When a series of ecological disasters swept medieval England, writers turned to religious storytelling for precedents. Their depictions of biblical floods, fires, storms, droughts, and plagues reveal an unsettled relationship to the natural world, at once unchanging and bafflingly unpredictable. In Apocalyptic Ecologies, Shannon Gayk traces representations of environmental calamities through medieval plays, sermons, and poetry such as Cleanness and Piers Plowman. In premodern disaster writing, she recovers a vision of environmental flourishing that could inspire new forms of ecological care today: a truly apocalyptic sensibility capable of seeing in every ending, every emergency a new beginning waiting to emerge.
The remarkable story of how modern Irish music was shaped and spread through the brash efforts of a Chicago police chief.
Irish music as we know it today was invented not just in the cobbled lanes of Dublin or the green fields of County Kerry, but also in the burgeoning metropolis of early-twentieth-century Chicago. The genre’s history combines a long folk tradition with the curatorial quirks of a single person: Francis O’Neill, a larger-than-life Chicago police chief and an Irish immigrant with a fervent interest in his home country’s music.
Michael O’Malley’s The Beat Cop tells the story of this singular figure, from his birth in Ireland in 1865 to his rough-and-tumble early life in the United States. By 1901, O’Neill had worked his way up to become Chicago’s chief of police, where he developed new methods of tracking criminals and recording their identities. At the same time, he also obsessively tracked and recorded the music he heard from local Irish immigrants, enforcing a strict view of what he felt was and wasn’t authentic. Chief O’Neill’s police work and his musical work were flip sides of the same coin, and O’Malley delves deep into how this brash immigrant harnessed his connections and policing skills to become the foremost shaper of how Americans see, and hear, the music of Ireland.
Willa Cather has long been admired for O Pioneers! (1913), Song of the Lark (1915), and My Ántonia (1918)—the “prairie novels” about the lives of early Nebraska pioneers that launched her career. Thanks in part to these masterpieces, she is often viewed as a representative of pioneer life on the Great Plains, a controversial innovator in American modernism, and a compelling figure in the literary history of LGBTQ America. A century later, scholars acknowledge Cather’s place in the canon of American literature and continue to explore her relationship with the West.
Drawing on original archival research and paying unprecedented attention to Cather’s early short stories, Palmer demonstrates that the relationship with Nebraska in the years leading up to O Pioneers! is more dynamic than critics and scholars thought. Readers will encounter a surprisingly bold young author whose youth in Nebraska served as a kind of laboratory for her future writing career. Becoming Willa Cather changes the way we think about Cather, a brilliant and ambitious author who embraced experimentation in life and art, intent on reimagining the American West.
As China now enters an era in which people can more openly express their views about the Cultural Revolution, these icons have taken on new meanings, and people are wearing and talking about them in subversive ways. Melissa Schrift suggests that the badges developed "lives" that far surpass the intentions of their creators, as the Chinese ironically commodified them, both during the Cultural Revolution and today. During the Mao years, people wore the objects to symbolize their unquestioned loyalty to Mao. Yet even then many Chinese subverted the badges' symbolic meaning. Using them in socially approved rituals, they gained a measure of political credibility that masked their practice of prohibited customary rites.
Biography of a Chairman Mao Badge is a work of cultural history that contributes to our understanding not only of Chinese society but, more generally, of strategies people employ in responding to and transforming the meaning of propaganda campaigns and symbols.
Body, Society, and Nation tells the story of China’s unfolding modernity by exploring the changing ideas, practices, and systems related to health and body in late nineteenth- and twentieth-century Shanghai. The pursuit of good health loomed large in Chinese political, social, and economic life. Yet, “good health” had a range of associations beyond individual well-being. It was also an integral part of Chinese nation-building, a goal of charitable activities, a notable outcome of Western medical science, a marker of modern civilization, and a commercial catchphrase. With the advent of Western powers, Chinese notions about personal hygiene and the body gradually expanded. This transformation was complicated by indigenous medical ideas, preexisting institutions and social groups, and local cultures and customs.
This study explores the many ways that members of the various strata of Shanghai society experienced and understood multiple meanings of health and body within their everyday lives. Chieko Nakajima traces the institutions they established, the regulations they implemented, and the practices they brought to the city as part of efforts to promote health. In doing so, she explains how local practices and customs fashioned and constrained public health and, in turn, how hygienic modernity helped shape and develop local cultures and influenced people’s behavior.
Winner of the Daughters of the American Revolution’s Excellence in American History Book Award
Winner of the Thomas J. Wilson Memorial Prize
“Cogent, lucid, and concise…An indispensable guide to the creation of the cabinet…Groundbreaking…we can now have a much greater appreciation of this essential American institution, one of the major legacies of George Washington’s enlightened statecraft.”
—Ron Chernow
On November 26, 1791, George Washington convened his department secretaries—Alexander Hamilton, Thomas Jefferson, Henry Knox, and Edmund Randolph—for the first cabinet meeting. Why did he wait two and a half years into his presidency to call his cabinet? Because the US Constitution did not create or provide for such a body. Faced with diplomatic crises, domestic insurrection, and constitutional challenges—and finding congressional help distinctly lacking—he decided he needed a group of advisors he could turn to for guidance.
Authoritative and compulsively readable, The Cabinet reveals the far-reaching consequences of this decision. To Washington’s dismay, the tensions between Hamilton and Jefferson sharpened partisan divides, contributing to the development of the first party system. As he faced an increasingly recalcitrant Congress, he came to treat the cabinet as a private advisory body, greatly expanding the role of the executive branch and indelibly transforming the presidency.
“Important and illuminating…an original angle of vision on the foundations and development of something we all take for granted.”
—Jon Meacham
“Fantastic…A compelling story.”
—New Criterion
“Helps us understand pivotal moments in the 1790s and the creation of an independent, effective executive.”
—Wall Street Journal
Undeniably one of the greatest artists of all time, Michelangelo Merisi da Caravaggio would develop a radically new kind of psychologically expressive, realistic art and, in the sixteenth and seventeenth centuries, would lay the foundations for modern painting. His paintings defied tradition to such a degree that the meaning of his works has divided critics and viewers for centuries. In this original study, Troy Thomas examines Caravaggio’s life and art in relationship to the profound beginnings of modernity, exploring the many conventions that Caravaggio utterly dismantled with his extraordinary genius.
Thomas begins with an in-depth look at Caravaggio’s early life and works and examines how he refined his realism, developed his obsession with darkness and light, and began to find the subtle and clever ambiguity of genre and meaning that would become his trademark. Focusing acutely on the inherent tensions, contradictions, and ambiguities within Caravaggio’s paintings, Thomas goes on to examine his mature religious works and the ways he created a powerful but stark and enigmatic expressiveness in his protagonists. Lastly, he delves into the artist’s final hectic years as a fugitive killer evading papal police and wandering the cities of southern Italy.
Richly illustrated in color throughout, Caravaggio and the Creation of Modernity will appeal to all of those fascinated by the history of art and the remarkable lives of Renaissance masters.
The writing and reception of history fundamentally influence how we engage with the past, and nowhere is that more clear than in the rise from obscurity of Chandragupta Maurya (350–295 BCE), the first emperor of the Mauryan Empire. The key moment in the transformation of Chandragupta into a contemporary national icon was a peace-making meeting between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great’s generals. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. That uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite. In India, the image of Chandragupta as an idealized hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books, and historical novels, Chandragupta is the powerful and virtuous Hindu ruler par excellence. Sushma Jansari shows how that transformation came about and points out the lessons we can learn from it for understanding other historical figures.
Now Available from Duke University Press
A fresh look at Genesis 1:11 from the perspectives of comparative literature and cultural anthropology. Susan Niditch reveals how Hebrew narratives of chaos, creation, and cosmos structure a mythic-literary world and create an order for human existence. Both the scholar and the student will find Niditch’s imaginative interpretation illuminating.
“Chinese people should consume Chinese products!” This slogan was the catchphrase of a movement in early twentieth-century China that sought to link consumption and nationalism by instilling a concept of China as a modern “nation” with its own “national products.” From fashions in clothing to food additives, from museums to department stores, from product fairs to advertising, this movement influenced all aspects of China’s burgeoning consumer culture. Anti-imperialist boycotts, commemorations of national humiliations, exhibitions of Chinese products, the vilification of treasonous consumers, and the promotion of Chinese captains of industry helped enforce nationalistic consumption and spread the message—patriotic Chinese bought goods made of Chinese materials by Chinese workers in factories owned and run by Chinese.
In China Made, Karl Gerth argues that two key forces shaping the modern world—nationalism and consumerism—developed in tandem in China. Early in the twentieth century, nationalism branded every commodity as either “Chinese” or “foreign,” and consumer culture became the place where the notion of nationality was articulated, institutionalized, and practiced. Based on Chinese, Japanese, and English-language archives, magazines, newspapers, and books, this first exploration of the historical ties between nationalism and consumerism reinterprets fundamental aspects of modern Chinese history and suggests ways of discerning such ties in all modern nations.
