Between Self and Society explores the psychosocial dramas that galvanize six major British novels written between the eighteenth and twentieth centuries. The book challenges an influential misconception that has for too long hindered appreciation of the psychological novel. John Rodden argues that there should be no simplifying antithesis between psychological, “inner” conflicts (within the mind or “soul”) and institutional, “outer” conflicts (within family, class, community). Instead, it is the overarching, dramatic—yet often tortuous—relations between self and society that demand our attention. Rodden presents fresh interpretations of an eclectic group of prose fiction classics, including Tobias Smollett’s The Adventures of Roderick Random, William Godwin’s Caleb Williams, Thomas Hardy’s The Mayor of Casterbridge, Ford Madox Ford’s The Good Soldier, Wyndham Lewis’s Tarr, and D. H. Lawrence’s Women in Love.

Far from being merely admirable experiments, let alone daring though interesting failures, these fictions are shown to possess aesthetic unity, stylistic consistency, and psychic force. Between Self and Society thus impels our careful reconsideration of novels that represent major artistic achievements, yet have been either unjustly neglected or appreciated in limiting ways that do injustice to their psychological aspects. Rodden’s vibrant discussion invites an upward revaluation of these works and encourages the full recognition of their value and significance in British literary history.

Here is a comprehensive critique of the major work of three masters of the modern novel. It provides both concepts and examples for a coherent theory of Modernist fiction. Robert Kiely takes three writers generally thought to be very different and shows, by analysis of narrative strategies and structures, how they share a quest for a morally balanced perception of life. Joyce, Woolf, and Lawrence have often been accused (and accused one another) of authorial egotism and arrogance. Exploring their treatment of fundamental relationships—artist and nature, mother and child, marriage, friendship, and actor and audience—Kiely finds in all three writers a reaching beyond the individual toward a definition of the value of human interdependence. This very readable book will well serve everyone interested in the modern novel.