Tracing the history of the species, Dickenson brings to life the giant extinct rabbits of Minorca and the tiny endangered Volcano rabbits of Mexico while focusing on the European rabbit. She explains how humans became this particular rabbit’s greatest predator, coveting its fur and flesh, and how they distributed rabbits to such far-flung places as New Zealand and Australia to provide food and sport for settlers. Dickenson also examines the paradox of the rabbit as prey and trickster who outwits all rivals, as cuddly companion for children and symbol of unbridled animal passion. She looks at the use of the rabbit’s foot to charm away evil, celebrates the Year of the Rabbit, and discovers the Jade Moon Rabbit, who lives on the moon. Hopping from B’rer Rabbit to the Energizer Bunny, Rabbit is the perfect gift for anyone who loves these intelligent, adorable creatures.

Someone has fallen into the rain puddle! But who is it? Well, on that point everyone seems to disagree. Is it the plump hen? The turkey? The curly sheep? The lovely, fat pig? Everyone sees something different when they look down into the puddle—until, that is, all the animals look at once, and see the entire farmyard underwater! Off they run in search of help, as the wise old owl perched in a tree shakes his head and chuckles to himself.

This wonderfully silly children’s book, originally published in 1965, is ideal for reading aloud, a tale that perfectly captures the wonder of discovering the outside world.
 

Like fluttering shards of stained glass, butterflies possess a unique power to pierce and stir the human soul. Indeed, the ancient Greeks explicitly equated the two in a single word, psyche, so that from early times butterflies were not only a form of life, but also an idea. Profound and deeply personal, written with both wisdom and wit, Peter Marren’s Rainbow Dust explores this idea of butterflies—the why behind the mysterious power of these insects we do not flee, but rather chase.

At the age of five, Marren had his “Nabokov Moment,” catching his first butterfly and feeling the dust of its colored scales between his fingers. It was a moment that would launch a lifetime’s fascination rivaling that of the famed novelist—a fascination that put both in good company. From the butterfly collecting and rearing craze that consumed North America and Europe for more than two hundred years (a hobby that in some cases bordered on madness), to the potent allure of butterfly iconography in contemporary advertisements and their use in spearheading calls to conserve and restore habitats (even though butterflies are essentially economically worthless), Marren unveils the many ways in which butterflies inspire us as objects of beauty and as symbols both transient and transcendent.

Floating around the globe and through the whole gamut of human thought, from art and literature to religion and science, Rainbow Dust is a cultural history rather than merely a natural one, a tribute to butterflies’ power to surprise, entertain, and obsess us. With a sway that far surpasses their fragile anatomy and gentle beat, butterfly wings draw us into the prismatic wonders of the natural world—and, in the words of Marren, these wonders take flight.

From the merlin to the golden eagle, the goshawk to the honey buzzard, James Macdonald Lockhart’s stunning debut is a quest of beak, talon, wing, and sky. On its surface, Raptor is a journey across the British Isles in search of fifteen species of birds of prey, but as Lockhart seeks out these elusive predators, his quest becomes so much more: an incomparably elegant elegy on the beauty of the British landscape and, through the birds, a journey toward understanding an awesome power at the heart of the natural world—a power that is majestic and frightening in its strength, but also fragile.

Taking as his guide the nineteenth-century Scottish naturalist and artist William MacGillivray, Lockhart loosely follows the historical trail forged by MacGillivray as he ventured from Aberdeen to London filling his pockets with plants and writing and illustrating the canonical A History of British Birds. Linking his journey to that of his muse, Lockhart shares his own encounters with raptors ranging from the scarce osprey to the successfully reintroduced red kite, a species once protected by medieval royal statute, revealing with poetic immediacy the extraordinary behaviors of these birds and the extreme environments they call home.

Creatures both worshipped and reviled, raptors have a talon-hold on the human heart and imagination. With his book, Lockhart unravels these complicated ties in a work by turns reverent and euphoric—an interweaving of history, travel, and nature writing at its best. A hymn to wanderers, to the land and to the sky, and especially to the birds, Raptor soars.