Most literature on the Civil War focuses on soldiers, battles, and politics. But for every soldier in the United States Army, there were nine civilians at home. The war affected those left on the home front in many ways. Westward expansion and land ownership increased. The draft disrupted families while a shortage of male workers created opportunities for women that were previously unknown.
The war also enlarged the national government in ways unimagined before 1861. The Homestead Act, the Land Grant College Act, civil rights legislation, the use of paper currency, and creation of the Internal Revenue Service to collect taxes to pay for the war all illustrate how the war fundamentally, and permanently, changed the nation.
The essays in this book, drawn from a wide range of historical expertise and approaching the topic from a variety of angles, explore the changes in life at home that led to a revolution in American society and set the stage for the making of modern America.
Contributors: Jean H. Baker, Jenny Bourne, Paul Finkelman, Guy Gugliotta, Daniel W. Stowell, Peter Wallenstein, Jennifer L. Weber.
Collecting Mexico centers on the ways in which aesthetics and commercialism intersected in officially sanctioned public collections and displays in late nineteenth-century Mexico. Shelley E. Garrigan approaches questions of origin, citizenry, membership, and difference by reconstructing the lineage of institutionally collected objects around which a modern Mexican identity was negotiated. In doing so, she arrives at a deeper understanding of the ways in which displayed objects become linked with nationalistic meaning and why they exert such persuasive force.
Spanning the Porfiriato period from 1867 to 1910, Collecting Mexico illuminates the creation and institutionalization of a Mexican cultural inheritance. Employing a wide range of examples—including the erection of public monuments, the culture of fine arts, and the representation of Mexico at the Paris World’s Fair of 1889—Garrigan pursues two strands of thought that weave together in surprising ways: national heritage as a transcendental value and patrimony as potential commercial interest.
Collecting Mexico shows that the patterns of institutional collecting reveal how Mexican public collections engendered social meaning. Using extensive archival materials, Garrigan’s close readings of the processes of collection building offer a new vantage point for viewing larger issues of identity, social position, and cultural/capital exchange.
Harold James examines the vulnerability and fragility of processes of globalization, both historically and in the present. This book applies lessons from past breakdowns of globalization—above all in the Great Depression—to show how financial crises provoke backlashes against global integration: against the mobility of capital or goods, but also against flows of migration. By a parallel examination of the financial panics of 1929 and 1931 as well as that of 2008, he shows how banking and monetary collapses suddenly and radically alter the rules of engagement for every other type of economic activity.
Increased calls for state action in countercyclical fiscal policy bring demands for trade protection. In the open economy of the twenty-first century, such calls are only viable in very large states—probably only in the United States and China. By contrast, in smaller countries demand trickles out of the national container, creating jobs in other countries. The international community is thus paralyzed, and international institutions are challenged by conflicts of interest. The book shows the looming psychological and material consequences of an interconnected world for people and the institutions they create.
Working mostly alone, almost single-handedly writing 250,000 lines of computer code, Steve Grand produced Creatures®, a revolutionary computer game that allowed players to create living beings complete with brains, genes, and hormonal systems—creatures that would live and breathe and breed in real time on an ordinary desktop computer. Enormously successful, the game inevitably raises the question: What is artificial life? And in this book—a chance for the devoted fan and the simply curious onlooker to see the world from the perspective of an original philosopher-engineer and intellectual maverick—Steve Grand proposes an answer.
From the composition of the brains and bodies of artificial life forms to the philosophical guidelines and computational frameworks that define them, Creation plumbs the practical, social, and ethical aspects and implications of the state of the art. But more than that, the book gives readers access to the insights Grand acquired in writing Creatures—insights that yield a view of the world that is surprisingly antireductionist, antimaterialist, and (to a degree) antimechanistic, a view that sees matter, life, mind, and society as simply different levels of the same thing. Such a hierarchy, Grand suggests, can be mirrored by an equivalent one that exists inside a parallel universe called cyberspace.
Analyzing the development of a Swedish American identity
The Creation of an Ethnic Identity: Being Swedish American in the Augustana Synod, 1860–1917 analyzes how Swedish American identity was constructed, maintained, and changed in the late nineteenth and early twentieth centuries. The Augustana Synod, the largest religious-based organization created by Swedish immigrants in the United States, played an important role in establishing what it meant to be Swedish American.
In this study, author Dag Blanck poses three fundamental questions: How did an ethnic identity develop in the Augustana Synod? What was that identity? Why was an ethnic identity formed? Based on primary sources formerly unknown or neglected, The Creation of an Ethnic Identity examines the Lutheran Augustana Synod, Augustana College, and the Augustana Book Concern to provide insights into how ethnic identity is constructed within a major religious body, a central educational institution, and a major publishing house.
Starting from the concept of ethnicity as something created or invented, Blanck goes on to explore how it was possible for a white European immigrant group like the Swedes to use its ethnicity as a tool of integration into American society. The nature of their ethnicity, says Blanck, was both determined by their cultural origins and also the values and nature of American society as they perceived it. Becoming Swedish American was also a way of becoming American.
The volume, which is augmented by illustrations, integrates the most critical scholarship on immigration and ethnicity over the past half century and provides a strong argument about how ethnicity is shaped over time within an immigrant group.
Our early ancestors lived in small groups and worked actively to preserve social equality. As they created larger societies, however, inequality rose, and by 2500 bce truly egalitarian societies were on the wane. In The Creation of Inequality, Kent Flannery and Joyce Marcus demonstrate that this development was not simply the result of population increase, food surplus, or the accumulation of valuables. Instead, inequality resulted from conscious manipulation of the unique social logic that lies at the core of every human group.
A few societies allowed talented and ambitious individuals to rise in prestige while still preventing them from becoming a hereditary elite. But many others made high rank hereditary, by manipulating debts, genealogies, and sacred lore. At certain moments in history, intense competition among leaders of high rank gave rise to despotic kingdoms and empires in the Near East, Egypt, Africa, Mexico, Peru, and the Pacific.
Drawing on their vast knowledge of both living and prehistoric social groups, Flannery and Marcus describe the changes in logic that create larger and more hierarchical societies, and they argue persuasively that many kinds of inequality can be overcome by reversing these changes, rather than by violence.
The story of jazz is more than a history of the music. The racial and cultural dynamics of American cities created the music, life, and business that was jazz.
Burton W. Peretti's classic study charts the life of jazz culture from its origins in the jook joints of sharecroppers and the streets and dance halls of 1890s New Orleans to the eve of bebop and World War II. As Perett shows, jazz was the epic story of players who transitioned from childhood spasm bands to Carnegie Hall and worldwide touring and fame. It became the music of the Twenties, a decade of Prohibition, of adolescent discontent, of Harlem pride, and of Americans hoping to preserve cultural traditions in an urban, commercial age. Finally, jazz was where black and white musicians performed together, as uneasy partners, in the big bands of Artie Shaw and Benny Goodman.
Drawing on archives and the firsthand testimony of more than seventy musicians and singers (among them Benny Carter, Bud Freeman, Kid Ory, and Mary Lou Williams), The Creation of Jazz offers a comprehensive analysis of the role of early jazz in American social history.
Nikolai Gogol, Russia’s greatest comic writer, is a literary enigma. His masterworks—“The Nose,” “The Overcoat,” The Inspector General, Dead Souls—have attracted contradictory labels over the years, even as the originality of his achievement continues to defy exact explanation.
Donald Fanger begins by considering why this should be so, and goes onto survey what Gogol created, step by step: an extraordinary body of writing, a model for the writer in Russian society, a textual identity that eclipses his scanty biography, and a kind of fiction unique in its time.
Drawing on a wealth of contemporary sources, as well as on everything Gogol wrote, including journal articles, letters, drafts, and variants, Fanger explains Gogol’s eccentric genius and makes clear how it opened the way to the great age of Russian fiction. The method is an innovative mixture of literary history and literary sociology with textual criticism and structural interrogation. What emerges is not only a framework for understanding Gogol’s writing as a whole, but fresh and original interpretation of individual works.
A concluding section, “The Surviving Presence,” probes the fundamental nature of Gogol’s creation to explain its astonishing vitality. In the process a major contribution is made to our understanding of comedy, irony, and satire, and ultimately to the theory of fiction itself.
David Healy follows his widely praised study, The Antidepressant Era, with an even more ambitious and dramatic story: the discovery and development of antipsychotic medication. Healy argues that the discovery of chlorpromazine (more generally known as Thorazine) is as significant in the history of medicine as the discovery of penicillin, reminding readers of the worldwide prevalence of insanity within living memory.
