A SCHOLARLY BOOK REPOSITORY
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23 books about Cochrane, Lydia G.
23 books about Cochrane, Lydia G.
Architecture, Means and Ends
Vittorio Gregotti
University of Chicago Press, 2010
Vittorio Gregotti—the architect of Barcelona’s Olympic Stadium, Milan’s Arcimboldi Opera Theater, and Lisbon’s Centro Cultural de Belém, among many other noted constructions—is not only a designer of international repute but an acclaimed theorist and critic. Architecture, Means and Ends is his practical and imaginative reflection on the role of the technical aspects of architectural design, both as part of the larger process of innovation and in relation to the mythic opposition between vision and construction.
Interweaving the seemingly irreconcilable concerns of aesthetics, meaning, and construction, Architecture, Means and Ends reflects Gregotti’s overarching claim that buildings always have a symbolic, cultural content. In this book, he argues that by making symbolic expression a primary objective in the design of a project, the designer will produce a practical aesthetic as well as an ethical solution. Architecture, Means and Ends embraces that philosophy and will appeal to those, like Gregotti, working at the intersections of the history of design, art criticism, and architectural theory.
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Baroque Personae
Edited by Rosario Villari
University of Chicago Press, 1995
The Baroque, which stretched from the end of the sixteenth to the second half of the seventeenth century, is one of the most enigmatic eras in history. In this book, thirteen distinguished scholars develop a portrait of institutions, ideologies, intellectual themes, and social structures as they are reflected in Baroque personae, or characteristic social roles.
Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist, and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.
The contributors are Rosario Villari, Henry Kamen, Geoffrey Parker, Daniel Dessert, Salvatore S. Nigro, Manuel Morán, José Andrés-Gallego, Adriano Prosperi, Mario Rosa, Brian P. Levack, Paolo Rossi, Giovanni Careri, and James S. Amelang.
Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist, and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.
The contributors are Rosario Villari, Henry Kamen, Geoffrey Parker, Daniel Dessert, Salvatore S. Nigro, Manuel Morán, José Andrés-Gallego, Adriano Prosperi, Mario Rosa, Brian P. Levack, Paolo Rossi, Giovanni Careri, and James S. Amelang.
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Betrayals
The Unpredictability of Human Relations
Gabriella Turnaturi
University of Chicago Press, 2007
From Iago to Fredo, Judas to General Hospital, acts of betrayal fascinate us. Eventually we all encounter this universal experience of human interaction, but despite its ubiquity, being betrayed can turn our lives upside down and leave us feeling suddenly frail and alone. Betrayal only arises out of sharing something of yourself with another, and its impact speaks to the great tragedy of human relations: at bottom, other people are unknowable.
While most attempts to study betrayal only consider its moral or psychological dimensions, Gabriella Turnaturi here examines betrayal as an act embedded in social relationships whose meanings change over time. For example, adultery is one of the most recognizable forms of betrayal, but a wide gulf exists between its role in Madame Bovary and in The Ice Storm. Therefore, Turnaturi contends, in order to examine the many meanings of betrayal we need to understand its context in a specific time and place. Born from the unpredictable possibilities of human interaction, betrayal emerges as a sociological event in this thought-provoking meditation on the stab in the back.
While most attempts to study betrayal only consider its moral or psychological dimensions, Gabriella Turnaturi here examines betrayal as an act embedded in social relationships whose meanings change over time. For example, adultery is one of the most recognizable forms of betrayal, but a wide gulf exists between its role in Madame Bovary and in The Ice Storm. Therefore, Turnaturi contends, in order to examine the many meanings of betrayal we need to understand its context in a specific time and place. Born from the unpredictable possibilities of human interaction, betrayal emerges as a sociological event in this thought-provoking meditation on the stab in the back.
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The Common Legal Past of Europe, 1000–1800
Manlio Bellomo
Catholic University of America Press, 1995
With a vigor and passion rarely found in a scholarly text, Manlio Bellomo has written a broad history of the western European legal tradition. It is now made available to an English-speaking audience in an elegant and lucid translation from the original Italian.
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The Cultural Origins of the French Revolution
Roger Chartier
Duke University Press, 1991
Reknowned historian Roger Chartier, one of the most brilliant and productive of the younger generation of French writers and scholars now at work refashioning the Annales tradition, attempts in this book to analyze the causes of the French revolution not simply by investigating its “cultural origins” but by pinpointing the conditions that “made is possible because conceivable.”
Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet’s Les origens intellectuelles de la Révolution française (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet’s work, not be revising that classic text but by raising questions that would not have occurred to its author.
Chartier’s second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.
Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet’s Les origens intellectuelles de la Révolution française (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet’s work, not be revising that classic text but by raising questions that would not have occurred to its author.
Chartier’s second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.
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The Dark Abyss of Time
The History of the Earth and the History of Nations from Hooke to Vico
Paolo Rossi
University of Chicago Press, 1984
"A rich historical pastiche of 17th- and 18th-century philosophy, science, and religion."—G. Y. Craig, New Scientist
"This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the early modern era. . . . [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects—Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."—Nina Gelbart, American Scientist
"This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the early modern era. . . . [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects—Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."—Nina Gelbart, American Scientist
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Enlightenment Portraits
Edited by Michel Vovelle
University of Chicago Press, 1997
Enlightenment Portraits permits us to see direct actors in history, people who took an active part in the collective adventures that put the human being at the center of Western civilizations vision of the world: nobles, priests, functionaries, men of letters, artists, and explorers, also soldiers and women.
The Enlightenment's leading figures cast their light in an irregular and unequal way: areas and environments in which new ideas penetrated and took effect alternated with shadowy patches. The fundamental structures of society may have remained stable, but new ways of producing, of being, and of appearing made sometimes abrupt headway. Attitudes toward life, birth, love, marriage and sexuality, and death had begun to change.
The twilight of the Enlightenment came at the end of the eighteenth century, part of a sequence of events of which the French Revolutions was simply the paroxysm.
A subtle and complex study of the Enlightenment, this book allows contemporary readers to reflect on how nineteenth- and twentieth-century scholars have constructed their views on eighteenth-century man.
The Enlightenment's leading figures cast their light in an irregular and unequal way: areas and environments in which new ideas penetrated and took effect alternated with shadowy patches. The fundamental structures of society may have remained stable, but new ways of producing, of being, and of appearing made sometimes abrupt headway. Attitudes toward life, birth, love, marriage and sexuality, and death had begun to change.
The twilight of the Enlightenment came at the end of the eighteenth century, part of a sequence of events of which the French Revolutions was simply the paroxysm.
A subtle and complex study of the Enlightenment, this book allows contemporary readers to reflect on how nineteenth- and twentieth-century scholars have constructed their views on eighteenth-century man.
[more]
Geography of the Gaze
Urban and Rural Vision in Early Modern Europe
Renzo Dubbini
University of Chicago Press, 2002
Geography of the Gaze offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to nineteenth centuries, Renzo Dubbini shows how developments in science, art, mapping, and visual epistemology affected the ways natural and artificial landscapes were perceived and portrayed.
He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
He begins with the idea of the "view," explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityscapes inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. A marvelous history of viewing, Geography of the Gaze will interest everyone from scientists to artists.
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The History and Power of Writing
Henri-Jean Martin
University of Chicago Press, 1994
Cultural history on a grand scale, this immensely readable book—the summation of decades of study by one of the world's great scholars of the book—is the story of writing from its very beginnings to its recent transformations through technology.
Traversing four millennia, Martin offers a chronicle of writing as a cultural system, a means of communication, and a history of technologies. He shows how the written word originated, how it spread, and how it figured in the evolution of civilization. Using as his center the role of printing in making the written way of thinking dominant, Martin examines the interactions of individuals and cultures to produce new forms of "writing" in the many senses of authorship, language rendition, and script.
Martin looks at how much the development of writing owed to practical necessity, and how much to religious and social systems of symbols. He describes the precursors to writing and reveals their place in early civilization as mnemonic devices in service of the spoken word. The tenacity of the oral tradition plays a surprisingly important part in this story, Martin notes, and even as late as the eighteenth century educated individuals were trained in classical rhetoric and preferred to rely on the arts of memory. Finally, Martin discusses the changes to writing wrought by the electronic revolution, offering invaluable insights into the influence these new technologies have had on children born into the computer age.
