A SCHOLARLY BOOK REPOSITORY10 start with P start with P
Pedagogues and Protesters recounts the year in daily journal entries by Stephen Peabody, a member of the class of 1769. The best surviving account of colonial college life, Peabody's journal documents relationships among students, faculty members, and administrators, as well as the author's relationships with other segments of Massachusetts society. To a full transcription of the entries, Conrad Edick Wright adds detailed annotation and an introduction that focuses on the journal's revealing account of daily life at America's oldest college.
Published in association with Massachusetts Historical Society
The two journals—“From York Factory to Buckingham House” and “From Buckingham House to the Rocky Mountains”—detail Fidler’s travels over a period of nine months. They include remarks on fur trade history, organization of the inland brigade, three distinct geographical regions, and the daily life of a Plains nation. Belyea’s introduction and ample notes provide insight into the way geographic, specifically cartographic, information was noted in the journals, with additional information on industry trading techniques, traders’ economic decisions, broad changes in regional social and economic conditions, and interactions with indigenous peoples.
Fidler’s journals are an exceptional record of the fur trade’s western expansion and the daily life of a Plains nation at the height of its power and prosperity. With its rich analysis of primary source documents and painstaking reproduction of historical trade routes, Peter Fidler: From York Factory to the Rocky Mountains will be of great value to students and scholars in the fields of fur trade studies, cartography, travel literature, and Canadian history, as well as general readers interested in westward expansion, exploration, commerce, and indigenous-colonial relations.
An especially compelling feature of this book is its inclusion of writings by Harris's wife, Emily, who took over the journal when he went to war for the Confederacy in 1862. Recounting the trials of managing the farm and raising seven children in her husband's absence, Emily's words offer poignant insights into the daily struggles of those who tended the home front during the Civil War.
"Piedmont Farmer is one of those rare books that deserves a place alongside The Cotton Kingdom, My Bondage and My Freedom, The Children of Pride, Mary Chesnut's Civil War, and the recent Freedom volumes as an indispensable source for historians of the nineteenth-century South."—David C. Rankin, The Journal of Southern History
"Harris's journals are important because they span the years before, during, and after the Civil War. . . . Philip N. Racine's annotations are extensive and extraordinarily rich in detail and insight. Enhanced with photographs, maps, and a comprehensive index, the Harris journals are not only a major contribution to southern history, but also they are a poignant view of agriculture and an explicit confirmation of slavery's burden."—David E. Schob, Illinois Historical Journal
The Editor: Philip N. Racine is Kenan Professor of History at Wofford College in Spartanburg, South Carolina. He edited "Unspoiled Heart": The Journal of Charles Mattocks of the 17th Maine in the Voices of the Civil War series published by the University of Tennessee Press.
Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.
Burt Green Wilder, a Boston-born, Harvard-educated doctor-in-training, was among the first white officers commissioned to staff the 55th Massachusetts. Like other officers serving in the state's African American units, Wilder was selected for his military experience, his "firm Anti-Slavery principles," and his faith in the value of black troops. From the time he joined the 55th in May 1863 until the regiment was discharged in September 1865, Wilder recorded his experiences and observations. He described the day-to-day activities of a Civil War surgeon, the indignities suffered by black enlisted men at the hands of a War Department that denied them the same treatment offered to white troops, and the role of the regiment in the campaign around Charleston and in Florida.
Service in the southern states also allowed Wilder to indulge a passion for natural science and comparative anatomy, including the collection of unusual species, one of which—the spider known as Nephila wilderi—still bears his name. After the war he completed his medical studies at Harvard and joined the faculty of Cornell University, where he became a distinguished professor of zoology as well as an outspoken advocate of racial equality.
In his introduction to the volume, Richard M. Reid analyzes Burt Wilder's diary and places it within the context of the war, the experience of African American troops, and Wilder's life and career.
In the fall of 1861, fifty-one-year-old Rev. Francis Springer enlisted in the Union army. The following spring, Springer, a friend and one-time neighbor to Abraham Lincoln, rode away with the 10th Illinois Cavalry. A witness to the Battle of Prairie Grove (December 1862), Springer was later named post chaplain at Fort Smith, where, in additon to preaching and ministering to the troops, he was placed in charge of refugees—widows, orphans, and contrabands—the displaced victims of virulent guerrilla warfare in Northwest Arkansas. Springer also wrote articles and columns in the Fort Smith New Era under the pseudonym, “Thrifton.” Springer’s honest appraisals of life in the Army of the Frontier make for fascinating reading, and his unique perspective as moralist, educator, and journalist provide new insight into the Civil War and how it was fought in the West. The book includes several never-before published photographs and appendixes which feature accounts of six military executions that Springer participated in as a Union Army chaplain, the hitherto unpublished last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy for Abraham Lincoln.
The Preacher’s Tale includes several never before published photographs, and appendixes that contain accounts of six military executions that Springer participated in as a Union Army chaplain, the last letters home of two rebel soldiers condemned and executed at Fort Smith, as well as a eulogy written for Abraham Lincoln.
This English translation of Edvard Munch's private diaries, the most extensive edition to appear in any language, captures the eloquent lyricism of the original Norwegian text. The journal entries in this volume span the period from the 1880s, when Munch was in his twenties, until the 1930s, reflecting the changes in his life and his work. The book is illustrated with fifteen of Munch's drawings, many of them rarely seen before. While these diaries have been excerpted before, no translation has captured the real passion and poetry of Munch's voice. This is a translation that lets Munch speak for himself and evokes the primal passion of his diaries. J. Gill Holland's exceptional work adds a whole new level to our understanding of the artist and the depth of his scream.
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