From the fire-breathing beasts of North European myth and legend to the Book of Revelation’s Great Red Dragon of Hell, from those supernatural agencies of imperial authority in ancient China to the so-called dragon-women who threaten male authority, dragons are a global phenomenon, one that has troubled humanity for thousands of years. These often scaly beasts take a wide variety of forms and meanings, but there is one thing they all have in common: our fear of their formidable power and, as a consequence, our need either to overcome, appease, or in some way assume that power as our own.

In this fiery cultural history, Martin Arnold asks how these unifying impulses can be explained. Are they owed to our need to impose order on chaos in the form of a dragon-slaying hero? Is it our terror of nature, writ large, unleashed in its most destructive form? Or is the dragon nothing less than an expression of that greatest and most disturbing mystery of all: our mortality? Tracing the history of ideas about dragons from the earliest of times to Game of Thrones, Arnold explores exactly what it might be that calls forth such creatures from the darkest corners of our collective imagination.

At its most basic, philosophy is about learning how to think about the world around us. It should come as no surprise, then, that children make excellent philosophers! Naturally inquisitive, pint-size scholars need little prompting before being willing to consider life’s big questions, however strange or impractical. Plato & Co. introduces children—and curious grown-ups—to the lives and work of famous philosophers, from Socrates to Descartes, Einstein, Marx, Freud, and Wittgenstein. Each book in the series features an engaging—and often funny—story that presents basic tenets of philosophical thought alongside vibrant color illustrations.
            In Lao-Tzu, or the Way of The Dragon, we follow the ancient Chinese philosopher who founded Taoism, from the comet that announced his birth up to his inspired composition, more than fifty years later, of the Tao Te Ching, the Book of the Way. In body and mind an old sage from birth, Lao-Tzu devotes his life to deciphering the endless book of the world. But he soon becomes frustrated with the silliness of human order, impatient kings, and greedy people, and rides off on the back of a water buffalo in search of the Way. He encounters clouds that solidify under his feet, a cave guarded by a golden monkey, and the venerable Confucius himself, and ultimately finds the wisdom of the dragon already residing deep in his own heart.

Over the past decade, fossil finds from China have stunned the world, grabbing headlines and changing perceptions with a wealth of new discoveries. Many of these finds were first announced to English speakers in the journal Nature.Rise of the Dragon gathers together sixteen of these original reports, some augmented with commentaries originally published in Nature's "News and Views" section.

Perhaps the best known of these new Chinese fossils are the famous feathered dinosaurs from Liaoning Province, which may help end one of the most intense debates in paleontology—whether birds evolved from dinosaurs. But other finds have been just as spectacular, such as the minutely preserved (to the cellular level) animal embryos of the 670 million-year-old Duoshantuo phosphorites, or the world's oldest known fish, from the Chengjiang formation in southwestern Yunnan Province.

Rise of the Dragon makes descriptions and detailed discussions of these important finds available in one convenient volume for paleontologists and serious fossil fans.

In The Tail of the Dragon, Marcia B. Siegel and Nathaniel Tileston track the evolution of new dance in New York during the rich and crucial transitional period from the mid-1970s to the early 1980s. Siegel, one of America’s most important dance critics, and Tileston, an accomplished dance photographer, focus on the choreographers who were propelled into rebellion against conventional modern dance by the Judson Dance Theater and other countercultural movements born of the 1960s.
This collection of Siegel’s writing, compiled from reviews in Soho Weekly News and New York Magazine, as well as from longer essays and notebook pieces, forms an insightful commentary--occasionally wry, always perceptive—on the absorption of a radical art form by the mainstream. From minimalism, improvisation, street dancing, body awareness, and “poor theater” experimental strategies, these young rebels identified and adopted personal styles of movement and dancemaking; from that, they turned gradually to tamer, more accessible work, marked by virtuosic dancing, proscenium-ready repertoires, and touring companies.
Included in this story are the principal players in the “postmodernist” dance movement—Merce Cunningham, Twyla Tharp, Trisha Brown, David Gordon—now well known internationally as leaders of dance in the 1990s. Siegel also looks at artists who worked steadily but less visibly, influential ones who drifted out of dance, and unknowns who have gained prominence. The dances described here are formal and outlandish, scruffy and beautiful, endearingly fallible and icily perfect.
In rightfully celebrating the importance of dances long forgotten, The Tail of the Dragon produces a vibrant portrait of a generation of dance.

The Turkic Muslims known as the Uighur have long faced social and economic disadvantages in China because of their minority status. Under the Heel of the Dragon: Islam, Racism, Crime, and the Uighur in China offers a unique insight into current conflicts resulting from the rise of Islamic fundamentalism and the Chinese government’s oppression of religious minorities, issues that have heightened the degree of polarization between the Uighur and the dominant Chinese ethnic group, the Han.

Author Blaine Kaltman’s study is based on in-depth interviews that he conducted in Chinese without the aid of an interpreter or the knowledge of the Chinese government. These riveting conversations expose the thoughts of a wide socioeconomic spectrum of Han and Uighur, revealing their mutual prejudices. The Uighur believe that the Han discriminate against them in almost every aspect of their lives, and this perception of racism motivates Uighur prejudice against the Han.

Kaltman reports that criminal activity by Uighur is directed against their perceived oppressors, the Han Chinese. Uighur also resist Han authority by flouting the laws—such as tax and licensing regulations or prohibitions on the use or sale of hashish—that they consider to be imposed on them by an alien regime. Under the Heel of the Dragon offers a unique insight into a misunderstood world and a detailed explanation of the cultural perceptions that drive these misconceptions.