But Healy tells not of the triumph of science but of a stream of fruitful accidents, of technological discovery leading neuroscientific research, of fierce professional competition and the backlash of the antipsychiatry movement of the 1960s. A chemical treatment was developed for one purpose, and as long as some theoretical rationale could be found, doctors administered it to the insane patients in their care to see if it would help. Sometimes it did, dramatically. Why these treatments worked, Healy argues provocatively, was, and often still is, a mystery. Nonetheless, such discoveries made and unmade academic reputations and inspired intense politicking for the Nobel Prize.
Once pharmaceutical companies recognized the commercial potential of antipsychotic medications, financial as well as clinical pressures drove the development of ever more aggressively marketed medications. With verve and immense learning, Healy tells a story with surprising implications in a book that will become the leading scholarly work on its compelling subject.
Drawing on the lab notes, published papers, and unpublished manuscripts of Heinrich Hertz, Buchwald recreates Hertz's 1887 invention of a device that produced electromagnetic waves in wires. The invention itself was serendipitous and the device was quickly transformed, but Hertz's early experiments led to major innovations in electrodynamics. Buchwald explores the difficulty Hertz had in reconciling the theories of other physicists, including Hermann von Helmholtz and James Clerk Maxwell, and he considers the complex and often problematic connections between theory and experiment.
In this first detailed scientific biography of Hertz and his scientific community, Buchwald demonstrates that tacit knowledge can be recovered so that we can begin to identify the unspoken rules that govern scientific practice.
Sacrifice—ranging from the sacrifice of virgins to circumcision to giving up what is most valued—is essential to all religions. Could there be a natural, even biological, reason for these practices? Something that might explain why religions of so many different cultures share so many rituals and concepts? In this extraordinary book, one of the world’s leading authorities on ancient religions explores the possibility of natural religion—a religious sense and practice naturally proceeding from biological imperatives.
Because they lack later refinements, the earliest religions from the Near East, Israel, Greece, and Rome may tell us a great deal about the basic properties and dynamics of religion, and it is to these cultures that Walter Burkert looks for answers. His book takes us on an intellectual adventure that begins some 5,000 years ago and plunges us into a fascinating world of divine signs and omens, offerings and sacrifices, rituals and beliefs unmitigated by modern science and sophistication. Tracing parallels between animal behavior and human religious activity, Burkert suggests natural foundations for sacrifices and rituals of escape, for the concept of guilt and punishment, for the practice of gift exchange and the notion of a cosmic hierarchy, and for the development of a system of signs for negotiating with an uncertain environment. Again and again, he returns to the present to remind us that, for all our worldliness, we are not so far removed from the first Homo religiosus.
A breathtaking journey, as entertaining as it is provocative, Creation of the Sacred brings rich new insight on religious thought past and present and raises serious questions about the ultimate reasons for, and the ultimate meaning of, human religiousness.
The Worship and Love of God is one of the most unusual writings of Swedish scientist and theologian Emanuel Swedenborg (1688-1772). A "poetical novel," it dramatizes the Creation and examines the life of Adam and Eve as the first truly united couple. Considered Swedenborg's last work before he embarked on his visionary period, the manuscript was left unfinished by its author and published only after his death.
Inge Jonsson, one of the world's leading scholars on Swedenborg's works, offers a scholarly look into a neglected literary achievement. He examines this unique work from the perspective of sources and influences. The literary genre f hexaemeron, ancient and modern philosophy, and scientific discoveries in the seventeenth and eighteenth centuries come into play in Swedenborg's richly imagined and beautifully articulated world. Yet The Worship and Love of God also offers an intriguing glimpse into Swedenborg's future as a biblical exegete and revelator.
In 1552, Muscovite Russia conquered the city of Kazan on the Volga River. It was the first Orthodox Christian victory against Islam since the fall of Constantinople, a turning point that, over the next four years, would complete Moscow’s control over the river. This conquest provided a direct trade route with the Middle East and would transform Muscovy into a global power. As Matthew Romaniello shows, however, learning to manage the conquered lands and peoples would take decades.
Russia did not succeed in empire-building because of its strength, leadership, or even the weakness of its neighbors, Romaniello contends; it succeeded by managing its failures. Faced with the difficulty of assimilating culturally and religiously alien peoples across thousands of miles, the Russian state was forced to compromise in ways that, for a time, permitted local elites of diverse backgrounds to share in governance and to preserve a measure of autonomy. Conscious manipulation of political and religious language proved more vital than sheer military might. For early modern Russia, empire was still elusive—an aspiration to political, economic, and military control challenged by continuing resistance, mismanagement, and tenuous influence over vast expanses of territory.
The Apostle Islands National Lakeshore is a breathtakingly beautiful archipelago of twenty-two islands in Lake Superior, just off the tip of northern Wisconsin. For years, the national park has been a favorite destination for tourists and locals alike, but the remarkable story behind its creation is little known. In Environmental Politics and the Creation of a Dream, Harold Jordahl, one of the primary advocates for designating the islands as a national park, discloses the full story behind the effort to preserve their natural beauty for posterity. He describes in detail the political and bureaucratic complexities of the national lakeshore campaign, augmented by his own personal recollections and those of such prominent figures as Wisconsin Senator Gaylord Nelson and President John F. Kennedy. Writing in collaboration with Annie Booth, Jordahl recounts how activists, legislators, media, local residents, and other players shaped the islands’ future establishment as a national park.
Evil by Design documents the search for the origins of the iconic “femme fatale.” Depicted as a dangerous, depraved, and deadly woman, this image was found frequently in Salon paintings from 1885 to 1910.
Elizabeth K. Menon’s study is the first to use popular sources to make the critical link between the femme fatale and the rise of feminism. In addition to the Salon paintings, Menon sifts through a variety of popular sources, including French illustrated journals, literature, posters, and decorative arts. Over 120 images depict women with serpents, evil flowers, and even miniature men having their hearts cooked. She argues that the evolution of the femme fatale, with both literary and visual links to the biblical Eve figure, came as a response to increasing feminism and the desire by men to halt its spread.
Experiencing and the Creation of Meaning addressed the unavoidable variety of conceptual formulations and other questions that have now become central.
The Creek War of 1813–1814 is studied primarily as an event that impacted its two main antagonists, the defending Creeks in what is now the State of Alabama and the expanding young American republic. Scant attention has been paid to how the United States’ Cherokee allies contributed to the war and how the war transformed their society. In Forging a Cherokee-American Alliance in the Creek War, Susan M. Abram explains in engrossing detail the pivotal changes within Cherokee society triggered by the war that ultimately ended with the Cherokees’ forced removal by the United States in 1838.
The Creek War (also known as the Red Stick War) is generally seen as a local manifestation of the global War of 1812 and a bright footnote of military glory in the dazzling rise of Andrew Jackson. Jackson’s victory, which seems destined only in historic hindsight, was greatly aided by Cherokee fighters. Yet history has both marginalized Cherokee contributions to that conflict and overlooked the fascinating ways Cherokee society changed as it strove to accommodate, rationalize, and benefit from an alliance with the expanding American republic. Through the prism of the Creek War and evolving definitions of masculinity and community within Cherokee society, Abram delineates as has never been done before the critical transitional decades prior to the Trail of Tears.
Deeply insightful, Abram illuminates the ad hoc process of cultural, political, and sometimes spiritual transitions that took place among the Cherokees. Before the onset of hostilities, the Cherokees already faced numerous threats and divisive internal frictions. Abram concisely records the Cherokee strategies for meeting these challenges, describing how, for example, they accepted a centralized National Council and replaced the tradition of conflict-resolution through blood law with a network of “lighthorse regulators.” And while many aspects of masculine war culture remained, it too was filtered and reinterpreted through contact with the legalistic and structured American military.
Rigorously documented and persuasively argued, Abram’s award-winning Forging a Cherokee-American Alliance in the Creek War fills a critical gap in the history of the early American republic, the War of 1812, the Cherokee people, and the South.
Orphaned at a young age and largely self-educated, Richmond initially entered charity work as a means of self-support, but came to play a vital role in transforming philanthropy--previously seen as a voluntary expression of individual altruism--into a valid, organized profession. Her career took her from charity organization leadership in Baltimore and Philadelphia to an executive position with the prestigious Russell Sage Foundation in New York City.
Richmond's progressive civic philosophy of social work was largely informed by the social gospel movement. She strove to find practical applications of the teachings of Christianity in response to the social problems that accompanied rapid industrialization, urbanization, and poverty. At the same time, her tireless efforts and personal example as a woman created an appealing, if ambiguous, path for other professional women. A century later her legacy continues to echo in social work and welfare reform.
