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The Age of Nightmare
The Gothic and British Culture, 1750–1900
Jeremy Black
St. Augustine's Press, 2022
Historian Jeremy Black is comprehensive, as ever, but in his treatment of the British Gothic novel his greatest service is the preservation of the detail––namely, the human impetus behind art that is often undervalued. Gothic novelists were purposeful, thoughtful, and engaged questions and feelings that ultimately shaped a century of culture. Black notes that the Gothic novel is also very much about "morality and deploying history accordingly." The true interest of the Gothic novel is more remarkable than it is grisly: the featured darkness and macabre are not meant to usurp heroism and purity, but will fall hard under the over-ruling hand of Providence and certainty of retribution. 

Black's understanding of the Gothic writer is a remarkable contribution to the legacy of British literature and the novel at large. Once again, in Black thoroughness meets fidelity and the reader is overcome with his own insights into the period on the merit of Black's efforts. 

In The Weight of Words Series, Black is devoted to the preservation of the memory of British literary genius, and in so doing he is carving out a niche for himself. As in the Gothic novel where landscapes give quarter to influences that seem to interact with the human fates that freely wander in, reading Black is an experience of suddenly finding oneself in possession of an education, and his allure takes a cue from the horrific Gothic tempt. 
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Altered States
America Since the Sixties
Jeremy Black
Reaktion Books, 2006
Red states versus blue states. Metro versus retro. North or South, East or West. Pundits, politicians, and social scientists love to carve out categories in an attempt to make sense of political and social divisions that run through the American landscape. As the home of nearly 300 million people spread over approximately 3.7 million square miles of earth, the United States poses a monumental challenge to all who try to grapple with its rich and immensely complex physical and social geography. Acclaimed British historian Jeremy Black tackles this challenge through a literal and metaphorical road trip across America’s physical and historical landscapes, analyzing the ways that events in American history and culture since 1960 have remade the geography and demographics of America. 

Black works from the startling premise that the United States is a continent pretending to be a country. He examines the cultural clashes—and the tense harmony—between the numerous regional cultures uneasily contained within the United States’ wide bounds. Suburban sprawl, the triumph of consumerism, the war over health care, immigration, and Christian evangelicalism all play a part in these pages, as Black unravels the tangled web of American life during the past forty-five years. He locates such tensions in the tug-of-war between the unitary and divisive pressures that have always defined the character of American government, and in the alternating rise and fall of individualism and conformity in American society as well.  Black also has some telling new reflections on America’s role abroad, from Nixon’s Vietnam to George W. Bush's Iraq.

Drawing on travels from Virginia to California to Alaska, Black deftly reveals in Altered States the less-examined aspects of American culture as they are manifested in its diverse peoples and landscapes from coast to coast.

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Britain since the Seventies
Politics and Society in the Consumer Age
Jeremy Black
Reaktion Books, 2004
In Britain since the Seventies, well-known historian Jeremy Black examines the most recent developments in British political, social, cultural and economic history. Taking the triumph of consumerism as an organizing theme, he charts the rise and fall of the Conservative Party, developments in British society, culture and politics, environmental issues, questions of identity, and changes in economic circumstance and direction. Iconic issues such as BSE, transport, asylum seekers and the NHS are viewed from both national and international perspectives.

Black’s account of contemporary Britain challenges as well as entertains, seeking to engage the reader in the process of interpretation. Through the lens of the last three decades, the author unveils his image of a country in which uncertainty, contingency and change are the defining features. In charting the impact of increasing individualism, longevity and secularization, Black is drawn repeatedly to examine a fundamental paradox of modern Britain: "At the start of both century and millennium, the British were more prosperous than ever before, but . . . happiness has not risen with prosperity."

Britain since the Seventies is a wide-ranging and cogent evaluation of recent British history, and as such will appeal to all those interested in the condition of modern Britain, and how it came to be so, as well as being an ideal introduction for students of the subject.
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Defoe's Britain
jeremy black
St. Augustine's Press, 2023
The Weight of Words Series continues with Daniel Defoe, as historian Jeremy Black uses this writer to interpret Britain in the late 1600s, and likewise looks to the times to interpret the fiction. As seen in previous studies on Christie, Smollett, Fielding, and the Gothic novelists, Black tells the story of the story-teller, and presents the picture of British nationalism that "was the product, history, and record of struggle––collective and individual––as well as its defence. Defoe provides particular accounts of this struggle, both in foreign seas and lands, and at home. This struggle had a moral character that is difficult to capture today."
 