Traversing four millennia, Martin offers a chronicle of writing as a cultural system, a means of communication, and a history of technologies. He shows how the written word originated, how it spread, and how it figured in the evolution of civilization. Using as his center the role of printing in making the written way of thinking dominant, Martin examines the interactions of individuals and cultures to produce new forms of "writing" in the many senses of authorship, language rendition, and script.
Martin looks at how much the development of writing owed to practical necessity, and how much to religious and social systems of symbols. He describes the precursors to writing and reveals their place in early civilization as mnemonic devices in service of the spoken word. The tenacity of the oral tradition plays a surprisingly important part in this story, Martin notes, and even as late as the eighteenth century educated individuals were trained in classical rhetoric and preferred to rely on the arts of memory. Finally, Martin discusses the changes to writing wrought by the electronic revolution, offering invaluable insights into the influence these new technologies have had on children born into the computer age.
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A History of Reading in the West
Guglielmo Cavallo
University of Massachusetts Press, 2003
Books and other texts have not always been read in the way that we read them today. The modern practice of reading—privately, silently, with the eyes alone—is only one way of reading, which for many centuries existed alongside other forms. In the ancient world, in the Middle Ages, and as late as the seventeenth century, many texts were written for the voice. They were addressed to the ear as much as the eye, and they used forms that were oriented toward the demands of oral performance. This is one of the themes explored in this landmark volume. Written by a distinguished group of international contributors, it analyzes the transformations of reading methods and materials over the ages, showing that revolutions of reading have generally preceded revolutions of the book. The authors examine not only the technical innovations that changed physical aspects of books and other texts, but also the evolving forms of reading and the growth and transformation of the reading public. The volume will be invaluable to students of cultural history and to all those who want a fresh perspective on the history of books and their uses.
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Islam and Travel in the Middle Ages
Houari Touati
University of Chicago Press, 2010
In the Middle Ages, Muslim travelers embarked on a rihla, or world tour, as surveyors, emissaries, and educators. On these journeys, voyagers not only interacted with foreign cultures—touring Greek civilization, exploring the Middle East and North Africa, and seeing parts of Europe—they also established both philosophical and geographic boundaries between the faithful and the heathen. These voyages thus gave the Islamic world, which at the time extended from the Maghreb to the Indus Valley, a coherent identity.
Islam and Travel in the Middle Ages assesses both the religious and philosophical aspects of travel, as well as the economic and cultural conditions that made the rihla possible. Houari Touati tracks the compilers of the hadith who culled oral traditions linked to the prophet, the linguists and lexicologists who journeyed to the desert to learn Bedouin Arabic, the geographers who mapped the Muslim world, and the students who ventured to study with holy men and scholars. Travel, with its costs, discomforts, and dangers, emerges in this study as both a means of spiritual growth and a metaphor for progress. Touati’s book will interest a broad range of scholars in history, literature, and anthropology.
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The Law of God
The Philosophical History of an Idea
Rémi Brague
University of Chicago Press, 2007
The law of God: these words conjure an image of Moses breaking the tablets at Mount Sinai, but the history of the alliance between law and divinity is so much longer, and its scope so much broader, than a single Judeo-Christian scene can possibly suggest. In his stunningly ambitious new history, Rémi Brague goes back three thousand years to trace this idea of divine law in the West from prehistoric religions to modern times—giving new depth to today’s discussions about the role of God in worldly affairs.
Brague masterfully describes the differing conceptions of divine law in Judaic, Islamic, and Christian traditions and illuminates these ideas with a wide range of philosophical, political, and religious sources. In conclusion, he addresses the recent break in the alliance between law and divinity—when modern societies, far from connecting the two, started to think of law simply as the rule human community gives itself. Exploring what this disconnection means for the contemporary world, Brague—powerfully expanding on the project he began with The Wisdom of the World—re-engages readers in a millennia-long intellectual tradition, ultimately arriving at a better comprehension of our own modernity.