Beresford’s chronicle roams from the mountains of Eastern Europe to the foggy streets of Victorian England to Hollywood, as he investigates the portrayal of the vampire in history, literature, and art. Opening with the original Dracula, Vlad the Impaler, and his status as a national hero in Romania, he endeavors to winnow out truths from the complex legend and folklore. From Demons to Dracula tracks the evolution of the vampire as an icon and supernatural creature, drawing on classical Greek and Roman myths, witch trials and medieval plagues, Gothic literature, and even contemporary works such as Anne Rice’s Interview with a Vampire and Elizabeth Kostova’s The Historian. Beresford also looks at the widespread impact of screen vampires from television shows, classic movies starring Bela Lugosi and Christopher Lee, and more recent films such as Underworld and Blade. Whether as a demon of the underworld or a light-fearing hunter of humans, the vampire has endured through the centuries, the book reveals, as powerfully symbolic figure for human concerns with life, death, and the afterlife.
A wide-ranging and engrossing chronicle, From Demons to Dracula casts this blood-thirsty nightstalker as a remarkably complex and telling totem of our nightmares, real and imagined.
A record of the 2015 Building Bridges Seminar for leading Christian and Muslim scholars, this collection of essays explores the nature of divine and human agency through themes of creation’s goal, humankind’s dignity and task, and notions of sovereignty. Part I sets the context for the book with “Human Action within Divine Creation: A Muslim Perspective” by Mohsen Kadivar of Duke University and “On the Possibility of Holy Living: A Christian Perspective” by Lucy Gardner of Oxford University. The rest of the book includes paired essays—one from a Muslim perspective, one from a Christian perspective—that introduce scriptural material with commentary to aid readers in conducting dialogical study. In her conclusion, coeditor Lucinda Mosher digests the illuminating small-group conversations that lie at the heart of the Building Bridges initiative, conversations that convey a vivid sense of the lively, penetrating but respectful dialogue for which the project is known. This unique volume will be a valuable resource to scholars, students, and professors of Christianity and Islam.
This accessible, state-of-the-art review of Mayan hieroglyphics and cosmology also serves as a tribute to one of the field's most noted pioneers.
The core of this book focuses on the current study of Mayan hieroglyphics as inspired by the recently deceased Mayanist Linda Schele. As author or coauthor of more than 200 books or articles on the Maya, Schele served as the chief disseminator of knowledge to the general public about this ancient Mesoamerican culture, similar to the way in which Margaret Mead introduced anthropology and the people of Borneo to the English-speaking world.
Twenty-five contributors offer scholarly writings on subjects ranging from the ritual function of public space at the Olmec site and the gardens of the Great Goddess at Teotihuacan to the understanding of Jupiter in Maya astronomy and the meaning of the water throne of Quirigua Zoomorph P. The workshops on Maya history and writing that Schele conducted in Guatemala and Mexico for the highland people, modern descendants of the Mayan civilization, are thoroughly addressed as is the phenomenon termed "Maya mania"—the explosive growth of interest in Maya epigraphy, iconography, astronomy, and cosmology that Schele stimulated. An appendix provides a bibliography of Schele's publications and a collection of Scheleana, written memories of "the Rabbit Woman" by some of her colleagues and students.
Of interest to professionals as well as generalists, this collection will stand as a marker of the state of Mayan studies at the turn of the 21st century and as a tribute to the remarkable personality who guided a large part of that archaeological research for more than two decades.
Examine a rich history of spiritual interpretations from antiquity to the present
Since the sixteenth century CE, the field of biblical studies has focused on the literal meaning of texts. This collection seeks to rectify this oversight by integrating the study of esoteric readings into academic discourse. Case studies focusing on the first three chapters of Genesis cover different periods and methods from early Christian discourse through zoharic, kabbalistic and alchemical literature to modern and post-postmodern approaches.
Features:
- Discussions, comparisons, and analyses of esoteric appropriations of Genesis 1–3
- Essays on creation myths, gender, fate and free will, the concepts of knowledge, wisdom, and gnosis
- Repsonses to papers that provide a range of view points
Contributors. Amber Meadow Adams, Alexandre Belmonte, Enrique Manuel Bernales Albites, Andrew Cowell, Ella Deloria, Leila Gómez, Sarah Hernandez, Penelope Kelsey, José Antonio Mazzotti, Javier Muñoz-Díaz, Craig Perez, Cheryl Savageau, Ángel Tuninetti, Christopher T. Vecsey
Framed in response to Martin Heidegger’s influential account of the relation between technological modernity and theological tradition, The Indiscrete Image builds an understanding of creativity as conditioned by insurmountable unknowing and incalculable possibility through alternative readings of Christian theological tradition and technological culture—and the surprising resonance between these two. Carlson concludes that the always ongoing work of world creation, tied essentially to human self-creation, implies neither an idol’s closure nor an icon’s transcendence, but the “indiscrete image” whose love makes possible—by keeping open—both the human and its world.
The influential role Tichenor played in shaping both the Baptist denomination and southern culture
Isaac Taylor Tichenor worked as a Confederate chaplain, a mining executive, and as president of the Agricultural and Mechanical College of Alabama (now Auburn University). He also served as corresponding secretary for the Home Mission Board of the Southern Baptist Convention in Atlanta from 1882 until 1899. In these capacities Tichenor developed the New South ideas that were incorporated into every aspect of his work and ultimately influenced many areas of southern life, including business, education, religion, and culture.
In Isaac Taylor Tichenor: The Creation of the Baptist New South, Michael E. Williams Sr. provides a comprehensive analysis of Tichenor’s life, examining the overall impact of his life and work. This volume also documents the methodologies Tichenor used to rally Southern Baptist support around its struggling Home Mission Board, which defined the makeup of the Southern Baptist Convention and defended the territory of the convention.
Tichenor was highly influential in forming a uniquely southern mindset prior to and at the turn of the century. Williams contends that Tichenor’s role in shaping Southern Baptists as they became the largest denomination in the South was crucial in determining their identity both the identities of the region and the SBC.
Darwin’s theory of evolution transformed the life sciences and made profound claims about human origins and the human condition, topics often viewed as the prerogative of religion. As a result, evolution has provoked a wide variety of religious responses, ranging from angry rejection to enthusiastic acceptance. While Christian responses to evolution have been studied extensively, little scholarly attention has been paid to Jewish reactions. Jewish Tradition and the Challenge of Darwinism is the first extended meditation on the Jewish engagement with this crucial and controversial theory.
The contributors to Jewish Tradition and the Challenge of Darwinism—from several academic disciplines and two branches of the rabbinate—present case studies showing how Jewish discussions of evolution have been shaped by the intersections of faith, science, philosophy, and ideology in specific historical contexts. Furthermore, they examine how evolutionary theory has been deployed when characterizing Jews as a race, both by Zionists and by anti-Semites. Jewish Tradition and the Challenge of Darwinism addresses historical and contemporary, as well as progressive and Orthodox, responses to evolution in America, Europe, and Israel, ultimately extending the history of Darwinism into new religious domains.
This is a history of the early days of Uganda. The account has an African focus because it shows the British takeover through the experiences of an extraordinary leader.
“At this spot in the year 1901 the British flag was first hoisted by Semei Kakanguru, emissary and loyal servant of His Majesty the King. He built here a boma which was for a short time the headquarters of the district. From this beginning came the establishment of peace and the development of orderly progress in this part of Uganda.”
Michael Twaddle was shown this plaque in 1963 by a local government official who said “That man created the Uganda we Ugandans are fighting for today.” And yet the local people had had the plaque removed to a bicycle shed.
How do people regard an African who had an active role in the creation of the imperial state? Was this man “a hero,” “a collaborator,” “a warlord”? The reaction of colonial officials was mixed. One considered him “…in point of general intelligence, progressive ideas and charm of manner…far above all other natives in the Protectorate…” Another dismissed him, along with his companions, as “no better than Masai or Nandi cattle lifters.” And yet another viewed him as “undoubtedly…a partial religious maniac.”
The story of this man is an example of the dilemma for a whole generation of East Africans at the turn of the last century. This book has been compared in its importance to Shepperson’s and Price’s Independent African.
In conventional anthropological literature, "landscape" is the term applied to the meaning local people bestow on their cultural and physical surroundings. In this work, the authors explore the cultural and physical landscapes an individual or cultural group has constructed to define the origins or beginnings of that cultural group as revealed through shared or traditional memory. The cultural landscapes of origins in diverse sites throughout the Americas are investigated through multidisciplinary research, not only to reveal the belief system and mythologies but also to place these origin beliefs in context and relationship to each other. In a continual interaction between the past, present, and future, time is subordinate to place, and history, as defined in Western academic terms, does not exist.