There can be no substitute for seeing thousands of broad-winged hawks soaring high overhead during migration, a great horned owl perching in silhouette at dusk, or a Cooper’s hawk plunging toward its prey along the roadside. But Jim Landenberger’s meticulously detailed paintings go a long way toward conveying the remarkable beauty of the American kestrel and other falcons, the grace of the swallow-tailed kite, the immaculate mystery of the snowy owl and its fellow owls, the glistening head feathers of an adult bald eagle, and the piercing defiance so characteristic of our larger hawks. 

The rat has been described as the shadow of the human: from ancient times through today, it has followed man via routes of commerce and conquest to eventually inhabit nearly every part of the world. Rats have a bad reputation—they spread disease, destroy agricultural produce, and thrive in the darkest corners of human habitation—but they have recently found credibility as a major resource for scientific experimentation. Jonathan Burt here traces the fortunes of the rat in history, myth, and culture.

Central to Rat is the history of the relationship between humans and rats and, in particular, the complex human attitudes toward these shrewd creatures. Burt examines why the rat is viewed as more loathsome and verminous than other parasitic animals and considers why humans have had diametrically opposed attitudes about the rat: some cultures greatly admire the rat for its skills, while others consider the rat the scourge of the earth. Burt also draws on a wide range of examples to explore the rat's role in science, culture, and art, from its appearances in children's literature such as The Wind in the Willows to Victorian rat- and dog-baiting pits to its symbolic roles in folklore.

Rat offers an intriguing and richly illustrated study of one of nature's most remarkable creatures and ultimately finds that the rat exists as a perverse totem for the worst excesses of human behavior.

Raven and River leads young readers on a fantastical journey with a raven across the icy Alaska landscape on the verge of spring. Along the way, the raven’s sonorous cry wakes a cast of sleeping woodland creatures, including a bear, a beaver, a hare, and a squirrel—all of whom join him in imploring the still-frozen river to melt and thereby initiate the change of seasons. Packed with information and featuring vibrant full-color illustrations by Jon Van Zyle, Raven and River brings to life these two important harbingers of Alaska’s spring.

Reading the Shape of Nature vividly recounts the turbulent early history of the Museum of Comparative Zoology at Harvard and the contrasting careers of its founder Louis Agassiz and his son Alexander. Through the story of this institution and the individuals who formed it, Mary P. Winsor explores the conflicting forces that shaped systematics in the second half of the nineteenth century. Debates over the philosophical foundations of classification, details of taxonomic research, the young institution's financial struggles, and the personalities of the men most deeply involved are all brought to life.

In 1859, Louis Agassiz established the Museum of Comparative Zoology to house research on the ideal types that he believed were embodied in all living forms. Agassiz's vision arose from his insistence that the order inherent in the diversity of life reflected divine creation, not organic evolution. But the mortar of the new museum had scarcely dried when Darwin's Origin was published. By Louis Agassiz's death in 1873, even his former students, including his son Alexander, had defected to the evolutionist camp. Alexander, a self-made millionaire, succeeded his father as director and introduced a significantly different agenda for the museum.

To trace Louis and Alexander's arguments and the style of science they established at the museum, Winsor uses many fascinating examples that even zoologists may find unfamiliar. The locus of all this activity, the museum building itself, tells its own story through a wonderful series of archival photographs.

What is it about Western society, ask the authors, that makes it possible for people to express great affection for animals as sentient creatures and simultaneously turn a blind eye to the most callous behavior toward them? Animals are sold as expensive commodities, used as food and clothing, killed as vermin, and hunted for sport. But they also are treated as members of the family, used as the cause célèbre of social movements, and made the subject of art, film, and poetry. Such contradictions motivate these unique ethnographers to venture into social worlds most people know about only in passing, such as veterinary clinics where companion animals are cared for, animal shelters where dogs and cats are "mercifully" euthanized, and primate labs where monkeys are kept for animal experimentation.

Arluke and Sanders are not distanced ethnographers. They worked in the clinics, shelters, and laboratories, cleaning cages, assisting in surgery, and participating in "sacrificing" animals for science or helping to provide them with an "easy death." In this book, the people who work with these animals and live through them talk to the authors about the strategies they adopt to cope with the stress of the job.

This fascinating book combines sociological analysis with ethnographic description to give us insight into the history and practice of how we as human beings construct animals, and by extrapolation, how we construct ourselves and others in relation to them.

In the series Animals, Culture, and Society, edited by Arnold Arluke and Clinton R. Sanders.

