front cover of Teaching Fear
Teaching Fear
How We Learn to Fear Crime and Why It Matters
Nicole E. Rader
Temple University Press, 2023

Where do lessons of “stranger danger” and safety come from—and do they apply differently for women? A gender-fear paradox shows that although women are less likely to be victims of most crimes (sexual assault aside), their fear of crime is greater. Moreover, girls and women—especially White women—are taught to fear the wrong things and given impossible tools to prevent victimization. In Teaching Fear, Nicole Rader zooms in on the social learning process, tracing the ways that families, schools, and the media have become obsessed with crime myths, especially regarding girls and women.

Based on in-depth research and family studies, Rader reveals the dubious and dangerous origins of many of the most prominent safety guidelines that teach young girls to be more afraid of crime. These guidelines carry over to adulthood, influencing women’s behaviors and the way they order their worlds, with dangerous consequences. As women teach their learned behavior and conditioned fear to others, gendered crime myths are recirculated from generation to generation, making them a staple in our society.

Teaching Fear includes suggestions for taking precautionary measures and crime prevention strategies. Rader also provides guidance for instilling safety values and demonstrating how we can “teach fear better” to break this cycle and truly create greater security.

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Television Antiheroines
Women Behaving Badly in Crime and Prison Drama
Edited by Milly Buonanno
Intellect Books, 2017
As television has finally started to create more leading roles for women, the female antiheroine has emerged as a compelling and dynamic character type. Television Antiheroines looks closely at this recent development, exploring the emergence of women characters in roles typically reserved for men, particularly in the male-dominated genre of the crime and prison drama.
 
The essays collected in Television Antiheroines are divided into four sections or types of characters: mafia women, drug dealers and aberrant mothers, women in prison, and villainesses. Looking specifically at shows such as Gomorrah, Mafiosa, The Wire, The Sopranos, Sons of Anarchy, Orange is the New Black, and Antimafia Squad, the contributors explore the role of race and sexuality and focus on how many of the characters transgress traditional ideas about femininity and female identity, such as motherhood. They examine the ways in which bad women are portrayed and how these characters undermine gender expectations and reveal the current challenges by women to social and economic norms. Television Antiheroines will be essential reading for anyone with a serious interest in crime and prison drama and the rising prominence of women in nontraditional roles.
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Texas Monthly On . . .
Texas True Crime
From the editors of Texas Monthly
University of Texas Press, 2007

Since 1973, one magazine has covered crime in Texas like no one else, delving deep into stories that may turn your stomach—but won't let you turn away. Texas Monthly On... Texas True Crime is a high-speed read around Texas, chasing criminals from the Panhandle to the Piney Woods, through gated mansions and trailer parks, from 1938 to the twenty-first century. The stories, which originally appeared as articles in the magazine, come from some of its most notable writers: Cecilia Ballí investigates the drug-fueled violence of the border; Pamela Colloff reports on Amarillo's lethal feud between jocks and punks; Michael Hall re-visits the legend of Joe Ball, a saloon owner who allegedly fed his waitresses to pet alligators; Skip Hollandsworth uncovers the computer nerd who became Dallas' most notorious jewel thief; and Katy Vine tracks a pair of teenage lesbians inspired by Thelma and Louise.

Texas Monthly On... Texas True Crime is the second in a series of books in which the editors of Texas Monthly offer the magazine's inimitable perspective on various aspects of Texas culture, including food, politics, travel, and music, among other topics. Texas Monthly On... Texas Women was released in 2006.

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Texas Ranger N. O. Reynolds, the Intrepid
Chuck Parsons
University of North Texas Press, 2014

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The Thieves of Summer
Linda Sillitoe
Signature Books, 2014
Set in Salt Lake City at the height of the Great Depression, Linda Sillitoe’s last novel opens with three little girls, eleven-year-old triplets, skipping in front of their house at 1300 South, across from Liberty Park. They giggle lightly as they chant: 

Prin-cess Al-ice in Liberty Park
Munch-es ba-nan-as ’til way after dark.

Princess Alice is an elephant the children of Utah purchased by donating nickels and dimes to a circus. The girls don’t know this, but her handler takes the mammoth princess out on late-night strolls around the park when the moon is out. What they do know is that the elephant sometimes escapes and goes on a rampage, crashing through front-yard fences and collecting collars of clothesline laundry around her neck, a persistent train of barking dogs following behind. The girls’ father is a police officer who is investigating a boy’s disappearance. As the case unfolds, the perception of the park, with its eighty acres of trees and grass, will change from the epitome of freedom to a place to be avoided, even as Princess Alice moves to a secure confinement at a new zoo at the mouth of Emigration Canyon. The story is loosely based on the exploits of a real live elephant that lived in Liberty Park a decade before Sillitoe’s childhood in the neighborhood.  
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Threadbare
Class and Crime in Urban Alaska
Mary Kudenov
University of Alaska Press, 2017
Alaska’s perch at the geographic corner of civilization isn’t all wilderness and reality TV. There’s a darker side too. Above the 49th parallel some of the nation’s highest rates of alcoholism, suicide, and violent crime can be found. While it can easy to write off or even romanticize these statistics as the product of a lingering Wild West culture, talking with real Alaskans reveals a different story.