“Brague’s sense of intellectual adventure is what makes his work genuinely exciting to read. The Law of God offers a challenge that anyone concerned with today’s religious struggles ought to take up.”—Adam Kirsch, New York Sun
“Scholars and students of contemporary world events, to the extent that these may be viewed as a clash of rival fundamentalisms, will have much to gain from Brague’s study. Ideally, in that case, the book seems to be both an obvious primer and launching pad for further scholarship.”—Times Higher Education Supplement
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The Legend of the Middle Ages
Philosophical Explorations of Medieval Christianity, Judaism, and Islam
Rémi Brague
University of Chicago Press, 2009
This volume presents a penetrating interview and sixteen essays that explore key intersections of medieval religion and philosophy. With characteristic erudition and insight, RémiBrague focuses less on individual Christian, Jewish, and Muslim thinkers than on their relationships with one another. Their disparate philosophical worlds, Brague shows, were grounded in different models of revelation that engendered divergent interpretations of the ancient Greek sources they held in common. So, despite striking similarities in their solutions for the philosophical problems they all faced, intellectuals in each theological tradition often viewed the others’ ideas with skepticism, if not disdain. Brague’s portrayal of this misunderstood age brings to life not only its philosophical and theological nuances, but also lessons for our own time.
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The Lord's First Night
The Myth of the Droit de Cuissage
Alain Boureau
University of Chicago Press, 1998
From the late Middle Ages to The Marriage of Figaro to Mel Gibson's Braveheart, the ultimate symbol of feudal barbarism has been the droit de cuissage, or right of a feudal lord to sleep with the bride of a vassal on her wedding night. The droit de cuissage even resurfaced in the debate over the French Penal Code of 1992 as a synonym for sexual harassment.
But, as Alain Boureau elegantly demonstrates in this book, the droit de cuissage is a myth. Under contextual examination, nearly all the supposed evidence for this custom melts away—yet belief in it has survived for seven hundred years. Boureau shows how each era turned the mythical custom to its own ends. For instance, in the late Middle Ages, monarchists raised the specter of the droit de cuissage to rally public opinion against local lords, and partisans of the French Revolution pointed to it as proof of the corruption of the Ancien Régime.
A fascinating case study of the folklore of sexuality, The Lord's First Night also offers evocative insights into popular (mis)conceptions of the Middle Ages.
On the French edition: "A richly informative study of attitudes to the past and the manipulation of history down the ages."—Peter Linehan, Times Literary Supplement
But, as Alain Boureau elegantly demonstrates in this book, the droit de cuissage is a myth. Under contextual examination, nearly all the supposed evidence for this custom melts away—yet belief in it has survived for seven hundred years. Boureau shows how each era turned the mythical custom to its own ends. For instance, in the late Middle Ages, monarchists raised the specter of the droit de cuissage to rally public opinion against local lords, and partisans of the French Revolution pointed to it as proof of the corruption of the Ancien Régime.
A fascinating case study of the folklore of sexuality, The Lord's First Night also offers evocative insights into popular (mis)conceptions of the Middle Ages.
On the French edition: "A richly informative study of attitudes to the past and the manipulation of history down the ages."—Peter Linehan, Times Literary Supplement
[more]
Medieval Callings
Edited by Jacques Le Goff
University of Chicago Press, 1990
These essays by eleven internationally renowned historians present nuanced profiles of the major social and professional groups—the callings-of the Middle Ages.
The contributors focus on attitudes of medieval men and women toward their own society. Through a variety of techniques, from a reading of the Song of Roland to a reading of administrative records, they identify characteristic viewpoints of members of the fighting class, the clergy, and the peasantry. Along with vivid descriptions of what life was like for warrior knights, monks, high churchmen, criminals, lepers, shepherds, and prostitutes, this innovative approach offers a valuable new perspective on the complex social dynamics of feudal Europe.
"Very useful discussions of texts, both learned and literary."—Christopher Dyer, Times Literary Supplement
Contributors: Mariateresa Fumagalli Beonio Brocchieri, Franco Cardini, Enrico Castelnuovo, Giovanni Cherubini, Bronislaw Geremek, Aron Ja. Gurevich, Christiane Klapisch-Zuber, Jacques Le Goff, Giovanni Miccoli, Jacques Rossiaud, and André Vauchez.
The contributors focus on attitudes of medieval men and women toward their own society. Through a variety of techniques, from a reading of the Song of Roland to a reading of administrative records, they identify characteristic viewpoints of members of the fighting class, the clergy, and the peasantry. Along with vivid descriptions of what life was like for warrior knights, monks, high churchmen, criminals, lepers, shepherds, and prostitutes, this innovative approach offers a valuable new perspective on the complex social dynamics of feudal Europe.
