This collection celebrates the pathbreaking work in game theory and mathematics of John F. Nash Jr., winner of the 1994 Nobel Prize in Economics. Nash’s analysis of equilibria in the theory of non-cooperative games has had a major impact on modern economic theory. This book, also published as volume 81 of the Duke Mathematical Journal, includes an important, but previously unpublished paper by Nash; the proceedings of the Nobel seminar held in Stockholm on December 8, 1994 in his honor; and papers by distinguished mathematicians and economists written in response to and in honor of Nash’s pioneering contributions to those fields.

In 1950, when he was 22 years old, Nash presented his key idea—the Nash equilibrium—in the Ph.D. thesis he submitted to the Mathematics Department at Princeton University. In that paper, he defined a new concept of equilibrium and used methods from topology to prove the existence of an equilibrium point for n-person, finite, non-cooperative games, that is, for games in which the number of possible strategies are limited, no communication is allowed between the players, and n represents the number of players. The Nash equilibrium point is reached when none of the players can improve their position by changing strategies. By taking into account situations involving more than two players, specifically the general n-player game, Nash built significantly on the previous work of John Von Neumann and Oskar Morgenstern.

Contributors. Abbas Bahri, Eric A. Carlen, Ennio De Giorgi, Charles Fefferman, Srihari Govidan, John C. Harsanyi, H. Hoffer, Carlos E. Kenig, S. Klainerman, Harold F. Kuhn, Michael Loss, William F. Lucas, M. Machedon, Roger B. Myerson, Raghavan Narasimhan, John F. Nash Jr., Louis Nirenberg, Jill Pipher, Zeév Rudnick, Peter Sarnak, Michael Shub, Steve Smale, Robert Wilson, K. Wysocki, E. Zehnder

An appreciative examination of the New England clambake, Neustadt divides her study into three parts: historical (social, economic, political, regional, and cultural) influences on the clambake; a close focus on the Allen's Neck clambake as a cultural phenomena in its own right; and a critical examination of the central elements of the clambaking tradition--food, ritual, and festival.

The author views the clambake as a unique American folk tradition with interesting connections and rich resonances with other aspects of American culture and history.

A neglected genre that promises to shed light on the culture of consumption appears in the form of the daytime television game shows whose hegemonic message seems to convey and to justify a widespread obeisance to the mandate of materialism. A close analysis of the longest running game show, The Price Is Right, suggests that all facets of this program combine to reinforce its central meaning as a ritualistic validation of consumption-oriented greed.

Isaiah Berlin: A Celebration gathers tributes, reflections, and commentaries on the great thinker and his philosophy, politics, and life-including contributions from Michael Ignatieff, Leon Wieseltier, Ronald Dworkin, Stephen Spender, and many others.

"Some [essays], like Joseph Brodsky's tribute, are touchingly personal. Others, like G. A. Cohen's 'Isaiah's Marx, and Mine,' mingle personal reminiscences with a more theoretical look at Berlin's ideas. . . . The volume is a fitting tribute to a thinker famed for his erudition, eclecticism, and clarity of style."—Merle Rubin, The Christian Science Monitor

"One of the many merits of this rich and rewarding collection is the sense-very imperfectly conveyed here-it transmits of the tone of Berlin's writings and conversation, of the multiplicity of his interests and the variety of his achievements. . . . The essays testify to the character of Berlin's mind as a luminous prism, in which the cultural traditions of Russia, England and Judaism are marvelously refracted."—John Gray, Times Literary Supplement

"[T]he collection testifies to the learning and profundity of Berlin's thought and, by way both of reminiscence and influence, to the charm and gaity of its expression."—Anthony Quinton, The Times of London

 Like a warm family album, this lively book heralds and documents the rich and vibrant traditions of Yiddish-speaking immigrants and their children in “the golden land,” from the first arrivals to the Second World War.

             Meet the famous, the infamous, and the unknown—from hotelier Jenny Grossinger to mobster Jake “Greasy Thumb” Guzik to Moses Solomon, the would-be “Jewish Babe Ruth;” from anarchist Emma Goldman to entertainer Eddie Cantor.

            Share the struggles and the triumphs of the labor unions, of Yiddish playwrights and poets. Enter the sweatshops of New York’s Lower East Side and the first Jewish settlements in Los Angeles and Chicago. Taste pastrami from Canter’s Deli in Los Angeles, knishes from Yonah Shimmel’s in New York City, and the famous “smookmit” of the Montreal ghetto.

            Lavishly illustrated with photos, cartoons, theater posters, and song sheets, here is a book to delight and inform. It is a joyous celebration of life.

In praise of diversity, Jessie Grearson and Lauren Smith offer Love in a Global Village: A Celebration of Intercultural Families in the Midwest, an account of the triumphs of fifteen intercultural families and the perseverance of their relationships in midwestern America. The couples recount their courtships, their adventures and difficulties, and their individual choices to create families and build lives together despite differences of race, language, religion, and culture.

Welcomed into homes in towns like Kalona, Iowa, and Springfield, Missouri, Grearson and Smith introduce readers to unexpected fusions of culture in middle America. By focusing on small communities where intercultural relationships are exceptions rather than the norm, Smith and Grearson offer affirmation that multicultural households can endure and flourish almost anywhere.

A rich portrait of the community that is Arkansas manifested in song, Our Own Sweet Sounds celebrates the diversity of musical forms and music makers that have graced the state since territorial times. Beginning with the earliest references to Quapaw and Caddo music as first reported by seventeenth-century European explorers and continuing forward to the “bizarrely named grunge bands” who will be stars tomorrow, Robert Cochran traces the music and voices that have enriched the life of the Natural State. Arkansas, many are starting to realize, was caught in a cultural crossfire of music. There were the nearby western swing influence of Tulsa, the blues of Memphis, the Louisiana Hayride of Shreveport, and the influence of Ozark music from Missouri. All of this resulted in the Arkansas cross-culture of blues, country, folk, and rock music, creating a broad spectrum of musical styles and musicians that has left an indelible impression on the Arkansas cultural scene. This new edition includes approximately seventy new artists, some of whom became famous after 1996, when the first edition was published, such as Joe Nichols, and some of whom were left out of the original edition, such as Little Willie John. The valuable “Featured Performers” section—lengthy discussions of individual artists with their photographs—is now one-third larger. This new edition, heavily illustrated, is a loving tribute to the common music that has filled local airwaves, lifted community gatherings to the level of joyous festivities, and enlivened the spirit of music lovers everywhere.

Poetries – Politics: A Celebration of Language, Art, and Learning celebrates the best of innovative humanities pedagogy and creative graphic design. Designed and implemented during a time of political divisiveness, the Poetries – Politics project created a space of inviting, multilingual walls on the Rutgers campus, celebrating diversity, community, and cross-cultural exchange. This book, like the original project, provides a platform for the incredible generative power of student-led work. Essays feature the perspectives of three students and professors originally involved in the project, reflecting on their learning and exploring the works they selected for the original exhibition. The essays lead to a beautifully illustrated catalogue of the original student designs.

Reproduced in full color and with the accompanying poems in both their original language and a translation, this catalogue commemorates the incredible creative spirit of the project and provides a new way of contemplating these great poetic works.