Journalist Mary Kudenov set out to find the true stories behind this “end-of-the-road” culture. Through her essays, we meet Alaskans who live outside the common adventurer narrative: a recent graduate of a court-sponsored sobriety program, a long-timer in the Hiland Mountain Correctional Center for women, a slum-landlord’s emancipated teenage daughter, and even a post-rampage spree killer. Her subjects struggle with poverty and middle-class aspirations, education and minimum wage work, God and psychology. The result is a raw and startling collection of direct, ground-level reporting that will leave you deeply moved.
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Tough on Crime
The Rise of Punitive Populism in Latin America
Michelle Bonner
University of Pittsburgh Press, 2019
Crime and insecurity are top public policy concerns in Latin America. Political leaders offer tough-on-crime solutions that include increased policing and punishments, and decreased civilian oversight. These solutions, while apparently supported by public opinion, sit in opposition to both criminological research on crime control and human rights commitments. Moreover, many political and civil society actors disagree with such rhetoric and policies. In Tough on Crime, Bonner explores why some voices and some constructions of public opinion come to dominate public debate. Drawing on a comparative analysis of Argentina and Chile, based on over 190 in-depth interviews, and engaging the Euro-American literature on punitive populism, this book argues that a neoliberal media system and the resulting everyday practices used by journalists, state, and civil actors are central to explaining the dominance of tough-on-crime discourse.
 
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Transformation and Trouble
Crime, Justice and Participation in Democratic South Africa
Diana Gordon
University of Michigan Press, 2006

Crime is one of the major challenges to any new democracy. Violence often increases after the lifting of authoritarian control, or in the aftermath of regime change. But how can a fledgling democracy fight crime without violating the fragile rights of its citizens? In Transformation and Trouble, accomplished theorist and criminal justice scholar Diana Gordon critically examines South Africa's efforts to strike the perilous balance between democratic participation and social control.
South Africa has made great progress in pursuing the Western ideals of participatory justice and due process. Yet Gordon finds that popular concerns about crime have fostered the growth of a punitive criminal justice system that undermines the country's rights-oriented political culture. Transformation and Trouble calls for South Africa to reaffirm its commitment to public empowerment by reforming its criminal justice system-an approach, she argues, that would strengthen the country's new democracy.

"An eloquent, critical, but ultimately optimistic, analysis of the democratization of crime and justice in post-apartheid South Africa."
--Bill Dixon, School of Criminology, Education, Sociology and Social Work, Keele University

"A must read for understanding contemporary South Africa's agonizing dilemmas as it struggles to reconcile crime control with democratic values."
--Jerome H. Skolnick, New York University School of Law

"Gordon's vast experience with criminal justice illuminates her cautionary tale of the search for a new way in south Africa."
--Paul Chevigny, New York University


Diana Gordon is Professor Emerita of Political Science and Senior Research Scholar, City University of New York.

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Tretjak
Max Landorff
Haus Publishing, 2014
A bestselling European psychological thriller set around the Italian lakes Gabriel Tretjak is a fixer, hired by rich clients to fix their lives, to change fate on their behalf. He does so without moral limitations or scruples. His methods draw on experimental psychology and the latest research into the human brain. His fees are high, but his clients are always willing to pay. No matter how desperate their situation, they want a happy ending. But happy for whom? Soon the body of a famous brain surgeon is discovered in a horsebox: a murder made all the more gruesome by the fact that the victim's eyes have been removed by something resembling an ice-cream scoop. The surgeon is the first victim of a murderer who leaves tantalising clues behind, all pointing to Tretjak. While Tretjak tries to stay in control, a feeling begins to take hold, a feeling that he normally uses to his advantage when working on behalf of a client. That feeling is fear. It slowly dawns on him - and soon the police - that these murders are all linked to his past. The one thing he cannot fix.
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The Truth about Crime
Sovereignty, Knowledge, Social Order
Jean Comaroff and John L. Comaroff
University of Chicago Press, 2016
In this book, renowned anthropologists Jean and John L. Comaroff make a startling but absolutely convincing claim about our modern era: it is not by our arts, our politics, or our science that we understand ourselves—it is by our crimes. Surveying an astonishing range of forms of crime and policing—from petty thefts to the multibillion-dollar scams of too-big-to-fail financial institutions to the collateral damage of war—they take readers into the disorder of the late modern world. Looking at recent transformations in the triangulation of capital, the state, and governance that have led to an era where crime and policing are ever more complicit, they offer a powerful meditation on the new forms of sovereignty, citizenship, class, race, law, and political economy of representation that have arisen.
           
To do so, the Comaroffs draw on their vast knowledge of South Africa, especially, and its struggle to build a democracy founded on the rule of law out of the wreckage of long years of violence and oppression. There they explore everything from the fascination with the supernatural in policing to the extreme measures people take to prevent home invasion, drawing illuminating comparisons to the United States and United Kingdom. Going beyond South Africa, they offer a global criminal anthropology that attests to criminality as the constitutive fact of contemporary life, the vernacular by which politics are conducted, moral panics voiced, and populations ruled.  
           
The result is a disturbing but necessary portrait of the modern era, one that asks critical new questions about how we see ourselves, how we think about morality, and how we are going to proceed as a global society.
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