front cover of Narrative Ethics
Narrative Ethics
Adam Newton
Harvard University Press, 1995

The ethics of literature, formalists have insisted, resides in the moral quality of a character, a story, perhaps the relation between author and reader. But in the wake of deconstruction and various forms of criticism focusing on difference, the ethical question has been freshly negotiated by literary studies, and to this approach Adam Newton brings a startling new thrust. His book makes a compelling case for understanding narrative as ethics. Assuming an intrinsic and necessary connection between the two, Newton explores the ethical consequences of telling stories and fictionalizing character, and the reciprocal claims binding teller, listener, witness, and reader in the process. He treats these relations as defining properties of prose fiction, of particular import in nineteenth- and twentieth-century texts.

Newton's fresh and nuanced readings cover a wide range of authors and periods, from Charles Dickens to Kazuo Ishiguro and Julian Barnes, from Herman Melville to Richard Wright, from Joseph Conrad and Henry James to Sherwood Anderson and Stephen Crane. An original work of theory as well as a deft critical performance, Narrative Ethics also stakes a claim for itself as moral inquiry. To that end, Newton braids together the ethical-philosophical projects of Emmanuel Levinas, Stanley Cavell, and Mikhail Bakhtin as a kind of chorus for his textual analyses--an elegant bridge between philosophy's ear and literary criticism's voice. His work will generate enormous interest among scholars and students of English and American literature, as well as specialists in narrative and literary theory, hermeneutics, and contemporary philosophy.

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Narrative Middles
Navigating the Nineteenth-Century Novel
Caroline Levine and Mario Ortiz-Robles
The Ohio State University Press, 2011

Narrative theorists have lavished attention on beginnings and endings, but they have too often neglected the middle of narratives. In this groundbreaking collection of essays, Narrative Middles: Navigating the Nineteenth-Century British Novel, nine literary scholars offer innovative approaches to the study of the underrepresented middle of the vast, bulky nineteenth-century multiplot novel. Combining rigorous formal analysis with established sociohistorical methods, these essays seek to account for the various ways in which the novel gave shape to British culture’s powerful obsession with middles. The capacious middle of the nineteenth-century novel provides ample room for intricately woven plots and the development of complex character systems, but it also becomes a medium for capturing, consecrating, and cultivating the middle class and its middling, middlebrow tastes as well as its mediating global role in empire. Narrative Middles explores these fascinating conjunctions in new readings of novels by Jane Austen, William Makepeace Thackeray, Anne Brontë, George Eliot, Charles Dickens, Wilkie Collins, Henry James, and William Morris. Contributors: Amanda Claybaugh, Suzanne Daly, Amanpal Garcha, Amy King, Caroline Levine, Mario Ortiz-Robles, Kent Puckett, Hilary Schor, and Alex Woloch.

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Nationalism, Colonialism, and Literature
Terry Eagleton
University of Minnesota Press, 1990

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Native Intelligence
Aesthetics, Politics, and Postcolonial Literature
Deepika Bahri
University of Minnesota Press, 2003

A compelling reclamation of the place of aesthetics in postcolonial literature

Literature though it may be, postcolonial literature is studied and understood largely—and often solely—in social and political terms. In neglecting its aesthetic dimension, as this book forcefully demonstrates, we are overlooking not only an essential aspect of this literature but even a critical perspective on its sociopolitical function and value. In Native Intelligence, Deepika Bahri focuses on postcolonial literature’s formal and aesthetic negotiations with sociopolitical concerns.

How, Bahri asks, do aesthetic considerations contest the social function of postcolonial literature? In answering, her book takes on two tasks: First, it identifies the burden of representation borne by postcolonial literature through its progressive politicization. Second, it draws on Frankfurt School critical theory to reclaim a place for aesthetics in literary representation by closely engaging works of Rohinton Mistry, Salman Rushdie, and Arundhati Roy. Throughout, Bahri shows how attention to the aesthetic innovations and utopian impulses of postcolonial works uncovers their complex and uneven relationship to ideology, reanimating their potential to make novel contributions to the larger project of social liberation.
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Nature into Art
Cultural Transformations in Nineteenth-Century Britain
Carl Woodring
Harvard University Press, 1989

The nineteenth century began with reverence for nature and ended with the apotheosis of art. In this wide-ranging excursion through the literature, visual arts, and natural sciences of the era from Wordsworth to Wilde, Carl Woodring traces shifting ideas and attitudes concerning nature, art, and the relations between the two.