"Very useful discussions of texts, both learned and literary."—Christopher Dyer, Times Literary Supplement
Contributors: Mariateresa Fumagalli Beonio Brocchieri, Franco Cardini, Enrico Castelnuovo, Giovanni Cherubini, Bronislaw Geremek, Aron Ja. Gurevich, Christiane Klapisch-Zuber, Jacques Le Goff, Giovanni Miccoli, Jacques Rossiaud, and André Vauchez.
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The Myth of Pope Joan
Alain Boureau
University of Chicago Press, 2001
In the ninth century, a brilliant young woman named Joan disguised herself as a man so that she could follow her lover into the then-exclusively male world of scholarship. She proved so successful that she ascended the Catholic hierarchy in Rome and was eventually elected pope. Her pontificate lasted two years, until she became pregnant and died after giving birth during a public procession from the Vatican.
Or so the legend goes—a legend that was fabricated sometime in the thirteenth century, according to Alain Boureau, and which has persisted in one form or another down to the present day. In this fascinating saga of belief and rhetoric, politics and religion, Boureau investigates the historical and ecclesiastical circumstances under which the myth of Pope Joan was constructed and the different uses to which it was put over the centuries. He shows, for instance, how Catholic clerics justified the exclusion of women from the papacy and the priesthood by employing the myth in misogynist moral tales, only to find the popess they had created turned against them in anti-Catholic propaganda during the Reformation.
Or so the legend goes—a legend that was fabricated sometime in the thirteenth century, according to Alain Boureau, and which has persisted in one form or another down to the present day. In this fascinating saga of belief and rhetoric, politics and religion, Boureau investigates the historical and ecclesiastical circumstances under which the myth of Pope Joan was constructed and the different uses to which it was put over the centuries. He shows, for instance, how Catholic clerics justified the exclusion of women from the papacy and the priesthood by employing the myth in misogynist moral tales, only to find the popess they had created turned against them in anti-Catholic propaganda during the Reformation.
[more]
Opera Production and Its Resources
Edited by Lorenzo Bianconi and Giorgio Pestelli
University of Chicago Press, 1998
Standing at the forefront of historiographical research, The History of Italian Opera marks the first time a multidisciplinary team of scholars has worked together to investigate the entire Italian operatic tradition, rather than limiting the focus to major composers and their masterworks. Including both musicologists and historians of other arts, the contributors approach opera not only as a distinctive musical genre but also as a form of extravagant theater and a complex social phenomenon.
Opera Production and Its Resources traces the social, economic, and artistic history of the production of opera from its origins around 1600 to contemporary stagings. From the very beginning, opera has been a chronically deficit-producing enterprise. Yet it maintained unchallenged preeminence in the culture of all Italians for centuries. The first half explores the central role of theater impresarios in putting on these complex productions and in increasing the output of librettos and scores. The second half considers the roles of the three key figures in the creation of any opera: the librettist, the composer, and the singer.
Opera Production and Its Resources traces the social, economic, and artistic history of the production of opera from its origins around 1600 to contemporary stagings. From the very beginning, opera has been a chronically deficit-producing enterprise. Yet it maintained unchallenged preeminence in the culture of all Italians for centuries. The first half explores the central role of theater impresarios in putting on these complex productions and in increasing the output of librettos and scores. The second half considers the roles of the three key figures in the creation of any opera: the librettist, the composer, and the singer.
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Petra
Maria Giulia Amadasi Guzzo and Eugenia Equini Schneider
University of Chicago Press, 2002
"If ever a dead city held romance it is Petra. . . . Hewn out of ruddy rock in the midst of a mountain wilderness, sumptuous in ornament and savage in environs, poised in wildness like a great carved opal glowing in a desert, this lost caravan city staggers the most experienced traveller." So wrote Rose Macaulay in her Pleasure of Ruins (1953), echoing the sentiments of generations of travelers before and since. Reached through a narrow, winding crevasse between looming cliffs in south Jordan, Petra served as the capital city of the Nabatean Arabs from the third century B.C.E to 106 C.E. (when it was occupied by the Roman emperor Trajan).
