Christianity is the world’s most populous religion, with some two billion adherents. As a world religion, Christianity has flourished because it is capable of taking on new forms in new contexts. To understand both the religion’s history and its present state, Mary Gerhart and Fabian Udoh gather original texts—from early Christian writings to contemporary documents on church-related issues—in The Christianity Reader. The most comprehensive anthology of Christian texts ever in English, this is a landmark sourcebook for the study of Christianity’s historical diversity. With newly edited, annotated, and translated primary texts, along with supplemental analytical essays, the volume allows Christianity, at long last, to speak in its many voices.

Focusing on Christianity as a religion, Gerhart and Udoh select texts that illuminate issues such as theology, mysticism, and ritual, while also articulating the stories of previously marginalized groups, as well as those in new and growing epicenters of the religion. With nearly three hundred selections, the texts encompass the entire history of Christian writings excluding the New Testament, from Justin Martyr and Tertullian to Fabien Eboussi Boulaga and Teresa of Calcutta. Eight thematic sections cover biblical traditions and interpretations; early influences; nascent forms; patterns of worship; structures of community; philosophy, theology, and mysticism; twentieth-century issues and challenges; and the contemporary relationship between Christianity and other world religions. The Reader’s contents are arranged chronologically and are supported with introductions and source notes that explain the rationale for their inclusion and their context.

Providing a far richer selection than ever before available in a single volume, The Christianity Reader will be welcomed as both a classroom resource and a work of reference for decades to come.

Race Patriotism: Protest and Print Culture in the A.M.E. Church examines important nineteenth-century social issues through the lens of the AME Church and its publications.  This book explores the ways in which leaders and laity constructed historical narratives around varied locations to sway public opinion of the day.  Drawing on the official church newspaper, the Christian Recorder, and other denominational and rare major primary sources, Bailey goes beyond previously published works that focus solely on the founding era of the tradition or the eastern seaboard or post-bellum South to produce a work than breaks new historiographical ground by spanning the entirety of the nineteenth century and exploring new geographical terrain such as the American West.

Through careful analysis of AME print culture, Bailey demonstrates that far from focusing solely on the “politics of uplift” and seeking to instill bourgeois social values in black society as other studies have suggested, black authors, intellectuals, and editors used institutional histories and other writings for activist purposes and reframed protest in new ways in the postbellum period.

Adding significantly to the literature on the history of the book and reading in the nineteenth century, Bailey examines AME print culture as a key to understanding African American social reform recovering the voices of black religious leaders and writers to provide a more comprehensive and nuanced portrayal of the central debates and issues facing African Americans in the nineteenth century such as migration westward, selecting the appropriate referent for the race, Social Darwinism, and the viability of emigration to Africa.  Scholars and students of religious studies, African American studies, American studies, history, and journalism will welcome this pioneering new study.

Julius H. Bailey is the author of Around the Family Altar: Domesticity in the African Methodist Episcopal Church, 1865–1900.  He is an associate professor in the Religious Studies Department at the University of Redlands in Redlands, California.

 

Melody Maxwell’s The Woman I Am analyzes the traditional, progressive, and potential roles female Southern Baptist writers and editors portrayed for Southern Baptist women from 1906 to 2006, particularly in the area of missions.

The Southern Baptist Convention (SBC) represents the largest Protestant denomination in the United States, yet Southern Baptist women’s voices have been underreported in studies of American religion and culture. In The Woman I Am, Melody Maxwell explores how female Southern Baptist writers and editors in the twentieth century depicted changing roles for women and responded to the tensions that arose as Southern Baptist women assumed leadership positions, especially in the areas of missions and denominational support.

Given access to a century of primary sources and archival documents, Maxwell writes, as did many of her subjects, in a style that deftly combines the dispassionate eye of an observer with the multidimensional grasp of a participant. She examines magazines published by Woman’s Missionary Union (WMU), an auxiliary to the SBC: Our Mission Fields (1906–1914), Royal Service (1914–1995), Contempo (1970–1995), and Missions Mosaic (1995–2006). In them, she traces how WMU writers and editors perceived, constructed, and expanded the lives of southern women.

Showing ingenuity and resiliency, these writers and editors continually, though not always consciously, reshaped their ideal of Christian womanhood to better fit the new paths open to women in American culture and Southern Baptist life. Maxwell’s work demonstrates that Southern Baptists have transformed their views on biblically sanctioned roles for women over a relatively short historical period.

How Southern Baptist women perceive women’s roles in their churches, homes, and the wider world is of central importance to readers interested in religion, society, and gender in the United States. The Woman I Am is a tour de force that makes a lasting contribution to the world’s understanding of Southern Baptists and to their understanding of themselves.