Defoe was an outsider, a man of many interests whom Black asserts evades too precise a portrait or coherent description of character and career. But he is a traveler, in the literal and imaginative senses, and in his engagement with life and its issues and willingness to associate with 'low-life' prefigures later literary giants like Smollett and Fielding. More than the establishment of genre, Defoe created the writer "whose business is observation." Black's account of this parcel of the British past is impeccable because it is in fact an account that the past, in Defoe, gives of itself. "As a writer, Defoe brought together a reality usually presented as, and endorsed by, history, with the imaginative focus of storytelling, and the direction of, variously, propaganda, analysis, and exemplary tale." 
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Europe Since the Seventies
Jeremy Black
Reaktion Books, 2009

In Europe since the Seventies, Jeremy Black offers a succinct and authoritative analysis of the social and economic development of Europe in recent decades.

            While providing a full treatment of environmental, demographic, and cultural issues in Europe, Black also offers delineations of broader political, economic, and social matters discussing practical, immediate subjects like migration, crime, transportation, and the environment. Europe since the Seventies reveals how European society has changed strikingly—former societal lines drawn on the basis of economics and class have given way to lines formed by identity, such as gender, sexual orientation, and ethnicity. Meanwhile, the European Union has created an expanded Europe and is now a testing ground for new forms of economics and politics.

            A readable, concise, and timely work, this latest book by a notable European historian will be indispensable to anyone wishing to understand the complexities of present-day Europe.

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A History of Diplomacy
Jeremy Black
Reaktion Books, 2010
 

In A History of Diplomacy, historian Jeremy Black investigates how a form of courtly negotiation and information-gathering in the early modern period developed through increasing globalization into a world-shaping force in twenty-first-century politics. The monarchic systems of the sixteenth century gave way to the colonial development of European nations—which in turn were shaken by the revolutions of the eighteenth century—the rise and progression of multiple global interests led to the establishment of the modern-day international embassy system. In this detailed and engaging study of the ever-changing role of international relations, the aims, achievements, and failures of foreign diplomacy are presented along with their complete historical and cultural background.


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A History of the Railroad in 100 Maps
Jeremy Black
University of Chicago Press, 2024

The first international history of railroads and railroad infrastructure told through stunningly reproduced maps.

Since their origins in eighteenth-century England, railroads have spread across the globe, changing everything in their path, from where and how people grew and made things to where and how they lived and moved. Railroads rewrote not only world geography but also the history of maps and mapping. Today, the needs of train companies and their users continue to shape the maps we consume and consult.

Featuring full-color maps primarily from the British Library's distinguished collection—many of them never before published—A History of the Railroad in 100 Maps is the first international history of railroads and railroad infrastructure told through maps. Jeremy Black includes examples from six continents, spanning a variety of uses from railroad planning and operations to guides for passengers, shippers, and tourists.

Arranged chronologically, the maps are accompanied by explanatory text that sheds light on the political, military, and urban development histories associated with the spread of railroads. A final chapter considers railroad maps from games, books, and other cultural artifacts. For anyone interested in the history of railroads or maps, A History of the Railroad in 100 Maps will offer new and unexpected insights into their intertwined global history.

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A History of the Second World War in 100 Maps
Jeremy Black
University of Chicago Press, 2020
 
The First World War was marked by an exceptional expansion in the use and production of military cartography. But World War II took things even further, employing maps, charts, reconnaissance, and the systematic recording and processing of geographical and topographical information on an unprecedented scale. As Jeremy Black—one of the world’s leading military and cartographic historians—convincingly shows in this lavish full-color book, it is impossible to understand the events and outcomes of the Second World War without deep reference to mapping at all levels. In World War II, maps themselves became the weapons.

