Ossa Ostensa is the world’s first comprehensive example of how to teach and learn the Latin language using the unique teaching system of the internationally recognized authority Reginald Foster. Laura Pooley – prize-winning graduate of the University of Oxford and currently a supervisor at the University of Cambridge, brings to life the year she spent in Rome studying Latin with Reginaldus. His inspiring and transformative method of teaching combines with Laura’s twenty years of teaching experience to produce concise and crystal-clear explanations of the language. The three ‘experiences’ of Latin: beginners, intermediates and advanced, are divided between three user-friendly workbooks. Each workbook comprises around thirty lessons, where the language is presented in hand-out form requiring very little modification by prospective teachers. Each language area is then illustrated by translated reading examples. After each lesson, Laura provides translation practice targeted to the taught content. These Latin passages are divided into Classical and Post-Classical literature, to appeal to the interests of all Latin students. Not only that, but each passage is accompanied by teaching questions and translation hints, the mainstay of Reginaldus’ classroom persona and pedagogy so famously encapsulated in his Ludi. Students therefore can exercise recent language content and develop deep and spontaneous fluency in the Latin language. For the first time, the experience of learning with Reginaldus is available to everyone.

Edmund Spenser's art is intricate, intellectual, fanciful, and, finally, magnificent. Spenser is enshrined as one of the great English writers, and Book One of The Faerie Queene is regularly taught in colleges, not only in advanced courses but also in introductory surveys. Many teachers as well as students, however, find the poem baffling and know of no way to approach it except as an allegory whose several levels of meaning must be deciphered. Mark Rose shows that it is possible to read the poem as poetry—savoring the language, tracing Spenser's vision—without prior expertise in religion and philosophy, Renaissance iconography and mythology, or Tudor history. He offers a close reading of Book One, following the poem as it develops canto by canto.

Rather than expound the meaning, he attempts to draw the meaning out of the text while helping the reader respond freshly to the emotion, humor, grace, and humanity of the poem and conveying a sense of its richness and subtlety. Specialists will find many new insights in Spenser's Art, though the book is not addressed primarily to them; teachers who are not experts on Spenser will find it especially rewarding.

Shortlisted for the 2023 Saif Ghobash Banipal Prize for Arabic Literary Translation, Society of Authors

A Palestinian girl travels to the past in a magical quest to save the world.

The Thunderbird trilogy is a fast-paced time-traveling fantasy adventure centered on Noor, a young orphaned Palestinian girl who starts in the present and must go back in time to get four magical bird feathers and save the world. Aided by a djinn cat and girls who look identical to Noor and who each have one of the bird’s powers, in this initial volume Noor begins her journey through different historical periods, striving to keep the wall between worlds intact.

On the Brink of the Precipice, the first volume of the trilogy The Tree of Life, describes the lives of the novel’s ten protagonists in the Lodz Ghetto before the outbreak of World War II. Chava Rosenfarb, herself a survivor of the Lodz Ghetto, Auschwitz, and Bergen-Belsen, draws on her own history to create realistic characters who struggle daily to retain a sense of humanity and dignity despite the physical and psychological effects of ghetto life. Although the novel depicts horrendous experiences, the light of faith in the human spirit shines through this novel’s every page.

Winner of the 1972 J. J. Segal Prize and the 1979 Manger Prize for Yiddish Literature