In this lavishly illustrated book, Maria Giulia Amadasi Guzzo and Eugenia Equini Schneider provide an accessible overview of the history and culture of the Nabateans, including their language, religion, politics, and economy, as well as a detailed guide to the city of Petra and its art and architecture. A major stop on the spice trade route, Petra attracted wealth and culture from across the Arabic and classical worlds and was abundantly furnished with more than 800 monuments. Perhaps the most well known of these is the Khazneh el-Faroun, or Treasury, a royal tomb more than 130 feet high with a magnificent Hellenistic facade carved from the salmon pink sandstone of the surrounding cliffs. But no less impressive were Petra's advanced achievements in hydraulic engineering, including elaborate water conservation systems and dams.
For anyone who has felt the lure and wonder of ancient cities and civilizations in exotic locations, Petra will be a delightful and invaluable resource.
In this lavishly illustrated book, Maria Giulia Amadasi Guzzo and Eugenia Equini Schneider provide an accessible overview of the history and culture of the Nabateans, including their language, religion, politics, and economy, as well as a detailed guide to the city of Petra and its art and architecture. A major stop on the spice trade route, Petra attracted wealth and culture from across the Arabic and classical worlds and was abundantly furnished with more than 800 monuments. Perhaps the most well known of these is the Khazneh el-Faroun, or Treasury, a royal tomb more than 130 feet high with a magnificent Hellenistic facade carved from the salmon pink sandstone of the surrounding cliffs. But no less impressive were Petra's advanced achievements in hydraulic engineering, including elaborate water conservation systems and dams.
For anyone who has felt the lure and wonder of ancient cities and civilizations in exotic locations, Petra will be a delightful and invaluable resource.
[more]
Renaissance Characters
Edited by Eugenio Garin
University of Chicago Press, 1991
Compared to the Middle Ages, the Renaissance is brief—little more than two centuries, extending roughly from the mid-fourteenth century to the end of the sixteenth century—and largely confined to a few Italian city states. Nevertheless, the epoch marked a great cultural shift in sensibilities, the dawn of a new age in which classical Greek and Roman values were "reborn" and human values in all fields, from the arts to civic life, were reaffirmed.
With this volume, Eugenio Garin, a leading Renaissance scholar, has gathered the work of an international team of scholars into an accessible account of the people who animated this decisive moment in the genesis of the modern mind. We are offered a broad spectrum of figures, major and minor, as they lived their lives: the prince and the military commander, the cardinal and the courtier, the artist and the philosopher, the merchant and the banker, the voyager, and women of all classes. With its concentration on the concrete, the specific, even the anecdotal, the volume offers a wealth of new perspectives and ideas for study.
With this volume, Eugenio Garin, a leading Renaissance scholar, has gathered the work of an international team of scholars into an accessible account of the people who animated this decisive moment in the genesis of the modern mind. We are offered a broad spectrum of figures, major and minor, as they lived their lives: the prince and the military commander, the cardinal and the courtier, the artist and the philosopher, the merchant and the banker, the voyager, and women of all classes. With its concentration on the concrete, the specific, even the anecdotal, the volume offers a wealth of new perspectives and ideas for study.
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The Romans
Edited by Andrea Giardina
University of Chicago Press, 1993
In this book, third in a series which includes Jacques Le Goff's Medieval Characters and Eugenio Garin's Renaissance Portraits, leading scholars search for the character of the ancient Romans through portraits of Rome's most typical personages. Essays on the politician, the soldier, the priest, the farmer, the slave, the merchant, and others together create a fresco of Roman society as it spanned 1300 years.
Synthesizing a wealth of current research, The Romans surveys the most complex society ever to exist prior to the Industrial Age. Searching out the identity of the ancient Roman, the contributors describe an urbane figure at odds with his rustic peers, known for his warlike nature and his love of virtue, his magnanimity to foreigners and his predilection for cutting off his enemies' heads. Most important, perhaps, of the themes explored throughout this volume are those of freedom and slavery, of citizenship and humanitas.
What results from the depictions Roman society through time and across its many constituent cultures is the variety of Roman identity in all its richness and depth. These masterful essays will engage the general reader as well as the specialist in history and culture.