While innovative ideas and creative works increasingly drive economic success, the historic approach to encouraging innovation and creativity by granting property rights has come under attack by a growing number of legal theorists and technologists. In Laws of Creation, Ronald Cass and Keith Hylton take on these critics with a vigorous defense of intellectual property law. The authors look closely at the IP doctrines that have been developed over many years in patent, copyright, trademark, and trade secret law. In each area, legislatures and courts have weighed the benefits that come from preserving incentives to innovate against the costs of granting innovators a degree of control over specific markets. Over time, the authors show, a set of rules has emerged that supports wealth-creating innovation while generally avoiding overly expansive, growth-retarding licensing regimes.
These rules are now under pressure from detractors who claim that changing technology undermines the case for intellectual property rights. But Cass and Hylton explain how technological advances only strengthen that case. In their view, the easier it becomes to copy innovations, the harder to detect copies and to stop copying, the greater the disincentive to invest time and money in inventions and creative works. The authors argue convincingly that intellectual property laws help create a society that is wealthier and inspires more innovation than those of alternative legal systems. Ignoring the social value of intellectual property rights and making what others create and nurture “free” would be a costly mistake indeed.
True religious faith cannot be confirmed by any external proofs. Rather, it is founded on a basic act of trust—and the common root of that trust, for Jewish, Christian, and Islamic traditions, is a belief in the divine creation of the universe. But with Learning to Trust in Freedom, David B. Burrell asks the provocative question: How do we reach that belief, and what is it about the universe that could possibly testify to its divine origins? Even St. Augustine, he points out, could only find faith after a harrowing journey through the lures of desire—and it is that very desire that Burrell seizes on as a tool with which to explore the origin and purpose of the world. Delving deep into the intertwinings of desire and faith, and drawing on St. John of the Cross, Edith Stein, and Charles Taylor, Burrell offers a new understanding of free will, trust, and perception.
It’s a common complaint: the United States is overrun by rules and procedures that shackle professional judgment, have no valid purpose, and serve only to appease courts and lawyers. Charles R. Epp argues, however, that few Americans would want to return to an era without these legalistic policies, which in the 1970s helped bring recalcitrant bureaucracies into line with a growing national commitment to civil rights and individual dignity.
Focusing on three disparate policy areas—workplace sexual harassment, playground safety, and police brutality in both the United States and the United Kingdom—Epp explains how activists and professionals used legal liability, lawsuit-generated publicity, and innovative managerial ideas to pursue the implementation of new rights. Together, these strategies resulted in frameworks designed to make institutions accountable through intricate rules, employee training, and managerial oversight. Explaining how these practices became ubiquitous across bureaucratic organizations, Epp casts today’s legalistic state in an entirely new light.
The West, especially the Intermountain states, ranks among the whitest places in America, but this fact obscures the more complicated history of racial diversity in the region. In Making the White Man’s West, author Jason E. Pierce argues that since the time of the Louisiana Purchase, the American West has been a racially contested space. Using a nuanced theory of historical “whiteness,” he examines why and how Anglo-Americans dominated the region for a 120-year period.
In the early nineteenth century, critics like Zebulon Pike and Washington Irving viewed the West as a “dumping ground” for free blacks and Native Americans, a place where they could be segregated from the white communities east of the Mississippi River. But as immigrant populations and industrialization took hold in the East, white Americans began to view the West as a “refuge for real whites.” The West had the most diverse population in the nation with substantial numbers of American Indians, Hispanics, and Asians, but Anglo-Americans could control these mostly disenfranchised peoples and enjoy the privileges of power while celebrating their presence as providing a unique regional character. From this came the belief in a White Man’s West, a place ideally suited for “real” Americans in the face of changing world.
The first comprehensive study to examine the construction of white racial identity in the West, Making the White Man’s West shows how these two visions of the West—as a racially diverse holding cell and a white refuge—shaped the history of the region and influenced a variety of contemporary social issues in the West today.
Mapping Identity builds on the growing body of literature that presents a more complex picture of federal policy, native identity, and the creation of Indian reservations in the western United States. It will be important to readers interested in western U.S. history, legal and administrative history, Native American history, and interior Northwest history.
Maya Creation Myths provides not only new and outstanding translations of these myths but also an interpretive journey through these often misunderstood texts, providing insight into Maya cosmology and how Maya intellectuals met the challenge of the European clergy's attempts to eradicate their worldviews. Unlike many scholars who focus primarily on traces of pre-Hispanic culture or Christian influence within the Books of Chilam Balam, Knowlton emphasizes the diversity of Maya mythic traditions and the uniquely Maya discursive strategies that emerged in the Colonial period.
This book will be of significant interest to Maya scholars, folklorists, and historians, as well as students and scholars of religion, cosmology, and anthropology.
Claiborne Fox Jackson (1806-1862) remains one of Missouri's most controversial historical figures. Elected Missouri's governor in 1860 after serving as a state legislator and Democratic party chief, Jackson was the force behind a movement for the neutral state's secession before a federal sortie exiled him from office. Although Jackson's administration was replaced by a temporary government that maintained allegiance to the Union, he led a rump assembly that drafted an ordinance of secession in October 1861 and spearheaded its acceptance by the Confederate Congress. Despite the fact that the majority of the state's populace refused to recognize the act, the Confederacy named Missouri its twelfth state the following month. A year later Jackson died in exile in Arkansas, an apparent footnote to the war that engulfed his region and that consumed him.
In this first full-length study of Claiborne Fox Jackson, Christopher Phillips offers much more than a traditional biography. His extensive analysis of Jackson's rise to power through the tangle that was Missouri's antebellum politics and of Jackson's complex actions in pursuit of his state's secession complete the deeper and broader story of regional identity--one that began with a growing defense of the institution of slavery and which crystallized during and after the bitter, internecine struggle in the neutral border state during the American Civil War. Placing slavery within the realm of western democratic expansion rather than of plantation agriculture in border slave states such as Missouri, Philips argues that southern identity in the region was not born, but created. While most rural Missourians were proslavery, their "southernization" transcended such boundaries, with southern identity becoming a means by which residents sought to reestablish local jurisdiction in defiance of federal authority during and after the war. This identification, intrinsically political and thus ideological, centered—and still centers—upon the events surrounding the Civil War, whether in Missouri or elsewhere. By positioning personal and political struggles and triumphs within Missourians' shifting identity and the redefinition of their collective memory, Phillips reveals the complex process by which these once Missouri westerners became and remain Missouri southerners.
Missouri's Confederate not only provides a fascinating depiction of Jackson and his world but also offers the most complete scholarly analysis of Missouri's maturing antebellum identity. Anyone with an interest in the Civil War, the American West, or the American South will find this important new biography a powerful contribution to our understanding of nineteenth-century America and the origins—as well as the legacy—of the Civil War.
New Orleans in the 1920s and 1930s was a deadly place. In 1925, the city’s homicide rate was six times that of New York City and twelve times that of Boston. Jeffrey S. Adler has explored every homicide recorded in New Orleans between 1925 and 1940—over two thousand in all—scouring police and autopsy reports, old interviews, and crumbling newspapers. More than simply quantifying these cases, Adler places them in larger contexts—legal, political, cultural, and demographic—and emerges with a tale of racism, urban violence, and vicious policing that has startling relevance for today.
Murder in New Orleans shows that whites were convicted of homicide at far higher rates than blacks leading up to the mid-1920s. But by the end of the following decade, this pattern had reversed completely, despite an overall drop in municipal crime rates. The injustice of this sharp rise in arrests was compounded by increasingly brutal treatment of black subjects by the New Orleans police department. Adler explores other counterintuitive trends in violence, particularly how murder soared during the flush times of the Roaring Twenties, how it plummeted during the Great Depression, and how the vicious response to African American crime occurred even as such violence plunged in frequency—revealing that the city’s cycle of racial policing and punishment was connected less to actual patterns of wrongdoing than to the national enshrinement of Jim Crow. Rather than some hyperviolent outlier, this Louisiana city was a harbinger of the endemic racism at the center of today’s criminal justice state. Murder in New Orleans lays bare how decades-old crimes, and the racially motivated cruelty of the official response, have baleful resonance in the age of Black Lives Matter.
This biography captures the spirit and the flavor of Ms. Hanks's remarkable life, above all during the eight years in which she led the Endowment. Tracing her childhood in Florida and North Carolina through her achievements as a student leader at Duke University, Straight makes clear her conscious effort to find a path with more scope than the usual marriage-and-a-family when expected of Southern women. Nancy Hanks went to Washington and found a job with the Office of War Mobilization. She later worked with Nelson Rockefeller, who became governor of New York, a Republican party luminary, and vice president under Gerald Ford, in addition to being an heir to one of America's greatest fortunes. Her relationship with Rockefeller was crucial to her personal life, and his conception of government and its role and a lasting influence on her career.
