; the transformation of a formality into an event at the end of the 1995 rugby World Cup in South Africa; and a spectral moment at the 2010 FIFA World Cup. Grant Farred examines the connotations at play in these moments through the lenses of race, politics, memory, inheritance and conciliation, deploying a surprising cast of figures in Western thought, ranging from Jacques Derrida and Friedrich Nietzsche to Judith Butler, William Shakespeare, and Jesus-the-Christ. Farred makes connection and creates meaning through the forces at play and the representational burdens of team, country and race.

Farred considers Robinson’s profane comments at black Dodgers fans, a post-match exchange of “thank yous” on the rugby pitch between white South African captain François Pienaar and Nelson Mandela, and being “haunted” by the ghost of Derrida on the occasion of the first FIFA World Cup on African soil. In doing so, The Burden of Over-representation provides a passionate, insightful analysis of the social, political, racial, and cultural consequences of conciliation at key sporting events.

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Burntwater
Scott Thybony
University of Arizona Press, 1997
In Navajo country, where the land is thick with legends and forgotten histories, a writer sets out to find a place that no longer exists except on a few old maps: Burntwater. The story opens when two friends get stuck in a remote pocket of the desert as a winter storm moves in. They are taking a wandering route across the Four Corners region, curving through Utah, New Mexico, and Arizona on a long arc into the mythic heart of the country. As they travel, the author calls up past experiences in this land where the past flows seamlessly into the present. He remembers a medicine man whose chanting could start the cold engine of a Volkswagen. He describes an act of sabotage against an oil company by two Vietnam vets armed with deer rifles. He recalls how a winter of herding sheep for a Navajo family and a search for a Hopi known as the Sun Chief led him further into a human landscape as strange and compelling as the terrain.

This book takes the backroads, crossing the Colorado Plateau from the headwaters of the Virgin River to the mouth of the Dirty Devil, from the badlands below Twin Angels to a remote mesa in Bandelier. As the miles go by and the stories unfold, there is a growing sense of mystery, of words not spoken, of messages carried on the wind. Reaching the Shrine of the Stone Lions, the writer recounts a near-fatal descent into the Grand Canyon where he finds a way to reconnect with the beauty of life. There his journey ends with an emotional punch that goes straight to the mind and the heart.
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Butterfly, the Bride
Essays on Law, Narrative, and the Family
Carol Weisbrod
University of Michigan Press, 2004
Carol Weisbrod uses a variety of stories to raise important questions about how society, through law, defines relationships in the family. Beginning with a story most familiar from the opera Madame Butterfly, Weisbrod addresses issues such as marriage, divorce, parent-child relations and abuses, and non-marital intimate contact. Each chapter works with fiction or narratives inspired by biography or myth, ranging from the Book of Esther to the stories of Kafka. Weisbrod frames the book with running commentary on variations of the Madame Butterfly story, showing the ways in which fiction better expresses the complexities of intimate lives than does the language of the law.

Butterfly, the Bride looks at law from the outside, using narrative to provide a fresh perspective on the issues of law and social structure---and individual responses to law. This book thoroughly explores relationships between inner and public lives by examining what is ordinarily classified as the sphere of private life---the world of family relationships.
Carol Weisbrod is Ellen Ash Peters Professor of Law at the University of Connecticut. Her other books include The Boundaries of Utopia and Emblems of Pluralism.
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