Reimagining a Place for the Wild contains a diverse collection of personal stories that describe encounters with the remaining wild creatures of the American West and critical essays that reveal wildlife’s essential place in western landscapes. Gleaned from historians, journalists, biologists, ranchers, artists, philosophers, teachers, and conservationists, these narratives expose the complex challenges faced by wild animals and those devoted to understanding them. Whether discussing keystone species like grizzly bears and gray wolves or microfauna swimming the thermal depths of geysers, these accounts reflect the authors’ expertise as well as their wonder and respect for wild nature. The writers do more than inform our sensibilities; their narratives examine both humanity’s conduct and its capacity for empathy toward other life. A selection of photos and paintings punctuates the volume.

This collection sprang from the Reimagine Western Landscapes Symposium held at the University of Utah’s Taft-Nicholson Environmental Humanities Education Center in Centennial Valley, Montana. These testaments join a chorus of voices seeking improved relations with the western wild in the twenty-first century.

In Religious Affects Donovan O. Schaefer challenges the notion that religion is inextricably linked to language and belief, proposing instead that it is primarily driven by affects. Drawing on affect theory, evolutionary biology, and poststructuralist theory, Schaefer builds on the recent materialist shift in religious studies to relocate religious practices in the affective realm—an insight that helps us better understand how religion is lived in conjunction with systems of power. To demonstrate religion's animality and how it works affectively, Schaefer turns to a series of case studies, including the documentary Jesus Camp and contemporary American Islamophobia. Placing affect theory in conversation with post-Darwinian evolutionary theory, Schaefer explores the extent to which nonhuman animals have the capacity to practice religion, linking human forms of religion and power through a new analysis of the chimpanzee waterfall dance as observed by Jane Goodall. In this compelling case for the use of affect theory in religious studies, Schaefer provides a new model for mapping relations between religion, politics, species, globalization, secularism, race, and ethics.

 

Animals, as Lévi-Strauss wrote, are good to think with. This collection addresses and reassesses the variety of ways in which animals were used and thought about in Renaissance culture, challenging contemporary as well as historic views of the boundaries and hierarchies humans presume the natural world to contain.
 
Taking as its starting point the popularity of speaking animals in sixteenth-century literature and ending with the decline of the imperial Ménagerie during the French Revolution, Renaissance Beasts uses the lens of human-animal relationships to view issues as diverse as human status and power, diet, civilization and the political life, religion and anthropocentrism, spectacle and entertainment, language, science and skepticism, and domestic and courtly cultures.
 
Within these pages scholars from a variety of disciplines discuss numerous kinds of texts--literary, dramatic, philosophical, religious, political--by writers including Calvin, Montaigne, Sidney, Shakespeare, Descartes, Boyle, and Locke. Through analysis of these and other writers, Renaissance Beasts uncovers new and arresting interpretations of Renaissance culture and the broader social assumptions glimpsed through views on matters such as pet ownership and meat consumption.
 
Renaissance Beasts is certainly about animals, but of the many species discussed, it is ultimately humankind that comes under the greatest scrutiny.
 

The Resurrection of the Animals explores the trinity of the natural world, the humans adrift in it, and the animals that accompany them. Although each of the five sections centers on a particular theme, motifs of change, loss, cycles, and transformation thread through the collection, weaving the parts into a unified whole. Individual sections focus on: the seasons of the year, and by extension, people’s lives; the power of memory and its limitations; the theory that what is magical often resides within; and, the mysteries of love. The Resurrection of the Animals culminates in the title section, revealing the lessons of kinship with animals and how epiphanies occur in the simplest actions—taking a walk with dogs or catching sight of a bird on the wing. These poems suggest that memory, association, and interaction with the tangible world can revive a part of the self that has slipped below the depths of consciousness.

Reynard—a subversive, dashing, anarchic, aristocratic, witty fox from the watery lowlands of medieval East Flanders—is in trouble. He has been summoned to the court of King Noble the Lion, charged with all manner of crimes and misdemeanors. How will he pit his wits against his accusers—greedy Bruin the Bear, pretentious Courtoys the Hound, and dark and dangerous Isengrim the Wolf—to escape the gallows?