Straight examines Nancy Hanks's leadership of the NEA and takes particular note of the intense debate over the role of government in fostering American artistic expression, an issue with roots running back through the New Deal to the early history of the United States. Nancy Hanks took a strong and activist role in the formulation and administration of a national arts policy, and her accomplishments have left an indelible mark on public support for arts in the United States. Straight, who worked closely with Ms. Hanks and admired her despite frequent policy disagreements, deals honestly with both the successes and failures of her efforts. His biography imparts a sense of the reasons why her many friends felt such loyalty to this complex and gifted woman.
Little is known about Nefertiti, the Egyptian queen whose name means “a beautiful woman has come.” She was the wife of Akhenaten, the pharaoh who ushered in the dramatic Amarna Age, and she bore him at least six children. She played a prominent role in political and religious affairs, but after Akhenaten’s death she apparently vanished and was soon forgotten.
Yet Nefertiti remains one of the most famous and enigmatic women who ever lived. Her instantly recognizable face adorns a variety of modern artifacts, from expensive jewelry to cheap postcards, t-shirts, and bags, all over the world. She has appeared on page, stage, screen, and opera. In Britain, one woman has spent hundreds of thousands of pounds on plastic surgery in hope of resembling the long-dead royal. This enduring obsession is the result of just one object: the lovely and mysterious Nefertiti bust, created by the sculptor Thutmose and housed in Berlin’s Neues Museum since before World War II.
In Nefertiti’s Face, Egyptologist Joyce Tyldesley tells the story of the bust, from its origins in a busy workshop of the late Bronze Age to its rediscovery and controversial removal to Europe in 1912 and its present status as one of the world’s most treasured artifacts. This wide-ranging history takes us from the temples and tombs of ancient Egypt to wartime Berlin and engages the latest in Pharaonic scholarship. Tyldesley sheds light on both Nefertiti’s life and her improbable afterlife, in which she became famous simply for being famous.
The activist state of the New Deal started forming decades before the FDR administration, demonstrating the deep roots of energetic government in America.
In the period between the Civil War and the New Deal, American governance was transformed, with momentous implications for social and economic life. A series of legal reforms gradually brought an end to nineteenth-century traditions of local self-government and associative citizenship, replacing them with positive statecraft: governmental activism intended to change how Americans lived and worked through legislation, regulation, and public administration. The last time American public life had been so thoroughly altered was in the late eighteenth century, at the founding and in the years immediately following.
William J. Novak shows how Americans translated new conceptions of citizenship, social welfare, and economic democracy into demands for law and policy that delivered public services and vindicated people’s rights. Over the course of decades, Americans progressively discarded earlier understandings of the reach and responsibilities of government and embraced the idea that legislators and administrators in Washington could tackle economic regulation and social-welfare problems. As citizens witnessed the successes of an energetic, interventionist state, they demanded more of the same, calling on politicians and civil servants to address unfair competition and labor exploitation, form public utilities, and reform police power.
Arguing against the myth that America was a weak state until the New Deal, New Democracy traces a steadily aggrandizing authority well before the Roosevelt years. The United States was flexing power domestically and intervening on behalf of redistributive goals for far longer than is commonly recognized, putting the lie to libertarian claims that the New Deal was an aberration in American history.
New Orleans and the Creation of Transatlantic Opera, 1819–1859 explores the thriving operatic life of New Orleans in the first half of the nineteenth century, drawing out the transatlantic connections that animated it. By focusing on a variety of individuals, their extended webs of human contacts, and the materials that they moved along with them, this book pieces together what it took to bring opera to New Orleans and the ways in which the city’s operatic life shaped contemporary perceptions of global interconnection. The early chapters explore the process of bringing opera to the stage, taking a detailed look at the management of New Orleans’s Francophone theater, the Théâtre d’Orléans, as well as the performers who came to the city and the reception they received. But opera’s significance was not confined to the theater, and later chapters of the book examine how opera permeated everyday life in New Orleans, through popular sheet music, novels, magazines and visual culture, and dancing in its many ballrooms. Just as New Orleans helped to create transatlantic opera, opera in turn helped to create the city of New Orleans.
Haynes describes the major Nigerian film genres and how they relate to Nigerian society—its values, desires, anxieties, and social tensions—as the country and its movies have developed together over the turbulent past two decades. As he shows, Nollywood is a form of popular culture; it produces a flood of stories, repeating the ones that mean the most to its broad audience. He interprets these generic stories and the cast of mythic figures within them: the long-suffering wives, the business tricksters, the Bible-wielding pastors, the kings in their traditional regalia, the glamorous young professionals, the emigrants stranded in New York or London, and all the rest. Based on more than twenty years of research, Haynes’s survey of Nollywood’s history and genres is unprecedented in scope, while his book also vividly describes landmark films, leading directors, and the complex character of this major branch of world cinema.
![front cover of On Creation [Quaestiones Disputatae de Potentia Dei, Q. 3]](https://www.bibliovault.org/thumbs/978-0-8132-1798-7-thumb.jpg)
The book of Job is a complex, sophisticated treatment of the problem of undeserved suffering. It is also a sustained meditation on creation, on humanity’s place in creation, and on God’s ordering of creation. In this study, Kathryn Schifferdecker offers a close literary and theological reading of the book of Job—particularly of the speeches of God at the end of the book—in order to articulate its creation theology, which is particularly pertinent in our environmentally-conscious age.
After all of Job’s agonized questioning, God’s answer does not directly address Job’s questions about undeserved suffering or divine justice. Instead, the divine speeches take Job on a God’s-eye tour of creation in all its beauty and complexity. In extraordinarily detailed and beautiful poetry, the divine speeches show Job that the world is radically non-anthropocentric, that there exist wild places and animals whose value has nothing to do with their usefulness to humanity, and that God delights in the freedom of God’s creatures. This vision of the divine speeches enables Job to move out of despair into renewed participation in God’s often-dangerous but beautiful world.
This creation theology of Job, virtually unique in the Bible, has much to say to us today, as we struggle theologically and politically with the issues of environmental degradation and humanity’s relationship to the natural world.
The story of modern Orthodox Judaism is usually told only from the perspective of Rabbi Samson Raphael Hirsch. Ellenson’s work, a thorough examination of the life and work of one of Hirsch’s contemporaries, Rabbi Esriel Hildesheimer, reveals another important contributor to the creation of a modern Jewish Orthodoxy during the late 1800s. like Hirsch, Hildesheirmer felt the need to continue certain traditions while at the same time introducing certain innovations to meet the demands of a modern society. This original study of an Orthodox rabbinic leader shows how Hildesheirmer’s flexible and pragmatic approach to these problems continues to be relevant to modern Judaism. The way in which this book draws upon response literature for its comprehension of Hildesheimer makes it a distinctive work in modern Jewish historiography and sociology.
Recently, scholars of Olmec visual culture have identified symbols for umbilical cords, bundles, and cave-wombs, as well as a significant number of women portrayed on monuments and as figurines. In this groundbreaking study, Carolyn Tate demonstrates that these subjects were part of a major emphasis on gestational imagery in Formative Period Mesoamerica. In Reconsidering Olmec Visual Culture, she identifies the presence of women, human embryos, and fetuses in monuments and portable objects dating from 1400 to 400 BC and originating throughout much of Mesoamerica. This highly original study sheds new light on the prominent roles that women and gestational beings played in Early Formative societies, revealing female shamanic practices, the generative concepts that motivated caching and bundling, and the expression of feminine knowledge in the 260-day cycle and related divinatory and ritual activities.
Reconsidering Olmec Visual Culture is the first study that situates the unique hollow babies of Formative Mesoamerica within the context of prominent females and the prevalent imagery of gestation and birth. It is also the first major art historical study of La Venta and the first to identify Mesoamerica's earliest creation narrative. It provides a more nuanced understanding of how later societies, including Teotihuacan and West Mexico, as well as the Maya, either rejected certain Formative Period visual forms, rituals, social roles, and concepts or adopted and transformed them into the enduring themes of Mesoamerican symbol systems.
Remarkable similarities exist within the Maya tradition, even as new mythologies were introduced through contact with the Gulf Coast region and highland central Mexico. Vail and Hernández analyze the extant Maya codices within the context of later literary sources such as the Books of Chilam Balam, the Popol Vuh, and the Códice Chimalpopoca to present numerous examples highlighting the relationship among creation mythology, rituals, and lore. Compiling and comparing Maya creation mythology with that of the Borgia codices from highland central Mexico, Re-Creating Primordial Time is a significant contribution to the field of Mesoamerican studies and will be of interest to scholars of archaeology, linguistics, epigraphy, and comparative religions alike.
Through the careful reconstruction of knowledge pathways, Maxwell brings into focus the role of Africans in shaping texts, collections, and images as well as in challenging and adapting Western-imported presuppositions and prejudices. Ultimately, Maxwell illustrates the mutually constitutive nature of discourses of identity in colonial Africa and reveals not only how the Luba shaped missionary research but also how these coproducers of knowledge constructed and critiqued custom and convened new ethnic communities.