The veneration of nature as aesthetic model and ethical norm was gradually eroded not least by the study of biology, which revealed organic nature to be wasteful and murderous. Darwin’s work verified the growing perception of nature as amoral by stressing the role of chance in natural selection, a further blow to trust in natural law. Once nature was not worth imitating, art by the century’s close could be an end to itself, free of responsibility to the natural.

The author examines individual works by Romantic and Victorian poets; narrative prose from James Hogg and Mary Shelley to Conrad, James, and Stevenson; painters from Wilkie through the Pre-Raphaelites to Whistler—all within such general contexts as the picturesque, the sublime, natural theology, romantic irony, romantic Hellenism, realism, photography, aestheticism, arts and crafts, art nouveau, and decadence. Although Woodring focuses on events, movements, and creative minds in England, he also draws upon a range of seminal figures from the Continent and the United States: Alexander von Humboldt, Delacroix, Thomas Cole, and Hawthorne are prominent examples. Nature into Art will fascinate scholars and amateurs of movements in literature, art, science, and cultural history in the Western world after 1780.

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The Nature of Cities
Ecocriticism and Urban Environments
Michael Bennett
University of Arizona Press, 1999
Cities are often thought to be separate from nature, but recent trends in ecocriticism demand that we consider them as part of the total environment. This new collection of essays sharpens the focus on the nature of cities by exploring the facets of an urban ecocriticism, by reminding city dwellers of their place in ecosystems, and by emphasizing the importance of this connection in understanding urban life and culture.

The editors—both raised in small towns but now living in major urban areas—are especially concerned with the sociopolitical construction of all environments, both natural and manmade. Following an opening interview with Andrew Ross exploring the general parameters of urban ecocriticism, they present essays that explore urban nature writing, city parks, urban "wilderness," ecofeminism and the city, and urban space. The volume includes contributions on topics as wide-ranging as the urban poetry of English writers from Donne to Gay, the manufactured wildness of a gambling casino, and the marketing of cosmetics to urban women by idealizing Third World "naturalness." These essays seek to reconceive nature and its cultural representations in ways that contribute to understanding the contemporary cityscape. They explore the theoretical issues that arise when one attempts to adopt and adapt an environmental perspective for analyzing urban life.

The Nature of Cities offers the ecological component often missing from cultural analyses of the city and the urban perspective often lacking in environmental approaches to contemporary culture. By bridging the historical gap between environmentalism, cultural studies, and urban experience, the book makes a statement of lasting importance to the development of the ecocritical movement. 
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A Necessary Luxury
Tea in Victorian England
Julie E. Fromer
Ohio University Press, 2008

Tea drinking in Victorian England was a pervasive activity that, when seen through the lens of a century’s perspective, presents a unique overview of Victorian culture. Tea was a necessity and a luxury; it was seen as masculine as well as feminine; it symbolized the exotic and the domestic; and it represented both moderation and excess. Tea was flexible enough to accommodate and to mark subtle differences in social status, to mediate these differences between individuals, and to serve as a shared cultural symbol within England.

In A Necessary Luxury: Tea in Victorian England, Julie E. Fromer analyzes tea histories, advertisements, and nine Victorian novels, including Alice’s Adventures in Wonderland, Wuthering Heights, and Portrait of a Lady. Fromer demonstrates how tea functions within the literature as an arbiter of taste and middle-class respectability, aiding in the determination of class status and moral position. She reveals the way in which social identity and character are inextricably connected in Victorian ideology as seen through the ritual of tea.

Drawing from the fields of literary studies, cultural studies, history, and anthropology, A Necessary Luxury offers in-depth analysis of both visual and textual representations of the commodity and the ritual that was tea in nineteenth-century England.