Reynard was once the most popular and beloved character in European folklore, as familiar as Robin Hood, King Arthur, or Cinderella. His character spoke eloquently for the voiceless and disenfranchised, but also amused and delighted the elite, capturing hearts and minds across borders and societal classes for centuries. Based on William Caxton’s bestselling 1481 English translation of the Middle Dutch, this edition is an imaginative retelling of the Reynard story, expanded with new interpretations and innovative language and characterizations. With its themes of protest, resistance, and duplicity led by a personable, anti-heroic Fox, this gripping tale is as relevant and controversial today as it was in the fifteenth century.

We tend to think of rhetoric as a solely human art. After all, only humans can use language artfully to make a point, the very definition of rhetoric.

Yet when you look at ancient and early modern treatises on rhetoric, what you find is surprising: they’re crawling with animals. With Rhetoric in Tooth and Claw, Debra Hawhee explores this unexpected aspect of early thinking about rhetoric, going on from there to examine the enduring presence of nonhuman animals in rhetorical theory and education. In doing so, she not only offers a counter-history of rhetoric but also brings rhetorical studies into dialogue with animal studies, one of the most vibrant areas of interest in humanities today. By removing humanity and human reason from the center of our study of argument, Hawhee frees up space to study and emphasize other crucial components of communication, like energy, bodies, and sensation.

Drawing on thinkers from Aristotle to Erasmus, Rhetoric in Tooth and Claw tells a new story of the discipline’s history and development, one animated by the energy, force, liveliness, and diversity of our relationships with our “partners in feeling,” other animals.

This book was created for the course titled “Nature, Culture, & Landscape” taught by Sara Adlerstein at the University of Michigan, School for Environment & Sustainability. The objective was to create a book that uses the topic of urban gardening to teach young readers about the importance of environmental stewardship—respecting and caring for Earth and the diversity of life it sustains.

Revised, updated, and with more than 80 new color photographs, Rocky Mountain Mammals, Third Edition is a nontechnical guide to the mammals of the Southern Rocky Mountains and their foothills, with special emphasis on Rocky Mountain National Park and vicinity.

Designed for quick reference and enjoyable reading, Rocky Mountain Mammals offers what most field guides don't - a wealth of fascinating information about each species. In seventy-two species accounts, David M. Armstrong describes each animal and its signs, habits, habitat, and natural history, noting times when seasonal events such as elk sparring occur.

Introductory materials and appendices offer rich context and wildlife-watching support, including a checklist with page numbers for quick field reference, an identification key, a glossary, derivations of scientific names, and advice on how, when, and where to watch mammals. Armstrong introduces mammalian evolution, anatomy, and distribution and offers perspective on how the local fauna fits into its geographical setting and into past and potential future faunas of the region.

This lavishly illustrated new edition will delight those who live in and visit the high country and foothills of the Southern Rockies and want to identify mammals and learn about their lives. Published in association with the Rocky Mountain Nature Association.

As world population grows, and more people move to cities and suburbs, they place greater stress on the operating system of our whole planet. But urbanization and increasing densities also present our best opportunity for improving sustainability, by transforming urban development into desirable, lower-carbon, compact and walkable communities and business centers.
Jonathan Barnett and Larry Beasley seek to demonstrate that a sustainable built and natural environment can be achieved through ecodesign, which integrates the practice of planning and urban design with environmental conservation, through normal business practices and the kinds of capital programs and regulations already in use in most communities. Ecodesign helps adapt the design of our built environment to both a changing climate and a rapidly growing world, creating more desirable places in the process.
In six comprehensively illustrated chapters, the authors explain ecodesign concepts, including the importance of preserving and restoring natural systems while also adapting to climate-change; minimizing congestion on highways and at airports by making development more compact, and by making it easier to walk, cycle and take trains and mass transit; crafting and managing regulations to insure better placemaking and  fulfill consumer preferences, while incentivizing preferred practices; creating an inviting and environmentally responsible public realm from parks to streets to forgotten spaces; and finally how to implement these ecodesign concepts.          
Throughout the book, the ecodesign framework is demonstrated by innovative practices that are already underway or have been accomplished in many cities and suburbs—from Hammarby Sjöstad in Stockholm to False Creek North in Vancouver to Battery Park City in Manhattan, as well as many smaller-scale examples that can be adopted in any community. 
Ecodesign thinking is relevant to anyone who has a part in shaping or influencing the future of cities and suburbs – designers, public officials, and politicians.