Traditional quilts serve many purposes over the course of a useful life. Beginning as a beautiful bed covering, a quilt may later function as a ground cover at picnics until years of wear relegate it to someone's ragbag for scrap uses.

Observing this life cycle led authors John Forrest and Deborah Blincoe to the idea that quilts, like living things, have a natural history that can be studied scientifically. They explore that natural history through an examination of the taxonomy, morphology, behavior, and ecology of quilts in their native environment—the homes of humans who make, use, keep, and bestow them.

The taxonomy proposed by Forrest and Blincoe is rooted in the mechanics of replicating quilts so that it can be used to understand evolutionary and genetic relationships between quilt types. The morphology section anatomizes normal and abnormal physical features of quilts, while the section on conception and birth in the life cycle discusses how the underlying processes of replication intersect with environmental factors to produce tangible objects.

This methodology is applicable to many kinds of crafts and will be of wide interest to students of folklore, anthropology, and art history. Case studies of traditional quilts and their makers in the Catskills and Appalachia add a warm, human dimension to the book.

This volume explores the broad range of ideas about nature reflected in twentieth-century concepts of natural gardens and their ideological implications. A possible definition—nature is ideology—suggests that nature can be seen as a systematic scheme of ideas held by particular social, political, and cultural groups, and that our definition of nature is a human intellectual construct. Historical and contemporary concepts of natural garden design provide evidence of these different concepts of nature. The desire to produce a natural garden design has fascinated many professional and amateur garden designers, and the essays in this volume investigate their use of earlier ideas of natural gardens and their relationship to the rich model that nature offers. The work of early twentieth-century natural garden advocates helped shape much of twentieth-century landscape architecture in both the United States and Europe, and the ideologies underlying the concepts of natural gardens show how political, economic, and social developments influenced design programs and decisions.

A stunning, richly illustrated hardback cataloging key artifacts from across Latin American art, nature, and history.
 
From the late fifteenth century to the present day, countless explorers, conquerors, and other agents of empire have laid siege to the New World, plundering and pilfering its most precious artifacts and treasures. Today, these natural and cultural products—which are key to conceptualizing a history of Latin America—are scattered in museums around the world.

With contributions from a renowned set of scholars, New World Objects of Knowledge delves into the hidden histories of forty of the New World’s most iconic artifacts, from the Inca mummy to Darwin’s hummingbirds. This volume is richly illustrated with photos and sketches from the archives and museums hosting these objects. Each artifact is accompanied by a comprehensive essay covering its dynamic, often global, history and itinerary. This volume will be an indispensable catalog of New World objects and how they have helped shape our modern world.

Anthony Fontenot’s staggeringly ambitious book uncovers the surprisingly libertarian heart  of the most influential British and American architectural and urbanist discourses of the postwar period, expressed as a critique of central design and a support of spontaneous order. Non-Design illuminates the unexpected philosophical common ground between enemies of state support, most prominently the economist Friedrich Hayek, and numerous notable postwar architects and urbanists like Robert Venturi, Denise Scott Brown, Reyner Banham, and Jane Jacobs. These thinkers espoused a distinctive concept of "non-design,"characterized by a rejection of conscious design and an embrace of various phenomenon that emerge without intention or deliberate human guidance. This diffuse and complex body of theories discarded many of the cultural presuppositions of the time, shunning the traditions of modern design in favor of the wisdom, freedom, and self-organizing capacity of the market. Fontenot reveals the little-known commonalities between the aesthetic deregulation sought by ostensibly liberal thinkers and Hayek’s more controversial conception of state power, detailing what this unexplored affinity means for our conceptions of political liberalism. Non-Design thoroughly recasts conventional views of postwar architecture and urbanism, as well as liberal and libertarian philosophies.

Put the power of a garden planning pro to work for you! Northern Garden Symphony offers explanations and illustrations of the sequential blooms of ornamental perennials as a tool for garden design. The idea of sequential blooming, Fairbanks-famous author Cyndie Warbelow explains, is similar to the workings of a musical symphony, in which at least a portion of its stunning constituent plants is blooming at all times, even though they are not all blooming together. Given that perennial plants bloom for limited and specific periods of time during the growing season, Warbelow notes, it is crucial that a garden be designed with sequential blooming in mind. Yet this concept can often overwhelm and discourage gardeners.
 
Using narrative, figures, photographs, and a groundbreaking set of layout charts that can aid even the most experienced horticulturist in the process of flower garden planning, Northern Garden Symphony gives gardeners the tools they need to be a successful northern perennial gardener.

Foreword by Bill Noble
Published in Cooperation with the Lord & Schryver Conservancy

Lord & Schryver, the first landscape architecture firm founded and operated by women in the Pacific Northwest, designed more than two hundred gardens in Oregon and Washington, including residential, civic, and institutional landscapes. Elizabeth Lord and Edith Schryver met as young women and in 1929 established their highly successful firm in Salem; their work is acknowledged as one of the milestones in the history of garden design in the Northwest and beyond. Theirs is the only Oregon firm recognized in Pioneers of Landscape Architecture, compiled by the National Park Service. The Cultural Landscape Foundation describes them as “consummate professionals in the broadest sense, as they worked to raise the profile of landscape architects by involving an audience beyond their clients. Their work represented a transition from a formal symmetrical style of garden design to one which responded in a distinctive way to the unique features of Northwest climate, soil, topography, and plant material.”

Gaiety Hollow, their purpose-built Salem home, garden, and studio, is now owned by the Lord & Schryver Conservancy and is open to the public. The conservancy has lovingly restored the gardens at Gaiety Hollow according to Lord & Schryver’s original plans. They have also restored and now maintain the gardens at Deepwood, a former residence that is now a public park.

Students of landscape architecture, garden design, Pacific Northwest history, ornamental horticulture, and general readers who are interested in the contributions of women to once male-dominated professions will find inspiration in these pages.

Learn more about Elizabeth Lord and Edith Schryver at www.lordschryver.org

Coins are the one form of art to which every American is exposed, yet of art forms in the United States, coins have been the least respected and understood. This delightful volume, containing well over 400 illustrations, provides the first comprehensive aesthetic appreciation of the American series. Although frequently disparaged by the public, the series is unrivaled in aesthetic richness among modern coinages. It includes such masterpieces as the primitively beautiful coins of the struggling young republic, dignified Neoclassic designs which dominated the nineteenth century, and magnificent gold and silver commemorative medals designed by the leading sculptors of the early twentieth century.

The author traces the development of American coins through the 1960s, discussing their artistic merits, analyzing the influences of the popular arts upon their design, and tracing the inspirations of particular compositions and styles in the other arts, both European and American.