Synthesizing a wealth of current research, The Romans surveys the most complex society ever to exist prior to the Industrial Age. Searching out the identity of the ancient Roman, the contributors describe an urbane figure at odds with his rustic peers, known for his warlike nature and his love of virtue, his magnanimity to foreigners and his predilection for cutting off his enemies' heads. Most important, perhaps, of the themes explored throughout this volume are those of freedom and slavery, of citizenship and humanitas.
What results from the depictions Roman society through time and across its many constituent cultures is the variety of Roman identity in all its richness and depth. These masterful essays will engage the general reader as well as the specialist in history and culture.
[more]
What Is the Good Life?
Luc Ferry
University of Chicago Press, 2005
Has inquiry into the meaning of life become outmoded in a universe where the other-worldiness of religion no longer speaks to us as it once did, or, as Nietzsche proposed, where we are now the creators of our own value? Has the ancient question of the "good life" disappeared, another victim of the technological world? For Luc Ferry, the answer to both questions is a resounding no.
In What Is the Good Life? Ferry argues that the question of the meaning of life, on which much philosophical debate throughout the centuries has rested, has not vanished, but at the very least the question is posed differently today. Ferry points out the pressures in our secularized world that tend to reduce the idea of a successful life or "good life" to one of wealth, career satisfaction, and prestige. Without deserting the secular presuppositions of our world, he shows that we can give ourselves a richer sense of life's possibilities. The "good life" consists of harmonizing life's different forces in a way that enables one to achieve a sense of personal satisfaction in the realization of one's creative abilities.
In What Is the Good Life? Ferry argues that the question of the meaning of life, on which much philosophical debate throughout the centuries has rested, has not vanished, but at the very least the question is posed differently today. Ferry points out the pressures in our secularized world that tend to reduce the idea of a successful life or "good life" to one of wealth, career satisfaction, and prestige. Without deserting the secular presuppositions of our world, he shows that we can give ourselves a richer sense of life's possibilities. The "good life" consists of harmonizing life's different forces in a way that enables one to achieve a sense of personal satisfaction in the realization of one's creative abilities.
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Wolfgang Amadeus Mozart
A Biography
Piero Melograni
University of Chicago Press, 2006
This year marks the 250th anniversary of the birth of Wolfgang Amadeus Mozart, one of the most enduringly popular and celebrated composers to have ever lived. His substantial oeuvre contains works that are considered to be among the most exquisite pieces of symphonic, chamber, and choral music ever written. His operas too cast a long shadow over those staged in their wake. And since his untimely death in 1791, he remains an enigmatic figure—the subject of fascination for aficionados and novices alike.
Piero Melograni here offers a wholly readable account of Mozart’s remarkable life and times. This masterful biography proceeds from the young Mozart’s earliest years as a Wunderkind—the child prodigy who traveled with his family to perform concerts throughout Europe—to his formative years in Vienna, where he fully absorbed the artistic and intellectual spirit of the Enlightenment, to his deathbed, his unfinished Requiem, and the mystery that still surrounds his burial. Melograni’s deft use of Mozart’s letters throughout confers authority and vitality to his recounting, and his expertise brings Mozart’s eighteenth-century milieu evocatively to life. Written with a gifted historian’s flair for narrative and unencumbered by specialized analyses of Mozart’s music, Melograni’s is the most vivid and enjoyable biography available.
At a time when music lovers around the world are paying honor to Mozart and his legacy, Wolfgang Amadeus Mozart will be welcomed by his enthusiasts—or anyone wishing to peer into the mind of one of the greatest composers ever known.
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Women, Family, and Ritual in Renaissance Italy
Christiane Klapisch-Zuber
University of Chicago Press, 1987
Christiane Klapisch-Zuber, a brilliant historian of the Annales school, skillfully uncovers the lives of ordinary Italians of the fourteenth and fifteenth centuries, Tuscans in particular, young and old, rich, middle-class, and poor. From the extraordinarily detailed records kept by Florentine tax collectors and the equally precise ricordanze (household accounts with notations of events great and small), Klapisch-Zuber draws a living picture of the Tuscan household. We learn, for example, how children were named, how wet nurses were engaged, how marriages were negotiated and celebrated. A wealth of other sources are tapped—including city statutes, private letters, philosophical works on marriage, paintings—to determine the social status of women. Klapisch-Zuber reveals how women, in their roles as daughters, wives, sisters, and mothers, were largely subject to a family system that needed them but valued them little.
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