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The Necromantics
Reanimation, the Historical Imagination, and Victorian British and Irish Literature
Renée Fox
The Ohio State University Press, 2023

The Necromantics dwells on the literal afterlives of history. Reading the reanimated corpses—monstrous, metaphorical, and occasionally electrified—that Mary Shelley, Robert Browning, Charles Dickens, W. B. Yeats, Bram Stoker, and others bring to life, Renée Fox argues that these undead figures embody the present’s desire to remake the past in its own image. Fox positions “necromantic literature” at a nineteenth-century intersection between sentimental historiography, medical electricity, imperial gothic monsters, and the Irish Literary Revival, contending that these unghostly bodies resist critical assumptions about the always-haunting power of history.

By considering Irish Revival texts within the broader scope of nineteenth-century necromantic works, The Necromantics challenges Victorian studies’ tendency to merge Irish and English national traditions into a single British whole, as well as Irish studies’ postcolonial efforts to cordon off a distinct Irish canon. Fox thus forges new connections between conflicting political, formal, and historical traditions. In doing so, she proposes necromantic literature as a model for a contemporary reparative reading practice that can reanimate nineteenth-century texts with new aesthetic affinities, demonstrating that any effective act of reading will always be an effort of reanimation.

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New Science, New World
Denise Albanese
Duke University Press, 1996
In New Science, New World Denise Albanese examines the discursive interconnections between two practices that emerged in the seventeenth century—modern science and colonialism. Drawing on the discourse analysis of Foucault, the ideology-critique of Marxist cultural studies, and de Certeau’s assertion that the modern world produces itself through alterity, she argues that the beginnings of colonialism are intertwined in complex fashion with the ways in which the literary became the exotic “other” and undervalued opposite of the scientific.
Albanese reads the inaugurators of the scientific revolution against the canonical authors of early modern literature, discussing Galileo’s Dialogue on the Two Chief World Systems and Bacon’s New Atlantis as well as Milton’s Paradise Lost and Shakespeare’s The Tempest. She examines how the newness or “novelty” of investigating nature is expressed through representations of the New World, including the native, the feminine, the body, and the heavens. “New” is therefore shown to be a double sign, referring both to the excitement associated with a knowledge oriented away from past practices, and to the oppression and domination typical of the colonialist enterprise. Exploring the connections between the New World and the New Science, and the simultaneously emerging patterns of thought and forms of writing characteristic of modernity, Albanese insists that science is at its inception a form of power-knowledge, and that the modern and postmodern division of “Two Cultures,” the literary and the scientific, has its antecedents in the early modern world.
New Science, New World makes an important contribution to feminist, new historicist, and cultural materialist debates about the extent to which the culture of seventeenth-century England is proto-modern. It will offer scholars and students from a wide range of fields a new critical model for historical practice.
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New Troy
Fantasies Of Empire In The Late Middle Ages
Sylvia Federico
University of Minnesota Press, 2003
Examines the political and literary uses of the Trojan legend in the medieval period. England in the late fourteenth century witnessed a large-scale social revolt, a lingering and seemingly hopeless war with France, and fierce factional conflicts in royal politics and London civic government--struggles in which all parties sought to justify their actions by claiming historical precedent. How the Trojan legend figured in these claims--and in competing assertions of authorial legitimacy, nationhood, and rule in the later Middle Ages--is the complex nexus of history, myth, literature, and identity that Sylvia Federico explores in this ambitious book. During the late medieval period, many European political and social groups took great pains to associate themselves with the ancient city; the claim on Troy, Federico asserts, was crucial to nationhood and was always a political act. Her book examines the poetry and prose of several late medieval authors, focusing particularly on how Chaucer's use of the Trojan legend helped to set the terms by which the Ricardian and Lancastrian periods were distinguished, and further helped to establish English literary history as a noble precedent in its own right. Federico's book affords remarkable insight into the workings of the medieval historical imagination. Sylvia Federico has taught at Washington State University and the University of Leeds. She currently lives in Maine.
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North Sea Crossings
The Literary Heritage of Anglo-Dutch Relations 1066–1688
Sjoerd Levelt and Ad Putter
Bodleian Library Publishing, 2022
North Sea Crossings sheds new light on the literature and art of a pivotal period in European history by exploring the cultural relationship between speakers of Dutch and speakers of English in England and the Dutch Low Countries.

This richly illustrated book tells the story of cultural exchange between the people of the Low Countries and England in the Middle Ages and the Early Modern period, revealing how Anglo-Dutch connections changed the literary landscape on both sides of the North Sea.