A History of the Second World War in 100 Maps traces how military cartography developed from simply recording and reflecting history to having a decisive impact on events of  a global scale. Drawing on one hundred key maps from the unparalleled collections of the British Library and other sources—many of which have never been published in book form before--Jeremy Black takes us from the prewar mapping programs undertaken by both Germany and the United Kingdom in the mid-1930s through the conflict’s end a decade later. Black shows how the development of maps led directly to the planning of the complex and fluid maneuvers that defined the European theater in World War II: for example, aerial reconnaissance photography allowed for the charting of beach gradients and ocean depths in the runup to the D-Day landings, and the subsequent troop movements at Normandy would have been impossible without the help of situation maps and photos. In the course of the conflict, both in Europe and the Pacific,  the realities of climate, terrain,  and logistics—recorded on maps—overcame the Axis powers. Maps also became propaganda tools as the pages of Time outlined the directions of the campaigns and the Allies dropped maps from their aircraft.

In this thrilling and unique book, Jeremy Black blends his singular cartographic and military expertise into a captivating overview of World War II from the air, sea, and sky, making clear how fundamental maps were to every aspect of this unforgettable global conflict.
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The Importance of Being Poirot
Jeremy Black
St. Augustine's Press, 2021
Written by the renowned British historian who has been described as both utterly thorough and humanely delicate, Jeremy Black offers a guided tour through the mind of Agatha Christie and life during the Great World Wars. His incomparable treatment of literary craft developing alongside global military engagement nearly overshadows the natural draw of the crime drama that is the subject of his book. Indeed, the “prurience and sensationalism” of crime is not as exciting as Black’s aptitude for drawing the reality from the fiction (and periphery sources), giving Christie a much louder voice than she might ever have dreamed. If Christie is also moralist and mirror to her times, Black here plays his part as the detective and reveals layers of previously unmined truths in her stories.

Hercule Poirot as a character is masterfully imagined, but Black shows us how he is inseparable from Christie’s turbulent and changing world. He also illuminates significant social commentary in Christie’s fiction, and in so doing Black often uses his authority to vindicate Christie’s work from hastily, at times stupidly, applied labels and interpretations. He is especially magnificent in his chapters, “Xenophobia” and “The Sixties.” Black nevertheless gives due recognition to Christie’s critics when they have something relevant and reasonable to say, and hence the reader finds yet another service in Black’s comprehensive review of the reviewers over the expanse of Christie’s writing career.

For all this, Black proves himself to be a worthy history-teller because he can aptly ‘detect’ the meaning of stories that seeks to answer the past and guide the present. His erudition runs much deeper than his ability to navigate the stores of resources available on the subject, and the reader gets a glimpse of this early on when in the introduction he proffers his own defense for writing about the importance of a Hercule Poirot. Black writes, “the notion of crime had a moral component from the outset, and notably so in terms of the struggle between Good and Evil, and in the detection of the latter. Indeed, it is this detection that is the basis of the most powerful strand of detection story, because Evil disguises its purposes. It has to do so in a world and humanity made fundamentally benign and moral by God.” The Golden Age of detective novels represents much more than a triumph of a literary genre. It is in its own right a story of how the challenge to address the problem of evil was accepted. Its convergence with the plot-rich narrative of the twentieth century in the modern age renders Black’s account a thrilling masterpiece, seducing historians to read fiction and crime junkies to read more history.
 
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In Fielding’s Wake
Jeremy Black
St. Augustine's Press, 2022
In the second volume of The Weight of Words Series, Jeremy Black continues his efforts to present and preserve Britain's literary genius. Its intelligence and enduring influence is in large part reliant on the underlining conservatism that has motivated authors such as Agatha Christie (Black's earlier subject) and Henry Fielding alike. 

Fielding's epic comic novel, Tom Jones, is unforgettable for many reasons, but the author must be credited with an aptitude for documenting contemporary cultural history and his contribution to a new species of writing. Black's treatment of Fielding draws to the fore a man who was of his time but not confined to it. "Philosophy in practice encompassed his stance as a man of action as well as a reflective writer of genius." Fielding is shown to provide across the breadth of his work extensive and invaluable commentary on issues as diverse as law and order, marriage, women, and the interplay of urban and rural life. Black, an historian, is here a student of storytelling and recovers Fielding's rich descriptions of the human heart and call to defy the vices with which circumstances might taunt it.