Making a significant intervention in the study of both the history of African Christianity and the cultural transformations effected by missionary encounters across the globe, Religious Entanglements excavates the subculture of African Pentecostalism, revealing its potentiality for radical sociocultural change.
Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square—the most sacred space in the People's Republic of China. Remaking Beijing considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations.
Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China—as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the sociopolitical system that supports them.
Remaking Beijing will reward anyone interested in modern Chinese history, society, and art, or, more generally, in how urban renewal becomes intertwined with cultural and national politics.
Wu Hung grew up in Beijing and experienced much of the city's makeover firsthand. In this lavishly illustrated work, he offers a vivid, often personal account of the struggle over Beijing's reinvention, drawing particular attention to Tiananmen Square—the most sacred space in the People's Republic of China. Remaking Beijing considers the square's transformation from a restricted imperial domain into a public arena for political expression, from an epic symbol of socialism into a holy relic of the Maoist regime, and from an official and monumental complex into a site for unofficial and antigovernment demonstrations.
Wu Hung also explores how Tiananmen Square has become a touchstone for official art in modern China—as the site for Mao's monumental portrait, as the location of museums narrating revolutionary history, and as the grounds for extravagant National Day parades celebrating the revolutionary masses. He then shows how in recent years the square has inspired artists working without state sponsorship to create paintings, photographs, and even performances that reflect the spirit of the 1989 uprisings and pose a forceful challenge to official artworks and the sociopolitical system that supports them.
Remaking Beijing will reward anyone interested in modern Chinese history, society, and art, or, more generally, in how urban renewal becomes intertwined with cultural and national politics.
"A brilliant study that quietly but powerfully recharacterizes many of the contexts of discussion in Milton criticism. Particularly noteworthy is Schwartz's ability to introduce advanced theoretical perspectives without ever taking the focus of attention away from the dynamics and problematics of Milton's poem."—Stanley Fish
“A wonderful excavation of the first era of civil rights lawyering.”—Randall L. Kennedy, author of The Persistence of the Color Line
“Ken Mack brings to this monumental work not only a profound understanding of law, biography, history and racial relations but also an engaging narrative style that brings each of his subjects dynamically alive.”—Doris Kearns Goodwin, author of Team of Rivals
Representing the Race tells the story of an enduring paradox of American race relations through the prism of a collective biography of African American lawyers who worked in the era of segregation. Practicing the law and seeking justice for diverse clients, they confronted a tension between their racial identity as black men and women and their professional identity as lawyers. Both blacks and whites demanded that these attorneys stand apart from their racial community as members of the legal fraternity. Yet, at the same time, they were expected to be “authentic”—that is, in sympathy with the black masses. This conundrum, as Kenneth W. Mack shows, continues to reverberate through American politics today.
Mack reorients what we thought we knew about famous figures such as Thurgood Marshall, who rose to prominence by convincing local blacks and prominent whites that he was—as nearly as possible—one of them. But he also introduces a little-known cast of characters to the American racial narrative. These include Loren Miller, the biracial Los Angeles lawyer who, after learning in college that he was black, became a Marxist critic of his fellow black attorneys and ultimately a leading civil rights advocate; and Pauli Murray, a black woman who seemed neither black nor white, neither man nor woman, who helped invent sex discrimination as a category of law. The stories of these lawyers pose the unsettling question: what, ultimately, does it mean to “represent” a minority group in the give-and-take of American law and politics?
When his highly influential Rubbish Theory, first published in 1979, Michael Thompson launched the discipline of waste studies. It remains the most comprehensive analysis on the culture of waste to date. Thompson argues that there are two mutually exclusive cultural categories that are socially imposed on the world of objects: a transient category and a durable category. However, he identifies a region of flexibility, wherein a transient object that declines in value and life span can linger in a valueless and timeless limbo of rubbish, until it is discovered by a creative individual and transferred into something deemed durable. He links stability and change on one hand, with materiality on the other, providing a rich analysis of social and cultural dynamics. His instrumental theory of rubbish draws on case studies and anthropological fieldwork to highlight the ever-changing subtleties of object value and our complex relationship to waste.
Bringing Rubbish Theory back into print, this updated edition includes a new introduction, preface, foreword, and afterword, thoroughly exploring how Thompson’s key theories have affected our world in the four decades since it was first published and placing it in a contemporary context that shines light on the continued relevance of the book today.
John C. Polkinghorne, internationally renowned priest-scientist, addresses fundamental questions about how scientific and theological worldviews relate to each other in this, the second volume (originally published in 1988) of his trilogy, which also included Science and Providence and One World.
Dr. Polkinghorne illustrates how a scientifically minded person approaches the task of theological inquiry, postulating that there exists a close analogy between theory and experiment in science and belief and understanding in theology. He offers a fresh perspective on such questions as: Are we witnessing today a revival a natural theology—the search for God through the exercise of reason and the study of nature? How do the insights of modern physics into the interlacing of order and disorder relate to the Christian doctrine of Creation? What is the relationship between mind and matter?
Polkinghorne states that the "remarkable insights that science affords us into the intelligible workings of the world cry out for an explanation more profound than that which it itself can provide. Religion, if it is to take seriously its claim that the world is the creation of God, must be humble enough to learn from science what that world is actually like.The dialogue between them can only be mutually enriching."
Peru’s Indian majority and non-Indian elite were both opposed to Spanish rule, and both groups participated in uprisings during the late colonial period. But, at the same time, seething tensions between the two groups were evident, and non-Indians feared a mass uprising. As Walker shows, this internal conflict shaped the many struggles to come, including the Tupac Amaru uprising and other Indian-based rebellions, the long War of Independence, the caudillo civil wars, and the Peru-Bolivian Confederation. Smoldering Ashes not only reinterprets these conflicts but also examines the debates that took place—in the courts, in the press, in taverns, and even during public festivities—over the place of Indians in the republic. In clear and elegant prose, Walker explores why the fate of the indigenous population, despite its participation in decades of anticolonial battles, was little improved by republican rule, as Indians were denied citizenship in the new nation—an unhappy legacy with which Peru still grapples.
Informed by the notion of political culture and grounded in Walker’s archival research and knowledge of Peruvian and Latin American history, Smoldering Ashes will be essential reading for experts in Andean history, as well as scholars and students in the fields of nationalism, peasant and Native American studies, colonialism and postcolonialism, and state formation.
Drawing on her experience during the crisis as an employee in a public works program in Seoul, Song provides an ethnographic assessment of the efforts of the state and civilians to regulate social insecurity, instability, and inequality through assistance programs. She focuses specifically on efforts to help two populations deemed worthy of state subsidies: the “IMF homeless,” people temporarily homeless but considered employable, and the “new intellectuals,” young adults who had become professionally redundant during the crisis but had the high-tech skills necessary to lead a transformed post-crisis South Korea.
Shields’s turf is the southern Lowcountry, from the peanut patches of Wilmington, North Carolina to the sugarcane fields of the Georgia Sea Islands and the citrus groves of Amelia Island, Florida. He takes us on a historical excursion to this region, drawing connections among plants, farms, growers, seed brokers, vendors, cooks, and consumers over time. Shields begins by looking at how professional chefs during the nineteenth century set standards of taste that elevated southern cooking to the level of cuisine. He then turns to the role of food markets in creating demand for ingredients and enabling conversation between producers and preparers. Next, his focus shifts to the field, showing how the key ingredients—rice, sugarcane, sorghum, benne, cottonseed, peanuts, and citrus—emerged and went on to play a significant role in commerce and consumption. Shields concludes with a look at the challenges of reclaiming both farming and cooking traditions.
From Carolina Gold rice to white flint corn, the ingredients of authentic southern cooking are returning to fields and dinner plates, and with Shields as our guide, we can satisfy our hunger both for the most flavorful regional dishes and their history.
Micah L. Auerback follows the changing fortune of the Buddha through the novel uses for the Buddha’s story in high and low culture alike, often outside of the confines of the Buddhist establishment. Auerback argues for the Buddha’s continuing relevance during Japan’s early modern period and links the later Buddhist tradition in Japan to its roots on the Asian continent. Additionally, he examines the afterlife of the Buddha in hagiographic literature, demonstrating that the late Japanese Buddha, far from fading into a ghost of his former self, instead underwent an important reincarnation. Challenging many established assumptions about Buddhism and its evolution in Japan, A Storied Sage is a vital contribution to the larger discussion of religion and secularization in modernity.