Ranging from the Norman Conquest of 1066 to the “Glorious Revolution” of 1688, North Sea Crossings uncovers the lasting impact of contacts and collaborations between Dutch and English speakers on historical writing, map-making, manuscript production, and early printing. The literary heritage of Anglo-Dutch relations is explored and lavishly illustrated through a unique collection of manuscripts, early prints, maps, and other treasures from the Bodleian Library.
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Not Your Mother's Mammy
The Black Domestic Worker in Transatlantic Women’s Media
Tracey L Walters
Rutgers University Press, 2021
Not Your Mother’s Mammy examines how black artists of the African diaspora, many of them former domestics, reconstruct the black female subjectivities of domestics in fiction, film, and visual and performance art. In doing so, they undermine one-dimensional images of black domestics as victims lacking voice and agency and prove domestic workers are more than the aprons they wear. An analysis of selected media by Alice Childress, Nandi Keyi, Victoria Brown, Kara Walker, Mikalene Thomas, Rene Cox, Lynn Nottage, and others provides examples of generations of domestics who challenged their performative roles of subservience by engaging in subversive actions contradicting the image of the deferential black maid. Through verbal confrontation, mobilization, passive resistance, and performance, black domestics find their voices, exercise their power, and maintain their dignity in the face of humiliation. Not Your Mother’s Mammy brings to life stories of domestics often neglected in academic studies, such as the complexity of interracial homoerotic relationships between workers and employers, or the mental health challenges of domestics that lead to depression and suicide. In line with international movements like #MeToo and #timesup, the women in these stories demand to be heard.
 
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Notes for a Young Gentleman
Toby Litt
Seagull Books, 2017
Toby Litt is one of that rare breed of fiction writers who never writes the same book twice: every time out, he takes an unexpected new tack—and his readers happily follow.

​Told in the form of the pithy, even lyrical advice a young soldier leaves behind after a mission gone wrong, Notes for a Young Gentleman is no exception. Its brilliantly creative form, and the epigrammatic genius Litt displays in its creation, nonetheless can’t hide the powerful, emotional story at its heart: of a young soldier parachuting toward a beautiful, moonlit country house on a mission . . . of betrayal. The house? Marlborough. The target? Winston Churchill, an old friend of his father. A brilliant, at times dizzying but always heartfelt exploration of love, revenge, and the essence of a gentleman, Notes for a Young Gentleman is classic Toby Litt: wholly new and wholly unforgettable.
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Novel Science
Fiction and the Invention of Nineteenth-Century Geology
Adelene Buckland
University of Chicago Press, 2013
Novel Science is the first in-depth study of the shocking, groundbreaking, and sometimes beautiful writings of the gentlemen of the “heroic age” of geology and of the contribution these men made to the literary culture of their day. For these men, literature was an essential part of the practice of science itself, as important to their efforts as mapmaking, fieldwork, and observation. The reading and writing of imaginative literatures helped them to discover, imagine, debate, and give shape and meaning to millions of years of previously undiscovered earth history.
           
Borrowing from the historical fictions of Walter Scott and the poetry of Lord Byron, they invented geology as a science, discovered many of the creatures we now call the dinosaurs, and were the first to unravel and map the sequence and structure of stratified rock. As Adelene Buckland shows, they did this by rejecting the grand narratives of older theories of the earth or of biblical cosmogony: theirs would be a humble science, faithfully recording minute details and leaving the big picture for future generations to paint. Buckland also reveals how these scientists—just as they had drawn inspiration from their literary predecessors—gave Victorian realist novelists such as George Eliot, Charles Kingsley, and Charles Dickens a powerful language with which to create dark and disturbing ruptures in the too-seductive sweep of story.
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The Novel Stage
Narrative Form from the Restoration to Jane Austen
Marcie Frank
Bucknell University Press, 2020

2020 Choice​ Outstanding Academic Title

Marcie Frank’s study traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel’s narrative form and to the modern organization of literature. Drawing on media theory and focusing on the less-examined narrative contributions of such authors as Aphra Behn, Frances Burney, and Elizabeth Inchbald, alongside those of Samuel Richardson, Henry Fielding, and Jane Austen, The Novel Stage tells the story of the novel as it was shaped by the stage.

Published by Bucknell University Press. Distributed worldwide by Rutgers University Press. 

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