Black has done a service along many fronts at once: the science of the novel and genre, the history of a people and the figure of a memorable writer. 
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Maps and Politics
Jeremy Black
Reaktion Books, 2000
?We all rely on the apparent accuracy and objectivity of maps, but often do not see the very process of mapping as political. Are the power and purpose of maps inherently political? Maps and Politics addresses this important question and seeks to emphasize that the apparent ‘objectivity’ of the map-­making and map-using process cannot be divorced from aspects of the politics of representation. Maps have played, and continue to play, a major role in both international and domestic politics. They show how visual geographical representations can be made to reflect and advance political agendas in powerful ways. The major developments in this field over the last century are responses both to cartographic progression and to a greater emphasis on graphic imagery in societies affected by politicization, democratization, and consumer and cultural shifts. Jeremy Black asks whether bias-free cartography is possible and demonstrates that maps are not straightforward visual texts, but contain political and politicizing subtexts that need to be read with care.
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Maps and Politics
Jeremy Black
University of Chicago Press, 1997
Do maps accurately and objectively present the information we expect them to portray, or are they instead colored by the political purposes of their makers? In this lively and well-illustrated book, Jeremy Black investigates this dangerous territory, arguing persuasively that the supposed "objectivity" of the map-making and map-using process cannot be divorced from aspects of the politics of representation.

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Smollett's Britain
Jeremy Black
St. Augustine's Press, 2022
Acclaimed British historian examines the layers of craft and insight in Tobias Smollett, and discusses the particular nature of his genius and influence on British culture. Once again, Black acquaints the reader with the full range of a prolific writer's works and offers a backstage tour of the meaning and context of Britain's most beloved stories and story-tellers. 
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War since 1945
Jeremy Black
Reaktion Books, 2004
Most writing on modern warfare begins with the French Revolutionary Wars and continues through World Wars I and II, giving post-1945 conflicts only a cursory glance through the lens of Cold War politics. Distinguished military historian Jeremy Black corrects that imbalance with War since 1945, a comprehensive look at the many large- and small-scale wars fought around the world in the past sixty years.

Black argues strenuously that, in order fully to understand recent warfare, we must discard the Cold War narrative that has until now framed the majority of historical inquiry. By treating conflicts—especially those in and between developing nations—on their own terms, he is able to bring proper attention to the wide varieties of force structures, methods, goals, and military cultures that have been employed in post-World War II battles. Rather than recapitulate the familiar assessments that consider improvements in weaponry or increases in the size of armies without adequately weighing the wider context of their uses in specific wars, Black presents an account of warfare that focuses on the actual tasks the military is ordered to undertake. His global coverage of warfare is unparalleled, and his insistence on the centrality of developing nations to this period of military history brings new knowledge to bear on understudied aspects of recent history.

Black brings the book up to date with considerations of the current "war on terror" and the U.S.-led war in Iraq. Timely and accessible, War since 1945 will be essential to anyone who wants to understand the state of warfare in the present day.
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Why Wars Happen
Jeremy Black
Reaktion Books, 1998
Why Wars Happen is a groundbreaking inquiry into the crucial yet surprisingly understudied question of why wars occur. Jeremy Black, one of Britain's foremost military historians, presents an interdisciplinary study that draws on subjects such as history, political science, and international relations and marshals a vast range of material with global examples spanning from the fifteenth century to today.

Black examines several major modern wars in their historical contexts, taking into account cultural differences and various conflict theories. He analyzes the three main types of war—between cultures, within cultures, and civil—and explores the problems of defining war. Black's investigation inspires fascinating questions such as: Do wars reflect the bellicosity in societies and states, or do they largely arise as a result of a diplomatic breakdown? How closely is war linked to changes in the nature of warfare, the international system, or the internal character of states? Black also considers contemporary situations and evaluates the possible course of future wars. Offering a valuable and thought-provoking analysis on the causes of war and conflicts, Why Wars Happen will interest historians and readers of military history alike.
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