The Streets of San Francisco uncovers the seldom reported, street-level interactions between police officers and San Francisco residents and finds that police discretion was the defining feature of mid-century law enforcement. Postwar police officers enjoyed great autonomy when dealing with North Beach beats, African American gang leaders, gay and lesbian bar owners, Haight-Ashbury hippies, artists who created sexually explicit works, Chinese American entrepreneurs, and a wide range of other San Franciscans. Unexpectedly, this police independence grew into a source of both concern and inspiration for the thousands of young professionals streaming into the city's growing financial district. These young professionals ultimately used the issue of police discretion to forge a new cosmopolitan liberal coalition that incorporated both marginalized San Franciscans and rank-and-file police officers. The success of this model in San Francisco resulted in the rise of cosmopolitan liberal coalitions throughout the country, and today, liberal cities across America ground themselves in similar understandings of democracy, emphasizing both broad diversity and strong policing.
Reynolds here investigates the role of metaphors in the creation of scientific concepts, theories, and explanations, using cell theory as his primary case study. He explores the history of key metaphors that have informed the field and the experimental, philosophical, and social circumstances under which they have emerged, risen in popularity, and in some cases faded from view. How we think of cells—as chambers, organisms, or even machines—makes a difference to scientific practice. Consequently, an accurate picture of how scientific knowledge is made requires us to understand how the metaphors scientists use—and the social values that often surreptitiously accompany them—influence our understanding of the world, and, ultimately, of ourselves.
The influence of metaphor isn’t limited to how we think about cells or proteins: in some cases they can even lead to real material change in the very nature of the thing in question, as scientists use technology to alter the reality to fit the metaphor. Drawing out the implications of science’s reliance upon metaphor, The Third Lens will be of interest to anyone working in the areas of history and philosophy of science, science studies, cell and molecular biology, science education and communication, and metaphor in general.
“Splendid. . . . The canvas is vast, the picture animated, the painter nonpareil. . . . Sorabji’s work will encourage more adventurers to follow him to this fascinating new-found land.”—Jonathan Barnes, Times Literary Supplement
“One of the most important works in the history of metaphysics to appear in English for a considerable time. No one concerned with the problems with which it deals either as a historian of ideas or as a philosopher can afford to neglect it.”—Donald MacKinnon, Scottish Journal of Theology
“Unusually readable for such scholarly content, the book provides in rich and cogent terms a lively and well-balanced discussion of matters of concern to a wide academic audience.”—Choice
Utah Series in Middle East Studies
In The Turk in America, historian Justin McCarthy seeks to explain the historical basis for American prejudice towards Turks in the nineteenth and early twentieth centuries. The volume focuses on fraudulent characterizations of Turks, mostly stemming from an antipathy in Europe and America toward non-Christians, and especially Muslims. Spanning one hundred and fifty years, this history explores the misinformation largely responsible for the negative stereotypes of Turks during this period.
We know the universe has a history, but does it also have a story of self-creation to tell? Yes, in Roy R. Gould’s account. He offers a compelling narrative of how the universe—with no instruction other than its own laws—evolved into billions of galaxies and gave rise to life, including humans who have been trying for millennia to comprehend it. Far from being a random accident, the universe is hard at work, extracting order from chaos.
Making use of the best current science, Gould turns what many assume to be true about the universe on its head. The cosmos expands inward, not outward. Gravity can drive things apart, not merely together. And the universe seems to defy entropy as it becomes more ordered, rather than the other way around. Strangest of all, the universe is exquisitely hospitable to life, despite its being constructed from undistinguished atoms and a few unexceptional rules of behavior. Universe in Creation explores whether the emergence of life, rather than being a mere cosmic afterthought, may be written into the most basic laws of nature.
Offering a fresh take on what brought the world—and us—into being, Gould helps us see the universe as the master of its own creation, not tethered to a singular event but burgeoning as new space and energy continuously stream into existence. It is a very old story, as yet unfinished, with plotlines that twist and churn through infinite space and time.
With a new introduction by James Secord, a bibliography of reviews, and a new index, this volume adds to Vestiges and Explanations Chambers's earliest works on cosmology, an essay on Darwin, and an autobiographical essay, raising important issues about the changing meanings of popular science and religion and the rise of secular ideologies in Western culture.
Roger R. Tamte tells the engrossing but forgotten life story of Walter Camp, the man contemporaries called "the father of American football." He charts Camp's leadership as American players moved away from rugby and for the first time tells the story behind the remarkably inventive rule change that, in Camp's own words, was "more important than all the rest of the legislation combined." Trials also emerged, as when disputes over forward passing, the ten-yard first down, and other rules became so public that President Theodore Roosevelt took sides. The resulting political process produced losses for Camp as well as successes, but soon a consensus grew that football needed no new major changes. American football was on its way, but as time passed, Camp's name and defining influence became lost to history.
Entertaining and exhaustively researched, Walter Camp and the Creation of American Football weaves the life story of an important sports pioneer with a long-overdue history of the dramatic events that produced the nation's most popular game.
Originally published in Spanish in 1970, Watunna is the epic history and creation stories of the Makiritare, or Yekuana, people living along the northern bank of the Upper Orinoco River of Venezuela, a region of mountains and virgin forest virtually unexplored even to the present. The first English edition of this book was published in 1980 to rave reviews. This edition contains a new foreword by David Guss, as well as Mediata, a detailed myth that recounts the origins of shamanism.
“William Strickland and the Creation of an American Architecture is a significant contribution to the professional career of William Strickland and the history of architecture in the United States. Very little has been written about Strickland, one of the most important proponents of the Greek Revival style of architecture in the U.S. His work primarily in Philadelphia, but also elsewhere, was a major reason Greek Revival became known as the “National Style” in the first half of the nineteenth century.”—Norman R. Tyler, professor emeritus, Eastern Michigan University
William Strickland (1788–1854) was, in his day, among the most notable architects in the United States. An erstwhile student of Benjamin Henry Latrobe and a contemporary of Robert Mills, Strickland first entered the world of architecture at a young age in Philadelphia. But given that many of Strickland’s buildings have not survived, and considering the sparse and dispersed collection of primary sources Strickland left upon his death, little contemporary scholarship has appeared concerning Strickland’s significant contributions to the built environment of the early nineteenth century.
In William Strickland and the Creation of an American Architecture, Robert Russell does much to rectify this underrepresentation of Strickland’s notable architectural contributions in contemporary scholarship. In this first monograph detailing Strickland’s life and works since 1950 Russell examines the architectural production of Strickland during the first half of the nineteenth century.
Russell begins with the well-known Second Bank of the United States (Philadelphia)—the project that launched Strickland onto the national stage—eventually bringing his analysis to the south with an examination of the Tennessee State Capitol Building (Nashville). These two monuments bookended the American Greek Revival of the nineteenth century. Russell’s careful descriptions and insightful analyses of William Strickland’s work highlight the architect’s artistic skills and contributions to American material culture over the course of fifty years.
Ornamenting his examination with more than one hundred illustrations, Russell takes readers on a comprehensive journey through Strickland’s architecture. Part biography, part architectural history, William Strickland and the Creation of an American Architecture is an invaluable resource for scholars and artists alike, illustrating Strickland’s critical role in American architectural history and celebrating the icon behind buildings in Pennsylvania, Tennessee, and beyond that are still admired and appreciated today.
Robert Russell recently retired after more than three decades as an academic architectural historian and nearly twenty years working in the field of historic preservation. He is the coauthor, with E. J. Johnson, of Memphis: An Architectural Guide.
How do women strategically make their mark on state legislatures? Anna Mitchell Mahoney’s book traces the development of women’s state legislative caucuses and the influence both gender and party have on women’s ability to organize collectively. She provides a comprehensive analysis of how and why women organize around their gender identity in state legislatures—or why they do not.
Women Take Their Place in State Legislatures includes a quantitative analysis of institutional-level variables and caucus existence in all 50 states. Case studies of caucus attempts in New Jersey, Colorado, Pennsylvania, and Iowa between 2006 and 2010 examine attempts at creating women’s caucuses that succeeded or failed, and why. Mahoney’s interviews with 180 state legislators and their staff explore the motivations of caucus creators and participants. Ultimately, she finds that women’s organizing is contextual; it demonstrates the dynamic nature of gender.
Mahoney also provides insights into broad questions regarding gendered institutions, collective action, and political party governance. Women Take Their Place in State Legislatures fills a lacuna in the evaluation of women in government.
This allegorical retelling of the biblical creation story blends science, poetic understanding, and the spiritual revelations of Swedish visionary Emanuel Swedenborg (1688–1772). Starting with the creation of the earth from the substance of the universe, Swedenborg takes the reader through the formation of plants, animals, and finally human beings. He puts particular emphasis on the spiritual nature of Adam and Adam’s marriage to Eve. Although not considered one of Swedenborg’s theological works, this book was written just prior to his visionary period and contains the seeds of many of his later ideas, particularly the biblical commentary in Secrets of Heaven. This edition is a reprint of a 1914 English translation by Alfred H. Stroh and Frank Sewall.
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